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Oologah, OK Music Performance Lessons

Looking for private in-home or in-studio Music Performance lessons? Our Oologah teachers are ready to get you started. Find your teacher today!

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Popular Music Performance Teachers near Oologah, OK

Check out some of our most popular teachers near Oologah, OK including Tulsa, Owasso, Coweta, Sperry and Catoosa.

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About Robin O.

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I have been a touring performer/musician for 15 years. I have performed all over the US and in Europe. Class includes Performance critiques and coaching. Learn how to "own" the stage, connect with your audience, and put on a great show.

About Robin
*** Travel Equipment ***
I tell students what they need to buy and they do, although I will pick up books that they then pay me for.

*** Specialties ***
Piedmont blues, delta bottleneck blues, folk, beginning guitar

introduction to Adobe Suite, color correction in Photoshop, Photoshop for print and web, designing logos in Illustrator, using In Design for print projects, working with type and long documents.
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Tanya July 13, 2016
· Acoustic Guitar · In home
As a beginner & my first lesson was today , Robin was very helpful and had so much to share. I feel confident in her ability & knowledge to help me in learning to play the guitar .
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William February 17, 2016
· Singing · In studio
I loved my teacher. Very professional and fun! I will not be continuing my lessons due to time restraints.
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Greg January 19, 2016
· Acoustic Guitar · In studio
Really worked to help me learn what I wanted to learn
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Robin O.

Robin O.

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(5)
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$35 / 30-min

About Michael S.

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Chicago, IL

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Pulling off a great show requires knowledge, hard work and little bit of luck. With a performance focus we will cover how to build a good set list and interact with an audience.

About Michael
Expressing yourself is the ultimate goal of music and my job is to help you get your point across!

Like any musician, music is my life.
I love to soak it in any way I can! Whether it be listening to records, jamming with my friends or watching all the live concert footage of Stevie Ray Vaughan I can get my hands on.

I graduated from Columbia College Chicago with a Bachelor’s of Art in Music with a concentration on guitar performance. Throughout my undergraduate studies I performed in various ensembles within the college’s curriculum. Currently, my solo project gives me the opportunity to continue to grow through writing and performing my own original pieces. Throughout my career I have had the honor of performing with renowned songwriters Todd Rundgren and Charlie Sexton as well as being mentored by jazz drummer Frank Donaldson of
The Ramsey Lewis Quartet.

*** Lesson Details ***

Studying at the college level taught me a lot about what not to do as a teacher. The material is already difficult enough, so why would I be difficult with you?

I strive to be more of a mentor and friend rather than taskmaster. However, I do require structure and commitment to getting better. My curriculum will revolve around you and your needs with added material that I feel will help you succeed.

A typical lesson plan includes:

 physical technique

 chord and scale knowledge,

 soloing concepts

 and tying all of these ideas together by learning a song in a genre you love!

All of these concepts culminate in the discovery of your own personal voice!

*** Studio Equipment ***
My teaching studio is just steps away from the Belmont Blue Line stop! Our lessons will be held in a private practice space in my home. The large room has multiple amps and guitars, so there is no need to bring an instrument for lessons if you don't want to! (But, you do need an instrument to practice with outside of our lessons!)
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Yuv P. February 11, 2018
· Guitar · Online
Great lesson for my son after some technical difficulties. But Michael was very helpful through the whole process.
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Todd B. January 3, 2018
· Guitar · Online
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Patrick C. May 22, 2017
· Acoustic Guitar · Online
really amazing one on one teacher
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Michael S.

Michael S.

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$25 / 30-min

About Cole K.

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New York, NY
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What makes a piece of music speak? How does it reach people? How does it touch peoples lives? These are a few of the questions I have explored throughout my years of performing. I can help you perform in a way that not only answers these questions, but will help you communicate your individuality and understanding of music.

