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Aumsville, OR Acting Lessons

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About Kristofer K.

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New York, NY
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Every actor has their own strengths and weaknesses. It is my goal to pull out strengths, develop, and help achieve a natural and realistic performance. From the audition to the final performance, my actors are ready for anything that is thrown at them.

​Becoming successful depends on your definition of success. It could be professional theatre, film and television, ​community theatre, school plays, or just to gain confidence in yourself. Whatever your path to success is, it’s all about using your strengths to help connect to each and every role you play. This is our focus, your strengths to achieve naturalism and realism.

No matter what your goals are, I am focused on helping you find the best possible path towards your version of success. Every road is different and that’s what makes every actors story so interesting.

About Kristofer
www.kristoferkauff.com

Currently in the NYC area, Kristofer Kauff began his career as an actor working on shows from Off-Broadway, Regional, Community Theater, Film and Television, as well as Walt Disney World and Universal Studios. His true passion, however, lies in directing where he has forged an extensive career over the last 19 years. He believes in a collaborative effort to reach honest and true performances. Kris's resourcefulness, experience, patience, and passion are the cornerstones of each production. He is a proud associate member of SDC.

Kristofer has a passion for developing new plays and the collaborative effort it requires from all involved. Over the last few years he has directed new projects here in NYC, as well as Washington D.C. and Florida. Recent "new work" include Bad Actor (NYC), The Prop Master (NY
C), Witchhazel (NYC), For I am Nothing If Not Critical (Washington, D.C.), Our Struggle to be Illustrious (Washington, D.C.) Paginas Latinas (Orlando, FL) Orlando the Television Show... on stage! (Orlando, FL)

Most recent directing credits include The Prop Master (NYC), Assassins (Fair Lawn, NJ), Witchhazel (NYC), Dinner With Friends (Arlington, VA), Godspell (NYC), FEARS (NYC), Why Torture is Wrong, and the People Who Love Them (Annapolis, MD), The Rocky Horror Show (Alexandria VA), Superior Donuts (Annapolis, MD), The Producers (Gaithersburg, MD), Pippin (Baltimore, MD), Little Shop of Horrors, Seussical The Musical, Inherit the Wind, Comedy of Errors, Orlando the Television Show… On Stage, and The Land of Counterpane. (For a more detailed list, please visit the productions page.)

Throughout his career, Kris has dedicated himself to directing shows with a natural and realistic approach, making productions accessible to new and seasoned audiences. In the rehearsal process he allow actors to search for the reality in their characters and relationships, always staying within the shows overall vision. Kris truly loves working with actors and designers, and believes in leading a collaborative effort.

Kristofer has taken great pride in sharing his passion and knowledge through workshops, classes, and private coaching. In 2000 he headed workshops and directed theatre for younger audiences with MicheLee Puppets in Orlando, FL. Since then he has served as the Theatre Director for Camp Echo Lake in NY (2004-2008) and is currently the Performing Arts Director at Maine Arts Camp (Since 2011).
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Kristofer K.

Kristofer K.

Online
starting at
$92 / 60-min

About Amy C.

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Weehawken, NJ

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I am a professional actress/ singer/ songwriter and directer. I employ my many years of experience as a performing artist, to help my students develop what is unique and compelling with in them. I believe that everyone has something of value to express. The key is finding creative ways to unleash it.

About Amy
I have been a voice, acting, and teacher of creative arts for over 25 years. My background includes ten years of classical training with Maestro Julio Berrocal, as well as vocal training through the Feldekrais approach with Marcy Lindhiemer. In acting I have studied with renowned Stanislavsky scholar Sonia Moore and Master acting teacher of the Strasberg Method, Marcia Haufrecht. I received a B.A. For comparative literature and creative writing at the State University of New York at Purchase and I am currently studying for a masters in social work at Walden University.
I believe, within all of us, Is the ability to express something distinctive and original. I work to help the student discover their individual and unique voice, weather it be through singing, acting or writing. I share with my students tools to gain the ability and con
fidence to achieve their goals. I empathize deeply with the challenges students may face when pursuing a life in the creative and performing arts, having worked professionally in those arena's for most of my adult life. I believe, it is the teachers job to respect each students individual process of learning.
My students have gone on to become recording artists, Broadway performers, movie actors, blues and cabaret artists and published writers.

