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New Park, PA Music Theory Lessons

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Popular Music Theory Teachers near New Park, PA

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About Heather W.

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Abingdon, MD

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Music Theory is structured very much like our everyday living in our environment. In piano lessons, we explore the comparisons and derive at understanding about musical structures

About Heather
Hi, I'm Heather. I’m from a small town in Harford County, MD, called Abingdon. It’s really close to Baltimore, MD which is about 15 minutes away from Abingdon. I live with my husband and two bunnies. I’m an R.N. with a bachelors degree in Nursing and 16 years of training in music by masters of Curtis Institute, Julliard, and Peabody Conservatory. I have been teaching piano for over 12 years. In 2001, I had a diversion of career from nursing and I absolutely fell in love with the idea of teaching piano and I started giving piano lessons. I love playing my Masan & Hamlin grand piano for personal pleasure, and I spend a lot of time practicing for different occasions. I h’ve played in over twenty piano recitals, and for numerous other occasions such as in Weddings , Funerals and in Choir accompaniments.
On a different not
e, did you know that children who study a musical instrument learn responsibility and discipline, they gain pride in their accomplishments which in turn makes them confident, they learn to think in a logical manner, and they will perform better in school. These are just a few of the benefits children could gain through music lessons

My Specialties: My passion is classical music, however, I realize that the students'€™ interests are diverse, so, I teach pieces they request which include easy fun Pop Music, Hymns, Boogie, Rock, Country and other contemporary pieces.
My Education: At an early age, I took a great interest in music, so my older sister who is four years older than I taught me what she learned in her piano lessons. She also taught me music theory. At the age of 12-14 my parents sent me to private piano lessons. My piano teacher at that time eventually told me that I needed to find a new teacher because she had taught me all she knew. After that, I approached a well known Julliard Master in town. He took me on as a student after he heard me play the Beethoven'€™s Pathetique Sonata in C minor. I learned through Arthur Fiddler'€™s comment made in the newspaper that Mr. Chang, my teacher, in his opinion was the best piano teacher in Hawaii. Under Mr. Chang’s tutelage, I was exposed to a variety of classical pieces written by famous composers of the 15th to 18th centuries. At the age of 14, I made my first piano recital debut. My piano teacher was impressed with my talent and expressed his wish for me to pursue music and enter into Julliard. But, my parents being immigrants from Korea, did not think it was a good choice of career. So, I went into nursing instead, much to the consternation of my piano teacher. In 2001, I made a career change and found my passion for music revived again. I started teaching piano as well as taking Music Theory courses at a community college and taking lessons from a Julliard- Peabody master as well lessons from a Curtis Institute master. I continue taking piano lesson even now while I give piano lessons to beginner and intermediate students.
.

*** Lesson Details ***
In my piano studio, besides just learning to actually play the piano, students will engage in flashcard drills, writing work, and other activities to strengthen their overall knowledge of music. This will prepare them well for continued study in piano, for playing other instruments or singing, and for enjoying music in general. As an incentive to practice, our studio awards each week piano dollars for the time each student practices during the week. At the end of the year, we have an auction that the children could participate in using their piano dollars to purchase items.

In first the lesson the concepts stressed include:
1. Hand position and posture at the piano.
2. Right hand , left hand, and how the fingers are numbered.
3. Direction on the keyboard
4. The pattern of keys on the key board

In the first year of piano study, the concepts covered are:
1. Theory: identify steps, skips, and repeats; write and recognize 2nd -5ths intervals; sharp and flat signs; identify key signatures
2. Rhythms: whole notes, half notes, quarter notes, eighth notes, and dotted notes.
3. Technique: correct hand position; curved fingers, down –up wrist for phrasing, legato/staccato touch, penta scales; major chords and voicing (balance of hands) 5-finger melodies; single line melodies divided between hands; note-against-note playing, some melody/chord playing.
4. Repertoire: A Dozen A Day by Edna-Mae Burmae Books; Five-finger melodies by Faber Faber; Famous & Fun Pop Books by Carol Matz ; Boogie, Rock & Country Level 1 by James Bastien; Alfred’s Basic Adult Piano Course Lesson Book Level One for adult beginners.

