- Teaches students:
- and Ages 18+
- Teaching since:
My teaching philosophy:
I have a passion to help YOU with your unique needs and desires - no two voices are alike, and we will work together to discover your particular strengths. Working with the physical structure of your face and body, we'll uncover ways to free you FROM yourself. Many bad vocal habits are learned through everyday life - together we can identify these to bring you closer to the optimal function of your voice. I will provide a foundation of knowledge for effective breathing and posture, as well as fill your 'toolbox' with many practical methods to alleviate tensions and encourage optimal resonance. As I am an active professional singer, I teach largely through demonstration accompanied by easily understandable technical language aimed to resonate with the student's natural sense memory and vocabulary. These are methods I have practiced myself over many years as a professional singer at the world's great opera houses, and I know they will help serve your artistry and desire to be expressive, confident and engaging to an audience of 1 or 10,000.
A recipient of the prestigious Lenore Annenberg Fellowship in the Arts, baritone Alex made his Vancouver Opera debut in the 2017 season as the title role in Mozart’s Le Nozze di Figaro, and will debut the role of Il Conte in the same opera in the 17/18 season with Opera Naples. Formerly a member of the ensembles of Theater Basel and Opernhaus Zürich, Alex made his European debut in Switzerland singing The Hunter in Rusalka, Moralès in Carmen and L’Ami in Debussy’s rarely performed La Chute de la Maison Usher. Since then, he went on to make several further role debuts in Zürich, including Silvio in Pagliacci under Alexander Vedernikov, Ned Keene in Peter Grimes under Erik Nielsen, and the three baritone roles of Bohuslav Martinu’s rarely performed Juliette, under Fabio Luisi.
Previous noteworthy engagements included his principal role debut with the Glimmerglass Festival in Cooperstown, NY, singing Belfiore in Verdi’s King For a Day, of which the New York Times noted the debut of a “sensational” new talent. In 2014, Alex performed in a high profile gala concert for the 85th Anniversary of the Ópera de Bellas Artes alongside legendary tenor Franzisco Araiza, soprano Maria Katzarava and bass Eric Halfvarson. He made his Lucerne Festival debut as Don Quixote in Manuel De Falla’s El Retable del Maese Pedro conducted by Clement Power, performed as the baritone soloist in Mendelssohn’s Die Erste Walpurghisnacht with the Orchestra Symphonique de Mulhouse, and debuted the role of Sam in Bernstein’s Trouble in Tahiti for the opening festival of Opernhaus Zürich’s 2012/13 season.
A 2007 B.M. graduate of Northwestern University, Alex received an Artist Diploma from the Academy of Vocal Arts in 2011, and has been a top prizewinner in several major international competitions.
Joined the Festival Artists at the Savannah Voice Festival to perform concerts under the direction of renowned baritone Sherrill Milnes.
Performed concerts and recitals at the prestigious Ravinia Steans Institute for Singers in Highland Park, IL.
Performed the role of Figaro with the Vancouver Opera
Performed many roles with the Zurich Opera House, Switzerland, as a member of their ensemble.
Performed the role of Belfiore in Verdi's King for A Day at the renowned festival in Cooperstown, NY.
Performed Don Quixote in De Fallas 'El Retable del Maese Pedro' with the Lucerne Festival, Switzerland.
Performed several roles with the Theater Basel, Switzerland, where I made my European professional debut.
Alex is an intelligent, musical and passionate artist with a voice to match.
The commitment he gives to his own fine singing, the understanding of a free vocal production and excellent sense of musicality would help any singer studying with him.
Alex is an excellent musician. A vocalist with a completed Masters Degree in Voice Performance. Northwestern, AVA with many honors, scholarships and awards. He is a supportive intelligent person who will be of great benefit to any one who studies with him.
He teaches a standard Bel Canto technique which is healthy for all voice types.