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Glen Richey, PA Music Theory Lessons

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Popular Music Theory Teachers near Glen Richey, PA

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About Loretta M.

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Chicago, IL

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Music theory lessons go over the basic theory skills to assist in composition and performance. These involve, notation, rhythm, chord structure, chord progression, style and genre, as well as transposition. Theory is necessary, especially with instrumentalists, but I include it in all vocal lessons as well. Over the last ten years, I've taught that theory is the backbone of music, and understanding it not only assists in composition, but in piecing together notes and phrases. With a customized curriculum, goals are reached within a planned time frame.

About Loretta
I have always been fascinated with how music is created and who works behind the scenes of performances and recordings. I started playing the flute in elementary school, piano in junior high school, and singing in high school. Once I got to UMASS, Dartmouth I chose the Music option for my major. I then moved on to NYU. I have been teaching for over ten years now. Working with students both in person and online has been amazing. With online lessons I am able to work with students who love the convenience of being at home and in person I can show students what it is like to really grow! I love my students of all ages, and can only hope to show others how amazing music can be. I have worked with a handful of students with special needs and am comfortable teaching in a non-traditional style. I am currently preparing to complete my certificat
ion in music therapy. Those who can do teach, and those who can teach totally do!

*** Lesson Details ***
You will set the pace for your lesson. I want you to enjoy your time in music, so your lessons will be completely customized. We will develop a goal plan for you so that our time together is interesting, fun, and we make progress! In 3-6 months, you will have a stable technical program and have started a portfolio of music for performances, no matter what level you are. We can share sheet music in person or online (I can even email you great links to amazing performances). Just let me know where you want to be in music, and we'll work together to make it happen. I can't wait to meet you!

*** Studio Equipment ***
My home studio is in a private music room. Parents can relax in our family space with coffee or tea and enjoy their children's learning at their leisure. My studio includes a 88-key keyboard, technology setup with an iMac, microphone and stand, a mirror for posture and musical instruments. I carry books for the lessons themselves (not for practice at home), and we can download or print out music as desired. If you take lessons online, I can email you links and sheet music as needed. Feel free to bring any additional equipment music you would like to share. I have some great recommendations for music books designed for both children and adult learners.

*** Specialties ***
jazz, contemporary, classical (instrumental), original, computer music composition
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Reviews
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Victoria September 17, 2017
· Singing · In studio
Loretta has been a very patient and open-minded voice teacher. She uses a holistic approach, listening to student needs and fears while continually, gently encouraging growth. I've never felt uncomfortable with her style of feedback and her approach has really helped me to find and unlock my voice.
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Shieka May 28, 2017
· Singing · In studio
Loretta is so cool!
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Victoria May 1, 2017
· Singing · In studio
patient and open to different approaches
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Loretta M.

Loretta M.

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$35 / 30-min

About Michaud S.

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Seattle, WA

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From monody to post-tonal music, I've got you covered. Take a listen to my compositions? MichaudSavage.com. I can help you learn to write Whatever.

About Michaud
Composer, guitarist, and vocalist Michaud is an internationally based musician with over 15 years of teaching experience. As a solo and ensemble guitarist, Michaud is comfortable working in a wide spectrum of musical styles which have included jazz, classical, tango, rock, pop, latin folkloric music, and beyond. As a composer and producer, his work includes compositions for chamber ensembles, orchestra, electronics, Max/MSP, and performance art.

Background:
In addition to solo performance, Michaud has regularly played in a tango duo with Mirta Wymerszberg, is half of Duo Michma, leads The Ancient Present- a chamber orchestra performing new works- and is an auxilary member of Correo Aereo. In the past, he has served as musical director of the Tuesday Tease house band, was a regular guitarist for Bissou (focusing on French jazz and st
andards from the 1920’s-30’s). Over the years, he has had the honor and pleasure to work with Adam Tully, Ramiro Gallo, honey.moon.tree, Paintings for Animals, Justin Froese, Adra Boo, Beth Fleenor, Evan Flory-Barnes, Heather Bentley, Dawn Clement, the Seattle Rock Orchestra, Chicharra Tango, Ben Thomas, Matt Weiner , Dana Wen, Amy Denio, Okanamode SoulChilde, Brad Hawkins, Ahamefule J. Oluo, Wayne Horvitz, Jakob Pek, Ammon Swinbank, and many others.