About Cole
On any given day you may find Cole K. improvising in a small club in Brooklyn, circuit-bending a Speak And Spell, or arranging horn parts for pop stars. He is a trumpet player, electronic musician, and composer living in Brooklyn, NY. K. is currently involved with a variety of projects including chamber indie band Cuddle Magic, People’s Champs (west African influenced dance music), and his own solo project for trumpet and laptop. He, along with The Superpowers Horns, arranged and recorded the horn parts for Beyonce Knowles’ two most recent albums (4 and Beyonce.) He attended New England Conservatory of Music where he received a Bachelors degree in Jazz Studies.

Cole tailors each lesson to the students needs. From learning the fundamentals of your instrument to expressing your individual creativity, the process is focused and fun. C
ole has taught 4 year olds to write songs and 40 year old how to play jazz trumpet.
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John N. November 11, 2014
· Trumpet · In home
This Cole is King! I would give Cole 10 stars if it were possible. I had lessons with Cole in the summer of 2014 on the trumpet and let me tell you the guy is a giant on trumpet. I learned so much. I learned more in a summer's lessons with Cole than most people get in years. He made learning trumpet a lot of fun but at the same time I leaned basic skills, like how to keep beat and count. Can't say enough.
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Cole K.

Cole K.

Online
(1)
starting at
$45 / 30-min

About Victoria W.

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Philadelphia, PA
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I've been teaching music performance for 4 years. I tailor lesson plans to help each individual student reach his or her goals. I believe that our biggest block as performers is mental, so we will engage in exercises that work to break through mental blocks. We will also spend time honing in on how to own the stage while maintaining musicality. Furthermore, I believe that building confidence in front of people leads to a more well-rounded person, so I will work hard to help each student feel that confidence.

About Victoria
My name is Victoria. I'm originally from beautiful San Diego, California, but I am now a full time professional musician based out of Philadelphia. I've instructed students (of varying ages and backgrounds) from all over the country on bass, guitar, live performance, and song writing. This includes one-on-one instruction and group lessons. I received a certification in live performance, studio work, and songwriting through The Contemporary Music Center, now located in Nashville, TN. And I I Finished my Bachelor's degree at Eastern University

I've toured all over the country with acts such as Talain Rayne and played bass on his album "Attic Lights." I also completed an internship in Nashville, TN with hit songwriter, Kate York.
For the past five years, I've played with the band Element K (under Shore Bets booking agency) as the lead
singer and guitarist. I've played shows all over the Northeast including (but not limited to) Xfinity Live, Wells Fargo Center, Hard Rock Cafe, The Tin Angel, Borgata AC, Ballys, Tropicana, and Seacrets in OCMD.
I love music and the role it has played in shaping my life. I value the experiences and wisdom passed on to me by my music mentors and instructors, who not only had a meaningful impact on my music career but also immensely influenced my development as a person.
I look forward to having that same positive impact on any student I instruct :)

*** Lesson Details ***
I like lessons to be, first and foremost, an enjoyable experience for everyone involved. I try to create a laid back and comfortable learning environment for all my students. Music is fun, and I guarantee that there will be plenty of good times while taking lessons!
Now, let me also clarify that my positive attitude and laid back demeanor are not excuses for students to be undisciplined and uncommitted. I promise to work hard toward your development as a musician to make you the best you can be, and I appreciate the same commitment from all of my students.
Music should be enjoyable, but also rewarding and enriching to your life! I don’t want to sell that short!