*** Lesson Details ***
Voice
I am an empathetic teacher, sensitive to the students individual process of learning. My singing lessons usually start with breathing and relaxation exercises. Vocal exercise come next, then when the student is fully warmed up, we will begin to work on songs. It is important that the student be part of the process of picking material since the more they personally respond to the material the more apt they are to be engaged in their lessons and the more quickly they will learn. After three to six months they will understand the fundamentals of breathing and relaxation and its importance to proper vocal training. They will have begun the process of extending their range and will understand the principles of performance in song.
Acting
As an acting teacher and coach, I tailor my classes to the needs of each student. I utilize improvisatory and sensory techniques to help unleash spontaneity. I also encourage the students to use their personal experiences as a way to access a full range of emotions. I enjoy working with the student on script analysis, so as to discover the underlying motivations of the character the student is working on.
Creative and Lyric Writing
I use prompts as a way to get the student writing. Often, I will ask the student to write for stretches of time without editing themselves. It is important to unleash imagination before beginning the process of editing. Many times it is the unexpected that is the must compelling.

*** Studio Equipment ***
home- 10 minutes away from Manhattan with piano, seating for parents
-practice studio seating for parents

*** Travel Equipment ***
I provide a piano, cd/mp3 player and an large library of songbooks to work from. The student should bring sheet music of songs they want to work on and a recording device.

*** Specialties ***
I specialize in teaching how to sing rock, pop, musical theater, jazz, and blues without hurting the voice as well as method acting instruction.
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Reviews
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Julie September 13, 2017
· Vocal Training · In home
Amy is a truly incredible teacher and person. All of her students love her and those I've referred have thanked me profusely for the introduction. My daughter has studied voice with Amy for a number of years and after just the first lesson, the improvement in her technique and confidence was remarkable. Amy can bring out the best in anyone's voice. She is encouraging and nurturing and provides the safe and positive relationship anyone would want to have with their teacher.
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Kumiko March 16, 2017
· Jazz Voice · In studio
Amy is amazing singer and great teacher. I can't find anyone else who suggests right direction about singing. Singing from the Source.Now, I live in Japan and still singing. No matter how far from U.S., I always sing with the mind that Amy's saying ”Singing from the Sourse. I love Amy!
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Emma R. August 13, 2015
· Acting · In home
Great teacher! Amy is very experienced with kids and knows how to interact very well with my five year old. She has control of the lesson and most importantly my daughter loves going to her class.
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Amy C.

Amy C.

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(7)
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$40 / 30-min

About Gabriel W.

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Westwood, NJ

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Acting with ease is mostly about really being relaxed and at peace while fulfilling a role. The best acting comes from having passion and confidence in the choices that you have made while you have prepared. The greatest obstacle? The inner critic, the inner skeptic, the inner dragon that works hard to put on the breaks and make us question ourselves and whether it is safe or not to let go. My job is to help you feel safe enough to be able to trust your creative instincts and your natural impulses. I'm more of a kind, compassionate, understanding and forgiving coach who nurtures the talent that is already in there. We all know you've got it -- who are we kidding?

About Gabriel
Gabriel W. ("Musiciano") is a fiery and passionate vocal instructor proficient in the fields of acting, singing and vocal development. A professional singer, actor and teacher with a BFA in Theater Arts.

Gabriel doesn'™t just possess a formal college education, but more importantly an "informal" education based on his experiences on the stage and in the studio in the real world. Gabriel'™s approach is direct, simple and to the core, getting straight to the heart of the matter: developing the voice from the inside out by breaking things down to the essentials.

An expert at creating vocal warm-ups, vocal exercises, and vocal cool-downs and deeply passionate about psychology, this is your guy for learning to keep your voice in shape and having access to helpful insights and advice. Learn to cultivate a healthy attitude and how to crea
te and survive a career in the world of performing arts.

With a kind and compassionate, yet stern and strong tone, Gabriel will work with you to develop the focus and dedication necessary to get your voice beyond what you even knew was possible.

*** Lesson Details ***
Regardless of the genre you sing, developing your voice with Gabriel's help will improve your tone, range, power and overall ability. You can expect to become a much better singer without losing any of your personal and unique traits.

His approach isn't a technical or mysterious one. It's all about re-learning the facts about how the voice functions best.

You can expect to clear away a lot of confusions regarding how the voice works and to take away the guesswork from the vocal development process.

