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Gibsonia, PA Shakespearean Acting Lessons

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Popular Shakespearean Acting Teachers near Gibsonia, PA

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About Gina B.

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New York, NY

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A classical education makes everything so much easier. There are basic classical rhetorical devices that are easy to use once you understand them and make acting so much more fun and simple. It is 'playing' after all and with these techniques that are just ages old and so ingrained in humanity and nature you will be delighted and challenged.

About Gina
As of May 10th, I am in New York City. I will be accepting new students for the summer months either in NYC or online.

I am studying Music in The Mills College Music Department and Center for Contemporary Music; in pursuit of my second MFA, specializing in Improvisation. My main instrument is Voice; I also study piano. That will add to my BFA in Dance from The Juilliard School, an MFA in Dance and my other fancy pants pedigrees!! I teach Music Improvisation as well as many other aspects of music and the list of subjects below.

I graduated from Juilliard in dance and pursued modern dance and all sorts of theatre, dance/theater, music/theater, experimental, modern and classical theater, post modern and modern dance. I have taught children and grown ups for many years. I have a strong performing career and love the way teaching ke
eps me in a giving and learning place.

*** Lesson Details ***
With beginning students I am very laid back and patient and believe strongly that in the play of games and experiments technique will develop and manifest. As the student becomes more advanced I become more demanding as do the materials. As an acting teacher I have an advanced capacity to take students along all the way to professional and beyond. I am a member of the Actors Studio, the performing unions and studied since childhood at ACT and then all over the world including The National in London.
In Singing and Piano I can be valuable to the beginning level and will want to send them to another teacher as they progress beyond my ability.
In dance I have a wide knowledge and can teach several forms as well as history and materials. In Juilliard I specialized in historical dance of the French Court which is also known as pre-ballet. At present I am studying Tango and other ballroom forms and can teach the beginning levels as well as help choreograph for weddings or events. Of course I can also teach Ballet and many forms of Modern Dance.I adore teaching dance composition. To help a dance student make dances is very very fulfilling to me. I work with other media to inspire, using painting and painters, poetry, sound and dream, ideas and desires. All to contribute in making a dance.
In Visual Arts I can teach Abstract Painting, Installation and Performance Art. I have taught children and adults and have a way of bringing the body's expression into the act of making visual art that I and my students find very successful.

*** Studio Equipment ***
I have supplies and space. Visual Art students need to contribute to materials by finding or purchasing whatever they like and adding to the mix. My students are welcome to use what I have here and I am always adding materials. Many people throw away materials that are perfectly good for art making so keep your eyes open and you'll find all kinds of good things. Visual Art students need to book a 2 hour minimum and I will lower the price if you just let me know you need it.

*** Travel Equipment ***
just a space to work in - we can create a work space out of any space.

*** Specialties ***
In dance I teach classical ballet principles for beginners or those who are returning and want to work carefully and privately. I teach from the tradition of Alfredo Corvino's principles of relationship to organic forms and structures for sound development. I studied with Mr Corvino for years and continue to study with Ernesta Corvino.
For acting I teach a combination of classical acting technique with American sense memory and relaxation skills. I am well versed in the teachings of Lee Strasberg and then spent time in London to 'fill in the cracks' of my training with analytical skills as well as the various european influences that the Royal National embrace.
I teach creative discovery in combination with classical devices so the student can discover their own artistry while learning actual classical devices for accomplishing specific goals.
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Reviews
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Cynthia F. July 30, 2017
· Abstract Painting · In home
Great! I look forward to the next class.
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Anaya P. May 19, 2016
· Acting · In studio
Gina is great! My 14 year old daughter loved her. She helped her work on several techniques and scenes in preparation for an audition. I would definitely recommend her for various levels of experience.
She loves the craft and it shows in her teaching. Shes tough but so loving and enthusiastic.
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Mitul May 19, 2016
· Acting · In studio
I have had the opportunity to learn acting with Gina and it has been great so far. When I signed up for the lessons, I signed up with Gina because of her credentials as I never had an encounter with her. From my first class itself she has taught me a lot about acting specially stage acting and that too with great enthusiasm. I now feel like pursuing it further. She is quite knowledgeable specially in her field and every moment that you are in the class with her, you are learning something new. I would highly recommend her, doesn't matter if you are just getting into the field or trying to set your advanced level stage, her talents will teach you something new that would take you to the next level. I hope you can take advantage of learning from a Great Artist like Gina.
P.S. She is a great Dancer and a great Musician.

Good Luck!
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Gina B.

Gina B.