Below is a basic rundown of what a student can expect to learn while under my instruction. I would first like to preface this information by saying that I fully recognize that every student is different; therefore, I tailor lessons to fit an individual’s needs and goals. Because of this, the priority of certain skills tends to vary from one student to another, as does the order in which this skills are taught. I also want to note that I tend to use some self-made resources (charts, explanations, etc) in addition to published books. Taking into consideration the aforementioned variables, here is the basic rundown of the material I try to cover with students, in the general order it is taught:

-Understanding of guitar parts (anatomy of the instrument) and basic terms (ie note, chord, etc).
-Names of strings (E-string, B-string, etc.) and corresponding numbers for strings (1-6), and which fingers are given what numbers.
-Tuning of the instrument
-Basic technique (how to finger a fret board, hold guitar, hold pick, etc).
-How to find notes on the fret board/chromatic
-Basic rhythm concepts and counting (whole notes, quarter notes, time signatures, etc)—usually involves clapping exercise, single note playing exercises, reading rhythm charts, and learning what different note values look like.
-Basic concepts of “keys”
-Basic major and minor scales (especially for “warming up”)
-Chords (mostly basic open chords)
-Strumming
-Learning songs to put concepts together
For more advanced students, we will likely get into the following:
-Power chords, bar chords, and complex chords beyond majors and minors.
-Scales beyond basic majors and minors
-Music theory (chord construction, modes, etc).
-Knowledge of gear (for those guitarist who wish to branch out to electric guitar)—bass players will already have to know some of this before moving to more advanced work since they already require an amp.
-How to play with other musicians and instruments (collaboration, listening, understanding each instrument’s part, etc).

[To give students a basic timeline for these skills, one can expect to be playing open chords within three months and probably their favorite songs within 6 months]

SONGWRITING TEACHING METHODS:
-Review slides about basic song structure and anatomy of songs (verse, hook, etc)
-lyric and vocal phrasing
-finding your voice as a writer
-exploring environments and conditions that foster one’s creativity for writing songs (preference for outdoors, quite secluded spaces, etc).

LIVE PERFORMANCE:
-Breathing/relaxation exercises
-Movement/watching footage of self
-Watching footage of others
-Acting/stage exercises to get out of your head and into your body
-learning common problems with live performances and becoming comfortable with fast, on-the-spot trouble shooting (and how to avoid some problems before they begin).
-Finding your stage voice, both in singing and speaking.
-Developing your stage persona

*** Studio Equipment ***
Lessons in the living room
Equipped with guitars, bass amp, guitar amp, guitar cables, and tuner.

*** Travel Equipment ***
Student should provide his or her own guitar (and amps when applicable)

*** Specialties ***
I'm currently a professional musician that sings and plays guitar and bass for pop and rock music. We perform in front of thousands of people each week so I'm very comfortable giving live performance instruction as well.
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James R W. August 7, 2017
· Guitar · In studio
vic is a very good teacher
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Ashley T. June 16, 2016
· Guitar · In home
Victoria is doing a great job teaching my daughter the guitar. She is kind and Ashley likes the way she and Victoria connect.
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Darina G. April 7, 2016
· Guitar · In studio
Victoria is well prepared, organized and inspires the student to do well. Encouragement and positive energy is just what a beginner like me needs. Glad I picked this teacher. Thank you!
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Victoria W.

Victoria W.

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About Sarah A.

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Nashville, TN

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Performance techniques include training for harnessing stage fright, engaging the audience, artistic interpretation, communicating for the stage, posture, choreography, microphone practices, sound check procedures, reading your audience and other essential skills.

About Sarah
"Sarah's voice is rich, warm, expressive, and maintains a natural and authentic beauty." - Classical Singer Magazine.

Sarah has a Master of Music from the country's best music school, Indiana University where she graduated summa cum laude with a degree in vocal performance.

Sarah has been teaching voice for the last 7 years in her studio.

Sarah sings professionally in musicals, operas, and records on music row.

Sarah writes and records her own music, singer/songwriter and christian music.

