Old Zionsville Music Lessons

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About Elizabeth H.

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Conshohocken, PA
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About Elizabeth
Elizabeth is an established and respected voice and piano teacher, and also an active, versatile performer in musical theatre, operetta, and opera in the Philadelphia region.

***Teaching Philosophy***
I am a fun, enthusiastic teacher who cares deeply about her students and their growth as musicians and people. I believe teaching works best when students are relaxed, having fun, and are actively engaged in the learning process. It is also important that you practice what we work on during lessons at home if you wish to see real progress. I will work hard along with you and ask for your input during lessons; we are partners in the learning process.

I also believe each student is unique, and take differences in learning style, interests, goals, and personality into account when I teach. Whichever you choose to study (voice, piano, or
both), I tailor lessons to suit each student's needs. I would like to enable you to meet your musical goals, whatever they may be.

***Lesson Details and Recommendations***

Singing voice: I teach classical vocal technique with an emphasis on the body-mind connection. Through the course of my training, I have studied the Alexander Technique, which is a method that has been used by actors, musicians, and athletes to find optimal body-mind coordination to achieve better results. The voice is the only instrument that is literally your body, so we will be using these tools to improve posture, breathing, and resonance. By learning a healthy vocal technique, you can expect improved tone quality, an expanded vocal and dynamic range, greater resonance, increased agility, improved diction, and more. Healthy vocal technique can be applied to any genre, and I teach students who are studying a wide variety of music, but classical and musical theater repertoire is my area of expertise.

Speaking voice: I have had great success helping students who come to me for help with their speaking voices. As the speaking voice and singing voice use the same set of muscles, the same set of functional principles apply. I work with students to improve their posture, breathing, and breath support when speaking, as well as clear diction, better pacing, and conveying emotion and meaning. These tools also lead to increased confidence when speaking.

Piano: I am also an established piano teacher and have had much success teaching beginning and intermediate students from ages 4 to 91 in various styles of music. I believe it is important for students to learn how to read and interpret written music as well as understand the structure behind it, so in addition to learning musical basics, I incorporate music theory into lessons. I encourage my piano students to learn how to read lead sheets and create chord accompaniments as well, which opens the door for comfortably playing in all sorts of styles sooner than would be possible by classical approaches alone. I also work on improvisation and songwriting with my piano students, if desired.

***Lesson Recommendations***
I offer lessons in 30, 45, and 60 minute increments. These are the *minimum* lesson lengths recommended. Longer lessons are more beneficial, except in the case of children with smaller attention spans. A 60 minute lesson is the best choice for serious students (teenagers or adults).

Voice:
Ages <12 years: 30 minutes
Ages 12 and up: 45 minutes

Piano:
Ages <7 years: 30 minutes
Ages 7 and up: 45 minutes

Combination Lesson:
Ages <12 years: 45 minutes
Ages 12 and up: 60 minutes

*Please note: I do not reserve regular lesson times in my schedule for students who cannot commit to weekly lessons. With students who wish to take less frequent lessons, I recommend the flex plan, with lessons to be scheduled as we go at our mutual convenience.

***Educational Background***
Elizabeth holds an M.M. in vocal performance from West Virginia University, where she was featured in numerous WVU Opera Theatre productions and was the soprano soloist with WVU Choirs in Faure's Requiem and Handel's Lord Nelson Mass. While at WVU, Elizabeth resumed taking lessons at the piano, which she had previously studied for many years, and exceeded the piano proficiency level required by the university. She also holds a B.A. in music and international studies from Emory University. Elizabeth has studied and performed internationally, both at the American Institute of Musical Studies in Graz, Austria, where she was the recipient of the Lemmonds Scholarship, and at the Bel Canto program in conjunction with L'Arena di Verona opera company in Verona, Italy.

As a graduate assistant at WVU, Elizabeth taught voice lessons to music education and performance majors as well as a course on vocal pedagogy. After graduating, she served as adjunct faculty, in which capacity she taught vocal repertoire and opera theater. She has maintained a private studio since 2005, in which she instructs students in voice and piano. She has also held past teaching positions with the Meridee Winters School of Music and Woodland Country Day School.