In addition to lessons each student is required to participate in an annual piano recital to give them experience and confidence in performance.

*** Studio Equipment ***
Living Room: grand piano, couches and chairs, parents can sit in on lesson

*** Specialties ***
To teach the skills in playing the piano, the classical genre is preferred in the repertoire.
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Reviews
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Charles S. February 26, 2017
· Piano · In studio
Heather was wonderful in getting me back into the piano! As an older student I was apprehensive at first, but she was very positive and made me very comfortable. She was very helpful and brought me a long way in a short period of time.
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Samson O. November 3, 2016
· Piano · In studio
She's good
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Charles I. June 22, 2016
· Piano · In home
learning different technique's, which is the key. Heather is very patient, and makes the experience fun. Looking forward to future lessons, and increasing my skills.
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Heather W.

Heather W.

Abingdon, MD 21009
(19)
starting at
$35 / 30-min

About Benjamin P.

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Parkville, MD
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About Benjamin
I discovered music sifting through my Dad's record collection and soon decided that I wanted to play guitar. As a teenager I began taking lessons and building confidence in my abilities. I played in different types of bands ranging from rock, country, blues, and jazz. After completing College in 2004, I realized music was not just going to be a hobby, but a career. At age 35, I have been teaching and playing guitar professionally for the last 11 years. I believe that anybody can learn to play as long as they are patient and understand that anything worthwhile takes time and sustained effort to achieve. You also need a good teacher who understands how to take you where you want to go musically. I have taught hundreds of different students of all ages and abilities. I have seen many of them grow musically and gain confidence in other
areas of their lives as a result. I aim to inspire every student to find their way to a rewarding life through music.

*** Lesson Details ***
My lesson plans are developed on an individual basis. I want you to learn the music that inspires your passion. If the guitar is new to you, the first lessons are devoted to basic playing skills and techniques. It is important to develop a strong understanding of music fundamentals to ensure that the student is attaining the skills they need to be a complete musician. I emphasize technique with drills designed to raise my students' skills evenly across a wide range of categories, like picking, fretting, scale patterns, chord shapes, rhythm training, and ear training. I have had success with many students using this approach and most are playing songs within a couple months. For the more serious student, music theory is an important tool to understand songwriting and music in general. I am always open to discuss what we do during a lesson. I believe it is my job to balance what you want to do with what you need to do in order to succeed.

*** Travel Equipment ***
I have amps, guitars, 1/4 inch cables, tuners, metronomes, paper and pens.
Would like students to have all these things but can accommodate based on need.

*** Specialties ***
Rock, Pop, Blues, Country, flat-picking, finger-style
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Reviews
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Cullen October 22, 2017
· Guitar · In studio
First lesson with Benjamin was great - would definitely recommend him.
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Ryan June 23, 2017
· Guitar · In studio
Great instructor! Very patient and knowledgeable. Great choice for anyone wanting to learn or just improve their guitar playing.
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Keith M. March 25, 2016
· Guitar · In studio
I must say that Benjamin was great. I come from no musical background and had zero knowledge. Benjamin made me feel relaxed and broke down the sessions in an easy way so that I could understand the concept of what we were trying to accomplish. I look forward to future lessons and learning how to play the guitar
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Benjamin P.

Benjamin P.

Parkville, MD 21234
(12)
starting at
$35 / 30-min

About Taryn K.

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Baltimore, MD

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I work with students from a selection of music theory books to help them understand the fundamentals of music, including note recognition, rhythms, key signatures, scale degrees, chord structures, musical vocabulary and symbols.