Sarah loves to perform opera and contemporary music in concert halls as well as public venues like art galleries and street festivals.
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Olivia August 10, 2015
· Singing · In studio
Sarah was a fantastic teacher!
I am 22 years old and have never had a singing lesson before, although I previously played the saxophone and piano and therefore had some musical background. During our 5 lessons I had more fun than I could have imagined while learning important skills regarding warming up, breath support, and stylistic choices while singing. She helped me get over my nerves and not feel so silly singing in front of others - something I've always felt self-conscious about. I would absolutely recommend Sarah to any adult wishing to learn how to sing!
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OLYA K. August 24, 2014
· ·
What a talented performer and instructor! Combination of beauty and brains :)
I admire her approach and her education!
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Alan P. March 11, 2014
· Singing ·
Daughter loved first lesson

I just had my 9 year old daughter take her first voice lesson from Sarah and it was GREAT!! My daughter loved her and learned so much the first lesson. Sarah was awesome with her approach and kind attitude yet got her lesson across so professionally. I would HIGHLY HIGHLY recommend Sarah!!!!
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Sarah A.

Sarah A.

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About Carl S.

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Broken Arrow, OK

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I've performed professionally for many years on a large variety of instruments. I have experience teaching music at multiple universities, as a public schools teacher, and as a private instructor. For booking, please sign up with TakeLessons today, and then we'll arrange a mutually agreeable meeting time.

About Carl
Dr. Spaeth is currently working with Palen Music Center. He is also teaching at the University of Tulsa as an adjunct faculty member during Spring 2018. Spaeth maintains an online music studio through TakeLessons, where he teaches several instruments privately and in group settings including saxophone, guitar, oboe, music theory, flute, clarinet, and piano.

Dr. Carl Spaeth taught at Oklahoma State University as a Lecturer of Saxophone and Music Theory during Dr. Jeffrey Loeffert's sabbatical beginning August 2017. His duties included graduate saxophone lessons, graduate music theory review, graduate saxophone pedagogy, and saxophone studio class.

Prior to working at OSU, Spaeth was Instructor of Jazz and Saxophone at South Dakota State University from 2014-2017. His responsibilities included directing the annual SDSU/Brookings Optim
ist Jazz Festival, directing Jazz Ensembles I-II, Jazz Combo, Jazz Improvisation lessons, Jazz Pedagogy, online Jazz Appreciation, private saxophone lessons, saxophone quartets, private oboe lessons, and group guitar class.

Spaeth completed his Doctor of Musical Arts degree in saxophone performance at the University of Kansas in 2014, and his Master of Music Pedagogy and Performance from Oklahoma State University in 2011. He graduated from Harrah High School in 2002, earned his Bachelor of Music Education from Southwestern Oklahoma State University in 2008, and was a 5th-12th grade Head Band Director at Fairview Public schools. He is currently a member of the North American Saxophone Alliance, the Jazz Education Network, Music Teachers National Association, National Association of College Wind and Percussion Instructors, and an Honorary Member of Tau Beta Sigma. He has held previous memberships with Kappa Kappa Psi, Phi Mu Alpha Sinfonia, Kappa Delta Pi, and the Oklahoma Bandmasters Association.

While at KU, Spaeth was also a graduate teaching assistant for the saxophone studio and jazz studies program. His responsibilities included Assistant Director of the KU Jazz Festival, directing Jazz Ensembles II-III, directing Jazz Combo III-VI, directing Saxophone Quartets II-III, teaching private saxophone lessons, assisting in saxophone studio class, and teaching the music education woodwind methods course. His Lecture Recital Document, A Performer’s Analysis of Selected Jazz Works for Saxophone Quartet, featured an interview with Bob Mintzer. Spaeth was a member of KU Jazz Ensemble I, KU Saxophone Quartet I, and KU's Helianthus New Music Ensemble. As a member of KU's Jazz Ensemble 1, Spaeth has performed with Dave Douglas, Kurt Rosenwinkel, Alex Sipiagin, Steve Owen, Gary Foster, Steve Houghton, Clint Ashlock, David von Kampen, Peter Epstein, Jeff Miley, James Miley, Roger Shew, and Brian Hamada, Brandon Draper, Rich Wheeler, Beau Bledsoe, Jeff Harshbarger, and Matt Otto. In July 2014, Spaeth went on a European tour with KU Jazz Ensemble I featuring Steve Leisring and Deborah Brown. Together, they performed at the Montreux Jazz Festival in Switzerland, the Vienne Jazz Festival in France, and performed in several cities in Germany. Recordings by this band resulted in KU winning the DownBeat Student Award (Graduate College Large Jazz Ensemble Division) in 2015.

