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Ardmore, PA Acting Lessons

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Popular Acting Teachers near Ardmore, PA

Check out some of our most popular teachers near Ardmore, PA including Philadelphia, Princeton, Wilmington, Trenton and West Chester.

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About Alexis D.

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Learn to let your character shine on stage or screen! Through improvisation, script analysis and the study of monologue materials, students are introduced to the fundamentals of performance. Special emphasis is placed on exploration of characterization, motivation, and transition. Elements of Alexander Technique will be introduced to help students gain a kinesthetic awareness of self.

Students are able to tailor their lessons to their chosen acting field. If stage acting is the area of study, lessons will focus on proper stage presence, projection, and elements of theatrical acting. If film acting is the area of focus, students will learn to manage micro expressions, the importance of minute changes in body and posture, and hone the ability to "do it exactly the same", and essential skill for film actors.

About Alexis
Alexis attended college at the University of Delaware and graduated cum laude with a double major in Music Performance: Voice and Music Education: Choral/Vocal. During her time at the University of Delaware, she was involved in numerous musical ensembles and performed as a soloist on a number of occasions, including two solo recital programs and major roles in the UD Opera Theater program (UDOT).  Alexis has performed as a soloist and ensemble singer for the UD Schola Cantorum, The UD Chorale, and the Newark Symphony Chorus. Her solo performance work includes such roles as Josephine in H.M.S. Pinafore (Ardensingers), Phyllis in Iolanthe (Rose Valley Opera), Marcellina in Le nozze di Figaro (UDOT), Despina in Cosi fan tutte (UDOT and Opera Lancaster), and Grace Farrell in the Wilmington Drama League’s production of Annie, where she receive
d rave reviews for her “musically impressive” and “soaring” performance from The News Journal. Alexis will be staring

In theater, Alexis has played both comic and serious roles, including a striking female interpretation of E. K. Hornbeck in Inherit the Wind. Alexis has also worked in film, recently completing the production of Dead on Delmarva, a zombie-comedy-thriller produced by Arkham Productions.

In addition to her acclaim as a performer, Alexis gained recognition for her work as a choral conductor, working at the New Ark United Church of Christ and the Church of the Advent in Kennett Square, as well as vocal coaching with The Tatnall School. was the music director for the production of Les Miserables at Mt. Pleasant High School. Alexis currently works at the St. Anthony's Cathedral in Wilmington.

When speaking of her career, she comments, “Performing music and drama is not just a passion for me; it’s my sense of purpose. Whether I am working on a role, singing in an opera, developing a character, teaching a student, whatever the artistic avenue. It completely fulfills me. ”

*** Lesson Details ***
Alexis teaches proper singing technique and support through the Bel Canto philosophy of vocal production, and specializes in Classical, Opera, Musical Theater, and Jazz singing styles. Sight singing skill work is also offered and will cover basic music theory in addition to solfege music reading techniques. Alexis offers audition preparation services such as audio recording and transposition for her current voice studio students, for an additional fee.

In addition to vocal lessons, Alexis is pleased to offer beginner piano and music theory lessons. The piano lessons are geared towards singers who would like to learn to accompany themselves, or would simply like to be better at piano for rehearsal purposes. Music Theory lessons will be presented at the individual students level and will cover everything a student desires to learn, from basic rhythm and pitch reading through compositional theory.

*** Studio Equipment ***
Living Room: couch, computer desk, piano, studio bookshelf, room for parents to sit in on lesson

*** Specialties ***
Opera voice, musical theater acting and voice, jazz voice, classical voice, safe stage combat acting, diction and speaking, Alexander Technique, sight singing and music reading, basic music theory, audition preparation
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Reviews
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Fallon B. January 31, 2018
· Acting · In home
Alexis is an awesome instructor! She made me feel very comfortable and you can tell that teaching music and acting is her passion. I feel that I will learn a lot from her.
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John T. January 24, 2018
· Piano · In studio
Alexis is a very talented instructor.
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Yasmin October 20, 2017
· Singing · In home
Very understand so far and caring!
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Alexis D.

Alexis D.

Bear, DE 19701
(12)
starting at
$30 / 30-min

About Sandra H.

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Philadelphia, PA
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Acting lessons consist of learning valuable skills for theater, film, and commercial work. Students will work on monologues and learn through characterization, relationships, motivation, and much more. Source materials include Uta Hagens's "Respect For Acting," and Michael Shurtleff's "Audition."

