Drexel Hill, PA Opera Voice Lessons
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About Elizabeth H.
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About Elizabeth
Elizabeth is an established and respected voice and piano teacher, and also an active, versatile performer in musical theatre, operetta, and opera in the Philadelphia region.
***Teaching Philosophy***
I am a fun, enthusiastic teacher who cares deeply about her students and their growth as musicians and people. I believe teaching works best when students are relaxed, having fun, and are actively engaged in the learning process. It is also important that you practice what we work on during lessons at home if you wish to see real progress. I will work hard along with you and ask for your input during lessons; we are partners in the learning process.
I also believe each student is unique, and take differences in learning style, interests, goals, and personality into account when I teach. Whichever you choose to study (voice, piano, or
***Teaching Philosophy***
I am a fun, enthusiastic teacher who cares deeply about her students and their growth as musicians and people. I believe teaching works best when students are relaxed, having fun, and are actively engaged in the learning process. It is also important that you practice what we work on during lessons at home if you wish to see real progress. I will work hard along with you and ask for your input during lessons; we are partners in the learning process.
I also believe each student is unique, and take differences in learning style, interests, goals, and personality into account when I teach. Whichever you choose to study (voice, piano, or
both), I tailor lessons to suit each student's needs. I would like to enable you to meet your musical goals, whatever they may be.
***Lesson Details and Recommendations***
Singing voice: I teach classical vocal technique with an emphasis on the body-mind connection. Through the course of my training, I have studied the Alexander Technique, which is a method that has been used by actors, musicians, and athletes to find optimal body-mind coordination to achieve better results. The voice is the only instrument that is literally your body, so we will be using these tools to improve posture, breathing, and resonance. By learning a healthy vocal technique, you can expect improved tone quality, an expanded vocal and dynamic range, greater resonance, increased agility, improved diction, and more. Healthy vocal technique can be applied to any genre, and I teach students who are studying a wide variety of music, but classical and musical theater repertoire is my area of expertise.
Speaking voice: I have had great success helping students who come to me for help with their speaking voices. As the speaking voice and singing voice use the same set of muscles, the same set of functional principles apply. I work with students to improve their posture, breathing, and breath support when speaking, as well as clear diction, better pacing, and conveying emotion and meaning. These tools also lead to increased confidence when speaking.
Piano: I am also an established piano teacher and have had much success teaching beginning and intermediate students from ages 4 to 91 in various styles of music. I believe it is important for students to learn how to read and interpret written music as well as understand the structure behind it, so in addition to learning musical basics, I incorporate music theory into lessons. I encourage my piano students to learn how to read lead sheets and create chord accompaniments as well, which opens the door for comfortably playing in all sorts of styles sooner than would be possible by classical approaches alone. I also work on improvisation and songwriting with my piano students, if desired.
***Lesson Recommendations***
I offer lessons in 30, 45, and 60 minute increments. These are the *minimum* lesson lengths recommended. Longer lessons are more beneficial, except in the case of children with smaller attention spans. A 60 minute lesson is the best choice for serious students (teenagers or adults).
Voice:
Ages <12 years: 30 minutes
Ages 12 and up: 45 minutes
Piano:
Ages <7 years: 30 minutes
Ages 7 and up: 45 minutes
Combination Lesson:
Ages <12 years: 45 minutes
Ages 12 and up: 60 minutes
*Please note: I do not reserve regular lesson times in my schedule for students who cannot commit to weekly lessons. With students who wish to take less frequent lessons, I recommend the flex plan, with lessons to be scheduled as we go at our mutual convenience.
***Educational Background***
Elizabeth holds an M.M. in vocal performance from West Virginia University, where she was featured in numerous WVU Opera Theatre productions and was the soprano soloist with WVU Choirs in Faure's Requiem and Handel's Lord Nelson Mass. While at WVU, Elizabeth resumed taking lessons at the piano, which she had previously studied for many years, and exceeded the piano proficiency level required by the university. She also holds a B.A. in music and international studies from Emory University. Elizabeth has studied and performed internationally, both at the American Institute of Musical Studies in Graz, Austria, where she was the recipient of the Lemmonds Scholarship, and at the Bel Canto program in conjunction with L'Arena di Verona opera company in Verona, Italy.
As a graduate assistant at WVU, Elizabeth taught voice lessons to music education and performance majors as well as a course on vocal pedagogy. After graduating, she served as adjunct faculty, in which capacity she taught vocal repertoire and opera theater. She has maintained a private studio since 2005, in which she instructs students in voice and piano. She has also held past teaching positions with the Meridee Winters School of Music and Woodland Country Day School.
***Active, Professional Singer/ Actress***
Elizabeth was most recently seen as Joanie in The Full Monty at Candlelight Theatre in Delaware. Other recent performances include June in Musical of Musicals: The Musical and Peaches/ Baby Jane in Jerry Springer: The Opera with Bootless Stageworks in Wilmington, DE, solo performances with the New Voices Cabaret at the Society Hill Playhouse in Center City, and Woman 2 in My Way: A Musical Tribute to Frank Sinatra with Mainstage Center for the Arts in Blackwood, NJ. She has performed numerous leading roles with Philadelphia area Gilbert and Sullivan companies, most notably appearing as Angelina in Trial by Jury with The Savoy Company, winning Best American Production at the 2011 International Gilbert and Sullivan Festival. Her G &S performance credits include the roles of Patience (Patience), Yum-Yum (The Mikado), Rose Maybud (Ruddigore), Phyllis (Iolanthe), and Fiammetta (Gondoliers). Additionally, she has pioneered roles in new operas, including Gwendolyn in The Crowded House at the 2010 Philly Fringe Festival and Zelda in Black Horses with OperaDelaware at the 2009 Wilmington Fringe Festival.
