- Levels Taught:
- Beginner, Intermediate, Advanced
- Teaches students:
- Ages 7+
- Teaching since:
Born into a musical family in 1966, I have extensive performance experience as a classical violinist and violist, and I've been composing my own music since 2000. I am very grateful to have studied with some of the finest teachers of violin, viola and chamber music, and I graduated in 1990 from the Curtis Institute of Music in Philadelphia, one of the best conservatories in the world. I've played often with the Philadelphia Orchestra and the San Francisco Symphony, and I was the Concertmaster of the Chamber Orchestra of Philadelphia for 6 years.
I'd like to pass on the knowledge gained from my years of playing in orchestras, chamber groups and solo concerts. My teachers taught me the most refined techniques of tone production and continually showed me how to make the music come alive emotionally and tell a story.
I've also played a lot of music by contemporary composers, in groups like Network for New Music and Orchestra 2001 in Philadelphia, as well as Left Coast Chamber Ensemble in the Bay area. Some special tours I went on were with the Philip Glass Ensemble and with Tan Dun, the composer of Crouching Tiger, Hidden Dragon.
My own compositional adventures started in the the late 1990's when I started improvising with a DJ mix in a small club. Since then I have experimented a lot with pickups and electric violin. I've created surround sound collages, improvised music for modern dance, and learned digital audio editing skills. I am knowledgable about Pro Tools and Ableton Live. If you are interested in electric violin, looping or using MIDI effects, I can share what I've learned about these things.
I have two solo CDs of original music - one violin, one viola - you can find on CDbaby and bandcamp.com.
You can make music and be creative no matter what playing level you are on. I believe in having fun as you learn, and I stress learning by example and by ear. Reading music is good, too, but often that gets in the way of listening. We will build a foundation step by step and add on elements when you are ready. Also - I can help you be relaxed as you play. I have never had tendonitis or another occupational injury, thanks to good posture and technique. Body awareness is part of the process. Let's have fun- - you can do this!
NOTE: for students age 7 to 12, I require the parent to be present at the lesson and take an active interest in the student's progress. Also, the child must want to play this instrument.
Played frequently and toured with the Symphony when a fulltime member was out sick or on leave.
Played frequently and toured with the Orchestra when a fulltime member was out sick or on leave.
I played with this chamber orchestra actually since around 1987, when it was called Concerto Soloists of Philadelphia. Served as Concertmaster for 6 seasons, including a few years after I moved to San Francisco, in August 2007. On iTunes is a live recording of my performance with COP as soloist in the Violin Concerto in G Minor by Prokofiev.+ Read More
The American Viola Society is a nonprofit organization of viola enthusiasts, including students, performers, teachers, scholars, composers, makers, and friends, who seek to encourage excellence in performance, pedagogy, research, composition, and lutherie. United in our commitment to promote the viola and its related activities, the AVS fosters communication and friendship among violists of all skill levels, ages, nationalities, and backgrounds.+ Read More
The American Composers Forum enriches lives by nurturing the creative spirit of composers and communities. We provide new opportunities for composers and their music to flourish, and engage communities in the creation, performance and enjoyment of new music.+ Read More
A labor union representing professional musicians in the United States and Canada. Founding in 1896 as the successor to the "National League of Musicians," the AFM is the largest organization in the world representing the interests of professional musicians.+ Read More