If you want to improve your voice quickly, being guided by someone who understands how it all works and by someone who was where you are today and is now closer to where you want to be in the future is the best way to go. And Gabriel is that guy!

Gabriel's approach is quite simple, yet very effective at developing the entire voice.

"There are two basic levels that every singer must address. The first one is addressing the condition of the body and voice and the second one is addressing the functioning of the voice and body."

I - Silent Foundation

The silent foundation refers to the condition of your instrument as it is silent. If we are looking at the body as an instrument that sings, we first have to make sure that our instrument is in good condition. How healthy is your instrument? Is it well rested, well hydrated and loose? Or is it tired, dehydrated and tense? As you could guess, the condition of your instrument will have a significant impact on the quality of the sounds you make. So the first thing to be addressed is how your instrument is before it starts making sound.

II - Conditioning of Singing Behaviors

This is when we get busy. Once we have a well rested, healthy, hydrated and relaxed instrument we can start working it out. The goal is to condition our singing behaviors to be reflexive, reliable and strong. The way to do this is through a series of vocal exercises that will condition your voice to respond to the desires of your heart. Whatever it is that you want to express will be possible once your instrument is conditioned to the point where there is no gap between what you want to express and your ability to do so. Learning to sing is all about learning how to express yourself without barriers. You should be able to develop enough range, power, control and skill so that you can express your heart without feeling like you'™re incapable of achieving what you pursue. To achieve these abilities training is often necessary.

*** Specialties ***
ALL CONTEMPORARY GENRES!
Confidence Building, Warming-Up, Releasing Tension and Strain, Eliminating Stage Fright, Expanding Range, Improving Tone, Developing Vocal Power and Presence, Eliminating Doubt, Simplifying Singing, Strengthening The Voice, Improving Pitch, Building Stamina, Increasing Creativity, Performance Tips, Artist Development, Acting and Songwriting.

Once we have a good foundation any contemporary genre or style can be improved.
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Reviews
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David E. June 15, 2017
· Broadway Singing · Online
Very patient and easy to work with. Only one lesson so far but a very enjoyable experience!!
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nicolas castro May 24, 2017
· Singing · In studio
gabriel has been very helpful to me. he is patient and really pays attention to detail while listening to you vocalize. he has helped me unlock different parts of my voice that i didnt even know were possible. i highly recommend him to any one with the passion to sing and get better everyday.
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Dres Valenz March 26, 2017
· Vocal Training · In home
An incredible vocal coach, full of knowledge and a great teacher. Gabriel taught me how to sing without forcing myself and also how to remove those knots in my throat. An excellent ear to tell right away if you're flat or sharp. I recommend his knowledge to anyone who wants to take their voice to a whole new level.
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Gabriel W.

Gabriel W.

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$60 / 30-min

About Molly M.

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Schaumburg, IL

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All ages, beginners welcome! I am a drama teacher as well as voice instructor. Musical theatre my specialty. Improv comedy experience.

About Molly
I have been teaching for 15 years: kids, teens-even beginner vocalists in their seventies! Rockers, an "Idol" finalist, church musicians, lapsed opera singers, preschoolers. ...these are just a few of singers I have worked with, in person, in the classroom, and ONLINE (I just love teaching singers all over the country and the world!) .

What you get in voice lessons with me: laughter as you learn! I have learned solid classical vocal technique from the very best . I have trained with respected opera singers who have performed with companies such as Lyric Opera of Chicago, as well as leaders in vocal pedagogy. I believe everyone deserves the same useful tools- no matter what it is you like to sing!

I am patient and customize each and every lesson. Need more time on ear training? No problem . How about beginning music theory? I can
help with that,too. Are you feeling more confident, and want to focus more on song polishing and getting into the heart of your songs? Let's do it! Confidence an issue? I am a pro with very shy people. I'll get you out of your shell, relaxed, and having fun right away so we can free that voice of yours! I have worked with many singers who have been diagnosed with anxiety: you're in good hands and you can trust me with your voice.

I am also a drama teacher who has worked with groups as well as individuals. Currently, I am the drama instructor at a Montessori School. I love working with beginning acting students! I'll assist with monologue prep, improvisation, voice for the stage, body awareness, and more. I love being on stage and want you to see how fun it is to jump in and let go,too!