Online
(7)
starting at
$70 / 45-min

About Nicholas M.

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New York, NY
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My basic approach to classical work focuses primarily on the connection of the breath with the feeling on the word.

This is the foundation on which you can then build. From the ‘words’ to the ‘thoughts’ to entire ‘passages’ of text, as you work and explore, the richness of the playwright’s words comes to life. Your own unique emotional life is allowed to come through the text and you are able to fully embody the role.

About Nicholas
I have been an actor for more the 35 years having worked Off-Broadway and Regionally.

I've taught acting for 18 years privately as well as at Brooklyn College, St Frances College, Marymount Manhattan College, and the American Musical and Dramatic Academy.

"Nicholas is patient, insightful, friendly, and gets
results. After working with Nicholas, I felt great
about my auditions, got two callbacks, and landed
a touring job.
I would recommend him to any actor."

*Jonathan M.
Shakespeare Theater of New Jersey
Pennsylvania Shakespeare Festival
Millbrook Playhouse

I am the Producing Artistic Director of the Hudson Warehouse and have been since its inception in 2004. Known as "The Other Free Shakespeare in the Park," we produce free classical theater in Riverside Park during the summer months and we hav
e an indoor season during the winter months as well.

"Mr. Martin-Smith has been my director, coach and
mentor in productions and the classroom. His patience,
insight and his passion excites students, and makes
them feel safe and supported enough to take risks."

*Joseph H.
Shakespeare Theater of New Jersey
Pearl Theater Company
York Theater Company
Hudson Warehouse

*** Teaching Methods ***
I foster a safe, relaxed and engaging environment to explore truthful human behavior on stage.

The objective is 'the truth' to which end there is no one technique. Actors are encouraged to find their own tools and to draw from elements of different practices to discover a technique that works best for them as individuals.

I studied the methods of Constantin Stanislavski for acting with Sergei Pomerov of the Moscow Circus Theater. I am classically trained as well.

I work primarily as a guide to help navigate the way and to interpret ‘the signs.' I teach the lesson in the moment and address the challenges of both the beginner and the experienced actor.

***Classical Work***
My basic approach to classical work focuses primarily on the connection of the breath with the feeling on the word.

This is the foundation on which you can then build. From the ‘words’ to the ‘thoughts’ to entire ‘passages’ of text, as you work and explore, the richness of the playwright’s words comes to life. Your own unique emotional life is allowed to come through the text and you are able to fully embody the role.

*** Teaching Levels and Focuses ***
*Beginning Actors
-Work With Classical Text.
-Vocal Work.
-"Moment to Moment" Work.
-"Sense Memory" Work.

*Experienced Actors
-In depth Classical Text Analysis.
-Connecting to the Text.
-Audition Technique
-Monologue Coaching
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Reviews
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Affea Q. August 1, 2017
· Acting · In studio
Nicholas is a fantastic and patient teacher who is skilled at helping actors with nonverbal communication. He helped me organize my monologues into beats and we worked on transitions and changes of intention. After classes with Nicholas, I confidently made my debut on stage.
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Lance F. November 29, 2014
· Shakespearean Acting · In studio
I was always afraid I couldn't learn Shakespeare, but Nicholas explained the intent on the word, the intent on the line. Soon, I was so caught up in the meaning of the lines and the story I was telling in that moment that I was able to engage in the role, smoothly, without worrying that I was performing Shakespeare. He broke it down so I could understand it, and then feel confident doing it. Highly recommend!
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Sondra L. November 29, 2014
· Acting · In home
Nicholas knows Shakespeare and classical work. He really works with the text and helps an actor really understand the emotions in the scene, through the text. I've gotten so much out of his teaching and so have many of my friends. If you have an audition or play coming up, he's the one to get you ready for it! My friend nailed his audition, got the gig, all through his work with Nicholas. I've learned so much as an actor from Nicholas.
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Nicholas M.

Nicholas M.

Online
(3)
starting at
$50 / 60-min

About Maria M.

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Atlanta, GA

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About Maria
MISSION STATEMENT:

The mission of my studio is to create well-rounded, educated musicians who will always have a lifelong passion for the art no matter their long-term goals. I strive for my students to be:

(1) Lifelong learners who develop successful learning habits.
(2) Creative and critical thinkers who will become effective communicators.
(3) Responsible and respectful members of society who respect other cultures.
(4) Able to set short-term and long-term goals and be able to see them through to their success.