***Lesson Details and Recommendations***
Singing voice: I teach classical vocal technique with an emphasis on the body-mind connection. Through the course of my training, I have studied the Alexander Technique, which is a method that has been used by actors, musicians, and athletes to find optimal body-mind coordination to achieve better results. The voice is the only instrument that is literally your body, so we will be using these tools to improve posture, breathing, and resonance. By learning a healthy vocal technique, you can expect improved tone quality, an expanded vocal and dynamic range, greater resonance, increased agility, improved diction, and more. Healthy vocal technique can be applied to any genre, and I teach students who are studying a wide variety of music, but classical and musical theater repertoire is my area of expertise.
Speaking voice: I have had great success helping students who come to me for help with their speaking voices. As the speaking voice and singing voice use the same set of muscles, the same set of functional principles apply. I work with students to improve their posture, breathing, and breath support when speaking, as well as clear diction, better pacing, and conveying emotion and meaning. These tools also lead to increased confidence when speaking.
Piano: I am also an established piano teacher and have had much success teaching beginning and intermediate students from ages 4 to 91 in various styles of music. I believe it is important for students to learn how to read and interpret written music as well as understand the structure behind it, so in addition to learning musical basics, I incorporate music theory into lessons. I encourage my piano students to learn how to read lead sheets and create chord accompaniments as well, which opens the door for comfortably playing in all sorts of styles sooner than would be possible by classical approaches alone. I also work on improvisation and songwriting with my piano students, if desired.
***Lesson Recommendations***
I offer lessons in 30, 45, and 60 minute increments. These are the *minimum* lesson lengths recommended. Longer lessons are more beneficial, except in the case of children with smaller attention spans. A 60 minute lesson is the best choice for serious students (teenagers or adults).
Voice:
Ages <12 years: 30 minutes
Ages 12 and up: 45 minutes
Piano:
Ages <7 years: 30 minutes
Ages 7 and up: 45 minutes
Combination Lesson:
Ages <12 years: 45 minutes
Ages 12 and up: 60 minutes
*Please note: I do not reserve regular lesson times in my schedule for students who cannot commit to weekly lessons. With students who wish to take less frequent lessons, I recommend the flex plan, with lessons to be scheduled as we go at our mutual convenience.
***Educational Background***
Elizabeth holds an M.M. in vocal performance from West Virginia University, where she was featured in numerous WVU Opera Theatre productions and was the soprano soloist with WVU Choirs in Faure's Requiem and Handel's Lord Nelson Mass. While at WVU, Elizabeth resumed taking lessons at the piano, which she had previously studied for many years, and exceeded the piano proficiency level required by the university. She also holds a B.A. in music and international studies from Emory University. Elizabeth has studied and performed internationally, both at the American Institute of Musical Studies in Graz, Austria, where she was the recipient of the Lemmonds Scholarship, and at the Bel Canto program in conjunction with L'Arena di Verona opera company in Verona, Italy.
As a graduate assistant at WVU, Elizabeth taught voice lessons to music education and performance majors as well as a course on vocal pedagogy. After graduating, she served as adjunct faculty, in which capacity she taught vocal repertoire and opera theater. She has maintained a private studio since 2005, in which she instructs students in voice and piano. She has also held past teaching positions with the Meridee Winters School of Music and Woodland Country Day School.
***Active, Professional Singer/ Actress***
Elizabeth was most recently seen as Joanie in The Full Monty at Candlelight Theatre in Delaware. Other recent performances include June in Musical of Musicals: The Musical and Peaches/ Baby Jane in Jerry Springer: The Opera with Bootless Stageworks in Wilmington, DE, solo performances with the New Voices Cabaret at the Society Hill Playhouse in Center City, and Woman 2 in My Way: A Musical Tribute to Frank Sinatra with Mainstage Center for the Arts in Blackwood, NJ. She has performed numerous leading roles with Philadelphia area Gilbert and Sullivan companies, most notably appearing as Angelina in Trial by Jury with The Savoy Company, winning Best American Production at the 2011 International Gilbert and Sullivan Festival. Her G &S performance credits include the roles of Patience (Patience), Yum-Yum (The Mikado), Rose Maybud (Ruddigore), Phyllis (Iolanthe), and Fiammetta (Gondoliers). Additionally, she has pioneered roles in new operas, including Gwendolyn in The Crowded House at the 2010 Philly Fringe Festival and Zelda in Black Horses with OperaDelaware at the 2009 Wilmington Fringe Festival.
...
Reviews
· Vocal Training · In studio
· Piano · In home
· Singing · In studio
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Elizabeth H.
Conshohocken, PA 19428
starting at
$30
/ 30-min
About Galina S.
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I teach voice using the Bel Canto technique. This technique concentrates on breathing, proper placement and open space, making sure students produce a free and relaxed sound.
About Galina
Born in Moldova, lyric soprano Galina S. has emerged as a young artist of remarkable versatility and great vocal beauty.
“Galina possesses a most glorious soprano voice… her contributions to music have always been of the highest caliber, amply demonstrating her vocal and intellectual flexibility and accomplishment… she is a great singer and performer.” (John Shirley-Quirk, International baritone)
Ms. S’s impressive voice and sensitive musicianship has lead to performances in numerous cities in the United States as well as Denmark, Sweden, Germany, Israel, Moldova, and St. Petersburg, Russia. Her repertoire encompasses a vast gamut and includes lieder, chamber music, oratorio, and opera, sung in various languages, including German, French, Italian, Russian, Czech, English, and Spanish.
Galina will be next heard as Amelia in U
“Galina possesses a most glorious soprano voice… her contributions to music have always been of the highest caliber, amply demonstrating her vocal and intellectual flexibility and accomplishment… she is a great singer and performer.” (John Shirley-Quirk, International baritone)
Ms. S’s impressive voice and sensitive musicianship has lead to performances in numerous cities in the United States as well as Denmark, Sweden, Germany, Israel, Moldova, and St. Petersburg, Russia. Her repertoire encompasses a vast gamut and includes lieder, chamber music, oratorio, and opera, sung in various languages, including German, French, Italian, Russian, Czech, English, and Spanish.