***Active, Professional Singer/ Actress***
Elizabeth was most recently seen as Joanie in The Full Monty at Candlelight Theatre in Delaware. Other recent performances include June in Musical of Musicals: The Musical and Peaches/ Baby Jane in Jerry Springer: The Opera with Bootless Stageworks in Wilmington, DE, solo performances with the New Voices Cabaret at the Society Hill Playhouse in Center City, and Woman 2 in My Way: A Musical Tribute to Frank Sinatra with Mainstage Center for the Arts in Blackwood, NJ. She has performed numerous leading roles with Philadelphia area Gilbert and Sullivan companies, most notably appearing as Angelina in Trial by Jury with The Savoy Company, winning Best American Production at the 2011 International Gilbert and Sullivan Festival. Her G &S performance credits include the roles of Patience (Patience), Yum-Yum (The Mikado), Rose Maybud (Ruddigore), Phyllis (Iolanthe), and Fiammetta (Gondoliers). Additionally, she has pioneered roles in new operas, including Gwendolyn in The Crowded House at the 2010 Philly Fringe Festival and Zelda in Black Horses with OperaDelaware at the 2009 Wilmington Fringe Festival.
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Reviews
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Shannon September 14, 2017
· Piano · In studio
Elizabeth is a great teacher, makes lessons fun and comfortable!
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Dan M February 20, 2017
· Vocal Training · In studio
Elizabeth has been great with my daughter. She makes vocal lessons fun! Elizabeth is always very supportive and give kudos for her efforts which builds up my daughter's confidence. This is a great approach as it often opens up the child's desire to push themselves and solidifies that it is ok to make mistakes. We are very fortunate to have found Elizabeth.
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Dylan Strong February 8, 2017
· Piano · In home
Awesome teacher!!!
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Elizabeth H.

Elizabeth H.

Conshohocken, PA 19428
(26)
starting at
$35 / 30-min

About David C.

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Glenside, PA
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About David
Having graduated from Westminster Choir College, I have learned many techniques for helping students to understand their voices better. I have taken voice lessons myself since 2002, and still do take them. This gives me the opportunity to learn new and different techniques. As every student is different, there are many different techniques that can help the student to find their voice.
One style of teaching that I really feel is important when discussing the voice is the idea of just singing. Often times, as was my experience, when people hear voices they like they will mimic that sound. The problem with that is that the person will start singing with a voice that does not work with their body. That is usually my first goal if they have this particular issue. Many times breath and support need to be addressed right away.
After that it is teaching the student technique and helping them through the growing process of their voice. This technique is for the healthiest kind of singing and will preserve the voice for a much longer time then would other styles of singing. That being said, a person can still sing other styles with a slight variation to the technique, but still keeping things healthy and feeling good.

I have added that I am willing to teach individuals who have special needs. I will say that where I teach does have stairs and is not wheelchair accessable. I am sorry about that. I do work at a school for children with developmental disabilities during the day and have been there for almost 4 years now. I have worked with adults as well as children. This has not been in a music setting, but I do have some ideas as to how to make it fulfilling for them as possible. That being said I will be honest with these individuals as well as patient. I believe that they should be treated equally and therefore will get the same level of attention as any of my other students.

*** Lesson Details ***
I am a fairly laid back teacher, with the philosophy that the student must find their own reason for practicing and work hard. If the student is a young child, I believe that they sing because they love to do it and that love should not be killed by becoming a chore. I would encourage them to practice more in the form of play. This is the work of children after all.
If the student is older, and at an age where they are more serious about the work that comes from learning how to sing properly. Then they should be able to find their inspiration for practicing. I am a firm believer that no one can change someone except for them-self.
The idea of a curriculum would of course differ from student to student, but it also differs with age. With young children, the first goal would be to see how well they match pitch, because it will be difficult to get the student to work on technique if they have trouble matching pitch. Therefore that would be my first goal. After that, I would test the students range and work on teaching them technique.
If the student is in the process of changing their voice, I will work on helping them through this change and help them to find their new voice. This is where the biggest chance of students loosing their real voice and starting to mimic other older singers. The fact is that, they will have a more mature voice in time, but they need to sing in their voice and the more mature sound will come. The main thing will be working on stretching there range little by little. This is because after the male voice changes, they tend to have a very small range. This would be the large overall goal to teach them to use their own voice, stretch their range, and learn technique.
If the student is in their upper teens, then they should have a larger range, but they may still need to find their own voice. The next part will be just teaching the student technique and stretching their range.