About Sandra
Sandra began her training at the Settlement Music School in Philadelphia. She is a two time recipient of the Mario Lanza Award, and holds a B.M. degree in opera from the Philadelphia College of Performing Arts. She studied acting at both the Wilma and Walnut Theaters in Philadelphia. In New York, she studied Shakespeare at the HB Studios, and received on-camera training at the Weisst- Barron Commercial School. Sandra is a member of Actor's Equity.

Sandra was engaged for seven years at Theater des Westens in Berlin, Germany, where she performed extensively in Musicals and Operetta. She also toured throughout Germany with the ensemble "Operetten Express". In the U.S., Sandra has toured nationally with "Man of La Mancha" and "Carousel", and has performed leading roles in many regional theaters. She also performed in the Off-Broadway
Musical "Mamaleh". Sandra has performed in over fifty productions of Musicals, Operetta, and Opera. Some of her favorite roles include: Aldonza (Man of La Mancha), Desiree (A Little Night Music), Marguerite (The Scarlet Pimpernel), Antonia (The Tales of Hoffmann), and Lauretta (Gianni Schicchi).

Most recently, she has performed the role of Lynn Fontanne in Ten Chimneys at Old Academy Players, and played one of the principal roles in Jacque Brel Is Alive And Well and Living In Paris at The Steel River Playhouse.

As a director, Sandra has staged operas for Center City Opera Theater, the Delaware Valley Opera Company, Boheme Opera New Jersey, and the New York Metro Vocal Arts Ensemble. She is currently singing concerts with the vocal group "Touch of Classics", and can be seen in commercials for Time Warner, Cuisinart, The Skooter Store, and Aspercreme.

*** Lesson Details ***
Our lessons will be relaxed and informal. My goal is to make you the best you can be. We will work on giving you a solid vocal technique so that you can approach any style of music with a good foundation. We will also work on learning to read music, and most importantly work on songs that will bring out the actor in you.

*** Studio Equipment ***
Small studio, keyboard, seating provided (couch), street parking

*** Specialties ***
I specialize in musical theater, classical, and opera. I can also teach German and Italian diction. My acting experience is mainly in musical theater.
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Reviews
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Thomas S. February 17, 2018
· Singing · In home
Sandra was terrific ... it's been ages since I did any singing and she made me feel very comfortable reengaging. I'm really looking forward to working with her going forward.
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Eric G. February 15, 2018
· Singing · In home
Sandra is a very positive and enthusiastic teacher. She makes sure you are following proper technique and is thorough in telling you which steps to follow. I would recommend her to anyone who wants to try singing lessons or who wishes to improve their technique.
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Ka K. December 20, 2017
· Opera Voice · In home
Sandra made me immediately comfortable and was
really approachable.
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Sandra H.

Sandra H.

Philadelphia, PA 19128
(15)
starting at
$31 / 30-min

About Glenn W.

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Henderson, NV

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Having spent a lifetime on the stage in many roles, many capacities, I have accumulated a vast amount of knowledge pertaining to all facets of performing; be it theater, television, film. While not subscribing to one particular "method", I stress "reacting, not acting", and believability of performance. All ages and experience levels have benefited from my approach. Whether a student is an aspiring actor, or a working actor sharpening their skills or prepping for an audition, I provide a solid foundation and practical, applicable knowledge and guidance.

About Glenn
I have been active in the entertainment industry since the age of 12, when I gave my first professional performance. Prior to that I was already being introduced to music with years of guitar, and then vocal instruction. I do not remember a time of my life when I was not singing somewhere; in the house, in the yard, in the classroom. That is perhaps why I identify so well with the young people who gather so much enjoyment from "just singing" at every opportunity. I studied professionally for over 10 years with renown soprano and voice teacher Sylvia Jensen, who was instrumental in the enhancement of my vocal knowledge and technique. She is now the Director of Education for the Miss Ohio pageants of the Miss America competitions, elevating many young ladies to the national spotlight. At age 14, I auditioned for, and was added to cast of a
network television variety program, "The Gene Carroll Show", that was a television institution for over 30 years in the Midwest. I was a featured performer on that program for over 7 years, all the while perfecting the art of "playing to a camera." This experience was invaluable, and the knowledge I gathered is now included in my curriculum. I also began performing a solo act in the nightclub circuit at the age of 15, performing up and down the "north coast" from Cleveland, OH, (my home), to Erie. PA. At a very young age, I learned the difficult art of choosing musical material and pacing a show; also adapting to performing under a myriad of conditions with a vast array of musical accompaniment. After graduating college with a degree in Business Administration and Marketing, I assembled my own band, and took to the road. That experience eventually brought the act to Las Vegas in 1982. Over the years my show has been a staple in major casino cabarets in Las Vegas, and all over Nevada. Since my first engagement at The Landmark Hotel in the early 1980's, I have literally been up and down the famed Las Vegas Strip many times over. The Desert Inn, The Dunes, The Stardust, The Maxim, The Tropicana, New York New York, Mandalay Bay, MGM, Bally's, The Flamingo, The Imperial Palace, The Four Queens, The Golden Nugget, The Fremont, The Venetian, The Palazzo, and a three year engagement at The Riviera. My show is truly comprised of musical variety; classics, show tunes, jazz, rock, blues, r&b, country. Even a presentation of "Music of the Night" from Phantom of the Opera, that I perform in full costume. It is this ability to successfully deliver an extensive repertoire that I am enthusiastic about passing along to the next generation of entertainers.