Galina will be next heard as Amelia in U
n ballo in maschera with Concert Opera Philadelphia, in March 2013. She will also sing the title role in Suor Angelica with OperaOggi NY in 2012/2013 season. Her most recent roles include Donna Anna in Don Giovanni (New York Lyric Opera Theater), Fiordiligi in Così fan tutte, Nedda in I Pagliacci, Mimì and Musetta in La Bohème, and Lauretta in Gianni Schicchi. Some of the other roles are Violetta in La Traviata, Tatiana in Eugene Onegin, the title role in Iolanta, Marfa in Tsar’s Bride, Pamina in Die Zauberflöte, and Konstanze in Die Entführung aus dem Serail.
In oratorio Ms. S. has performed as a soprano soloist in the Lord Nelson Mass and Theresa Mass of Haydn, Handel’s Messiah, J. S. Bach’s Magnificat, and the Neue Liebeslieder, Opus 65 by Brahms. Her recital and chamber repertoire include songs and song cycles by Schubert, Schumann, Brahms, Tchaikovsky, Rachmaninoff, Mussorgsky, Prokofiev, Shostakovich, Dvořak, Manuel de Falla, Poulenc, and Messiaen.
Ms. S. has been the recipient of several awards and scholarships which include Washington International Competition in Washington DC, Center for Contemporary Opera Competition in New York, Giulio Gari Foundation International Vocal Competition in New York, New York Vocal Artists Competition, Peabody Conservatory Graduate Performance Diploma Scholarship and grant, and Mayor’s Scholarship from the University of Pennsylvania where Galina received her undergraduate degrees in music and computer science engineering. Galina has also been chosen to participate in the International Music Competition of the ARD in Munich.
Galina is a graduate of Peabody Conservatory of Music where she received a Master’s Degree in Vocal Performance, and University of Pennsylvania, which she finished with a Bachelor’s Degree in Music and Computer Science Engineering.
Ms. S. is a dedicated and enthusiastic voice teacher, who has been teaching for the past ten years. Many of her students have become soloists in their schools’ musical productions, and several went on to continue their studies at major conservatories. She has taught at Cabrini College, Settlement Music School, and is presently teaching at Leopold Mozart Academy. She also offers lessons out of her private studio at her home.
*** Lesson Details ***
My style of teaching is very straight forward. Students will first learn a proper breathing technique which is essential to good vocal production. The lessons always start with simple vocalizations, followed by repertoire appropriate to each student. The development and progress will greatly depend on students initial level and the time they spend practicing at home.
*** Studio Equipment ***
Steinway Grand Piano, Music Stand, Vocal Literature. Large room with hardwood floors, which provides wonderful acoustics for singing.
*** Travel Equipment ***
The student must have a piano or keyboard. I will bring music books.
*** Specialties ***
I have the most experience teaching classical voice - bel canto style of singing which concentrates on proper breathing technique and production of healthy unstressed sound.
In oratorio Ms. S. has performed as a soprano soloist in the Lord Nelson Mass and Theresa Mass of Haydn, Handel’s Messiah, J. S. Bach’s Magnificat, and the Neue Liebeslieder, Opus 65 by Brahms. Her recital and chamber repertoire include songs and song cycles by Schubert, Schumann, Brahms, Tchaikovsky, Rachmaninoff, Mussorgsky, Prokofiev, Shostakovich, Dvořak, Manuel de Falla, Poulenc, and Messiaen.
Ms. S. has been the recipient of several awards and scholarships which include Washington International Competition in Washington DC, Center for Contemporary Opera Competition in New York, Giulio Gari Foundation International Vocal Competition in New York, New York Vocal Artists Competition, Peabody Conservatory Graduate Performance Diploma Scholarship and grant, and Mayor’s Scholarship from the University of Pennsylvania where Galina received her undergraduate degrees in music and computer science engineering. Galina has also been chosen to participate in the International Music Competition of the ARD in Munich.
Galina is a graduate of Peabody Conservatory of Music where she received a Master’s Degree in Vocal Performance, and University of Pennsylvania, which she finished with a Bachelor’s Degree in Music and Computer Science Engineering.
Ms. S. is a dedicated and enthusiastic voice teacher, who has been teaching for the past ten years. Many of her students have become soloists in their schools’ musical productions, and several went on to continue their studies at major conservatories. She has taught at Cabrini College, Settlement Music School, and is presently teaching at Leopold Mozart Academy. She also offers lessons out of her private studio at her home.
*** Lesson Details ***
My style of teaching is very straight forward. Students will first learn a proper breathing technique which is essential to good vocal production. The lessons always start with simple vocalizations, followed by repertoire appropriate to each student. The development and progress will greatly depend on students initial level and the time they spend practicing at home.
*** Studio Equipment ***
Steinway Grand Piano, Music Stand, Vocal Literature. Large room with hardwood floors, which provides wonderful acoustics for singing.
*** Travel Equipment ***
The student must have a piano or keyboard. I will bring music books.
*** Specialties ***
I have the most experience teaching classical voice - bel canto style of singing which concentrates on proper breathing technique and production of healthy unstressed sound.
...
Reviews
· Singing · In studio
· Classical Voice · In studio
· Singing · In home
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Galina S.
Huntingdon Valley, PA 19006
starting at
$35
/ 30-min
About Alexis D.