I am a constant student in the world of theatre. I am currently taking many courses with the Drama Teacher Academy, and just received a certificate for monologue work ! Currently studying more improv and musical theatre techniques. I want my students to have as many skills as possible, no matter where their love for theatre or music takes them.

If you're interested in beginner ear training or music theory, I'd love to help you with that as well. I present it in a no-nonsense and fun manner! I'll provide you with simple worksheets to increase your confidence in learning the language of music, as well as run you through increasingly challenging patterns and sight reading for the ear training. Don't be afraid: I make it easy and customize it all. I used to be scared of theory,too- so I know what works!

I have been singing for over 20 years. Performances with the Lira Ensemble and Opera on Tap Chicago, and in master classes with international opera stars Alan Held and Lorna Haywood. Coaching with Collaborative Works Chicago and Rossini Opera Festival. Additional studies in Rock Vocals, Voice Care, Improvisational Comedy, Holistic Voice, Acting, Foreign languages, Dalcroze, Speaking Voice for Singers, , Commercial Vocal Styles/Belting with Lisa Popeil, teacher mentoring workshop with Maestro David Jones. Bachelor of Music in Vocal Performance. Additional workshops in Vocal Pedagogy with David Sabella-Mills, Jeannie LoVetri. Dr. Karen Prokop, Melissa Cross (the queen of healthy scream technique!), Sheri Sanders (musical theatre auditioning), and Chicago Cabaret Professionals.

Certified CoreSinging Instructor- one of only a few in the U.S. trained by Meribeth Dayme, PhD, respected clinician and authority in vocal pedagogy and author of "The Singing Book".

My students do a variety of great things! One was a top 12 "American Idol" finalist. Current students perform in musicals, top rated choirs, and professional rock , jazz,and blues bands. Many have won awards for their singing at competitions such as NATS. Students of mine have also been accepted to prestigious performing arts high schools for both drama and music, as well as undergraduate music programs.

I think if you can speak, you can sing. Everyone can and should sing! Don't let anything hold you back. I am a people person that is very passionate about music and singing, and want to be the teacher you'll trust with your voice. Come laugh and learn with me!

*** Lesson Details ***
I teach in person (Northwest Suburbs of Chicago) and online via Skype or FaceTime or TakeLessons Classroom, of course!

*** Studio Equipment ***
Sing and See Software. Additional materials I use: Funky n' Fun Vocal Exercises, Estelle Liebling Vocal Methods, Bona and Dannhauser for sight-reading, Full Voice workbooks for young and serious singers.

*** Specialties ***
Beginner vocalists! Very shy singers. Children, teens. Lapsed singers, and seniors. Experience in working with those with learning disabilities , special needs, and victims of abuse. Have also worked with the transgendered community. I also love to give workshops.
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Reviews
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Sebastian September 19, 2017
· Singing · Online
My son was so happy after his first lesson. He loved it and can't wait for next week's lesson. Thank you.
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Kathryn C. September 16, 2017
· Speaking Voice · Online
Oh wow, what an awesome first online lesson I just had with Molly! I feel so much more positive, optimistic, and confident about my speaking voice improving now. She has a wonderful personality and made me feel at ease very quickly. The exercises were super helpful, and she explained things very well. I could go on, but I want to keep practicing what I just learned. I'm looking forward to my next session with Molly!
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Shanice F. September 9, 2017
· Singing · Online
I had a great first lesson very informative (:
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Molly M.

Molly M.

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$30 / 30-min

About Nicholas M.

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New York, NY
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Excited to teach all levels and skill sets.

About Nicholas
I have been an actor for more the 35 years having worked Off-Broadway and Regionally.

I've taught acting for 18 years privately as well as at Brooklyn College, St Frances College, Marymount Manhattan College, and the American Musical and Dramatic Academy.

"Nicholas is patient, insightful, friendly, and gets
results. After working with Nicholas, I felt great
about my auditions, got two callbacks, and landed
a touring job.
I would recommend him to any actor."

*Jonathan M.
Shakespeare Theater of New Jersey
Pennsylvania Shakespeare Festival
Millbrook Playhouse

I am the Producing Artistic Director of the Hudson Warehouse and have been since its inception in 2004. Known as "The Other Free Shakespeare in the Park," we produce free classical theater in Riverside Park during the summer months and we hav
e an indoor season during the winter months as well.