About Taryn
I am a University of Hawaii Piano Performance Major with a training emphasis in classical piano. I have taken multiple AMEB piano examinations, as well as performed in various recitals, culminating in an undergraduate music certification. I have been playing for 20 years, working with a variety of musical and performance styles, including individual performance, accompaniment, and musical collaboration. These experiences have given me the skills to tackle and communicate musical themes and ideas to students with a range of learning styles and needs, from beginning to advanced, classical to leisure.

*** Lesson Details ***
My teaching style is very dependent upon the need of the individual student. I believe that each person learns differently, and different people require unique methods of communication (visual, aural, descriptive), as
well as structure of classes. In addition, I understand that students are hoping to gain different things from learning any instrument. Given this, I really try to cater to what a student wants, and how they learn best. However, I also believe that no student can learn and advance without an understanding of theory and development of technique. I generally use the Piano Adventures curriculum with my beginning students, however for intermediate and advanced students, I prefer to allow more freedom in the pieces that are learned. While studying with me, you can expect to develop technique through the study of classical music, gain an advanced understanding of music theory, and develop the ability to not only play well, but to perform well too!

*** Studio Equipment ***
Upright Yamaha piano in common area w/ seating for parents

*** Travel Equipment ***
I expect the student to provide the piano or keyboard for practicing. The students should be responsible for getting the proper music books necessary for teaching.

*** Specialties ***
The genre I am most experience with is classical music.
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Reviews
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wendy J. December 10, 2017
· Piano · In studio
Taryn is an excellent instructor who was very patient and kind to my daughter some years back. It was exciting having my daughter show me what she learned on the piano in a short period of time.
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Aliyah March 31, 2016
· Piano · In studio
Excellent. My daughter loves her lessons. We are very happy.
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Louis M. January 29, 2016
· Piano · In home
Very nice and not rushing too teach me. I felt very relax at my lesson.
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Taryn K.

Taryn K.

Baltimore, MD 21214
(9)
starting at
$35 / 30-min

About Jonathan G.

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Baltimore, MD

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About Jonathan
I have studied with Wanchi Huang at James Madison University for six years. At JMU, I earned a Bachelor of Music and a Master of Music, both in violin performance. I am currently working on a doctoral degree at Catholic University of America, studying with Jody Gatwood. When I was a student at JMU, I taught several students privately. The students ranged from retirees to JMU faculty and students to adolescents. I am now teaching at Baltimore Talent Education Center, where I teach violin in small groups and individual lessons. The students at BTEC range from pre- kindergarden through high school. I also have festival experience. I have been a student at Brevard Music Center, Heifetz International Music Institute, BayView Music Festival, and I was a Teaching Fellow at Interlochen Arts Camp. Through my experiences both as a student
and as a teacher, I understand that every student is a little bit different. Every student has different strengths and weaknesses. Every student has a different learning style. Every student has a different way of understanding things, a different way of processing information, and a different personality all together. It will be my job as a teacher to get to know each student individually and use my teaching methods to teach the student how to play the violin and help him or her to reach his or her goals.

*** Lesson Details ***
I am a laid-back person. I am easy-going, enthusiastic about violin playing and about teaching and learning music, and I am very patient with my students as well. However, I am also very demanding. I explain and demonstrate objectives in a very precise way, and I demand a lot of detailed work from my students, inside and outside the lesson. I explain specifically what I want the student to do. By the end of every lesson, the student will have specific things to work on for next time. I expect each student to make practicing a habit, and practice regularly what has been discussed in the lesson. I try to make the lessons as pleasant and as laid-back as possible. But I become more firm, serious, and strict when a student either is not making an effort or does not practice enough outside the lesson.
I start students off with the Suzuki method. We work on techniques to hold the violin properly, hold the bow properly, and get a decent sound out of the violin, without too much physical tension. A student begins by learning to play by ear. After he or she is comfortable playing by ear, we associate the notes that the student hears and plays on the violin with written notes on a page.
We also work with the Paul Roland methods so that the student can learn the violin in a basic, rudimentary way. It involves a lot of repetitive patterns, back and forth motions that are slow and round, and avoiding excessive tension. This will give the student the tools that he or she needs to learn how to play the violin in a short period of time.
In three to six months, a student who is a beginner will be able to hold the violin and bow comfortably, create a decent sound on the violin, and play the Twinkle Variations, and maybe a few other songs.
If the student has played violin before, then in three to six months, he or she will have had some rehabilitation to get rid of tension and force, overcome some bad habits he or she may have developed, and review the fundamentals of violin playing. I will improve the student's approach to the violin, and by the end of the three to six months, he or she will have a better idea on how to practice and play the violin.