I have been truly blessed in my career to have experienced so many highlights; too many to document. From winning an understudy roll in the Broadway Musical "Platinum" starring Hollywood actress Alexis Smith, to performing our National Anthem at events ranging from Major League Baseball to ESPN Boxing to receptions for major dignitaries, to recording 7 albums and a full-length video, to being asked to perform for Mr. Frank Sinatra at the Frank Sinatra Celebrity Golf Tournament, I have lived a full life on stage, learning and absorbing every bit of knowledge gathered along the way.
Now it is my desire to escalate my status as an educator to a more "one on one" experience; availing myself the opportunity to pass along that wealth of knowledge to individual students who aspire to enjoy the entertainment profession as I have, providing them with the skills needed to successfully compete. Or, should it be their choice not to pursue entertainment as a vocation, to gain a working understanding of all facets of their instrument so as to gain a better appreciation of music. Whatever the goal of the student, I feel that I am equipped to provide them with the tools needed to achieve that goal.

*** Lesson Details ***
Content of Sessions

Generally, the first 10-15 minutes of each lesson will be focused on vocal warm up and exercise. (For guitar students, we will review the previous
week's assignment). For Vocal Students, it is understood that the voice mechanism is made up of muscles, and as an athlete prepares for a sporting event, a singer must prepare to vocalize. It is at this time in our lesson when the student will develop good habits of voice maintenance, which will serve them well throughout their careers. The proper care and preservation of the vocal unit cannot be stressed enough, especially for pubescent and pre-pubescent students. Vocal chords in a developmental stage are most susceptible to damage, and because they are particularly sensitive, they must be handled with care. Our warm up regimen is designed to strengthen as well as preserve the singing voice.

I am not an advocate of getting too involved and "bogged down" in the technical aspects of singing, especially with the young students, and
especially early in our program. This is not to say that breath control, tonality, pitch, etc. are not vital to good singing, because these workings are ESSENTIAL, and their application will certainly be incorporated into our studies. Some instructors, on occasion, have a tendency to lose sight of the fact that much to do with singing happens "naturally", and too much focus on the "technical" can actually be inhibiting. This can alter a beautiful, natural tone into one that is unnatural and contrived.

I adhere to the philosophy that above all else, SINGERS WANT TO SING SONGS, and musicians-in-training want to play music. That is our focus, and all of our training is conceived with that objective in mind. All the technical knowledge and coaching serves no purpose without practical application. It is my belief that the most significant progress occurs when a vocalist is singing a song.

Nearly every element of instruction can be utilized in the performance of one song. This is why the majority of our session time will be spent "in song". For the very young student, we will concentrate our efforts with the students choices of favorite and familiar songs. The older students will undoubtedly have favorite songs, styles and artists. Special attention will be paid to the genre most enjoyed by the student, but diversity will be emphasized as well, and a variety of genres will be unpacked and explored. I believe that whatever a student's musical goals and aspirations, it is in their best interest to gain knowledge and insight in all facets of music, singing, and performance.

The most vital pre-requisite for any student is their enthusiasm. My ambition will be to harness that enthusiasm and channel it productively through stimulating instruction. Our sessions will be informative and educational, but always predicated upon "having fun with music".

I am proud to feature a curriculum that emphasizes the entertainment aspect of singing as well as the technical; created to benefit all ages and experience levels, from beginner to seasoned professional. After just weeks of my "Triple Threat Training" a student will begin to see astounding results: vocally, musically, and in the art of performance. I am excited to share my knowledge with you. Let's get started!