Michaud studied at the Cornish College of the Arts with Emily Doolittle, Jim Knapp, and Michael Nicolella. Michaud’s studies beyond Cornish include time at The Evergreen State College, where his studies with Terry Setter, Ben Kamen, Arun Chandra, and Sean Williams included an emphasis in Consciousness Studies and Music.

Michaud’s relationship with music began early on, singing in a choir and later playing in a youth orchestra. With the help of his grandfather he began playing guitar when he was 11, and quickly adopted this as his main instrument. Throughout high school, Michaud played in the school jazz band on both bass and electric guitar. Towards the end of this time, he started playing with honey.moon.tree, as well as Paintings for Animals, deepening his roots into rock music and expanding it into more experimental territories. Shortly thereafter, Michaud began to develop his work with the classical guitar and moved to South America to pursue a study of music, specializing in folkloric and indigenous music. After a year of study, Michaud returned to the United States and continued on to form a series of bands and ensembles in the roles of composer, songwriter, guitarist, and vocalist.
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Reviews
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Heather January 29, 2018
· Acoustic Guitar · Online
Michaud is a deep thinker and a compassionate and wise teacher. He is my colleague from Seattle where I have collaborated on numerous musical performances. I have sat in on his lessons and observed his kind and thoughtful approach to various students. He not only is a master of his subject, but he also interweaves rich additional background information of a theoretical and historical nature into his instruction. I have watched him teach a blind guitar student with great compassion and a tremendous grasp of what the challenges are in this situation. I enjoy his questioning approach to teaching, where he engages the student’s mind in trying to understand the root of a musical or technical problem. Anyone who studies with Michaud is in for an eye-opening and consciousness raising experience. I recommend his teaching highly.
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Amer January 27, 2018
· Music Theory · In studio
Michaud is a brilliant instructor: patient, knowledgeable, methodical and above all kind. A pleasure to learn from in every way
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Patrick January 27, 2018
· Acoustic Guitar · In home
Took lessons in ukulele and acoustic guitar from Michaud for a period of six months, and greatly enjoyed the process.

Michaud carefully adapted our lessons to suit my interests and gave a very good account of the fundamentals of both instruments and the relevant music theory.

Have not had better lessons, period. Highly reccomended.
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Michaud S.

Michaud S.

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$60 / 30-min

About Scott M.

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Conway, SC
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I can teach you quite a large amount about music theory

About Scott
Hi! I'm Scott. I perform with a one-man band setup I created which utilizes a modified guitar and home-made foot pedals to control a drum set, while I sing on top of it all. I have a recording studio at home, and have performed with bands as a singer, guitarist, saxophonist, bassist, percussionist, and as a sound engineer. I've written, performed and recorded my own album which made it to the 2nd round of the 52nd Annual Grammy Awards, and was a voting member of the Philadelphia Chapter of the Grammy Committee and NARAS (National Association or the Recording Arts and Sciences.) I started piano lessons from age 5 and just kept picking up more instruments and gear as I got older and never stopped learning or enjoying it!

*** Lesson Details ***
I have been teaching Guitars, Basses, Percussion, Piano, Saxophone, Music Production, Re
cording, and Live Sound for 16 years.

I can teach you note-reading, tabs, ear training, music theory, composition, improvisation in just about any style of music.

Working with people writing songs is something I enjoy thoroughly; I can help you write and record your own songs. A computer and internet access are preferred to take full advantage of the technology for learning and producing music.

Knowledgeable in Instrument repair, set-up, and maintenance, I can help you fix it, and how to spot a good instrument.

Patient and experienced, with a broad knowledge of music in most areas, I can give you hundreds of good references from previous students I've taught over the years

*** Studio Equipment ***

Guitars, basses, percussion and drum sets, a piano, saxophones, hand drums, a 20-track digital recording studio with monitors that are equalized to the room's acoustics for accurate listening and mixing, plus an assortment of microphones, amps, mic stands, cables, and connectors.
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Reviews
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Eric December 12, 2017
· Guitar · In studio
Very personable and eager to share his love of music. He’s not looking to teach you “his way” but meeting you where you’re at and helping you get to where you want to go, musically.
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Ghaus B. November 17, 2017
· Piano · In studio
Excellent, very knowledgeable, skillful, courteous and very humble instructor with lots of patience . A great teacher indeed.
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Sean R. September 28, 2017
· Singing · In studio
Scott was super friendly and patient. He was very thorough and helped loosen Sean up into his inner rock star! We felt very comfortable with the whole experience and can't wait for the next lesson.
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Scott M.

Scott M.

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About Michelle A.