*** Studio Equipment ***
Piano, seating for parents in the living room,

*** Travel Equipment ***
I will provide a stand.
I will expect the student to have a violin, rosin, and a pencil.

*** Specialties ***
Suzuki Method- a starting point, particularly for kids, but for people of all ages. It is a good way to begin learning the violin by playing by ear, developing a strong, clear tone, and bringing out one's individuality through his/her musical development and his/her ability to be expressive.

In a matter of time, I want the student to get used to reading music, in addition to playing by ear. This can be done through the pieces in the Suzuki method or through other music.

Eventually, I take the student off of the Suzuki method and work with him or her on classical repertoire.
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Reviews
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Aisha B. December 3, 2017
· Violin · In studio
Jonathan is the best violin teacher! My son had his first lesson today and he absolutely loved it. Very quickly Jonathan was able to find my son's strengths and the areas that he needs to work on. Not a minute was wasted during the lesson, at the same time he took his time to explain everything in detail. I can tell he can work with any level student. I liked his knowledge, passion, energy and positivity. If you are looking for a violin teacher for your child or yourself, do not hesitate to go with Jonathan!
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Kaitlyn October 16, 2017
· Violin · In home
To follow up, Jonathan is not only a very talented musician; but also takes his time with my daughter to help her understand, comprehend, and improve. The evening after our first lesson with Jonathan, she asked if she could play more (more often and longer) in lieu of chores - WOW! Never thought I'd hear that from my daughter; but Jonathan made the session enjoyable and encouraging to her. THANK YOU!!
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Kaitlyn October 15, 2017
· Violin · In home
Very good first lesson with Jonathan. He seems interested in helping, listening, and pushing my daughter, in a good way, to bringing out her best!
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Jonathan G.

Jonathan G.

Baltimore, MD 21209
(19)
starting at
$15 / 30-min

About Trevor H.

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El Cajon, CA
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Learn how to read music, and how notes fit together to create it. From ancient music to modern techniques, including orchestration and arrangement.

About Trevor
Every musician was first and foremost a fan of music. My love of
music began when my mother took me to a performance of Beethoven's
fifth symphony when, coincidentally, I was five. From that point, I
started fervently listening to my mother's records (those are the
huge, black monstrosities that people in the pre-historic used in
place of iPods), followed closely by my father's CD collection.
After a while, this ravenous desire of to know and feel music moved
me to play an instrument. After a couple of false starts with the
drums and violin, I found my true musical calling: the guitar.

On January 25th 1995, on a whim, I began playing the
guitar, and I have yet to put it down. Along the way I've picked up
a number of friends for my guitar, including the bass, the lute, the
sitar and, once again, the drums. After on
ly a few years of
practice, I started playing professionally, in bands and solo guitar.
Live playing experience, I believe, is the most important experience
that any musician can have, in that, the most important part of music
is how it sounds, and playing in front of people is the quickest way
to learn how to play effectively. And this is what I teach; how to
be a musician, not just a technician.

*** Lesson Details ***
A student can expect a curriculum tailor-made to their needs and personality. Every person learns differently and this is an important distinction in my teaching style. Some students need a strong hand to keep them working, others need to find many different ways to the same conclusion to keep them focused, while still others need a laid-back friend in order to accept knowledge.