*** Studio Equipment ***
My studio is equipped with a full vocal sound system with microphones that I utilize to teach the valuable art of mic technique. Young students enjoy using the mics and hearing themselves sing and perform. Since our lessons are predicated on enjoying the art of singing, this opportunity has proven invaluable. For the advanced performer, studying all aspects of amplification and what a singer should know about their stage sound is a part of our educational curriculum. My studio is furnished with the equipment that is essential to mastering that knowledge.
Since the practical aspect of my course is based on singing songs, I provide all the latest technology required to allow my students the opportunity to sing the songs of their choosing, with and without the lead vocal tracks. I feel that when students are singing their favorite songs, it offers me the greatest teaching opportunities. I make certain the every musical genre can be represented, and feel I have the knowledge and ability to guide the student is whatever their musical tastes. My studio is also equipped with piano (for vocal exercises), and guitars, which gives me opportunity to accompany my students when the musical moment is appropriate. Be assured that all the technology I need to fulfill the educational needs of my students is but a step away!!
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Reviews
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Starr T. January 26, 2018
· Audition Prep · In studio
Glenn is AMAZING! He did much more than just prep my acting & singing for my audition. He gave me tips to help be prepared for the unforeseen during the audition and instilled confidence in my performance. He is a great teacher and I highly recommend him! Can’t wait to continue to learn from him!!
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Michael P. January 2, 2018
· Acting · In studio
Glenn is a fantastic instructor. I was a beginner to acting, but I've really wanted to learn more about the craft for a long time. Glenn broke down the fundamentals of reading, character development, and script analysis to help make a more believable performance. Now we're getting into blocking and developing the physical aspects of a character. I'm learning a great deal and Glenn's patience and encouragement make him the ideal instructor to learn and grow. Highly recommend!
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C R. November 27, 2017
· Singing · In studio
Helped my son so much with his high school choir performances and studying ranges. Highly recommended.
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Glenn W.

Glenn W.

Online
(69)
starting at
$35 / 30-min

About Carly B.

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Philadelphia, PA
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I am a director, teaching artist, producer, and sometimes actor who has lived and worked in Philadelphia for the past 15 years. I'm the Co-Artistic Director and founding member of ReVamp Collective, a Philadelphia based feminist-centric theatre company. I've taught with Walnut Street Theatre, Lantern Theater Company, Theatre Horizon, Delaware Theatre Company, and Philadelphia Theatre Company. I received her BA in Theatre from Temple University with a minor in Art History.

I've not only been an actor, but a director/producer, as someone who has been on both sides of the table I know what directors, casting directors and producers are looking for as well as knowing what it is like to audition as an actor.

About Carly
I am a director, teaching artist, producer, and sometimes actor who has lived and worked in Philadelphia for the past 15 years. I'm the Co-Artistic Director and founding member of ReVamp Collective, a Philadelphia based feminist-centric theatre company. I've taught with Walnut Street Theatre, Lantern Theater Company, Theatre Horizon, Delaware Theatre Company, and Philadelphia Theatre Company. I received her BA in Theatre from Temple University with a minor in Art History.
...
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Carly B.

Carly B.

Philadelphia, PA 19148
starting at
$30 / 30-min

About Joy W.

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Philadelphia, PA
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Acting is all about bringing your personal experiences to the character. I work in-depth with students on finding specific, personal, and important choices to make as a character and using their vocal range and tonality to influence their characters. In addition to this deeper work, I also work to give students the fundamentals; vocabulary, tactics, intention, performer etiquette. These classes are for students 13-30. (Some younger performers may want to begin in my child acting courses and build up to these.)

About Joy
My name is Joy Weir and I have been involved in theatre and acting for the last decade. I have been teaching acting and theatrical skills to children as well as coaching friends and colleagues for even longer. I am available for group classes as well, please contact me for info and rates.

As a teaching artist for children I have worked with Yes! And... Collaborative Arts, ASAP Drama, Rehoboth Summer Children's Theatre, Theatre Horizon, White Pines Productions, and I even began my own curriculum at the Lansdowne YMCA. I have worked with children ages 4-18 in various classes, workshops, and performances.

As far as coaching friends and colleagues, I focus on audition monologues and fundamental acting techniques and skills.

