Leonard, OK Trumpet Lessons
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I currently teach trumpet at the New School for Leadership and the Arts, but I have many years' experience teaching music to students of all ages. I teach to the abilities, passions, and ambitions of the student(s).
I have been teaching guitar, drums, and piano for about eight years to students of all ages. Music is what I'm passionate about and it's what I enjoy. I want to inspire that same passion into the hearts and minds of others.
*** Lesson Details ***
I am a laid-back teacher, fun, and I focus on the needs, abilities, and ambitions of the student. In turn, students must realize that learning an instrument takes a lot of work and dedication. One can't expect to learn very much if s/he only practices or thinks about the instrument during the lesson. If the student is willing to put some time into practicing, then I will help them go far!
I have several guitars, a drum kit, djembe, mandolin, clarinet and full-size keyboard.
*** Specialties ***
Guitar: Classical, jazz, American or Irish folk, rock and pop; lead or rhythm.
Drums & Percussion: All genres
Piano: Classical (includes sight reading)
· Banjo · Online
· Drum · In studio
· Guitar · In studio
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My best specialty!
I teach students on an individual level according to what they want to accomplish. Each lesson is custom tailored to fit their objective. Mastering the instrument and understa
I am willing to share my professional experience with any student who wants to become a player!
*** Studio Equipment ***
Steinway Grand Piano,
*** Travel Equipment ***
I bring music books to augment the student's library. However, students must provide their own instruments.
*** Specialties ***
Suzuki method for the 3 year old plus my father's method for ages 5 and older. After that, I teach according to the student's abilities and their goals.
· French Horn · In home
· Piano · Online
· Organ · Online
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I teach mostly classical trumpet music and theory, ranging from Renaissance to Contemporary music. My lessons consist of working on tone quality, technical ability, musicality, and music theory on the trumpet.
Beginner Method Book Recommendation:
Essential Elements 2000 for Band - Trumpet Book
Intermediate Method Book Recommendations:
Arban's Complete Conservatory Method for Trumpet
H. L. Clarke Technical Studies for the Cornet
Bordogni Melodious Etudes, trumpet part
The Buzzing Book, by James Thompson
Advanced Method Book Requirements:
All of the Intermediate books PLUS:
Charlier Transcendental Etudes
The Orchestral Trumpet by Michael Sachs
Students will be able to play with a confident sound and improve their musicality and technical proficiency on the trumpet. Students will learn etudes and solo pieces as a measure of progress and application.
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My doctorate is in music and I have experience teaching music at multiple universities, as a public schools teacher, and as a private instructor. I have a doctorate in music and I suggest that all beginners start with the Essential Elements books. I customize lessons to individual needs and desires. I hope you'll consider booking with me today. Let's start your musical journey! I look forward to hearing from you!
Dr. Carl Spaeth taught at Oklahoma State University as a Lecturer of Saxophone and Music Theory during Dr. Jeffrey Loeffert's sabbatical beginning August 2017. His duties included graduate saxophone lessons, graduate music theory review, graduate saxophone pedagogy, and saxophone studio class.
Prior to working at OSU, Spaeth was Instructor of Jazz and Saxophone at South Dakota State University from 2014-2017. His responsibilities included directing the annual SDSU/Brookings Optim
Spaeth completed his Doctor of Musical Arts degree in saxophone performance at the University of Kansas in 2014, and his Master of Music Pedagogy and Performance from Oklahoma State University in 2011. He graduated from Harrah High School in 2002, earned his Bachelor of Music Education from Southwestern Oklahoma State University in 2008, and was a 5th-12th grade Head Band Director at Fairview Public schools. He is currently a member of the North American Saxophone Alliance, the Jazz Education Network, Music Teachers National Association, National Association of College Wind and Percussion Instructors, and an Honorary Member of Tau Beta Sigma. He has held previous memberships with Kappa Kappa Psi, Phi Mu Alpha Sinfonia, Kappa Delta Pi, and the Oklahoma Bandmasters Association.
While at KU, Spaeth was also a graduate teaching assistant for the saxophone studio and jazz studies program. His responsibilities included Assistant Director of the KU Jazz Festival, directing Jazz Ensembles II-III, directing Jazz Combo III-VI, directing Saxophone Quartets II-III, teaching private saxophone lessons, assisting in saxophone studio class, and teaching the music education woodwind methods course. His Lecture Recital Document, A Performer’s Analysis of Selected Jazz Works for Saxophone Quartet, featured an interview with Bob Mintzer. Spaeth was a member of KU Jazz Ensemble I, KU Saxophone Quartet I, and KU's Helianthus New Music Ensemble. As a member of KU's Jazz Ensemble 1, Spaeth has performed with Dave Douglas, Kurt Rosenwinkel, Alex Sipiagin, Steve Owen, Gary Foster, Steve Houghton, Clint Ashlock, David von Kampen, Peter Epstein, Jeff Miley, James Miley, Roger Shew, and Brian Hamada, Brandon Draper, Rich Wheeler, Beau Bledsoe, Jeff Harshbarger, and Matt Otto. In July 2014, Spaeth went on a European tour with KU Jazz Ensemble I featuring Steve Leisring and Deborah Brown. Together, they performed at the Montreux Jazz Festival in Switzerland, the Vienne Jazz Festival in France, and performed in several cities in Germany. Recordings by this band resulted in KU winning the DownBeat Student Award (Graduate College Large Jazz Ensemble Division) in 2015.