TEACHING PHILOSOPHY:

It is of the utmost importance that my students are well-educated in their chosen instrument; they must know and understand music and music-making. Students who can play are a dime a dozen, but students who understand the music they are playing are often hard to find. I teach students to kno
w music thoroughly, not just to “play.” I desire my students to comprehend elements of the score, to use their bodies effectively to make good sound, and to interpret music creatively and according to historical performance practices across all genres of music. Thus, I give students a purposeful education in technique, quality literature, performance and artistry, music theory, and music history.

Although students differ in ability and development, I maintain high expectations for our students. I expect attention and respect in lessons, faithful and diligent practice, careful adherence to instructions, and an “I’ll-do-my-best” attitude. If students regularly meet these expectations, then they will excel to the level that they are able. It is my joy to help students master their music, to do the best they can, and to strive for and achieve excellence.

Lastly, I want students to enjoy and appreciate their instrument, music, and music-making; and I know as as a teacher, I am very influential in making this happen. Students develop enjoyment of music by understanding music, experiencing success in music, being exposed to good and varied genres of music, and receiving instruction from a teacher who is enthusiastic and encouraging. It is my goal to provide all of these opportunities for students, and as a result their lives will be enriched as they enjoy their instrument.
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Reviews
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Jasmine July 22, 2017
· Acting · In studio
Best acting coach I've ever used. Helped me land a supporting role in an upcoming movie taping here in Atlanta. I would highly recommend her to anyone.
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Dan July 11, 2017
· Music Theory · Online
Great teacher. Much better than my theory teachers at Kennesaw State. If it wasn't for Maria I would have never gotten an A or even passed Music Theory or Aural Skills. I plan to start working with her in the fall to help me test out of Group Piano.
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Elizabeth Faye July 10, 2017
· Piano · In studio
Our child has done so well with Ms. Maria. Lauren has just completed Level 5 of the ABRSM exams this past spring and did fantastic. This is our 5th year with Ms. Maria and we know we made the right choice by switching studios. Lauren is happy and progressing much farther than others in her previous studio. Highly recommend.
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Maria M.

Maria M.

Online
(17)
starting at
$35 / 30-min

About Larry P.

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Cave Creek, AZ

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Shakespeare, from the page to the stage; interpretations from the actor's Point of View as well as staging it from the director's view.

We will talk about the text, what it means, how it can be interpreted, ways to explore it, why it has stood the test of time.

A Takelessons Blog Post about Shakespearean Acting:
http://takelessons.com/blog/acting-in-famous-Shakespeare-plays

About Larry
***My Takelessons Blog Posts:***
http://takelessons.com/blog/acting-in-famous-Shakespeare-plays
http://takelessons.com/blog/how-to-have-stage-presence

My name is Larry, and I was born and raised in Chicago and now call the Phoenix, AZ metro area home. I have two Master's Degrees in Education (Higher Ed. and Teaching and Learning with Technology), and am working on another M.A. currently in History. I have a tutoring business of my own, working with excellent education partners like Takelessons.

My tutoring business is geared towards middle, high school,and college students, and my specialization is geared in three arenas:

1) The Humanities: History (U.S., European, Oriental, and World), English, Literature (with a special passion for all things Shakespeare), and Social Studies (including American Government and Political Sci
ence).

2) Papers: Research papers (and how to do the research for them), essays, creative writing - everything to do with papers you ever wanted to know.

3) Drama (the Theatre kind of drama, not life drama): Acting, directing, staging, analysis, including the aforementioned Will Shakespeare.

***My Promise to You***

I will treat you like an individual - that means that we'll find out how YOU learn best, and we'll work that way. I don't teach "to the test", I don't teach memorization. I teach by asking and answering questions, as well as providing information.

***My Expectation of You***

That you will come with an open mind, come with questions, come with not just the willingness to learn and have fun, but the expectation to do both.

***Lesson Details***

*The Humanities*
The reason so many people go screaming into the night when confronted with lessons in things like history, or government, or English for that matter, are all the names and dates to memorize. I don't teach that way. We begin with things you want (or need) to know. From there, we cover how those things affected other things, It's a huge world out there, and how we got here from where we started is a wonderful and complicated trip. History doesn't happen in a vacuum, and we learn who we are by knowing where we come from.

*Papers*
Obviously I won't write your paper for you, but I will show you how and where to start your research (and how to sort it as well). I will also proof-read for grammar and/or organizational errors and show you how to structure it in general terms.