I received a Theatre Performance Scholarship at Drexel University and I have appeared in performances with P
hiladelphia Artists' Collective and Simpatico Theatre Project. I am also a member of the improv group, Tongue & Groove.
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Reviews
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Andrea October 31, 2017
· Child Acting · In home
Joy is absolutely wonderful and my son Zac loves working with her. She definitely has a natural ability for working with younger actors. She is teaching him the fundamentals and making it very enjoyable for him. Monologues, improv and more!
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Cameron May 13, 2017
· Theater Acting · In studio
I worked with Joy during her directed production of "dtf" as a part of Drexel University's Director's Lab performance during fall of 2016. Joy was an absolute blast to work with and was extremely encouraging during the course of our rehearsals leading up to the performance. She really helped my scene partner and I to explore our characters on a much deeper level than what was proactively displayed on stage. I felt that it helped me immensely as an actor during the show as I felt much more comfortable in my position on stage and more "in-tune" with my character. Joy is a wonderful director who puts in maximum effort for directing and takes a personal and effective approach to actor preparation for her productions!
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Olivia May 12, 2017
· Improv Acting · In studio
Joy is an incredible instructor with an amazing eye. She's creative and teaches in a way I understand. She really helped me with character development and always asks in-depth questions about my tactics and inner monologues. Not only this, she helped my confidence and gave me skills I couldn't get elsewhere.
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Joy W.

Joy W.

Philadelphia, PA 19121
(4)
starting at
$30 / 30-min
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About Rebecca L.

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Baldwin, NY
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Acting is such a broad term! What are your goals? Do you want to be in films? Do you want to do Shakespeare? Do you want to be in a sit com? Depending upon what your interests are and where you want to go, we will build a plan together. My philosophy on acting techniques is that they are tools to help you, not tests you pass if you're a good actor and fail if you're a bad one. Different techniques work for different people and it is our job to find out what inspires you.

I've worked as a professional actor for many years, performed on Broadway, have my MFA in Performing Arts, and my BA in Arts and Education. I was an assistant director to Tony-winner Sharon Ott and have written and produced my own work. I have experience in both stage and camera acting, which have specific technical differences, but are both a lot of fun once you get used to the medium. Audition technique, preparing monologues, and creating promotional materials are also things I can help with. Anyone who wants to ...

About Rebecca
I have worked professionally as a singer and actor for over twelve years, having performed on Broadway in Lincoln Center's Tony-winning Revival of "South Pacific" with Paulo Szot, Laura Osnes, and Danny Burstein and toured the country with Rob McClure and Anika Larson in the First National Tour of "Avenue Q." I have an MFA in Performing Arts from Savannah College of Art and Design, graduated summa cum laude, and was the only female recipient of the Presidential Scholarship for Vocal Performance. My BA is in Arts and Education from Hobart and William Smith Colleges. I'm currently signed with Roth and Associates East.

Over 90% of my career is from attending open calls, including finding representation and my Broadway debut.
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Reviews
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Debra June 21, 2018
· Vocal Training · In studio
Rebecca was very knowledgeable and helpful for my very first lesson. I believe she can really help me improve my pitch and teach me to become a better singer! She is also a very kind woman and has an overall caring approach.. I’m happy I found her and I’m looking forward to working together!
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Gianna June 8, 2018
· Singing · In home
My granddaughter was so delighted with the entire process. I feel this will help her vocals and boost her confidence level. When you're 13 it can be a difficult age. My granddaughter felt very very comfortable and at ease..thanks to Rebecca!
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Brandon May 11, 2018
· Voice Acting · In studio
Very attentive, kind and understanding.
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Rebecca L.

Rebecca L.

Online
(9)
starting at
$34 / 30-min

About Lily K.

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New York, NY
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I took 4 years of professional acting training and got my Bachelor of Fine Arts in Music Theatre. Have an upcoming audition or a monologue that's stumping you? Having trouble working on a scene for class, or simply want to learn some tricks of the trade? I'm your girl! Let's have some fun together as we explore what it means to enter into the dynamic world of someone else.

About Lily
New York is a HELLUVA town. And as I dance and sing my way around the city, I would love to impart my knowledge and experience to you too!

I've been dancing for nearly 20 years, singing for nearly 15, and have lots of experience taking those talents out into the real world. If you're looking for training in the DANCE world (ballet, jazz, tap, hip hop, contemporary, theatre) or the VOCAL world (musical theatre, classical, pop/rock, or jazz) -- I'm the girl for you. I am a spitfire, and a smart coach who simply loves to teach. Let's have some serious fun together, shall we?
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Lily K.

Lily K.

Online
starting at
$50 / 30-min

About Sarah B.

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Otsego, MI

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I've spent the past two years working in professional theatre! I'm currently in the business, pursing a performance career, so I'm up to date on what's happening in the regional performing world.