While at OSU, Spaeth was a GTA for the saxophone studio and music theory programs. His responsibilities included Music Theory I-IV tutoring and grading, sight-singing grading, piano labs, classical and jazz saxophone lessons, saxophone quartet coaching, saxophone studio Webmaster, and saxophone studio class. Spaeth was a member of the OSU Wind Ensemble and Jazz Ensemble 1. He had a regularly performing jazz trio and played in OSU's X2End saxophone quartet. The X2End quartet performed locally at the 2011 Navy Band Saxophone Symposium in Washington D.C., at the 2011 NASA Region IV Conference, and has won the state and division rounds of the 2010-2011 MTNA Chamber Music Competition. The X2End quartet went on to win the 3rd place prize at the national final round of the MTNA Chamber Music Competition. They also were the Division II Chamber Ensemble winners at the 2011 Hubbard Music Competition where they were awarded the 2nd place prize in the overall finals. Spaeth's final degree paper at OSU was a study of composer/performer collaboration. He traveled to Texas, Michigan, and Ohio to interview saxophonists and composers including David Dees, Peter Fischer, John Sampen, Marilyn Shrude, Joe Lulloff, and Charles Ruggiero. He has presented his lecture at the 2011 Navy Band Saxophone Symposium, the 2011 NASA Region IV Conference, and the 2012 OSU Single Reed Summit. As a member of OSU's Jazz Ensemble 1, he has performed with Bob Sheppard, Conrad Herwig, Wayne Bergeron, and Andy Martin.
While at SWOSU, Spaeth performed as a member of the marching band, wind ensemble, Jazz Ensemble A, saxophone quartet, and his own jazz combo named Five-Seven. As a member of SWOSU's Jazz Ensemble A, he has performed with Dan Haerle, Bob Bowman, Jack Mouse, Fred Forney, Janice Borla, Eddie Daniels, Pamela York, Lynn Seaton, Carl Allen, Dr. Michael Cox, Tom Williams, Dr. Robert Chambers, Dave Hanson, Drori Mondlak, Delores Williams, Byron Stripling, Frank Wess, Kenny Drew Jr., Dennis Mackrel, Bill Watrous, Rich Eames, Jennifer Leitham, and Randy Drake.
Spaeth's primary saxophone instructors have been Vince Gnojek, Dr. Jeffrey Loeffert, Dr. Ann Bradfield, Dr. Keith Talley, and William Rodney Hull. He has had additional instruction in lessons and masterclasses from Gary Foster, Dr. Joseph Murphy, Dr. Michael Cox, Bob Sheppard, Johnny Salinas, Dr. Kimberly Goddard Loeffert, Dr. Geoffrey Deibel, Dr. Jonathan Nichol, Dr. Griffin Campbell, Dr. James Laughlin, and Dr. David Dees. Spaeth's jazz directors have included Dan Gailey, Bob McCurdy, Dr. Jonathan Martin, Dr. Keith Talley, and Dr. Terry Segress.
Spaeth enjoys recording several instruments in his home studio and composing new music. His compositions that have been performed include his big band arrangement of Cat Battles by Joshua Redman, September in the Refrain (alto saxophone and electronics), Funk-o-matic (jazz combo), Smooth (jazz combo), and The Deadline Arrives at Dawn (alto saxophone and electronics). As an advocate of new music involving the saxophone, he has participated in a commissioning consortium for Alone Together by composer David MacDonald through Kick Starter. In 2013, Spaeth performed the premier of Cuento #3 by Nelson Ramirez Diaz. During summer of 2014, he recorded selections from Dr. John Walker's "The Alto Saxophone in the Attic," published by Carl Fischer. At the 10th Annual SDSU/Brookings Optimist Jazz Festival in 2015, Spaeth directed SDSU Jazz Ensemble I's premier of Dog, Tired by David von Kampen.