"Mr. Martin-Smith has been my director, coach and
mentor in productions and the classroom. His patience,
insight and his passion excites students, and makes
them feel safe and supported enough to take risks."

*Joseph H.
Shakespeare Theater of New Jersey
Pearl Theater Company
York Theater Company
Hudson Warehouse

*** Teaching Methods ***
I foster a safe, relaxed and engaging environment to explore truthful human behavior on stage.

The objective is 'the truth' to which end there is no one technique. Actors are encouraged to find their own tools and to draw from elements of different practices to discover a technique that works best for them as individuals.

I studied the methods of Constantin Stanislavski for acting with Sergei Pomerov of the Moscow Circus Theater. I am classically trained as well.

I work primarily as a guide to help navigate the way and to interpret ‘the signs.' I teach the lesson in the moment and address the challenges of both the beginner and the experienced actor.

***Classical Work***
My basic approach to classical work focuses primarily on the connection of the breath with the feeling on the word.

This is the foundation on which you can then build. From the ‘words’ to the ‘thoughts’ to entire ‘passages’ of text, as you work and explore, the richness of the playwright’s words comes to life. Your own unique emotional life is allowed to come through the text and you are able to fully embody the role.

*** Teaching Levels and Focuses ***
*Beginning Actors
-Work With Classical Text.
-Vocal Work.
-"Moment to Moment" Work.
-"Sense Memory" Work.

*Experienced Actors
-In depth Classical Text Analysis.
-Connecting to the Text.
-Audition Technique
-Monologue Coaching
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Reviews
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Affea Q. August 1, 2017
· Acting · In studio
Nicholas is a fantastic and patient teacher who is skilled at helping actors with nonverbal communication. He helped me organize my monologues into beats and we worked on transitions and changes of intention. After classes with Nicholas, I confidently made my debut on stage.
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Lance F. November 29, 2014
· Shakespearean Acting · In studio
I was always afraid I couldn't learn Shakespeare, but Nicholas explained the intent on the word, the intent on the line. Soon, I was so caught up in the meaning of the lines and the story I was telling in that moment that I was able to engage in the role, smoothly, without worrying that I was performing Shakespeare. He broke it down so I could understand it, and then feel confident doing it. Highly recommend!
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Sondra L. November 29, 2014
· Acting · In home
Nicholas knows Shakespeare and classical work. He really works with the text and helps an actor really understand the emotions in the scene, through the text. I've gotten so much out of his teaching and so have many of my friends. If you have an audition or play coming up, he's the one to get you ready for it! My friend nailed his audition, got the gig, all through his work with Nicholas. I've learned so much as an actor from Nicholas.
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Nicholas M.

Nicholas M.

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About Dana G.

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Denver, CO

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Students can expect fun and rigorous acting lessons designed around their goals. I am a nurturing teacher, so shy students should have no fear! We will work with the three major acting tools: our voices, bodies and imaginations.

About Dana
Hello. I am a Colorado State and New York State-certified drama teacher. I moved to Denver in 2015 from New York City. I love it here, and I am always looking for passionate students that want to learn stage and/or film acting and audition preparation.

I attended Vanderbilt University in Nashville, TN, and received my B.A. in Theatre and Psychology. I earned my Master's degree in Educational Theatre from New York University in New York, New York.

I am a nurturing and high-energy teacher, and I understand different students learn differently. Shy students, you will feel comfortable, I promise!

I have worked as a professional actor in the theater as well as film. I am a member of the Screen Actors Guild. I have an artistic resume that I am happy to share upon request.

I love teaching acting. I teach students of all ages with al
l different levels of experience, and I teach all aspects of performing: stage acting, film acting, scene study, audition preparation, improvisation and more!

I have a website that should be up by September 5, 2017!
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Reviews
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Amy April 10, 2017
· Acting · In studio
We love Dana! She is so attentive to my daughter, went above and beyond not just in the lesson but staying in contact between lessons and putting in extra legwork finding monologues, resources, and tips for her. We recommend her 1000%!
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Gayla April 2, 2017
· Acting · In studio
She worked wonders with Mia. Dana brought her to a level within a few lessons I didn't know was possible.
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Ellie October 16, 2016
· Acting · In home
Dana is great! She has established great rapport with my daughter and provides insight and advice while also coaching her with her acting skills. She is also helpful to us in acquiring what we need to pursue things on our agenda.
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Dana G.