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Sherman Oaks, CA

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Michelle feels it is incredibly important that all vocal/singing students have at least a basic understanding of music theory, reading music and ear training. This greatly assists them as they mature as a singer and as a performer, giving them the confidence, skills and knowledge to thrive in their musical endeavors. Michelle designs a specific curriculum for each student’s goals and needs so that these important music skills can be fun and accessible to anyone.

About Michelle
I believe that everyone can sing, it is just a matter of learning how to use your own unique instrument. From a very young age, as a performer, I was sharing my love of the arts with others. I grew up with an immense appreciation for the self-expression and creativity that result from all forms of art and music, to me, felt like my ideal way to express myself. Music inspires me and I always knew I wanted to help others connect with their inner musical ability as well.

*** Lesson Details ***
Michelle’s intention for each student is to support him or her, to the best of her ability, in finding and cultivating their voice, as well as their musical and performance abilities. As a teacher, she keeps a healthy balance between professionalism and making learning fun, inspiring and experiential. She designs a specific curriculum for each stud
ent based on their specific goals and intentions regarding their voice so that each lesson focuses on them and their unique needs. It is extremely important to her that students of all ages have a positive experience of music in their lives and she provides fun and encouraging performance opportunities for those students who wish to participate. Michelle’s goal is to recognize and support each student's potential, helping to give them confidence, direction and motivation on their unique musical journey.

*** Studio Equipment ***
Piano, music stand, microphone, mic stand, acoustic guitar, electric guitar, guitar and mic amplifier, recording equipment.

*** Travel Equipment ***
Portable Keyboard

*** Specialties ***
Musical theater, Jazz, Classical, Contemporary, R & B, Folk, Alternative, Contemporary Christian and Popular Music.
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Leila February 23, 2018
· Speaking Voice · Online
I was very hesitant about online class but I found this website and the profile of Michelle facilitated my decision to go ahead and give it a try. My first lesson with my professor was efficient, focused on the issues I wanted to address and I feel very lucky to work with such a generous professional. I am very happy about the class and I am already seeing progress. Thank you for all Michelle and I can't wait to continue improving with your coaching.
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Beth February 13, 2018
· Singing · Online
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Shayda R. February 8, 2018
· Broadway Singing · Online
Michelle was lovely and engaging, she had a great way of explaining things so I could understand, I look forward to more lessons!
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Michelle A.

Michelle A.

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About Alexandra P.

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San Mateo, CA

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I have been teaching music theory for ten years in my private studios and in classrooms.

I focus on beginning theory from note reading and rhythm recognition through to the ABRSM theory exams.

I also teach and tutor theory from the Laitz and Kastka Payne theory textbooks.

My desire is to help people understand music theory in an easy and fun way.

About Alexandra
Alexandra has been teaching harp and piano around the country for eighteen years through her personal harp studio and the Salvi Showroom in Southern California. She has also worked as a sectional coach for the Orange County Youth Symphony, Asia America Youth Symphony, and Palos Verdes Regional Symphony Orchestra. Her students are currently attending Eastman School of Music, Columbia University, Barnard College, Harvard University, Boston College, University of Pennslyvania, Princeton University, Northwestern University, University of Notre Dame, Yale University and Purdue University among others. Her students have also appeared on National television as well as playing for the Grammy Awards.

A strong supporter of the American Harp Society, she is Vice President of the American Harp Society Foundation. Alexandra is also co-chairman of
the distinguished Anne Adams Awards Harp Competition where she has been a main Director for fifteen years. She has served as the President of the Orange County Harp Society Chapter as well as a board member of the Bay Area Harp Society Chapter.

Alexandra received her Bachelor's Degree from DePauw University, majoring in Music and Anthropology. She also completed premedical studies at DePauw after spending her Junior year studying harp at the University of Oregon. She received her Master's Degree from Roosevelt University in Orchestral Studies, and did post graduate work at the University of Southern California in Harp Performance and Anthropology.

Alexandra's harp teachers have included: Sarah Bullen, Sally Maxwell, Edward Druzinsky, JoAnn Turovsky, Harriet Thompson Moore, Kara Bershad, Faye Seeman, Joy Andreasen, and Neva Lydiard. She has also had many mentors who have guided her life and career including: Kathleen Bride, Victor Salvi, Sally Maxwell, Patricia Masri- Fletcher, Robin Gordon- Cartier, Carrie Kourkoumelis, Dr. Craig Pare, and Karen Thielen.