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About Alexis
Alexis attended college at the University of Delaware and graduated cum laude with a double major in Music Performance: Voice and Music Education: Choral/Vocal. During her time at the University of Delaware, she was involved in numerous musical ensembles and performed as a soloist on a number of occasions, including two solo recital programs and major roles in the UD Opera Theater program (UDOT). Alexis has performed as a soloist and ensemble singer for the UD Schola Cantorum, The UD Chorale, and the Newark Symphony Chorus. Her solo performance work includes such roles as Josephine in H.M.S. Pinafore (Ardensingers), Phyllis in Iolanthe (Rose Valley Opera), Marcellina in Le nozze di Figaro (UDOT), Despina in Cosi fan tutte (UDOT and Opera Lancaster), and Grace Farrell in the Wilmington Drama League’s production of Annie, where she receive
d rave reviews for her “musically impressive” and “soaring” performance from The News Journal. Alexis will be staring
In theater, Alexis has played both comic and serious roles, including a striking female interpretation of E. K. Hornbeck in Inherit the Wind. Alexis has also worked in film, recently completing the production of Dead on Delmarva, a zombie-comedy-thriller produced by Arkham Productions.
In addition to her acclaim as a performer, Alexis gained recognition for her work as a choral conductor, working at the New Ark United Church of Christ and the Church of the Advent in Kennett Square, as well as vocal coaching with The Tatnall School. was the music director for the production of Les Miserables at Mt. Pleasant High School. Alexis currently works at the St. Anthony's Cathedral in Wilmington.
When speaking of her career, she comments, “Performing music and drama is not just a passion for me; it’s my sense of purpose. Whether I am working on a role, singing in an opera, developing a character, teaching a student, whatever the artistic avenue. It completely fulfills me. ”
*** Lesson Details ***
Alexis teaches proper singing technique and support through the Bel Canto philosophy of vocal production, and specializes in Classical, Opera, Musical Theater, and Jazz singing styles. Sight singing skill work is also offered and will cover basic music theory in addition to solfege music reading techniques. Alexis offers audition preparation services such as audio recording and transposition for her current voice studio students, for an additional fee.
In addition to vocal lessons, Alexis is pleased to offer beginner piano and music theory lessons. The piano lessons are geared towards singers who would like to learn to accompany themselves, or would simply like to be better at piano for rehearsal purposes. Music Theory lessons will be presented at the individual students level and will cover everything a student desires to learn, from basic rhythm and pitch reading through compositional theory.
*** Studio Equipment ***
Living Room: couch, computer desk, piano, studio bookshelf, room for parents to sit in on lesson
*** Specialties ***
Opera voice, musical theater acting and voice, jazz voice, classical voice, safe stage combat acting, diction and speaking, Alexander Technique, sight singing and music reading, basic music theory, audition preparation
In theater, Alexis has played both comic and serious roles, including a striking female interpretation of E. K. Hornbeck in Inherit the Wind. Alexis has also worked in film, recently completing the production of Dead on Delmarva, a zombie-comedy-thriller produced by Arkham Productions.
In addition to her acclaim as a performer, Alexis gained recognition for her work as a choral conductor, working at the New Ark United Church of Christ and the Church of the Advent in Kennett Square, as well as vocal coaching with The Tatnall School. was the music director for the production of Les Miserables at Mt. Pleasant High School. Alexis currently works at the St. Anthony's Cathedral in Wilmington.
When speaking of her career, she comments, “Performing music and drama is not just a passion for me; it’s my sense of purpose. Whether I am working on a role, singing in an opera, developing a character, teaching a student, whatever the artistic avenue. It completely fulfills me. ”
*** Lesson Details ***
Alexis teaches proper singing technique and support through the Bel Canto philosophy of vocal production, and specializes in Classical, Opera, Musical Theater, and Jazz singing styles. Sight singing skill work is also offered and will cover basic music theory in addition to solfege music reading techniques. Alexis offers audition preparation services such as audio recording and transposition for her current voice studio students, for an additional fee.
In addition to vocal lessons, Alexis is pleased to offer beginner piano and music theory lessons. The piano lessons are geared towards singers who would like to learn to accompany themselves, or would simply like to be better at piano for rehearsal purposes. Music Theory lessons will be presented at the individual students level and will cover everything a student desires to learn, from basic rhythm and pitch reading through compositional theory.
*** Studio Equipment ***
Living Room: couch, computer desk, piano, studio bookshelf, room for parents to sit in on lesson
*** Specialties ***
Opera voice, musical theater acting and voice, jazz voice, classical voice, safe stage combat acting, diction and speaking, Alexander Technique, sight singing and music reading, basic music theory, audition preparation
...
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· Singing · In studio
· Broadway Singing · In studio
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Alexis D.
Bear, DE 19701
starting at
$30
/ 30-min
About Rosalind H.
Close
Voice Performance students such as myself were expected to be able to sing a wide variety of art songs, sacred music literature and arias in English, Italian, German and Latin among other languages. We performed in various venues such as the Kimmel Center and Carnegie Hall and took numerous classes in proper classical diction and performance.
About Rosalind
Hello! My name is Rosalind and I believing in teaching music lessons that go the extra mile. Students and parents can expect excellence in customer service that goes beyond their weekly lessons.
How are lessons with me different?
-Convenient Locations in Downingtown, Coatesville, West Chester as well as online lessons!
-Lessons are recorded and sent to parents and students within 24 hours so that assignments are always clear and that you have a clear idea of progress
-Access to my student newsletter which includes tips for how to improve as a performer and news about student's upcoming performances
-I help students find and prepare for performance opportunities and I attend student performances
-I select one student a month to participate in our student showcase, featuring them in my newsletter
-I host twice a ye
How are lessons with me different?
-Convenient Locations in Downingtown, Coatesville, West Chester as well as online lessons!
-Lessons are recorded and sent to parents and students within 24 hours so that assignments are always clear and that you have a clear idea of progress
-Access to my student newsletter which includes tips for how to improve as a performer and news about student's upcoming performances
-I help students find and prepare for performance opportunities and I attend student performances
-I select one student a month to participate in our student showcase, featuring them in my newsletter
-I host twice a ye
ar recitals where students can show off their new skills
-I bring all materials to lessons for your convenience (excluding piano)
-singers receive recorded warm ups to practice with at home
-I am skilled at helping students with ear training if they need it for voice, most of my students can match pitch after a month of singing lessons no matter the trouble they have had before
-every student gets a "new student kit" at their first lesson including a list of performance opportunities and a vocal health guide for singers
-weekly instructional videos for voice sent
-weekly links to articles about music and the brain
-I respond to student concerns and questions within 24 hours
I welcome students of all ages and work hard to make music accessible for everyone.