Dr. Spaeth is a Conn-Selmer Endorsing Artist. He hosted the North American Saxophone Alliance Region 3 (ND, SD, NE, MN, IA) Conference at South Dakota State University on March 17-18, 2017. On Saturday, April 8, 2017, Spaeth performed Dreams in the Dusk by David Biedenbender with South Dakota State University's Wind Symphony, directed by Dr. Jacob Wallace. On Monday, February 6, 2017, Spaeth performed the premiere of Lhotse for alto saxophone and percussion by Steve Danyew with Dr. Aaron Ragsdale. In April 2017, Spaeth performed solo tenor saxophone and orchestral clarinet in Ethan Bortnick's national PBS Special called "Generations of Music," which featured special guest, Peter Yarrow, from Peter, Paul and Mary.
· Oboe · Online
· Piano · Online
· Saxophone · Online
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You will learn the fundamentals of trumpet playing while mastering standard repertoire and anything other music you are interested in. My trumpet curriculum is designed alongside internationally recognized standards.
· Piano · In home
· Trumpet · Online
· Trumpet · Online
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Learning a wind instrument? Interested in trying trumpet out?
Come to my home studio or have an at home lesson where you'll learn anywhere from the basics of wind technique to the most advanced pieces of classical, jazz, or pop music!
My name is Matthew, and I teach many people of different ages academic topics from arithmetic to algebra 2/trigonometry, science, reading/grammar, as well as all kinds of music and instruments!
I hold a Masters of Arts in Music Composition from Mills College in Oakland, CA and a Bachelor of Arts in Music from UC Santa Cruz.
Musically, I specialize in drum set and percussion, piano, voice, and guitar instruction (4 and 6 string) woodwinds, brass, and violin family strings. I have been teaching in Walnut Creek at my home studio/office for 10 years, worked with local schools such as Walnut Creek Intermediate, Meher School, Las Lomas High School, and Stanley Middle School.
Some basic pedagogical ideas:
I make sure each student learns the necessary techniques, rhythms as well as reading and performing skills that each p
Each student has different goals and interests that draw them toward certain aspects of music. My goal is to supplement the basic music training while offering guidance in more complex areas of music that bring excitement and enjoyment to learning. I work with each student to find not only what aspects of music they are interested in but also what styles and groups they enjoy and aspire to play or just enjoying listening or singing along.
Balancing all of this during a 30-60 min lesson and then during your practice time in the week can be tough, so I work with each student to set priorities and goals based on their interest and skill and follow through with them!
Here are a few of my BASIC POLICIES; please read so you can know if we will be a good fit. If you have any questions about them feel free to ask, but I rarely make exceptions!
-I only accept students (usually) who have already started reading
-All students and parents must be on a fairly flexible schedule and reply to phone calls or texts on the day of lessons. With 30+ concurrent students and families, schedules are constantly changing to accommodate each other. If it works for everyone to help another student out by switching, then I will request that of you, but I ALWAYS GUARANTEE YOUR SCHEDULED LESSON TIME.
-I always guarantee your full lesson time. I ask that each student (unless previously noted) keeps 10-15 minutes before and after their lesson free in case of an unexpected delay or cancellation.
- I require AT LEAST 72 HOURS ADVANCED NOTICE FOR RESCHEDULES. If you need to reschedule then I prefer knowing a week in advance. IF YOU CANCEL WITHIN 72 HOURS I DO NOT GUARANTEE A MAKEUP SPOT.
If you are at all interested for yourself or your child please don't hesitate to call and ask questions.
Have a great day!
· Composition · In studio
· Viola · In studio
· Violin · In home
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Take lessons with a experienced teacher that actively performs and teaches. What makes me a good teacher is the fact that I struggled during the first few years that I started playing. I had a work through those struggles in order to become the musician I am today, so I know how to break things down and to cater lessons to each individual student. There is no cookie cutter method for all, we each have our own issues to work on. Some naturally gifted teachers will just tell you to play something and make it work...but since I had to work hard to become successful, I can use what I learned to help you to achieve success. I will help you to build a strong fundamental base and to turn your weaknesses into strengths! Whether you are preparing for school band or ensemble, for honor band auditions, college auditions, or solo and ensemble festivals, I would be happy to help you to become the musician that you want to become.
Currently, I perform as the principal euphonium with the 40th Infantry Division Band of the Army National Guard, the principal euphonium of the Southern California Brass Consortium, and the principal euphonium with the Salvation Army's Western Ter
I have experience performing as a soloist in San Diego, Los Angeles, Boston, San Francisco, Las Vegas, New Jersey, Atlanta, Seattle, Norway, United Kingdom and most recently Angola. I've also performed in Alaska, Arizona, Denver, New York, Kentucky, Pennsylvania, Canada, Mexico, Brazil and Germany. I enjoy playing in almost any medium from Brass Band, Wind Ensemble, Orchestra, Big Band, and even Bavarian Octoberfest Bands. I've also been known to play a little valve trombone in contemporary worship bands, but don't tell any slide trombone players that because they tend to get jealous!
I have a passion for helping people grow and improve as musicians, whether you are 8 years old or 80 years old, or any age. We can all improve and grow!