Alexandra has performed in many master classes given by such internationally known harpists as Skaila Kanga, Jana Bouskova, Marie Pierre Langlamet, and Bryn Lewis. She has also organized many masterclasses and events featuring: Kathleen Bride, Sarah Bullen, Gwyneth Wentink, Patricia Masri - Fletcher, Louise Vickerman, Sivan Magen, Sasha Boldachev, Ina Zdorovetchi, Angel Padilla Crespo, Elzbieta Szmytt, Susan Allen, Gayle Levant, Stella Castelucci, Robin Gordon Cartier, Emmanuel Ceysson, Yolanda Kondonasis, and Kim Robertson.
 
Alexandra has performed extensively throughout North America and Europe as a soloist, with small ensembles, and as an orchestral harpist. She has appeared in several television shows such as General Hospital. Her playing,"Is filled with care, artistry, and mature interpretation. She is a talented musician, well rounded in her knowledge of music, and has a healthy curiosity in areas beyond music." (Donald Chen, conductor) "Everything I heard was sensitive, artistic, and had beautiful intonation." (Richard Ferrin, violist emeritus, Chicago Symphony Orchestra).

In addition to playing, Alexandra has also served as the Ambassador for Salvi Harps in North America for the past eleven years. She has given numerous masterclasses and workshops in addition to performing at National Harp Conferences and National and Regional music showcases. In her role as National Sales Manager, she helped harpists from all over the world find their dream harps, learn to care for them, and has mentored them along the way.

Apart from harp activities, Alexandra also enjoys teaching middle school, teaching piano, coaching rowing, participation in sports activities, and writing articles for various journals including: The American Harp Journal, Chicago Health Magazine, and Atlanta Health Magazine. She also enjoys being a board member on the DePauw University Alumni Board and she enjoys working on music startup companies.

*** Lesson Details ***

As a HARP teacher, all of my
students play scales, arpeggios, and technical exercises in
their lessons. I believe having a strong technical base is the foundation for
every part of playing and you can't learn without it. I will set the repertoire
for students according to their technical progress and although I may
take into consideration a student's desires to learn a certain piece, there has
to be time and they have to be ready for it. I have both short term and long
term goals for each student that involve theory, technical ability, and
repertoire: fun, orchestral and solo. Adult students still have to learn
technique, it makes things much more fun and easy six months later, I promise! Beginning students will learn how to read notes, understand basic theory, and technique in a short amount of time, so don't be scared if you have never had a music lesson before. 

I require all students make
at least half an hour a day commitment to practice. I teach mostly the Grandjany method of harp technique, however, I also use Salzedo and Renie methods
at times to fit a particular students' build and unique physical attributes as well as what the piece requires. I
have studied all techniques throughout my education and I find them all
beneficial for different reasons. I do, however, believe everyone is built
differently and the technique should help the harpist play and not hinder them
from achieving their goals. Everyone learns at a different speed, but as a
brand new musician, after six months practicing regularly, you should be able
to read music fluently, understand basic theory concepts, be able to play with
both hands and four fingers on each hand, play all of the basic scales and
arpeggios musically and be able to play at least one piece memorized.
Curriculum is based on the student's technical ability and issues and is
individually created – if you learn slower than someone else, don’t worry about
your pace. In the end, lessons are about you personally and not someone else.

As a PIANO teacher, I want students to learn about music and not just the piano. Students will learn basic music theory and basic scales as a part of their lessons. They will also occasionally choose a song of their choosing to work on chords. I do promote note reading and theory, so I am not the right teacher for students who don't want to invest time in learning the basics. These basics are the building blocks of all music and can be used for any instrument the student chooses to learn in the future.

*** Studio Equipment ***
I have harps and a piano at my studio, so you do not need to bring your harp to lessons. If you don't own a harp, you can rent one for around $45/month from several sources. 

*** Specialties ***
HARP - Grandjany Technique with an incorporation of Salzedo and French school depending on the player's body type and technical difficulties. I make use of the ABRSM as well as local, national, and international competitions depending on the student's level of commitment.

PIANO - I teach basic piano for fun through an Intermediate level. Although some students choose to take CM and ABRSM exams, I do not push them. I want students to enjoy piano and music lessons.
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Reviews
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George M. February 21, 2018
· Piano · In home
Alexandra has met all my expectations. She is very patient. I feel like we are moving along at a good pace. I had zero musical experience and after only 3 lessons can read basic sheet music and actually have music come out of the piano!! I am enjoying the whole process.
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Patricia F. January 23, 2018
· Piano · In studio
Great first lesson! Looking forward to next week.
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christina March 9, 2016
· Harp · Online
Alexandra was an excellent teacher! She really makes you feel at home even if you are nervous at the beginning… I look forward to taking more lessons from her
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Alexandra P.