I enjoy teaching and want you to enjoy learning. We'll work on finding objectives and raising the stakes as well as being an honest, truthful, and engaging performer.

About Sarah
Hello!

Do you want to better your skills as well as learn to give an engaging performance that'll draw your audience in? Well, great! Cause that's how I teach lessons! I'm a professional, working, musical theatre actress. I perform regularly and have several years of teaching experience. I love working with students to make their pieces their own and to tell a story through their performance whether it be a monologue, musical theatre, classical, opera, pop, jazz or anything else you may want to sing or do!
Additionally, I offer piano, violin and flute lessons, focusing on technique and fun repertoire that you like to play!
I also offer music theory lessons. I think music theory is an absolute blast and would love to help you discover how fun it can be too!

Qualifications:
2 years professional theatre industry work and audition e
xperience.
BA in Theatre Arts.
BA in Vocal Performance.
7 years teaching experience.
(Approved Michigan Substitute Teacher).
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Reviews
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Leah March 5, 2018
· Classical Voice · In studio
Sarah was the first private voice instructor I had. She taught me about different aspects of my voice that I had never known about or used before.
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Krystia March 3, 2018
· Audition Prep · In studio
Sarah really brings out my confidence without judgment, she is enthusiastic and easily engaging. It is not embarrassing when my voice cracks or I forget the lyrics. Her environment is a comfortable place to unveil true potential!
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Kaitlin March 2, 2018
· · In home
Wonderful! Sarah is a delight to be around, and I felt so good after the hour.
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Sarah B.

Sarah B.

Online
(3)
starting at
$28 / 30-min

About Shannon S.

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Brooklyn, NY
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I am an actor and acting coach living in New York City. I have worked over the last seven years on stage, both in NYC and regionally, as well as in television and film, working with talent such as Hugh Grant, Donnie Wahlberg, and Beau Willimon.

I hold an MFA from Yale School of Drama, a BFA from UC Santa Barbara, and have studied extensively with on-camera experts such as Bob Krakower, Jessica Cummings, and Marci Philips. As a coach, I work with individuals and productions, on stage and film, and specializes in dialect management for actors and on camera auditions.

I can assist you in shaping your audition, expanding your actor toolbox, learning an accent or dialect, or putting an audition on tape!

About Shannon
After spending six years in conservatory training programs (MFA Yale School of Drama & BFA UC Santa Barbara) and an additional seven years practicing my craft and continuing to expand upon my knowledge of the business, I love nothing more than sharing that wisdom with other artists. I have a passion for guiding and inspiring actors, helping them reach new depths within their own understanding of a character or scene, and combining my training in the theatre with the detailed complexities of film and television work to fine tune actors' auditions both on stage and in front of the camera. I specialize in voice and speech, as well, and have worked with actors and non-actors with dialect management and learning new accents and dialects!
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Shannon S.

Shannon S.

Online
starting at
$100 / 60-min

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Actors, your voice is one of the most powerful tools you have to make a character come to life. Next time you're getting into a character, use these tips from Baltimore, MD acting teacher Larry P. for improving your stage presence...   Remember when your mother used to remind you to “use your indoor voice”? You have all sorts of indoor voices, and in order to best portray any character and improve your stage presence, be it in an audition, a rehearsal, or a production, you have to
Acting Tips: What's in your Toolbox?
As with any profession, actors have tools. Just as a doctor needs a stethoscope or a fireman needs a hose, there are certain items an actor must keep in their toolbox. I usually start classes or lessons by asking my new students or clients what they think these tools might be. Sometimes, the answer is very literal ("Script!"), and other times abstract ("Passion!"). None of these is a wrong answer. Being an actor or artist is subjective and everyone's process is different and valid. But th
3 Reasons Singers Should Also Learn How to Act
Great stage presence can really enhance your performance as a singer! Here, voice teacher Molly R. shares how learning how to act should be on every singer's to-do list...     Enviable high notes. A pure tone. Easy vocal runs. Low notes that can carry for days. Flexibility throughout the range. These are just some of the things singers say they want to achieve when they first start voice lessons -- among many, many other goals! As a voice teacher, I do my best to work with them so
5 Acting Warm-Ups & Games to Do Before an Audition
Being in the entertainment industry is not much different from being in the sports world. In addition to some natural talent and interest, a huge overlap with both industries is the time spent honing your craft. Of course regular practice is a necessary evil, but come race or audition day, our minds and bodies still need to be prepared for what’s about to happen. Just as we see athletes spending time stretching and warming up before a performance, it’s mandatory that actors warm up before audi

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