I stress rhythmic literacy, for, as my jazz teacher always said, "rhythm is king." If composition is important to you, then we'll focus on music theory, but if you're just wanting to learn how to play some fun rock tunes with your friends on the weekends, we can do that as well. As I stated before, we'll get you playing in front of people in no time.

*** Travel Equipment ***
I provide an amplifier, a loner guitar (if needed), staff and/or tablature paper, metronome, pens and paper for the lessons.

*** Specialties ***
Music theory and composition, guitar, bass, lute, beginner to intermediate piano
Classical, shred, blues, and rock guitar; renaissance lute; blues, rock and slap bass; composition of many styles; world music.
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Reviews
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Mike M. March 9, 2017
· Guitar · In home
Trevor is great, he has patience for us beginners, explains things well and answers all my questions. The rest is up to me.
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Dan F. March 25, 2016
· Guitar · In home
had a great first lesson
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Cooper W. November 15, 2015
· Drum · In home
Looking forward to the next one!
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Trevor H.

Trevor H.

Online
(9)
starting at
$25 / 30-min
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About Ryan R.

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Lutherville Timonium, MD
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I can help you learn basic music fundamentals or jazz theory to improve your composing and improvising.

About Ryan
I structure lessons around your goals and interests to keep you motivated and bring your playing to the next level.

I am qualified and interested in teaching many styles of music from rock, blues, jazz, bluegrass, pop, and metal.

I am experienced in teaching many skill levels ranging from beginner to advanced!

Students are expected to practice consistently between lessons.

I taught briefly at the Cockeysville recreation center before teaching at a local music shop.

I have done work as a transcriptionist for WSC Theatre in Arlington, VA.

I have performed with various rock and jazz groups in the Baltimore and DC area including sitting in with the Unified Jazz Ensemble!

I have also done work as a pit musician for musicals in the area as well as playing for private receptions.
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Don D. September 11, 2017
· Mandolin · In home
Ryan is a great teacher and a great kid. I enjoy our lessons immensely and I am 71 years old.
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Don D. May 5, 2016
· Mandolin · In home
Excellant lesson. Ryan is very knowledgeable and patient.
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Joseph Z. August 11, 2015
· Guitar · In home
Ryan has definitely helped improve my playing in a short period of time. Very nice person too.
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Ryan R.

Ryan R.

Lutherville Timonium, MD 21093
(3)
starting at
$35 / 30-min

About Dr. Jonathan G.

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Jarrettsville, MD

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I have been teaching music theory for over 8 years both at the collegiate level and for private tutoring, and AP theory assistance. Every student is unique, so I believe in discovering together the best custom method for each of my students. I hold music degrees from some of the top music schools in the US. I can easily teach this topic online through Takelessons.

About Dr. Jonathan
Jonathan began his musical studies at age 7, after falling in love with his first classical music cassette tape given to him the prior year. Jonathan trained as a pianist throughout his childhood, and studied with the venerated Harvey Wedeen at Temple University in Philadelphia through middle and high school. He made his orchestral debut as soloist with the Lancaster Symphony Orchestra at age 15, after winning their instrumental competition. Continuing his piano studies into college, where piano was his primary instrument, he completed a bachelors in music at the Eastman School of Music. During these college years, he played regular outreach concerts as part of a chamber group for a myriad of organizations. He has given solo recitals, accompanied other musicians, and played in chamber groups. He now holds a doctorate in music from the Uni
versity of Maryland at College Park.

During high school, Jonathan became fascinated by writing his own music, and now holds three degrees from preeminent schools in the field of music composition. His music has been performed by numerous ensembles and musicians, including the Kronos Quartet, Rochester Philharmonic Orchestra, Eastman Musica Nova, and Knox-Galesburg Symphony. He was recently a featured guest composer at the Bowling Green State University New Music and Art Festival. His piece for stings, Nightscape, has been a particular audience favorite and performed by orchestras across the US. Jonathan also enjoys doing collaborative and multimedia projects with local choreographers, videographers, and musicians.