While at OSU, Spaeth was a GTA for the saxophone studio and music theory programs. His responsibilities included Music Theory I-IV tutoring and grading, sight-singing grading, piano labs, classical and jazz saxophone lessons, saxophone quartet coaching, saxophone studio Webmaster, and saxophone studio class. Spaeth was a member of the OSU Wind Ensemble and Jazz Ensemble 1. He had a regularly performing jazz trio and played in OSU's X2End saxophone quartet. The X2End quartet performed locally at the 2011 Navy Band Saxophone Symposium in Washington D.C., at the 2011 NASA Region IV Conference, and has won the state and division rounds of the 2010-2011 MTNA Chamber Music Competition. The X2End quartet went on to win the 3rd place prize at the national final round of the MTNA Chamber Music Competition. They also were the Division II Chamber Ensemble winners at the 2011 Hubbard Music Competition where they were awarded the 2nd place prize in the overall finals. Spaeth's final degree paper at OSU was a study of composer/performer collaboration. He traveled to Texas, Michigan, and Ohio to interview saxophonists and composers including David Dees, Peter Fischer, John Sampen, Marilyn Shrude, Joe Lulloff, and Charles Ruggiero. He has presented his lecture at the 2011 Navy Band Saxophone Symposium, the 2011 NASA Region IV Conference, and the 2012 OSU Single Reed Summit. As a member of OSU's Jazz Ensemble 1, he has performed with Bob Sheppard, Conrad Herwig, Wayne Bergeron, and Andy Martin.

While at SWOSU, Spaeth performed as a member of the marching band, wind ensemble, Jazz Ensemble A, saxophone quartet, and his own jazz combo named Five-Seven. As a member of SWOSU's Jazz Ensemble A, he has performed with Dan Haerle, Bob Bowman, Jack Mouse, Fred Forney, Janice Borla, Eddie Daniels, Pamela York, Lynn Seaton, Carl Allen, Dr. Michael Cox, Tom Williams, Dr. Robert Chambers, Dave Hanson, Drori Mondlak, Delores Williams, Byron Stripling, Frank Wess, Kenny Drew Jr., Dennis Mackrel, Bill Watrous, Rich Eames, Jennifer Leitham, and Randy Drake.

Spaeth's primary saxophone instructors have been Vince Gnojek, Dr. Jeffrey Loeffert, Dr. Ann Bradfield, Dr. Keith Talley, and William Rodney Hull. He has had additional instruction in lessons and masterclasses from Gary Foster, Dr. Joseph Murphy, Dr. Michael Cox, Bob Sheppard, Johnny Salinas, Dr. Kimberly Goddard Loeffert, Dr. Geoffrey Deibel, Dr. Jonathan Nichol, Dr. Griffin Campbell, Dr. James Laughlin, and Dr. David Dees. Spaeth's jazz directors have included Dan Gailey, Bob McCurdy, Dr. Jonathan Martin, Dr. Keith Talley, and Dr. Terry Segress.

​Spaeth enjoys recording several instruments in his home studio and composing new music. His compositions that have been performed include his big band arrangement of Cat Battles by Joshua Redman, September in the Refrain (alto saxophone and electronics), Funk-o-matic (jazz combo), Smooth (jazz combo), and The Deadline Arrives at Dawn (alto saxophone and electronics). As an advocate of new music involving the saxophone, he has participated in a commissioning consortium for Alone Together by composer David MacDonald through Kick Starter. In 2013, Spaeth performed the premier of Cuento #3 by Nelson Ramirez Diaz. During summer of 2014, he recorded selections from Dr. John Walker's "The Alto Saxophone in the Attic," published by Carl Fischer. At the 10th Annual SDSU/Brookings Optimist Jazz Festival in 2015, Spaeth directed SDSU Jazz Ensemble I's premier of Dog, Tired by David von Kampen.