· Euphonium · Online
· Trombone · In home
· Euphonium · In home
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I have over 10 years teaching experience from beginner through professional level. I have had the privilege of studying with some of the top trumpet instructors in the world and want to share my knowledge and experience with my students. My mission as a teacher is to inspire students to learn the art of the trumpet through a growth and goal oriented approach. I encourage my students to think critically and reflect frequently on their own playing as well as the musical meaning of their pieces. Whether the student is preparing for All-State auditions, college auditions, solo and ensemble, is having chop problems, needs and embouchure change, or just starting out and wants to learn good habits and skills, I can help along the way.
I have had the privilege of studying with some of the best trumpet teachers and players in the world. I earned my Doctorate in Trumpet Performance from the University of Miami. I have well over a decade of experience teaching trumpet at
“…visionary and tireless trumpeter “ Edward Carroll
“Philippe is a person that sees no obstacle that cannot be overcome. In fact, he sees that obstacle as a play-toy to invent and to discover new innovations with creativity and aplomb.” Russell DeVuyst, former associate principal Montreal Symphony.
“Virtuosity was decidedly the order of the evening. . . .P. T. Barnum probably would have said that the ability to bear witness to such a breadth of skills would have made last night’s concert worth the price of admission. On the whole, I suspect I would have agreed with him.”
Stephen Smoliar, SF Classical Music Examiner
· Trumpet · In studio
· Trumpet ·
· Trumpet · Online
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Playing the trumpet is a joy and passion I love sharing with my students. Seeing my students as individuals on a path of musical discovery gives me pride and pleasure. From beginners to advanced players in college and come back players, I help each student create and set goals, and encourage them in the journey we make together.
I’ve taught hundreds of students and discovered many secrets to performing better with greater ease and efficiency. My 25 years of trumpet teaching experience and 13 as Principal Trumpet with an orchestra have given me a wealth of musical knowledge I use in teaching. My experience as a trumpet soloist in Europe and the USA has given me a deep understanding of the art of music making as a soloist.
Studying trumpet methodologies has given me insight into solving many problems brass students encounter in playing. My methods help students tackle challenging music, understand theory and harmony, and prepare technically, musically, and emotionally for ...
I’ve taught hundreds of students of every level and discovered many secrets along the way to performing better with greater ease and efficiency. My 25 years of trumpet teaching experience and 13 years serving as Principal Trumpet with an orchestra have given me a wealth of musical knowledge which enriches my teaching methods. From smart practicing tips to performance techniques, I help all my students get the best preparation advice. My experience as a trumpet soloist in Europe and
I have taught at colleges, public and private schools, as well as an international school in Portugal. I am now looking to expand my studio online, and invite new students who are excited about playing the trumpet.
Studying trumpet methodologies has given me insight into solving many problems brass students encounter as they learn to play. My methods help students tackle challenging music, understand theory and harmony, and prepare technically, musically, and emotionally for performances.
My students learn how to extend their range up and down the horn, broaden their tonal and dynamic palette of sound, and gain confidence and endurance in their playing abilities. Through coaching and creative imagination, I empower my students to reduce performance anxiety and develop more comfort and control in playing the trumpet. My students benefit also from learning techniques I’ve developed such as informed sight reading, transposition freedom, tone enhancement, breath control, ornamentation and improvisation.
I have great teachers to thank from the Boston Symphony, Boston Pops, Philadelphia Orchestra, Israel Philharmonic and other orchestras, as well as trumpet soloists who shaped and broadened my knowledge over many years of study. I invite you to watch my videos and look forward to helping you advance as a trumpeter and musician.
I am a second year jazz major at Juilliard and have been teaching classical and jazz to students of all levels for 4 years and can cover and teach every aspect of the instrument proficiently. I have been in every top high school jazz band playing lead trumpet including grammy band, the next generation jazz orchestra, and the nafme all american jazz band. I have also toured in 3 countries in Europe and Brazil. On top of this, I have attended some of the best camps for jazz in the country, the most exceptional of them being the Berklee 5 Week program and Jazz at Lincoln Center's Summer Jazz Academy. I understand how to teach trumpet from learning from and observing my own teachers who are of the highest caliber including my current mentor Wynton Marsalis (one of the greatest trumpet players of our time) , Michael Miller (one of the most called music directors in LA) , and Mic Gillette (Trumpet player from Tower of Power). I am very patient with any level of student. Below is a list of
I have had the pleasure of studying with AND playing with some amazing trumpet players including Wynton Marsalis, Michael Miller, Mic Gillette, and Bobby Shew, Sean Jones, and Jon Faddis.
As far as personality, I understand that everyone is at a different level when it comes to music and I'm prepared to be patient and continue working with you on something until its right. I would be very excit
· Trumpet · In studio
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