As a teacher, Jonathan is exceptionally patient, always engaged with his students’ progress, and actively listens to what his students want from their lessons and in helping them decide on the music they want to play. He takes a very practical and holistic approach to teaching keyboard, and always makes sure to discover the fun in learning. Jonathan strongly believes that all students, no matter where one is in life, possess the ability to achieve success in their lessons – and that his job is to guide them to unlock and discover their potential, to inspire their curiosity, and to help them advance their musical skills on their chosen instrument. Jonathan has also taught courses in theory, aural skills, sight-singing, and composition at the University of Maryland and Ball State University. He has studied music pedagogy, and actively pursues researching about new methods and developments on the learning process.
...
Reviews
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Jerry G. June 8, 2015
· Piano · In home
We have been very happy with Jonathan. He has been a great instructor for my two children and their very different musical needs.
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Neelam P. February 12, 2015
· Piano · In home
Jonathan is very punctual and he very rarely ever cancels our lessons. Jonathan does a great job teaching my kids and they seem to be taking to his instruction well. As a teacher Jonathan is very patient and he actually seems to care about what he is doing. Jonathan is a great piano teacher!
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Andrew B. October 23, 2014
· Piano · In home
Jonathan teaches our two boys, ages 9 and 7, piano lessons. He's excellent! He comes prepared, he's an accomplished pianist, and the boys love him.
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Dr. Jonathan G.

Dr. Jonathan G.

Jarrettsville, MD 21084
(3)
starting at
$27 / 30-min

About Chanel N.

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Baltimore, MD

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I've been teaching theory for over 10 years and my students have gone on to read music and apply their theory training to many aspects of their music journey. Within the first few lessons, you'll be able to identify and understand notation and as time goes on you'll be able to sight read and play any style of music.

About Chanel
Hello there! I'm Chanel Narcissus and thank you for your interest in my studio. I have been teaching private lessons and recording music since 2007 and am able to teach lessons at your home, online or at Studio Nar, LLC located in the Towson area.

My education career has afforded me the opportunity to be a graduate of Sheffield Institute of Recording Arts with a concentration in Audio Engineering. I also attended Morgan State University, where I was a double major in the concentrations of Vocal Performance and Classical Piano. Here, I received my Bachelors of Arts degree.

Throughout my career, I have gained in depth knowledge and experience in teaching voice, piano and theory, audition preparation, audio engineering, production and song-writing and I look forward to sharing it with you.
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Matthew May 30, 2017
· Piano · In studio
I I’ve been taking piano lessons with Chanel for several months now, both in studio and online (FaceTime). She always goes the extra mile to make sure you understand the material. I’m very pleased with her style of teaching and would highly recommend her to anyone who is interested in learning music.
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Justin January 28, 2017
· Piano · In studio
Excellent instructor
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Kaira J. January 21, 2017
· Audition Prep · In home
I had such a wonderful time at my session with Chanel. She has such a warm and welcoming personality. You would not regret for one time for choosing Chanel as your coach, she's amazing.
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Chanel N.

Chanel N.

Baltimore, MD 21239
(13)
starting at
$30 / 30-min

About Isaac K.

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Laguna Beach, CA

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We will cover all key fundamentals and music theory essentials for all levels.

About Isaac
At the age of 26, American conductor Isaac Kramer is already establishing himself as one of the most impressive of his generation. His cross-genre musical acumen has resulted in a career that encompasses artistic activities spanning the symphonic, operatic, musical theater, and pops repertoire.