​Dr. Spaeth is a Conn-Selmer Endorsing Artist. He hosted the North American Saxophone Alliance Region 3 (ND, SD, NE, MN, IA) Conference at South Dakota State University on March 17-18, 2017. On Saturday, April 8, 2017, Spaeth performed Dreams in the Dusk by David Biedenbender with South Dakota State University's Wind Symphony, directed by Dr. Jacob Wallace. On Monday, February 6, 2017, Spaeth performed the premiere of Lhotse for alto saxophone and percussion by Steve Danyew with Dr. Aaron Ragsdale. In April 2017, Spaeth performed solo tenor saxophone and orchestral clarinet in Ethan Bortnick's national PBS Special called "Generations of Music," which featured special guest, Peter Yarrow, from Peter, Paul and Mary.
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Ryan February 23, 2018
· Saxophone · Online
Carl is everything I've been looking for in a music teacher! Thank you so much!
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Aiden February 22, 2018
· Trombone · Online
Carl is really knowledgeable about all aspects of music! I highly recommend him as a teacher!
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Alexis February 22, 2018
· Saxophone · Online
Great job! I'm feeling very inspired. I know I have a lot of work to do, but Carl gave me a clear method of how to reach my goals!
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Carl S.

Carl S.

Broken Arrow, OK 74012
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About Wi-Moto N.

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Brooklyn, NY
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Prep for performance, audition, concert, or cabaret. Lessons are tailored according to the needs of the student(s). Both one-on-one and group classes.

About Wi-Moto
Born in Mexico and raised in the U.S., Wi-Moto worked in regional theater as a music theater performer before moving into music composition with the Funk, Soul & Hip-Hop musical collective Community Education. Since then she has toured Western Europe with the group making television appearances on Second Channel in Germany and has been a featured artist at Tanzhaus NRW International Dance Theater in Dusseldorf, as well as CKUT FM-90.3 Radio in Canada, WFMU FM-91.1 in New York and New Jersey and Tilos Radio FM-90.3 Budapest, Hungary. Wi-Moto has gone on to work with multi-media artists to write and produce seven (7) online graphic musical webisodes, The Last Days of Kartika. She has brought the graphic musical to the stage in a live cabaret show in Budapest, Hungary. Most recently, the piece was selected for The Comic Book Theater Festiva
l 2014 where it premiered four workshop performances. Wi-Moto continues to perform in NYC and is currently in the Performance & Interactive Media Arts graduate program at Brooklyn College. For more information please go to
wi-motonyoka.com

*** Lesson Details ***
Alongside theatrical, on-camera and concert performances Wi-Moto has worked as a teaching artists for both young and adult students in Philadelphia, NYC, Duesseldorf, Cologne, and Budapest. The lessons are tailored to meet the goals of the student(s) and usually culminate into some kind of performance, video, or audio recording. For young performers the emphasis is on creative learning, games, and other fun activities to instill confidence, build repertoire, and establish a work ethic. For adult performers lessons are based on the needs of the student(s) and their schedule.

*** Studio Equipment ***
Studio mic
Logic audio recording program
MIdi Keyboard

*** Travel Equipment ***
Mp3 player and portable speakers

*** Specialties ***
Voice instruction, theater, and music theater performance for ages 3-17 yrs, audition and music exam prep as well as bilingual workshops and intensives. Group and individual vocal training in Broadway and Pop styles for adult students.
Fingerprinted by the DOH
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Ashley Woods July 23, 2015
· Acting · In studio
I am a poet and I began working with Wi-Moto as a means to empower my stage presence. Working with Wi-Moto was pure joy. She has an ease about her that just makes you comfortable with yourself when in her presence. She is very attentive and passionate about the work that she does, I truly felt like she was routing for me in each of our sessions and constantly challenging me to go deeper emotionally. I learned so much about myself and the skill of acting while working with her.