Alexandra P.

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About Sara J.

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Charlotte, NC
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Pitch/note identification, rhythms, intervals, chord spelling & identification, key identification, sol-fege, major & minor scales, circle of fifths, voice-leading, analysis

About Sara
Hello, and welcome to my page! My philosophy for singing is that a truly great singer is versatile, and that the ideal voice is a flexible instrument that can handle a variety of genres and styles.

My personal training is primarily in classical, and I have a Master's degree in classical voice/opera from Boston Conservatory at Berklee. However, I also actively sing pop, musical theater, and even heavy metal!

Singing can be challenging, and while I work with the student intensely to diagnose and fix vocal issues, it is very important to me that the student feels happy and confident. I encourage students to express their creativity by singing in styles that they feel comfortable with, choosing their own songs, and even adding their own riffs/runs/ornamentations.

I like to place a heavy focus on music theory and sight-singing (I
offer private lessons in these subjects separately as well); It is extremely important for young singers to be able to read the notes on the staff, to understand rhythm and key, and to find pitches on the piano.

I accept beginning-intermediate singers of all ages. I additionally offer music theory, sight-singing, and diction lessons as well as beginner/introductory piano.
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Diego Puppin October 11, 2017
· Vocal Training · In studio
I've observed such a great improvement in a short time!! I'm really excited by my progress with Sara.
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Samantha October 3, 2017
· Singing · In studio
My daughter is learning a lot from Sara and so am I. We look forward to the classes as Sara is patient, encouraging, explains everything very well to my daughter and very knowledgeable about vocal training. We feel fortunate to have found her. My daughter who is shy is opening up to her, I can't wait to see where Sara could take her.
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Diego Puppin September 16, 2017
· Singing · In studio
I really enjoyed the warm-up exercises as a way to get a good tone.
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Sara J.

Sara J.

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$30 / 30-min

About Edna B.

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Rockton, PA

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Do you want to understand music? Then study music theory! For the most part you'll delve into the elements of melody, harmony, and rhythm. I'll help you assess your strengths and needs to gain the confidence you need to understand and write music.

About Edna
Welcome to my Music Studio where you can learn the skills you need to reach your musical dreams. I've had the privilege of collaborating with students pre-school through geriatrics. Together we've explored the fascinating process of reaching musical goals. I offer over 30 years performing and teaching experience along with a genuine enjoyment of people.
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Lourdes BD February 14, 2018
· Piano · Online
ANOTHER GREAT LESSON! THANK YOU EDNA :-D
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Lourdes BD February 9, 2018
· Piano · Online
Love my lessons with Edna!!!!!
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Lourdes BD January 31, 2018
· Piano · Online
GREAT LESSON...LOVE MY LESSON HOUR, THANK YOU EDNA!
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Edna B.

Edna B.

Du Bois, PA 15801
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About David D.

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Carrollton, TX
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We´ll cover Contemporary Harmony, Sight-reading, Rhythm and Metrics

About David
David has been teaching private lessons since 1984 and is currently available to teach lessons at your home, at his studio, and online. David has helped students to improvise in Jazz Music, To play piano with a solid ttheoretical foundation, getting the musical tools to reach their goals in the music, and learn how to study and grow up musically.

David received his training at Dick Grove School Of Music in 1996] where he took the Course Harmonic Relationships. As an expert in his field, David looks forward to helping new students achieve their goals. David's teaching style is step by step, medible, specific covering 5 areas: Technique, Harmony, Sight-reading, Rhythm and Metrics, Styles, looking to make easier as possible the learning path cause the music it´s not easy, That´s why he is concerned to give all the most practical applicati
ons at the student.
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Ken L. January 31, 2017
· Piano · In studio
This was my first lesson, it went great.
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Mark April 19, 2016
· Piano · In studio
David is a very enthusiastic, talented, and experienced instructor. We're definitely on the same page musically and I have the utmost confidence that he can help me achieve my goals. Can't wait for my next lesson!
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Efrom Moore February 21, 2016
· Piano · In home
Awesome lesson
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David D.

David D.

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About Daniel B.

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Ridgewood, NY

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From understanding the basic harmony in "Call Me Maybe" improvisation to learning improvisation and composition techniques, I draw on my experience in applying western and non-western music theory across Piano, Singing, Drums, and Bass Guitar. I make sure that any concepts covered always have context in repertoire, so that there is a constant application of the theory and it never stands on its own.

