- Teaches students:
- Ages 5+
- Teaching since:
- January 2010
I'm a Detroit-based multi-instrumentalist with experience playing gospel, jazz, R&B, rock, and more. I studied jazz bass at University of Michigan, but I am certainly down-to-earth and open to teaching a variety of musical styles at many different levels. I've played bass, keys, and guitar in a number of groups over the years, and I've studied these instruments privately with amazing mentors since I was young. Because of this experience I can help a student find and fine-tune their role in their band no matter what the instrument. I can also help those students who play music privately in their own homes or with their friends to create and attain musical goals.
More than anything, I appreciate the friendships I form with my students. There is tremendous trust formed in the teacher-student relationship as we work toward shared goals, and that is something very special to me. Essentially, music takes on an apprenticeship model. Interested beginners find an experienced mentor, gain knowledge and experience, and in turn become experienced musicians who can mentor students themselves. I've celebrated achievements with my students as they begin to perform, write and record original music, and pass auditions for groups and music schools. I derive so much pride and responsibility from carrying on my musical lineage, and I strive to help students follow their interests and become accomplished musicians in their own right.
In June 2018 I was invited to play at Community Christian Fellowship, and after the service I was offered a permanent position there. I play a repertoire of traditional gospel, contemporary gospel, and CCM on piano and occasionally organ. I accompany Shana Wilson, the Detroit-based recording artist, who is praise leader and choir director at this Church.+ Read More
I am the bass player for the artists in this Detroit-area management group and entertainment service.
Since May 2015, I've been teaching students in my own private studio. This arrangement has allowed me to be more personal and effective with my students and my approach to teaching. I can also work my students into my busy rehearsing, gigging, and recording schedule.+ Read More
I play bass for churches, often as a contractor rather than faculty, in the Detroit area. Sometimes I'm hired to play services for a number of weeks or months, and sometimes I'm hired for special events. This work is in gospel and CCM styles.
I began performing when I was a teenager. Although I started with house shows, private parties, local events, and academic competitions, this career became semi-professional when I was in college. It was tough to balance being a serious music student with a number of weekly performances in Ann Arbor and Detroit, but it was invaluable to match my studies with experience.
I've had the opportunity to play in famous venues, like Baker's Keyboard lounge and the Michigan Theater. I've played, recorded and traveled with a number of musicians and groups, including recording for Vulfpeck's Antwaun Stanley in 2015. In addition to playing with local groups, I contract for private events, like weddings, reunions, recitals, and parties. I have contracted as a bass player for musical theater productions. I have contracted and performed for the University of Michigan a number of times.
Much of my playing experience since moving to Detroit in 2015 has been in the gospel circuit. I've played at a number of churches and events as a musician and music director on bass, piano, organ, and occasionally guitar.
I began learning music at a young age, and my desire to learn and do more as a musician has been growing ever since. My journey began with guitar lessons at the age of eight, but I've expanded my study to bass (upright and electric), voice, music production, piano, organ, synthesizers, and turntablism.
I learned directly from some of the greatest musical figures of my lifetime, including Bob Hurst, Geri Allen, and Danger Mouse, and I have attended master classes and Q&A's with Jeff "Tain" Watts, Ron Carter, and Esperanza Spalding.
I'm currently mentored and taught by some of Detroit's finest musicians. They are passing down the legacy Detroit's musical legacy--Motown, rock, hip-hop, gospel, techno, jazz--by gigging with and training young musicians like me.
Finally, I practice endlessly. On top of performing, recording, rehearsing, teaching, and--of course--listening to music, I practice and learn music for an average of 8 and a half hours a day, six days a week. Although my students usually don't have the time to practice that a professional musician does, I try my best to make their path easier by having the deepest breadth of knowledge I can.
I presided over the music department at this non-denominational, African-American church. I led service from the organ, played by ear, played behind the pastor, and selected music for service. I also led rehearsals, taught repertoire, and incorporated visiting musicians and singers into our music department.+ Read More
I was tasked with teaching authentic blues repertoire and style to multiple instruments at a variety of experience levels. I learned to plan classes, create original instructional materials, and manage a large group of students.
I ran rehearsals and taught lessons to young people with special needs, but this experience also built my teaching skill tremendously. I became much more patient, flexible, personal, and creative in my approach.
I taught as many as 25 private lessons a week to students of guitar, bass, piano, and voice. I led student rehearsals and provided support at their performances.
I taught a diverse group of students of all ages and ability levels. I learned that every student has something to offer, and it's my job to help them find and develop what they wish to express on their instrument.