- Levels Taught:
- Beginner, Intermediate, Advanced
In my studio, you will learn to take your space vocally and physically as a performer! We will work on a relaxed and engaged posture (through my experience work with Alexander and Feldenkrais technicians), singing/speaking the truth of the text, and a healthy, bright but warm sound that will wow any audience and audition panel. I also specialize in character work, through my own experience performing Opera and Musical Theatre with such companies as Santa Fe Opera, Sarasota Opera, Opera Idaho, Utah Festival Opera and Musical Theatre, and Carnegie Hall to name a few. Come join me to have a positive, exciting, and long-lasting vocal journey!
- Teaches students:
- Ages 14+
- Teaching since:
- January 2016
Lauded by Opera News as having “showed vocal confidence [...] his luminous head voice blooming with expansive and penetrating phrases“, and by Opera Today as bringing "the performance to an awestruck standstill with his exquisitely sung (aria)... He cuts a fine figure throughout the performance, with an intense stage presence” Peter has performed such roles as Rodolfo (La Bohème), Alfredo (La Traviata), Il Duca di Mantova (Rigoletto), Macduff (Macbeth), Nemorino (l'elisir d'amore), Turiddu (Cavalleria Rusticana), and Justice Scalia in Derrick Wang’s Scalia/Ginsburg, performed at the Supreme Court and featured on NPR’s All Things Considered. Peter has performed in such venues as Santa Fe Opera, Sarasota Opera, Opera Idaho, Anchorage Opera, Maryland Opera, Lancaster Symphony, Richmond Symphony, Helena Symphony, and Carnegie Hall.
As a teacher, students have said about Mr. Peter:
“Peter helped me get to my high notes with a bright sound that felt relaxed and easy” -Brett Andrews, Tenor/Dancer
“Peter’s experience as a performer helped me not only achieve a healthy full sound, but a strong connection to the role through body work and character analysis.” -Abigail Lawsonn, Operatic Soprano
My technique is based on a relaxed but engaged posture, the management of air instead of "pushing" or "shoving" air, a bright but warm sound, and taking your space as a performer, a singer, and a human being.
My always expanding studio of singers who study voice with me
Operatic Tenor Peter is a rising star in the opera world, performing all over the country and internationally. He specializes in Operatic, Oratorio/Symphonic, and Musical Theatre repertoire
An American labor union that represents 8,000 current and retired opera singers, ballet and other dancers, opera directors, backstage production personnel at opera and dance companies, and figure skaters.