Overall, Wi-Moto was very professional, She was always ready to work when I arrived and her studio space is very open with lots of sunlight and good vibes.
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Matthew M. January 26, 2014
· Broadway Singing ·
Wi-Moto is an incredible teacher

Wi-Moto creates a stress free environment where productivity is always guaranteed. After working with her for only 8 weeks my vocal range was expanded dramatically. She helped me snag the lead in my schools musical and worked with me on my college audition monologues until they were perfected. If your looking for a acting or vocal coach look no further.
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Wi-Moto N.

Wi-Moto N.

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About Phil S.

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Wakefield, MA
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About Phil
With over 15 years experience teaching guitar lessons full time and performing internationally, I have enjoyed working with students ranging from beginner to advanced in all styles whether it be Jazz, Rock , Heavy Metal, Folk, Blues and everything in between. It is my goal as a teacher to evaluate your existing level and work to inspire you and to help achieve your goals. Whether you want to study Jazz Improvisation, Van Halen, James Taylor, or Guns and Roses, I believe all styles are interconnected and your technique, theory, ear-training, and musicianship can be developed through any style that interests you. Above all else, learning how to play the guitar should be FUN and INSPIRING! So, contact me on take lessons and lets get started!

Resume is available upon request.

Thanks for reading and I hope to hear from you soon.
Sincer
ely,
Phil S.

Some press:

Phil's compositions showcase a variety of ideas and are quite effective at setting up the soloists to explore the various permutations suggested by his tunes. His compositional originality is matched by his incisive playing which ranges from "inside" lyricism to hard edged, riff based, screaming rock and satisfying surreal textures aided by his intelligent use of electronics."
- David Kane, Cadence Music

"With demonstrative technique, Phil is cognizant of the tradition but thinks outside of the box."
-Mark F. Turner, All About Jazz
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Akhter April 25, 2016
· Blues Guitar · Online
My son likes the instructor a lot. He has been learning from him for close to a year now.
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John F. January 8, 2015
· Music Performance · In studio
Although I'm not technically a student of Phil's, I learn a lot from him every time I play and teach with him. We perform regularly at Berklee, where I'm a professor, and we give concerts and masterclasses all over the Northeast together (most recent was at Cornell). Phil's a warmhearted, patient, brilliant teacher and an outstanding and creative musician, seamlessly putting together everything he knows--jazz, shredding, classical--there's no boundaries for him! He's great at explaining things, and he never belittles a question, no matter how dumb you might have thought it was. Phil's a great friend and a great teacher. -John Funkhouser, Berklee College of Music, Boston
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Mike W. December 23, 2014
· Guitar · In studio
In addition to being the most talented guitarist and musician I have ever had the opportunity to play with, Phil is an astoundingly good teacher. I've played guitar for 8 years and taken private lessons the entire time. Phil has been my teacher for the past 2 years and in that time I have progressed as a musician more than I could have ever imagined. Phil has been the biggest factor in my decision to major in music, due to his unrivaled musical talent, his kind, unassuming, (and funny) demeanor and his seemingly limitless knowledge of the fretboard. He is well versed in so many genres of music, and has such an effortless grasp on improvisation. Any guitarist, from immediate beginners to seasoned professionals, can learn so much from Phil. Need I say more?
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Phil S.

Phil S.

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About Orla C.

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Vienna, VA

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My students have achieved admission into Berklee College of Music in Boston, lead roles in their school plays such as Peter Pan and Into the Woods, and new levels of confidence and vocal technique that have made them the stars of their local talent shows and concerts!
I am a vocal coach with over 10 years of experience singing on stage in bands, in professional musical theater, and in voice competitions. I've been trained in Jazz, Classical, Musical Theater (legit and contemporary styles), Rock, Pop, and Folk Music (Americana and Celtic).
I am absolutely sure that any singer of any age or ability can come to me with their audition, performance, and vocal technique goals, and together we will achieve those goals and more!
I love bringing the joy and beauty of singing to others and I can guarantee you'll leave our lessons with results beyond what you had thought possible.