*** Studio Equipment ***
Piano and guitar

*** Travel Equipment ***
I could supply a keyboard if need be.

*** Specialties ***
Choral Singing, Classical singing, Ear training, and Musicianship
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Reviews
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Jeff L. December 29, 2014
· Singing · In studio
Great instructor, is able to effectively communicate concepts and put them into practice. Very accommodating for busy schedules.
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David A. November 10, 2014
· Singing · In studio
David was a great voice teacher! It was my first time taking voice lessons and he made it a very comfortable experience. David helped me to find my voice and then we worked to get the most out of it that we could.
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Owen S. November 2, 2014
· Singing · In studio
David is a fantastic voice teacher. From the first very lesson, he helped me feel comfortable as I started the the sometimes awkward process of finding my voice. When it comes to technique, he has that rare ability to translate complex ideas and mechanics into simple, easy-to-understand concepts that translate into fast improvement. I have been taking voice lessons with him for just over a year, and the progress I have made in that time is remarkable. Thanks to David, I have truly discovered my voice. I would highly recommend him to anyone looking to discover or improve their singing voice. He's fantastic!!
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David C.

David C.

Glenside, PA 19038
(6)
starting at
$30 / 30-min

About Ed R.

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Norristown, PA
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About Ed
Hi, My name is Ed and listed in the different sections of this page are: a very brief bio, an explanation of my approach, and a description of what I and my studio have to offer. I am extremely enthusiastic and passionate about what I do, and being able to pass that on is a joy. Please read on, and I hope to hear from you soon!

I have 16 years teaching experience as well as extensive playing and touring experience in all styles and genres, which gives me the insight to know what is most important for really playing the instrument.
I attended Bucks County Community College and West Chester University. I also studied privately with
Ken Miller (Philly Pops Orchestra tympanist), John Alberti and Martin Bradfield.

I am currently a member of The Chuck Anderson Trio on the Dreambox Media Label. I am also a member of five other bands an
d freelance and record with many others...everyone from former members of Bon Jovi, to Marvin Hamlisch, and some completely unexpected names like Joe Frazier And The Knockouts. Yes, I know, that's pretty amusing, and Joe couldn't sing...but I wasn't going to tell him!

I have an extensive collection of books and videos that I draw from for my students, and to personally improve at my craft. This is not a sideline, or part-time job for me...this is my life, and my career!

*** Lesson Details ***
In my lessons I strive to make the maximum progress possible, while also having as much fun as possible. This is accomplished by imparting the most valuable, useful, and beneficial information in a fun and relaxed, low pressure environment, always with the students goals and priorities first and foremost. I also like to keep the student challenged at their current ability level.

For beginning students I stress basic fundamentals, just as you would in sports. It makes progress come at a much faster clip and avoids making time consuming corrections later. The longer you play with bad habits, the harder they are to break.

For more advanced students, I assess their current abilities, determine if any problems need to be addressed, and with their goals in mind, come up with the proper plan of action.

Having been self taught till entering college I understand all ends of the spectrum. In my career I have come across three separate groups of musicians:

1) Those who have good ears, but can't read.
2) Those who read well, but can't play without music in front of them.
3) Those with great ears who also read well.

Number 3 is obviously the best of all possible worlds and what I strive to achieve with all my students. Being accomplished in both areas enables them to be prepared for anything they will come across, and gives them a distinct advantage over their peers.

*** Studio Equipment ***
I have a state of the art drum studio, beyond anything else I have ever seen, with everything from a top of the line V-Drum kit (electronic drums) and several acoustic sets that I rotate occasionally to keep interest level high. As opposed to many stores, schools and homes...there are no sax players in the next studio, no guitars blaring, no kids running around, no distractions! We only hear what we want to hear! It's so much easier to maintain focus on the task at hand.

One of the pluses of the electronic set is when a student is playing along with music, we can just plug an iPod, Kindle, whatever, into the system, dial in the perfect matching volume between music and drums...and not go deaf. No muss, no fuss, no headphones needed, unless the student wants them...I have plenty.

I am in my own building, so unlike many of the shoebox sized studios i have worked in, I have a lot of space (17'x22'), a waiting area for parents, and since it's one open area, if parents come in the building they are sitting in on the lesson. There is ample parking and I am conveniently located near a major intersection, and right next to a major shopping center (Wal-Mart, Staples. Weiss Supermarket, Pep Boys, etc.). In fact many parents go shopping while their children are taking their lessons. Some even walk! I'm that close.

I am also a Certified Plus drum dealer, so if students need some equipment, we can usually handle that too.

*** Specialties ***
I adapt my style to each student and usually hand write everything for quite awhile. There's a lot to cover and it enables me to break from standard procedure when beneficial. I play and teach all styles and genres, so I feel comfortable with pretty much everything.
I use numerous books for many different purposes well beyond the scope of what's listed below.
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Reviews
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Vince S. January 12, 2015
· Drum · In studio
My son has been taking lessons with Ed since he was 5. Ed was very patient dealing with a high energy child who had a limited attention span. Eight years later, we are still seeing Ed weekly for lessons and my son has turned into a well-rounded musician. Ed tailors the lessons to my son's musical interests and takes an interest in what is going on in his life.