Isaac began gaining noticeable recognition in 2012, a year in which he was a Semi-Finalist for the American Prize in Conducting. That same summer he was a member of the Castleton Festival Orchestra, under the direction of the late Maestro Lorin Maazel, and was invited to join the orchestra on a groundbreaking international tour to Oman. In the year that followed, he served as Assistant Conductor to Metropolitan Opera Conductor J. David Jackson, at the Siena Music Festival in Italy. This included assisting with productions of Turn of the Screw,
Cendrillon, La Forza Del Destino, and I Vespri Siciliani, as well as several concerts.

A graduate of the New England Conservatory of Music, Isaac completed a Bachelor of Music in Trombone Performance, with Honors, under the tutelage of long-time Boston Symphony Orchestra and Boston Pops trombonist, Norman Bolter. During that time he simultaneously studied with BSO Associate Conductor, Marcelo Lehninger, with further mentorship from Bill Drury and Stephen Lord. His time at NEC was preceded by intensive study at the prestigious Orange County School For The Arts, where he received hands-on experience conducting his peers in the various school ensembles. During that time he also served as an apprentice to conductor Barry Silverman, who continues to serve as a mentor to this day. As a result, Isaac is regularly invited back to the school as a guest conductor and mentor to currently enrolled students.

His affinity for conducting pops repertoire was further cultivated during his time as Music Director of Celebrity Cruises, a multi-faceted role that entailed conducting and artistic planning and administration for all music programs in the Celebrity fleet, including the Theatre Orchestra.

Following in the footsteps of his icons, namely Leonard Bernstein and Gustavo Dudamel, Isaac has a passionate desire to bring music education and appreciation of the arts to all children in the belief that music can be a unifying force in the world. In 2016, Isaac co-founded the New York Conductors Symphony (NCS), in partnership with acclaimed violinist Eric Silberger. This innovative ensemble plays a pivotal role in fostering the next generation of conductors by providing them with opportunities to develop their talents in a creative environment of the highest artistic standard.

He continues to develop his unique skill set under the guidance of his current mentor, music director and conductor for broadway national tours, symphony pops guest conductor and arranger, Maestro David Andrews Rogers.

For more information: www.isaackramer.net
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John October 13, 2017
· ·
I am a clarinetist in the Artist Diploma program at Rice University's Shepherd School of Music. I know Isaac from our time together at New England Conservatory, and I can say with certainty Isaac cares deeply about all of the students he works with and can guarantee he will invest all of his energy and passion. I have seen Isaac's amazing results in terms of his ability to get the best out of his students.
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KY October 12, 2017
· Arrangement and Composition · In studio
Isaac is a truly amazing teacher and musician! He is very versatile and knowledgeable, he knows how to get right to the point! I was very happy with him and I do recommend him to anybody else!! We are very lucky he lives in our area!
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Robert October 11, 2017
· ·
As Executive Director of the Waterbury Symphony Orchestra, I oversee our expansive educational efforts. I have been fortunate to work with Isaac and I know that he consistently delivers the highest quality of instruction to students of all ages, backgrounds, and abilities.
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Isaac K.

Isaac K.

Online
(3)
starting at
$40 / 30-min

About Max K.

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Baltimore, MD

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Crack the code! Learn how to consistently analyze music and create your own with a solid knowledge base. Max covers both Jazz and classical theory, and he draws from both to help create a broader understanding. Lessons focus on analysis, composition, and improvisation.

About Max
Come learn a first, second, or even third instrument! In addition to voice, Max specializes in multi-instrumentalism and fluency between genres. Many of Max's students learn at least two instruments, and for very good reason! Learning multiple instruments (and styles/genres) increases one's musical ability and understanding of the big picture in ways that a single focus simply can't. It's comparable to learning multiple languages. There's also time and a place to buckle down on technique and to focus on one thing exclusively, and Max is mindful of this as well. In his lessons, he creates new exercises to address each student's specific needs and keeps the focus narrow enough to avoid a distracting information overload.