Dana G.

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(5)
starting at
$30 / 30-min

About Don C.

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Salem, OR

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We specialize in improv and non-scripted theatre training. Through fun improvisational exercises, students learn the foundations of the craft of acting: active listening, objectives, movement, and connection. Personalized training is designed for students of all ages.

About Don
I have been an Artistic Director and acting coach for 5 years following training in New York and Seattle. Although I have experience with film and television, my specialty is non-scripted, improv type theatre. My drama therapy training, and work with youth on the autism spectrum has also equipped me to work with a broad range of students. I can't think of a better way to both build your skills as an actress, and increase your confidence on stage and in life.
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Don C.

Don C.

Salem, OR 97301
starting at
$50 / 30-min

About juan G.

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Warner Robins, GA
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I am a reknown actor in the Hispanic market, with a long resume in Theatre, Film and Television, spanning 25 years of professional work. You can see my Reel and Resume at juanpablogamboa.com

About juan
I have been a celebrity actor in the Hispanic market, and currently I am transitioning to the US market, with two upcoming film releases in the American market this year: "Sniper-Ultimate Kill", with Tom Berenger and Billy Zane, and "Loving Pablo", with Javier Bardem and Penelope Cruz. I have been teaching acting since 2013 and I am 100% fluent in Spanish and English.
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juan G.

juan G.

Online
starting at
$25 / 30-min

About Sangini B.

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Santa Monica, CA
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I have experience as a union actress, as a film director, producer and I have done over 10 casting sessions so I know an actor's strengths and weaknesses and how they should improve, prepare for a role, work on an actor's palate (voice and body), can teach audition techiniques, building a character, scene study, improvisation etc.

I teach a bit from all acting methodologies - Stanislavsky, Lee Strasberg, Meisner, Uta Hagen, Stella Adler, etc. My teaching style is more eclectic. I also emphasize Shakespeare and classical theatre training or plays. I train actors to use their imaginations and instincts. Essentially, I help actors play and have fun. A play is called a play because you "play"!

I am also a black martial artist and can teach actors combat and basic fight scenes for film. I produce my own action film series so I have experience with how an actor should prepare for a fight scene.

About Sangini
I have a Master's degree (Speech Communications and Drama) from Texas State University and a Bachelor's degree from University of Texas at Austin (History, Mathematics). I am a published children's book author and I write articles for magazines. I write movie scripts too.

I am a film producer, director, actress, writer, black belt martial artist. I have directed many actors in 10 films, had over 10 casting sessions with actors auditioning, performed with many actors in film and theatre and am a union actress.
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Sangini B.

Sangini B.

Online
starting at
$40 / 30-min

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Becoming an actor takes hard work, dedication, passion, and drive. For high school students thinking seriously about a career in acting, now is the time to prepare for the training you will need to help you succeed. After all, high school is a time when you have opportunities that may be harder to find or simply will not exist later on. Most of the actors you see on television, film, and even the stage have gone through years of education and training, and getting into one of the best acting sc
3 Reasons Singers Should Also Learn How to Act
Great stage presence can really enhance your performance as a singer! Here, voice teacher Molly R. shares how learning how to act should be on every singer's to-do list...     Enviable high notes. A pure tone. Easy vocal runs. Low notes that can carry for days. Flexibility throughout the range. These are just some of the things singers say they want to achieve when they first start voice lessons -- among many, many other goals! As a voice teacher, I do my best to work with them so
Musical Theatre Audition Songs: 6 Great Options for Kids
Does your son or daughter have an audition coming up? Here are some ideas for musical theatre audition songs, courtesy of Hayward, CA teacher Molly R...   It's not always easy to find the right musical theatre audition songs--and the same can definitely be said when it comes to kids' repertoire! Is there a way to avoid warhorses like "Annie" and "Oliver" while finding songs that will excite your young actor and the audition panel? YES! Here are some suggestions that will make y
How to Audition for a Movie | 6 Tips for Success
What does it take to audition for a movie and make it to the big screen? Here, acting teacher Liz T. shares six important tips for success... Are you an actor interested in learning how to audition for a movie? Now is the time to get started! Many major movies are filmed in major cities such as Los Angeles, New York, and London, and now even smaller cities are starting to boom with filming. Whatever cities you are closest to, research the local film office. Every state also has its own film o

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