About Orla
Hi there!

My name is Orla and I love singing and teaching others to sing! I began my vocal training at the age of 12 learning how to sing classical and musical theater music. I eventually went on to learn jazz and rock vocal techniques before going to Berklee College of Music in Boston where I learned how to sing celtic music and alternative contemporary styles.

The most important thing to me when working with singers of any age or ability is helping them learn the correct techniques to keep their voices safe and healthy while singing. With this strong foundation, my students will be able to achieve almost any style or level of singing they desire. It is totally possible to stretch your vocal range, learn a new style, or incorporate movement into your songs if you simply use the correct and healthy vocal techniques!
I also make s
ure to focus a lot on confidence and stage presence to help students prepare for upcoming auditions, showcases, concerts, and talent shows. With my voice lessons it is absolutely possible to transition out of your stage fright and own that stage like you were born to be there, because you were!! These are not only vocal coaching sessions, but complete performance-ready-workshops.
I am here to make all your singing and vocal performance dreams come true! I can't wait to sing with you :)
...
Reviews
Silhouette-80
Judy R. January 26, 2018
· Singing · In home
Really enjoyed my first lesson with Orla. She was very gracious and imparted alot of knowledge about voice. Looking forward to working with her.
Judy
Thumb_59fcd82e7a18a_review_Screenshot_2016-03-14-23-41-04-1
Jesse November 3, 2017
· Vocal Training · Online
Orla has helped me become more confident in my singing abilities in 4 lessons than I ever was in 10 years of self-taught experience.
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L.O. November 1, 2017
· Singing · In studio
Five stars! I came in with goals and we are mastering them! I always have fun!
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Orla C.

Orla C.

Online
(10)
starting at
$40 / 30-min

About Lydia H.

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Profile_107052_pi_Mrs%20Hamilton
Chicago, IL
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Becoming successful as a musician is one thing but learning to be a performer is an advanced process.

About Lydia
I am a professional singer specializing in Gospel, Jazz, Blues, R & B with a classical training background. I am also a pianist, recording artist, songwriter, speech professor & etiquette teacher. I utilize all these skills to help my students become stellar singers. I have a B.A in Arts & Science, M.A in Communication & Training and another M.A in Education & Curriculum.

Voice students can expect to improve week to week in their vocal technique. Every voice has a unique timbre; I teach students to release built up tension and apply foundational techniques in order to unlock their own individual sound. I can help any student to sing with freedom, confidence, and expression. Additionally, I provide my students with training on song selection, soundscapes, stage presence and career building tools.

Whether you dream is to sing in publi
c or to make singing your lifelong career; I am the person who will help you elevate yourself.
...
Reviews
Silhouette-80
Tanya D. July 7, 2017
· Singing · Online
Thank you so much for your expert training. I liked the conveniency of online training. Greatly appreciated!
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Jazmine July 3, 2017
· Singing · In home
I have never sung in public but it was always a dream of mine to be able to sing a solo in front of my family and friends for the holidays. I heard about Ms. Lydia through friends and asked her to teach me to sing. She gave me a free consultation to determine what my needs were and then set up a plan to help me reach my goals through the lessons that she gave me. Fast forward to last Christmas, I surprised my family by singing a ton of Christmas favorites and I am preparing to do the same this year. Thank you Ms. Lydia
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Cindi July 3, 2017
· Arrangement and Composition · In studio
I am a quasi professional performer but wanted to enhance my skill set so I reached out to one of my favorite performers/instructors: Lydia Hamilton. Lydia is an exceptional teacher and she designed my curriculum to fit my needs and it the results were outstanding!
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Lydia H.

Lydia H.

Online
(4)
starting at
$40 / 30-min

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