-Young kids in voice can expect their lessons to be fun and educational including using visual tools like scarves and shakers, and imaginative play to learn vocal techniques needed to sing on pitch and with proper breathe control.
-Children in piano lessons will learn music theory and piano technique through simple songwriting exercises, theory games, visual tools and more. They will learn about composer's lives and musical styles, providing them with a well-rounded lesson experience.
-Older children and adult singers can expect to learn about their vocal anatomy in order to better control of their voice and become independent during practice sessions at home. They will learn how to improve breathe control, posture and diction. Time during lessons will also be dedicated to developing stage presence and discussing vocal health. Singers will be allowed to select repertoire from the genre of their choice. They can also learn how to harmonize and sight-sing in lessons if they would like.
-I teach beginning guitar students and help them learn how to play with proper technique and accompany themselves when singing. These students learn to read staff and tab and shape different chords on the guitar. I use theory games and visual tools for kids to make lessons fun
-Music theory/composition students will be taught how to read and write music. Students will be invited to improvise on the piano and record their improvisations.They will be taught how to sight-sing in order to learn how to notate any melodies in their head
They will learn how music has changed and been influenced throughout history. They will learn how to read lead sheets and use stylistic invariants in their playing. They will be provided with honest feedback and constructive help on their compositions.They will learn how the human brain processes music and how best to capitalize upon this process for the greatest audience appeal.
-I have experience teaching students with special needs and adjusting lessons to help them meet their goals.
About me!
I am a Westminster Choir College '11 Alum who graduated with a Bachelor's of Arts in Music, summa cum laude. I also have my master's degree in music therapy from Drexel University. I am also a Member of the National Association of Teachers of Singing and a Board Certified Music Therapist. During my time at school I performed at Carnegie Hall and the Kimmel Center, and did music therapy work with older adults, as well as disadvantaged children and parents.
I also have my own parent/child music class I host every Thursday September-May. It's never to early to start a music education!
I have been teaching for over four years and now have a studio of more than 70 happy students. Teaching music is my passion, and I love seeing students grow!
I often draw upon my experience from my master's degree in music therapy, which taught me that music can have a profound effect on the human brain and upon cognitive development. My skills as a music therapist allow me to better understand a student's cognitive strengths and areas for improvement, and to develop individualized teaching strategies which utilize student strengths.
*** Studio Equipment ***
My studios are equipped with keyboard, guitar or piano, as well as a sizable repertoire of classical, broadway and popular music. ' I also have a mirror for voice students to see how their body is moving when singing and visual tools for students like scarves, whiteboard, markers, crayons...ect. I am more than happy to help students find any music they may need for lessons that is not already in my library.
I recommend the following books for piano students (listed by age):
Ages 4-6:
My First Piano Adventure, Lesson Book A with by Nancy & Randall Faber
Ages 6-12:Piano Adventures - Level 1: Lesson Book [Book]Faber Piano Adventures
Ages 12 and up:
Adult All-In-One Course: Alfred's Basic Adult Piano Course, Level ...by Willard A. Palmer
Voice: Alfred's Teach Yourself to Sing
*** Specialties ***
I specialize in ear training, sight-singing and knowing and understanding vocal anatomy. Many of my students are students who have gone on to score lead roles in their schools or community theater performances, as well as lead singers of local bands looking to improve their techniques and improve their vocal health.
I specialize in theory and sight-reading for piano and theory students.
I also specialize in teaching those with special needs.
-I bring all materials to lessons for your convenience (excluding piano)
-singers receive recorded warm ups to practice with at home
-I am skilled at helping students with ear training if they need it for voice, most of my students can match pitch after a month of singing lessons no matter the trouble they have had before
-every student gets a "new student kit" at their first lesson including a list of performance opportunities and a vocal health guide for singers
-weekly instructional videos for voice sent
-weekly links to articles about music and the brain
-I respond to student concerns and questions within 24 hours
I welcome students of all ages and work hard to make music accessible for everyone.
-Young kids in voice can expect their lessons to be fun and educational including using visual tools like scarves and shakers, and imaginative play to learn vocal techniques needed to sing on pitch and with proper breathe control.
-Children in piano lessons will learn music theory and piano technique through simple songwriting exercises, theory games, visual tools and more. They will learn about composer's lives and musical styles, providing them with a well-rounded lesson experience.
-Older children and adult singers can expect to learn about their vocal anatomy in order to better control of their voice and become independent during practice sessions at home. They will learn how to improve breathe control, posture and diction. Time during lessons will also be dedicated to developing stage presence and discussing vocal health. Singers will be allowed to select repertoire from the genre of their choice. They can also learn how to harmonize and sight-sing in lessons if they would like.
-I teach beginning guitar students and help them learn how to play with proper technique and accompany themselves when singing. These students learn to read staff and tab and shape different chords on the guitar. I use theory games and visual tools for kids to make lessons fun
-Music theory/composition students will be taught how to read and write music. Students will be invited to improvise on the piano and record their improvisations.They will be taught how to sight-sing in order to learn how to notate any melodies in their head
They will learn how music has changed and been influenced throughout history. They will learn how to read lead sheets and use stylistic invariants in their playing. They will be provided with honest feedback and constructive help on their compositions.They will learn how the human brain processes music and how best to capitalize upon this process for the greatest audience appeal.
-I have experience teaching students with special needs and adjusting lessons to help them meet their goals.
About me!