We have gone to see Ed perform in several venues and he always takes the time to talk to us during his break. I highly recommend Drum Lessons with Ed for those at any skill level.
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Ellen L. October 29, 2014
· Drum · In studio
Ed is an excellent and the best drum teacher .

My son loves taking drum lessons from Ed since he was 4 ! He is very knowledgeable and super patient . My family enjoyed Ed's performance very much and also very satisfied for the progress my son made from him class .He always pay highly attention to his student

I highly recommend Drum Lessons with Ed!
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Vincent M. May 10, 2013
· Drum ·
Awesome Teacher- 5 Stars!

Ed is pretty cool and an awesome teacher! I've been taking lessons since 7th grade. I'm now in high school and still love playing drums, thanks to Ed. I give him 5 stars!
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Ed R.

Ed R.

Norristown, PA 19401
(6)
starting at
$30 / 30-min

About Claire C.

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Norristown, PA

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About Claire
Claire C., MA.
She received her B.A. in Music History from Temple University and her Master’s in Creative Arts Therapy from Hahnemann University. Her professional experience as a Music Therapist includes early childhood, adolescent, adult in-patient and out-patient psychiatric and geriatric populations. She finished six levels of Taubman training at Temple Univsersity's Taubman Institute and is now studying piano privately with Maria Hubler. Claire teaches piano to students age five to one hundred five and also provides music therapy for clients birth on up.
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Claire C. January 8, 2015
· Classical Piano · In studio
"Claire is a very competent teacher and musician. She is a qualified piano teacher and music therapist. She is a knowledgeable piano teacher working in the great Philadelphia area for many years. Ms. Claire C. is always looking for ways to improve her teaching and playing. I highly recommend Claire. Maria B. Hubler Taubman Seminar Faculty"

Maria B. Hubler Cherry Hill NJ
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Claire C.

Claire C.

Norristown, PA 19403
(1)
starting at
$26 / 30-min

About Tim W.

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Telford, PA
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About Tim
I earned my master’s degree in jazz studies from The University of the Arts. As adjunct professor of music at Lebanon Valley College, I teach double bass, bass guitar, jazz improvisation, and directs small-group jazz combos. Working with students of all ages, I also teach workshops, clinics, and master classes at high schools, middle schools, and elementary schools in Pennsylvania and Maryland, as well as keeping a private teaching studio out of my Bucks County home.

Lessons are available on upright bass, electric bass, improvisation, music theory, and ear training at all ability levels and all ages, from absolute beginners to high school students preparing for college auditions to adults. Some of my students have been accepted to various regional orchestras and jazz bands, and I'm very proud of their hard work.

While having an outl
ined curriculum to develop my students’ technique, reading, and knowledge of theory, I cater to their interests by showing them how to apply what the are learning to the music that they already know and love.
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Sophia A. October 27, 2017
· Bass Guitar · In studio
Tim is a wonderful teacher. He's very knowledgeable and is an excellent teacher.
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Joshua November 8, 2016
· Bass Guitar · In studio
Awesome lesson and excited to learn the bass guitar!
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Tim W.

Tim W.

Telford, PA 18969
(2)
starting at
$20 / 30-min
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About Jamie C.

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Abington, PA
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About Jamie
I am a classically trained cellist with 20 Years experience. I studied under Charles Forbes and Roberto Pace at the Settlement Music School, and Eugene Friesen at Berklee College of Music. As a bass guitarist, I have 15 years of experience playing fingerstyle and recording/performing a wide range of styles and genres, from rock and blues, to R&B and Hip-Hop, to acoustic folk and indie music.

I have 15 years of experience using recording software such as GarageBand, Logic Pro, Pro Tools, Ableton Live, Digital Performer and Reason. I use the latest versions of all of these.
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Reviews
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Luke N. January 13, 2017
· Cello · In studio
Great teacher.
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Mary Beth Y. December 22, 2016
· Cello · In studio
I am continuing to study cello with Jamie and I am much further along than I anticipated. I also study piano, so I am not a traditional beginner cello student. Jaime is able to fine tune my lessons to take this into account and build on it. He is very knowledgeable about proper technique as well as music theory. I would recommend him without reservation for all abilities and ages.
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Maureen January 30, 2016
· Cello · In studio
Jamie worked with me when I was trying to pick up cello after not playing since high school. He is extremely knowledgeable and encouraging. He's very good at identifying problems with technique and suggesting approaches to fix them, and fun to work with.
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Jamie C.