Most importantly, Max teaches through questions, in the spirit of "teach a man to fish...." This allows students
to gain a degree of self sufficiency and an appetite for discovery. Lessons are fun, personal, efficient (and at times, just inefficient enough to feel comfy), and relaxed. Max's teaching space features classic instruments and amps, including a vintage Fender Rhodes, and a full featured recording studio. It's a perfect environment for learning and creativity, and it's also a short walk to all of Hampden's best shops and restaurants.

Outside of teaching, Max actively performs as a classical/early music singer, and does regular session work on vocals, bass, guitar, trumpet, and keys. He also composes for film, and runs a mobile recording business specializing in classical, acoustic, and jazz. His work has taken him both around the country and overseas.
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Reviews
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Martin V. November 29, 2017
· Singing · In studio
Max is a very talented, friendly and flexible teacher! He's very patient, and is willing to do what it takes to help a concept stick. I always look forward to our classes. Thank you, Max!
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Max K.

Max K.

Baltimore, MD 21211
(1)
starting at
$54 / 45-min

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Recent Music Theory Articles from the Blog

Whether you're just starting out or a seasoned pro, check out the Music Theory articles on our blog.

Subdivision: The Easy Trick for Reading Rhythms Right

Subdivision: The Easy Trick for Reading Rhythms Right

As you're learning to read music, you'll come across complex rhythms at some point. Here, Saint Augustine, FL music teacher Heather L. offers some helpful tips to help you get through the tricky parts...   Have you ever found yourself sitting in a big concert hall, or in your room, listening to a soloist play a practically perfect rhythm? Almost all of us have, and almost all of us have asked ourselves, "How do they do that?" Their secret is subdivision. You might be just begin … Read More

Subdivision: The Easy Trick for Reading Rhythms Right
As you're learning to read music, you'll come across complex rhythms at some point. Here, Saint Augustine, FL music teacher Heather L. offers some helpful tips to help you get through the tricky parts...   Have you ever found yourself sitting in a big concert hall, or in your room, listening to a soloist play a practically perfect rhythm? Almost all of us have, and almost all of us have asked ourselves, "How do they do that?" Their secret is subdivision. You might be just begin
Why Learning Piano Theory is Important for All Musicians
Struggling to understand music theory? Try heading over to the piano -- seeing a visual representation can help a ton! Here, Lowell, IN teacher Blake C. shares how to get started...   Many musicians avoid learning music theory altogether because it can feel much like learning a foreign language; as a result, many musicians enlist in the anti-music theory organization. I will admit it – I was a member of the anti-music theory organization in my early years, declaring that music theory
6 Fun and Unique Ways to Learn Music Theory
Staring at the Circle of Fifths and memorizing key signatures isn't the only way to learn music theory! Here, Brooklyn, NY teacher Liz T. shares some creative ideas to revive your learning...   Music theory is a very important part of your musicianship, whether it be mastering ear training, harmony, or sight reading. No matter what instrument you play or what styles you enjoy, those who learn music theory grow further as musicians. A solid knowledge can help you improve your perform
4 Painless Steps to Help You Learn Music Theory
Sure, music theory is complex -- but there's no need to fear it! Here, Jamaica Plain, MA teacher Noaa R. shares four steps to get you started...   Many students tend to avoid studying music theory and harmony. This can stem from a fear of compromising one’s creativity with rules and numbers, a failure to connect concepts with application, or from feeling overwhelmed by the perceived volume of material to be learned. However, when you approach theory as an exploratory process that help
All in Order: Tricks for Identifying Key Signatures
What are the "keys" to identifying different key signatures? Read on for some great tips from Tucson, AZ teacher Lourdes C... In reading music, there are a few things that give musicians the biggest headaches. One major migraine-maker is determining keys from the key signature and then remembering the order of sharps and flats. This chart gives musicians a quick way to help with identifying key signatures. Key Signatures at a Glance Major sharps: the name of the key can be fou

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