I am a Westminster Choir College '11 Alum who graduated with a Bachelor's of Arts in Music, summa cum laude. I also have my master's degree in music therapy from Drexel University. I am also a Member of the National Association of Teachers of Singing and a Board Certified Music Therapist. During my time at school I performed at Carnegie Hall and the Kimmel Center, and did music therapy work with older adults, as well as disadvantaged children and parents.
I also have my own parent/child music class I host every Thursday September-May. It's never to early to start a music education!
I have been teaching for over four years and now have a studio of more than 70 happy students. Teaching music is my passion, and I love seeing students grow!
I often draw upon my experience from my master's degree in music therapy, which taught me that music can have a profound effect on the human brain and upon cognitive development. My skills as a music therapist allow me to better understand a student's cognitive strengths and areas for improvement, and to develop individualized teaching strategies which utilize student strengths.
*** Studio Equipment ***
My studios are equipped with keyboard, guitar or piano, as well as a sizable repertoire of classical, broadway and popular music. ' I also have a mirror for voice students to see how their body is moving when singing and visual tools for students like scarves, whiteboard, markers, crayons...ect. I am more than happy to help students find any music they may need for lessons that is not already in my library.
I recommend the following books for piano students (listed by age):
Ages 4-6:
My First Piano Adventure, Lesson Book A with by Nancy & Randall Faber
Ages 6-12:Piano Adventures - Level 1: Lesson Book [Book]Faber Piano Adventures
Ages 12 and up:
Adult All-In-One Course: Alfred's Basic Adult Piano Course, Level ...by Willard A. Palmer
Voice: Alfred's Teach Yourself to Sing
*** Specialties ***
I specialize in ear training, sight-singing and knowing and understanding vocal anatomy. Many of my students are students who have gone on to score lead roles in their schools or community theater performances, as well as lead singers of local bands looking to improve their techniques and improve their vocal health.
I specialize in theory and sight-reading for piano and theory students.
I also specialize in teaching those with special needs.
...
Reviews
· Piano · In studio
· Singing · In studio
· Piano · In studio
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Rosalind H.
West Chester, PA 19382
starting at
$35
/ 30-min
About Charlea Lyn G.
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I have been teaching for the past 7 years and am passionate about healthy, comfortable singing. My lessons are structured to include vocal warmups/technique exercises, sight singing to strengthen musicianship and then the working of repertoire. I will have suggestions for repertoire, but also am happy to work on anything the student may be interested in.
About Charlea Lyn
Hello! My name is Charlea Lyn, and I want to begin by thanking you for taking a look at my profile. It has always been one of my firm beliefs that anyone can sing as singing can be defined by “uttering words or sounds in succession with musical modulations of the voice.” Therefore, with this mentality in mind I feel as though it is not a job, but more a privilege to be able to teach people to sing.
My parents say I started singing before I could talk, however, I seriously started taking lessons when I was 14. Over the course of my lessons, I fell in love with opera, and decided that was what I wanted to pursue as a career path. That decision led me to SUNY Fredonia, where I received my BM in Music Education and Vocal Performance, and later to the San Francisco Conservatory of Music where I received my MM in Vocal Performance in May
My parents say I started singing before I could talk, however, I seriously started taking lessons when I was 14. Over the course of my lessons, I fell in love with opera, and decided that was what I wanted to pursue as a career path. That decision led me to SUNY Fredonia, where I received my BM in Music Education and Vocal Performance, and later to the San Francisco Conservatory of Music where I received my MM in Vocal Performance in May
'13 under the tutelage of Catherine Cook.
One of the most important things that I have learned thus far, is that singing is a truly expressive art form that requires hard work, diligence, and commitment. It is my goal to bring each of my students the farthest I can in healthily developing their technique as well as work on the emotional portrayal and fundamental building blocks of music. Although I teach each student specific to his or her individual needs and desires, my lessons usually consist of three parts - technique exercises, sight singing, and repertoire. Furthermore, other things that stay consistent are a comfortable and safe environment for the student, my undivided attention, all the information that I have to share with others, and most importantly FUN!
Although it is my personal decision to pursue opera and classical music, I have experience in musical theatre and am comfortable teaching a variety of genres. I truly believe that although each genre is different, the foundation and principles of healthy singing are the same.
Not every teacher is right for every student. However, I do my best to give all my students lessons in a comfortable and productive learning environment. I hope that you will take the next step of your path towards healthy and beautiful vocal production with me. Thank you for your time and consideration and I hope to hear from you soon!
One of the most important things that I have learned thus far, is that singing is a truly expressive art form that requires hard work, diligence, and commitment. It is my goal to bring each of my students the farthest I can in healthily developing their technique as well as work on the emotional portrayal and fundamental building blocks of music. Although I teach each student specific to his or her individual needs and desires, my lessons usually consist of three parts - technique exercises, sight singing, and repertoire. Furthermore, other things that stay consistent are a comfortable and safe environment for the student, my undivided attention, all the information that I have to share with others, and most importantly FUN!
Although it is my personal decision to pursue opera and classical music, I have experience in musical theatre and am comfortable teaching a variety of genres. I truly believe that although each genre is different, the foundation and principles of healthy singing are the same.
Not every teacher is right for every student. However, I do my best to give all my students lessons in a comfortable and productive learning environment. I hope that you will take the next step of your path towards healthy and beautiful vocal production with me. Thank you for your time and consideration and I hope to hear from you soon!
...
Reviews
· Singing · In home
· Classical Voice · In home
Charlea is a wonderful educator, beautiful singer and she has a gentle soul.
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Charlea Lyn G.
Philadelphia, PA 19102
starting at
$35
/ 30-min
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About Rachel S.
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As a professional opera singer and recitalist, Rachel uses her first-hand experience in the business to guide her students and to teach them healthy vocal technique. Her students find her to be energetic, warm, and one of her biggest goals is to make her students feel more empowered when they leave than when they arrived. Music is a transformative art form and she hopes to enrich her student’s lives.