*Drama*
I have acted, I have directed. From the community to professional levels. We will talk about character creation, about staging, about working with your director as well as your fellow actors. We will mostly brainstorm, and you will be able to experiment in vision as well as technique.
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Reviews
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Monica August 21, 2017
· English Literature · Online
We've Been Working With Larry For Quite Some Time Now, And He Is A Real Professional. Excellent Communication & Very Patient. Larry Works With Our Schedule Anytime Something Unexpected Comes Up. Always Prompt, Always Kind, And A 100% Honest Man. A True Value To Take Lessons.com, And A True Value To Anyone That Has The Opportunity To Work With Him.
One Of The Very Best! You'd Be Lucky To Work With Him!!

Thank You For Everything Larry! :)
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Corissa August 3, 2017
· Test Prep · Online
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Slawomir July 26, 2017
· Acting · In studio
All the classes are very fun. Mr. Larry is very patient and super helpful. I'm enjoying every minute of each class.
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Larry P.

Larry P.

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(13)
starting at
$30 / 30-min

About Alexandra W.

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Los Angeles, CA

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I help my students break down the text through analyzing the iambic pentameter, rhetorical devices, and imaging work of the text. After the analysis, I help my students learn how to perform Shakespeare in a truthful, interesting, and accessible way.

About Alexandra
Alexandra has a BA from the University of Southern California (Recipient of Doolittle Award: Outstanding Female Performer of graduating class) and an MFA from the American Repertory Theater/Moscow Art Theater Institute for Advanced Theatre Training at Harvard University. Acting has taken her to Paris, London, and Moscow and has given her the opportunity to work with exceptional artists, such as Neil Patrick Harris, Neil Gaiman, Scott Zigler, and Kevin Bright. She coaches students privately and is currently teaching at Will Geer’s Theatricum Botanicum, American Academy of Dramatic Arts, and The New York Film Academy. She is also a monthly column contributor to the popular online arts magazine, Bleep.
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Paul August 19, 2017
· Makeup · Online
Helpful, does not just tell u she gives u a chance to tell her your thoughts and then she goes from the!
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Joyce August 9, 2017
· Speaking Voice · Online
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Joyce August 9, 2017
· Speaking Voice · Online
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Alexandra W.

Alexandra W.

Online
(33)
starting at
$35 / 30-min
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About Jonna V.

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Springfield, MO

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30 years of experience in theatre, television, commercials, voice overs and Indie films. I started coaching other actors in 2014, focusing on techniques for on-camera acting and film audition coaching. I have the inside scoop on how the professional acting world works and I help prepare all students for the challenges that come with the biz. One pager perk is that I am also a Casting Director for commercial, television and film projects in the Midwest. I'm always talent scouting.

About Jonna
When I moved back to Springfield, MO from LA a few years ago (Because the schools are better and my family is here), I immediately noticed a desperate need for film acting education. We have good theatre programs in town, but most of the actors weren't quite aware of how to transition that for the screen. I've been blessed to have a lot of practice and education for on-camer acting, so I decided to share what I know.

It's been a cool adventure learning how to teach, especially since I'm still a working actor. I get to take my own advice and see if works. I have primarily adult students in my weekly classes as well as private lesson students, and they have been brave enough to try many new things. We explore all of the popular techniques to find what works for us. Acting is a very special craft for strong people.

I tell all of my stude
nts, "You have to be STRONG if you want to tell the stories of the human condition." My first piece of advice to help you become a great film actor is: DON'T SHOW ME HOW YOU FEEL. JUST FEEL IT.

I love people and I'd love to work with you.
...
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Jonna V.

Jonna V.

Online
starting at
$50 / 60-min

About Cathy H.

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Pittsburgh, PA

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I've been a Professor of Acting/Directing for over thirty years. I've taught at a small liberal arts college in Vermont and in a professional training program in Las Vegas. I coach actors to personalize material and to create bold, innovative choices in a fun, supportive environment. I was recently awarded the Gold Medallion for extraordinary contributions in Teaching and Producing Theatre by the Kennedy Center. “ . . . It is the most prestigious award given by the Kennedy Center American College Theatre Festival and is considered one of the great honors of theatre education.” Eight Gold Medallions are awarded nationally each year by The Kennedy Center. I know that we'll have a great time as we explore your potential as a working artist!