About Daniel
I'm a gigging musician and teacher who graduated from Oberlin College in May 2015 with a degree in Musical Studies and Physics. I was on the Division III tennis team there for two years as well. I pride myself on patience and empathy no matter what I teach, whether it feeling the pulse of a complicated drum groove or solving a challenging physics word problem. For music lessons, I strive to bring in a context of genre fluidity and history, so that a student knows where and what to explore on their own even when I am not in the room to show them. Overall, my teaching is all about inspiring students to do well and make their strengths work for them, rather than dryly coming up with the "right answer" or playing a tune the "right way" to get from point A to point B.
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Elizabeth May 31, 2016
· Piano · In home
Dan connected well with my daughter and now she can't wait for more lessons.
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Sarana J. March 21, 2016
· Piano · In home
Sarina had a great time learning piano with Daniel.
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Andrew J. March 21, 2016
· Drum · In home
Andrew got along well with Daniel. Andrew enjoyed his lesson.
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Daniel B.

Daniel B.

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$30 / 30-min

About Rafael M.

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Alhambra, CA

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I love music theory and how it brings out beauty in music. I can teach the fundamentals from pitch rhythm and harmony and reading to analyzing and exploring advanced concepts, regardless of what instrument you play. We will necessarily also learn how to apply those concepts in real life music playing and composing.

About Rafael
Enthusiastic and patient teacher. I strive to get the best out of the student while having fun learning music. We will define in the first lesson what level you are, and based on your personal music taste and ambitions, we will devise an exclusive lesson plan to help you grow as a musician in the best way!
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Rafael M.

Rafael M.

Online
starting at
$34 / 30-min

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All in Order: Tricks for Identifying Key Signatures

All in Order: Tricks for Identifying Key Signatures

What are the "keys" to identifying different key signatures? Read on for some great tips from Tucson, AZ teacher Lourdes C... In reading music, there are a few things that give musicians the biggest headaches. One major migraine-maker is determining keys from the key signature and then remembering the order of sharps and flats. This chart gives musicians a quick way to help with identifying key signatures. Key Signatures at a Glance Major sharps: the name of the key can be fou … Read More

All in Order: Tricks for Identifying Key Signatures
What are the "keys" to identifying different key signatures? Read on for some great tips from Tucson, AZ teacher Lourdes C... In reading music, there are a few things that give musicians the biggest headaches. One major migraine-maker is determining keys from the key signature and then remembering the order of sharps and flats. This chart gives musicians a quick way to help with identifying key signatures. Key Signatures at a Glance Major sharps: the name of the key can be fou
6 Fun and Unique Ways to Learn Music Theory
Staring at the Circle of Fifths and memorizing key signatures isn't the only way to learn music theory! Here, Brooklyn, NY teacher Liz T. shares some creative ideas to revive your learning...   Music theory is a very important part of your musicianship, whether it be mastering ear training, harmony, or sight reading. No matter what instrument you play or what styles you enjoy, those who learn music theory grow further as musicians. A solid knowledge can help you improve your perform
4 Painless Steps to Help You Learn Music Theory
Sure, music theory is complex -- but there's no need to fear it! Here, Jamaica Plain, MA teacher Noaa R. shares four steps to get you started...   Many students tend to avoid studying music theory and harmony. This can stem from a fear of compromising one’s creativity with rules and numbers, a failure to connect concepts with application, or from feeling overwhelmed by the perceived volume of material to be learned. However, when you approach theory as an exploratory process that help
How to Transition from Classical Pianist to Jazz Pianist
Piano music doesn't have to be all classical, all the time! Here's what you need to know about getting started with jazz piano chord progressions, courtesy of St. Augustine, FL teacher Heather L...   Thelonius Monk, Herbie Hancock, and Duke Ellington are just a few of the great jazz piano players. What beautiful and fascinating sounds fill our ears when their names come to mind! The seemingly illusive progressions and spontaneous elements, like syncopation and improvisation, sound
Subdivision: The Easy Trick for Reading Rhythms Right
As you're learning to read music, you'll come across complex rhythms at some point. Here, Saint Augustine, FL music teacher Heather L. offers some helpful tips to help you get through the tricky parts...   Have you ever found yourself sitting in a big concert hall, or in your room, listening to a soloist play a practically perfect rhythm? Almost all of us have, and almost all of us have asked ourselves, "How do they do that?" Their secret is subdivision. You might be just begin

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