Learning proper singing technique is essential for the health of singers of all ages and genres. And YES! Everyone can sing! Rachel personalizes each lesson to her students' needs and provides a safe and fun atmosphere that is essential to creative learning. Musicianship, better intonation, breath control, support, tone quality, freedom of sound, and a love of music are all topics covered in voice lessons.
About Rachel
Rachel S. is a Lyric Soprano that hails from Philadelphia, Pennsylvania. In July, she portrayed the role of Mother in Humperdink’s Hansel and Gretel with the Miami Opera Institute. This fall, she recently worked as a Resident Artist with Utah Opera.
Last spring, she completed her Master’s of Music at Rice University, under the instruction of acclaimed voice teacher, Dr. Stephen King. There, she performed the role of Lady Billows in their 2014 production of Britten’s Albert Herring. Rachel made her operatic debut with Rice University in their fall of 2012 production of Volpone as Celia. With Rice University, she was also featured in their scenes programs as Mimi from La Bohème, Ilia from Idomeneo, Rosalba from Florencia en el Amazonas, and Mrs. Fiorentino from Street Scene.
Rachel has performed extensively with the Aspen Opera Theat
Last spring, she completed her Master’s of Music at Rice University, under the instruction of acclaimed voice teacher, Dr. Stephen King. There, she performed the role of Lady Billows in their 2014 production of Britten’s Albert Herring. Rachel made her operatic debut with Rice University in their fall of 2012 production of Volpone as Celia. With Rice University, she was also featured in their scenes programs as Mimi from La Bohème, Ilia from Idomeneo, Rosalba from Florencia en el Amazonas, and Mrs. Fiorentino from Street Scene.
Rachel has performed extensively with the Aspen Opera Theat
er Center. Last summer, she understudied Sybil Vane in Loehmann’s The Picture of Dorian Grey. In 2013, she performed the role of Suor Osmina in their production of Suor Angelica, and covered the roles of Fortuna and Venere in their production of L’coronazione di Poppea. She also portrayed Pamina, La Contessa, Ilia, Anne Truelove and Laurie Moss in their various scenes programs.
Rachel completed her Bachelor’s of Music at Mannes College in 2012. There, she performed in their Opera Scenes Workshop and their Rise of Modernism Festival, singing Canciones populares Españolas by Manuel de Falla.
Rachel completed her Bachelor’s of Music at Mannes College in 2012. There, she performed in their Opera Scenes Workshop and their Rise of Modernism Festival, singing Canciones populares Españolas by Manuel de Falla.
...
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· Singing · In studio
· Singing · Online
· Singing · In studio
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Rachel S.
Glenside, PA 19038
starting at
$30
/ 30-min
About Leah G.
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Unlike pop and musical theater singers, Opera singers are expected to sing without amplification. In order to be heard over an orchestra or in a large hall, they rely on the resonance of their voices, breath support, and clarity of vocal expression. We will work on achieving all of these things by exploring the vocal mechanism and how it functions, choosing level and age-appropriate pieces to sing, and working on diction in the four languages that are most frequently sung in opera: Italian, French, German, and English. Lessons will be customized to fit the singers' needs!
About Leah
Hi there! I have been teaching for about seven years now in San Francisco, New York City and Philadelphia. Below my bio, you can find some reviews that I've received from some of my students in NYC.
I was born and raised in Philadelphia, graduated from NYU in 2013 with a Bachelor of Music degree in vocal performance, and received my Master of Music degree in classical voice at the San Francisco Conservatory of Music, where I sang in operas, concerts and recitals weekly. While I was living in SF and NYC, I maintained a private studio of voice students. I love teaching as much as I love performing, so being able to do both is wonderful!
I believe that technique IS expression--a singer must have solid technique in order to express with ease, freedom and artistry. My focus as a teacher is not only on developing a healthy and dependable
I was born and raised in Philadelphia, graduated from NYU in 2013 with a Bachelor of Music degree in vocal performance, and received my Master of Music degree in classical voice at the San Francisco Conservatory of Music, where I sang in operas, concerts and recitals weekly. While I was living in SF and NYC, I maintained a private studio of voice students. I love teaching as much as I love performing, so being able to do both is wonderful!
I believe that technique IS expression--a singer must have solid technique in order to express with ease, freedom and artistry. My focus as a teacher is not only on developing a healthy and dependable
technique, but also on finding the inner strength and confidence that it takes to be a singer. I am understanding of, and sympathetic towards students from all different backgrounds and experience levels. My students and I work to create a unique set of goals, and we map out how we get there TOGETHER.
I have experience teaching adults, young adults and children, in pop, musical theater and classical/operatic genres. All of my teaching experience has been in private studio settings.
Here are some of my reviews
"Had my first lesson with Leah and can't wait for my second! I've never had voice lessons before and was nervous and super self-conscious but she was so nice and we jumped right into the lesson." -Tracy D.
"Great teacher. Explains things in a way it's easy to understand. She made me feel very comfortable on the first day and was very attentive to what my goals were." -Christine S.
"Leah listens to a specific need of mine and points me in the right direction to achieve that goal. She also has a wide range of vocal skills and knowledge, so she can pretty much help you tackle any vocal challenge you have." -Eirene Z.
"Leah has a very good personality and makes me feel so comfortable during our classes! I can improve my vocal skills in a very friendly atmosphere knowing she will help me with all my questions." -Yulia S.
"Leah is an awesome and enthusiastic voice teacher and person. She creates a laid back environment and structures the lessons around your individual style and goals. Additionally, she is flexible and works with you to make sure you're able to have a lesson each week. I highly recommend taking lessons with Leah ! :)" --Brandon L.
I have experience teaching adults, young adults and children, in pop, musical theater and classical/operatic genres. All of my teaching experience has been in private studio settings.