About Cathy
I've been a Professor of Acting/Directing for thirty years. I direct professionally and love to explore the process of acting. It's exciting to discover moments in a monologue, song or scene that are personal and artistically original. It's time to make a difference in your work because no one is like you! Talent and competition are part of this business but what will set you apart are the strategies and techniques that make your choices stand out from the rest. Whether you want to act professionally or build more skills when you go to an audition, rehearsal or interview, I would love to meet you and work on the artistic process together.
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Reviews
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Evyn August 11, 2017
· Acting · In studio
I have been a student of Cathy for four years and the lessons she taught me helped shaped me into the successful actor I am today. We worked on a wide range of topics from Shakespearean acting, film and tv acting and on stage. Cathy excells in all of these topics, going in depth in every one to get to the root of the character, scene or narrative. She also coached me on audition techniques and monologue and scene choices, something that has been extremely helpful in my auditions in New York City. Her experience as a director and 30 plus years in the business make her an extremely valuable partner to anyone who works with her.
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Josh August 9, 2017
· Acting · In studio
Cathy was my teacher, director, and mentor for the three years I attended Saint Michael's College. She was the first professor I met on campus and the one I have always remained in touch with. She is the type of person who reached out to catch up with me while I lived in London and she was visiting with her husband. Her devotion to her students and her hope for their success are unwavering.

Three words to describe Cathy as an acting teacher: HONEST, CONCISE, and ENCOURAGING.

HONEST: Cathy does not sugarcoat. She tells you how she sees it. This is how she builds trust with her actors so that they can stop sabotaging themselves through internalizing and overanalyzing themselves. She creates a professional relationship with you to feel confident in making strong, bold choices and assessing the results after. This has made my experiences both in auditions and rehearsals extremely successful.

CONCISE: People in the theatre do a lot of talking. Cathy gets to the point both in how she speaks to her actors and how she directs. Acting is an art form but at the professional level there are prescriptive elements required of an actor so that text can be analyzed properly, choices can be appropriately made, and through it all there is always truth both in action and word. Cathy gets her actors to that point without grandiose tangents that, frankly, get the actor no where.

ENCOURAGING: Cathy wants everyone to succeed. She wants the story to be told truthfully. She expects a great deal from her students and in return guides you with empathy and patience so that you will be able to look back at your work and be equally as proud of yourself as she is of you.

I owe a great deal to Cathy. I have worked regionally and Off-Broadway since graduating and that has a lot to do with the tools she has given me. She helped me build a very strong artistic foundation and I continue to hone my skills because, as she always reminds her students, there is always more work that can be done.
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Katie Healy August 7, 2017
· Acting · In studio
I was fortunate enough to study with Cathy for 4 years. Cathy gave me the foundation that most actors lack by focusing on the ability to listen as an actor, how to create a role and how to do my work but also remain playful & open to what was happening in the moment on stage. Through Cathy I learned the dedication required to pursue a professional career in the arts. I credit so much of my success as an actor and producer in New York City theater to Cathy's unwavering support.
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Cathy H.

Cathy H.

Pittsburgh, PA 15238
(6)
starting at
$50 / 30-min

About James F.

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Pittsburgh, PA
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I specialize in Shakespeare and Classical Theatre by using the text as an acting script, not a literary document. Using the language and the cues within the text, I present a practical approach that erases the fear and give a set of keys that can be used in any play.

About James
James FitzGerald Credits: For PICT Classical Theatre: Shylock Merchant of Venice, Didi, Waiting for Godot, Him, Woman and Scarecrow, Wemmick Great Expectations, Dinzie, Sharon’s Grave, Fagin, Oliver Twist, as well as 18 other productions.
Other Pittsburgh credits: Watson, Hound of the Baskervilles (Kinetic Theater), Charles Ives in Charles Ives Take Me Home (City Theatre), End of the Affair, All the Names (Quantum Theatre), 1776, Royal Family, Born Yesterday, Midsummer Night’s Dream, and Our Town (Pittsburgh Public Theater), Candide (Pittsburgh Opera Theatre), Heads (Pittsburgh Playhouse).
Regional credits: Marriot’s Lincolnshire Theater, Chicago’s Second City, ETC., The Royal George, Apple Tree, among other Chicago venues including sixteen seasons with Chicago Shakespeare Theater. Regional credits: Cape May Stage, Milwaukee Rep, the
Nebraska Shakespeare Festival, North Carolina Shakespeare Festival, Baltimore Shakespeare Festival. Off Broadway: Rose Rage, directed by Edward Hall.

Awards: Recipient of two Joseph Jefferson Awards (Best Supporting Actor), a Jeff Citation (Best Actor), and an OE Award Nomination (Best Supporting Actor). James is a company member of PICT and Featured Artist in 2014. He was also named Performer of the Year 2016 by the Pittsburgh Post-Gazette.
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James F.

James F.

Pittsburgh, PA 15213
starting at
$34 / 30-min

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