Jamie C.

Abington, PA 19001
(5)
starting at
$30 / 30-min

About Gloria R.

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Reading, PA
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About Gloria
Ms. Royce has played the violin since the age of seven, and aspired to become a music teacher upon joining her first orchestra in 2005. She holds a Bachelor of Music in Music Pedagogy for violin.
Highlights of Gloria's musical journey include touring Central Europe with the Reading Symphony Youth Orchestra in 2010. In 2013 she was honored to be chosen as the Concertmaster for Midori's residency with the Reading Symphony Youth Orchestra. While in college, Gloria held the Assistant Concertmaster seat for the Franklin and Marshall College Orchestra.
Gloria's mission is for her students to develop their musical gifts while enjoying their instrument and learning new skills.
“To play a wrong note is insignificant; to play without passion is inexcusable” - Beethoven
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Gloria R.

Gloria R.

Reading, PA 19601
starting at
$30 / 30-min

About Tara S.

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Bryn Athyn, PA

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About Tara
I graduated from Temple University in 2000 with a degree in music education with a concentration in cello and music technology.

I have taught cello and music theory privately for 20 years with great success. I have taught all different ages and levels of students. I have a studio in my home and I also travel to you if necessary. I am classically trained but I enjoy teaching contemporary music regularly to my students. I have the ability to arrange music from any genre for any instrument.

I am enthusiastic about the process of learning the cello and music theory. I love catering the journey to the needs of each individual student. I strive to figure out a student's true goals for music and help them obtain those goals.
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Denise May 3, 2018
· Cello · In studio
Tara taught both of my children when they were 8 years old. She helped my daughter get started on the viola and when ready moved her to a dedicated viola teacher. Tara taught my son, who is now 16 for 4.5 years. I am grateful to Tara for instilling the love of the cello and recognizing my son’s raw talent. She also teachers Music to elementary school
children and she has an incredible gift with keeping kids interested and engaged. She helped my figgidity young boy stay focused, often giving him a choice of what he wanted to play next for his level. My son is in 10 th grade and continues to play and wants to study Cello Performance and Music. Both my children play in the Philadelphia Youth Orchestra and in small chamber groups and have reached the Regions and All states level with school. She has an incredible gift with children and her love for playing is infectious. I highly recommend her. She has a wonderful reputation in the community.
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Sig March 15, 2018
· · In studio
Tara is very knowledgeable and patient. She guides me though my lessons do that I learn and feel good about my progress.
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Marguerite March 12, 2018
· Cello · In studio
Tara is one of those teachers who is not only personally super talented in her own musical career, but also knows how to engage and inspire her students. My daughter learned so much from her and loved her as a teacher!!
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Tara S.

Tara S.

Bryn Athyn, PA 19009
(5)
starting at
$28 / 30-min

About Francois B.

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Allentown, PA

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About Francois
Hello again!

Singing is about passion. It is about engaging the spirit of a work or a song and finding what that means for you. Maybe you're just starting out in your journey and want to develop a reliable technique. Maybe you sing every so often but you want to get serious. Maybe you'd like your child to get that role, that solo, or simply have them develop into a professional singer. Maybe you want to sing solos in your faith group, friend's wedding, karaoke, or just want to pursue a passion!

If so, you've come to the right place.

I can teach you the basics of singing which lie in breathing and supporting the breath as it escapes your body in the making of sounds in the form of words.

The technical side is important but so is the expressive side. It is important to tell a story when you sing and be convinced of that story yourself.
That is why I encourage people to sing songs that mean something to you.

If you would like to refine your technique, develop the technique, or just add to your ability to sing, then do contact me and let's set up a lesson to see how I can help your voice soar!

Make a great day and hope to hear from you soon!

François
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Francois B.

Francois B.

Allentown, PA 18109
starting at
$27 / 30-min

About Katerina S.

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King of Prussia, PA

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About Katerina
Piano and composition lessons of the highest level taught by Kat Souponetsky - a graduate of The Juilliard School, Curtis Institute of Music and Manhattan School of Music. With Kat's unique, creative and fun approach to teaching, you will get a strong foundation of piano and music skills that will last you a lifetime.

When not composing for the concert stage, she actively teaches piano, composition and music theory. Kat lives in King of Prussia, PA, with her husband, Alex, and their son.
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Katerina S.

Katerina S.

King of Prussia, PA 19406
starting at
$67 / 30-min

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