Here are some of my reviews
"Had my first lesson with Leah and can't wait for my second! I've never had voice lessons before and was nervous and super self-conscious but she was so nice and we jumped right into the lesson." -Tracy D.
"Great teacher. Explains things in a way it's easy to understand. She made me feel very comfortable on the first day and was very attentive to what my goals were." -Christine S.
"Leah listens to a specific need of mine and points me in the right direction to achieve that goal. She also has a wide range of vocal skills and knowledge, so she can pretty much help you tackle any vocal challenge you have." -Eirene Z.
"Leah has a very good personality and makes me feel so comfortable during our classes! I can improve my vocal skills in a very friendly atmosphere knowing she will help me with all my questions." -Yulia S.
"Leah is an awesome and enthusiastic voice teacher and person. She creates a laid back environment and structures the lessons around your individual style and goals. Additionally, she is flexible and works with you to make sure you're able to have a lesson each week. I highly recommend taking lessons with Leah ! :)" --Brandon L.
...
Reviews
· Singing · In studio
· Singing · In studio
· Opera Voice · In studio
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Leah G.
Philadelphia, PA 19103
starting at
$25
/ 30-min
About Pattricia P.
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You can expect to have fun while learn how to sing Opera. All the drama, acting, stage movement, make up will be part of your singing craft.
About Pattricia
Pattricia performed Salsa, Soft Rock, and Traditional Latin Music in the large concert venues, stadiums and coliseums of South America. With the influence of her father, Guillermo Patiño-Valencia and his international operatic and concert career, Ms. Patiño revealed her talent for the operatic stage singing in the Coloratura Soprano repertoire in roles as Gilda in Verdi’s Rigoletto, and the title role in Donizetti’s Lucia di Lammermoor.
Pattricia Stella Patiño holds a BM and Artists degree in Vocal Performance and Music Education from the Universidad del Valle of Cali, Colombia – South America.
Pattricia has being working for more of 20 years on Auditive-synchronization and neurochronaxic technique that helps to sing in tune and with confidence.
"If you can talk you can sing. I will show you how..." Pattricia Patino
Pattricia Stella Patiño holds a BM and Artists degree in Vocal Performance and Music Education from the Universidad del Valle of Cali, Colombia – South America.
Pattricia has being working for more of 20 years on Auditive-synchronization and neurochronaxic technique that helps to sing in tune and with confidence.
"If you can talk you can sing. I will show you how..." Pattricia Patino
...
Reviews
· Vocal Training · In studio
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Pattricia P.
Sicklerville, NJ 08081
starting at
$40
/ 30-min
About Mo B.
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Pitch. Tone quality. Breathing. Vocal training. This will be a great experience and asset to your musical career. I have been professionally trained and worked with many artists on all different levels. Lessons, coaching, mentoring, you'll get so much more than a teacher. You'll be getting a complete support system of you, your goals and your career.
About Mo
Hi, my name is Miss Mo. I'm a singer/songwriter with a vast knowledge of all genres of music. My classes are all about you. Your goals. Your voice. I'm patient but persistent in getting the best out of you. I'm very well involved in the music and entertainment community and even have published a children's book series with my son. You are getting so much more than a teacher, you'll be getting complete support.
...
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Mo B.
Ardmore, PA 19003
starting at
$159
/ 120-min
About Josef S.
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As a professional singer of over a decade, I love the stage more than just about anything. It is a thrilling lifestyle but I am equally inspired every time I am just an audience member. I work with my students towards improving their vocal technique, musicality, and confidence so that they can become the types of performers I enjoy listening to! My background is varied, covering classical music, jazz, and other contemporary styles. This enables me to give input to students with a variety of musical goals. Alongside my experience, I have a neverending quest for deeper and refreshed knowledge of vocal mechanics and pedagogy which helps me guide each student through their unique issues.
About Josef
I am a professional singer new to the Philadelphia area from South Florida. Music has been a lifelong endeavor for me; I am fortunate to have been born into a family of musicians and started my professional career as a boy soprano soloist at the age of eleven, working primarily in the greater Miami area. I've since trained as an operatic baritone, earning my Bachelor of Music degree from Florida Southern College. I am currently working towards a master's degree in Voice Performance at Temple University and look forward to establishing myself as a performer and teacher in the northeast!
I have enjoyed performing in a wide range of environments and genres; Italian opera, jazz, liturgical music, and even a hip-hop/rap promotional for YMCMB are just a few of the things I have put my musical thumbprint on! In my native Florida, I enjoyed te
I have enjoyed performing in a wide range of environments and genres; Italian opera, jazz, liturgical music, and even a hip-hop/rap promotional for YMCMB are just a few of the things I have put my musical thumbprint on! In my native Florida, I enjoyed te
aching privately and in ensemble settings to children and adults, including beginners and more advanced students. I particularly love working with passionate children, teenagers, and young adults who want to take their musical pursuits to another level, such as to audition for performing arts schools, or become more comfortable and adept in using their constantly growing voices!
While I'm a stickler for perfection, I work in music primarily because I think it's a lot of fun. I strive to foster a learning environment that is enjoyable for my students and prefer teaching methods that are constructive vs. destructive (I don't believe in "building you back up" after tearing you down)! I prioritize HEALTHY use of the voice whether my student is fifteen or fifty: every stage of life poses challenges (and benefits) to the vocal instrument and my specialized study and performing experience aids in me recognizing the good and bad in every singer to help them grow.
While I'm a stickler for perfection, I work in music primarily because I think it's a lot of fun. I strive to foster a learning environment that is enjoyable for my students and prefer teaching methods that are constructive vs. destructive (I don't believe in "building you back up" after tearing you down)! I prioritize HEALTHY use of the voice whether my student is fifteen or fifty: every stage of life poses challenges (and benefits) to the vocal instrument and my specialized study and performing experience aids in me recognizing the good and bad in every singer to help them grow.
...
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Josef S.
Philadelphia, PA 19121
starting at
$40
/ 30-min
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