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Millersport, OH Piano Lessons

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About Farobag C.

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Orland Park, IL

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Suzuki pedagogy employed for beginners

About Farobag
Music Director of the Chicago Philharmonia Orchestra since 1985, Farobag has also served as Managing Director of the University of Chicago Performing Artists Series from 1989 through 2002 and principal conductor of its resident professional ensembles. A skilled interpreter of Baroque literature as well, Farobag continues in his capacity as Artistic Advisor to the Baroque Masterplayers, a virtuoso ensemble that concatenates period performance techniques with modern instruments thus creating a unique voice within the realm of 17th and 18th- century repertoire.

A double graduate of the Eastman School of Music and the University of Rochester, Farobag studied under Anastasia Jempelis, a pioneer of Suzuki violin pedagogy in the United States. In addition to the Suzuki curriculum, he is also associated with the Royal Conservatory Music Devel
opment Program that sets a national standard of musical achievement in various fields.

Befitting his penchant for encouraging artistic interest amongst younger members of his community, Farobag is also the principal conductor of the Zoroastrian Symphony Orchestra that offers a unique mixture of young and seasoned professionals sitting side-by-side in a strictly professional setting. Since the year 2000, the ZSO has staged highly successful performances at various venues in Houston, Chicago, and Toronto. A New Year's eve performance in Los Angeles is scheduled for 2014.

Having also taken graduate-level coursework in educational psychology, mathematics, and philosophy at the University of Chicago, Farobag offers tutelage in various areas of elementary and secondary education as well as in SAT, ACT and GRE test preparation.

Additionally, as a certified Reiki Master, therapeutic and/or educational sessions are also extended to those who may be inclined to alternative healing techniques.

*** Lesson Details ***
Sheer technique is necessary but insufficient to play an instrument well. Aural skills, that include the study of functional tonality and voice-leading are important factors that impart musicality. This is of great import if the prospective musician wants the audience to truly enjoy his or her performance !

Whether it be the 3 Rs or preparation in the performing arts, a remarkable instructor must go well beyond the subject matter at hand and help imbue the student with a spirit of wonder that, in due time, will foster enthusiasm necessary for excellence.

A child emulates and learns to communicate in his or her mother-tongue through a supporting and nurturing environment. Likewise, a student needs to be sufficiently motivated to embrace learning in a familiar supportive manner.

*** Studio Equipment ***
The In-Studio lesson take place in the living room. Driveway parking. No pets.

*** Travel Equipment ***
None; I do expect a reasonably good piano / keyboard at a student's home.

*** Specialties ***
Traditional and Suzuki-based education. Performance and musicality training is open to all instrumentalists.

*** CD's***
Classical Energy, Triton Sound, TS 8501
Salut D'Amour, Triton Sound, TS 9014
Epiphanies1, The Halford Company
...
Reviews
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Ryan September 29, 2017
· Violin · In studio
I've been playing a few instruments for 23 years, and finally decided to get into violin. Farobag made me realize that I know next to nothing about the violin, and there is so much to learn. I played only a few notes in my first lesson, but his instruction was worth every penny. I am very excited for the next lesson and look forward to learning everything I can from Farobag. Highly recommended.
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Ganesh V. September 17, 2017
· Classical Piano · In studio
Mr. Cooper is an experienced teacher. He teaches piano, violin & vocal from basic to advance level. My son has been taking piano classes from him for the past 3+ years. He loves to go to Mr. Cooper's classes. The foremost quality in Mr. Cooper is that he seeks perfection and tries to imbibe the same in his students. He encourages all his students to perform their best and is extremely patient in dealing with his students. Mr. Cooper lets me sit in my son's lessons and I got my 101 on classical music with these sessons. I can appreciate what my son plays and also now able to appreciate classical music in general.
Mr. Cooper encourages all his students to participate in IMA annual contests and puts a lot of effort in preparing his students for the same.
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Lulu Y. August 26, 2017
· Pre Algebra · Online
Mr. Copper is one of the best teachers that I know. I am a slow learner and he would teach me things over and over again until I understand. Overall, he is a great teacher and I would recommend him if you need help on math.
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Farobag C.

Farobag C.

Online
(34)
starting at
$35 / 30-min

About Alexandra P.

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San Mateo, CA

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I teach beginning piano to students who are trying to learn musicianship for fun or for use in music theory or for help learning other instruments.

I also teach students for the CM and ABRSM exams and can teach serious classical music at any level when requested by parents.

I try to approach piano for young students in a fun manner so they will like to practice on their own while continuing to reach their goals.

I love to teach students of any age, but I specialize in teaching 4-12 year olds how to play.

I teach multiple subjects in the schools, as well, and I believe it is important to foster a child's growth of not just music but of learning any subject through what they learn in piano from finding patterns, focus, musical understanding and expression, through to time management. My goal is to get students to develop both their creative and their analytical abilities.

About Alexandra
Alexandra has been teaching harp and piano around the country for eighteen years through her personal harp studio and the Salvi Showroom in Southern California. She has also worked as a sectional coach for the Orange County Youth Symphony, Asia America Youth Symphony, and Palos Verdes Regional Symphony Orchestra. Her students are currently attending Eastman School of Music, Columbia University, Barnard College, Harvard University, Boston College, University of Pennslyvania, Princeton University, Northwestern University, University of Notre Dame, Yale University and Purdue University among others. Her students have also appeared on National television as well as playing for the Grammy Awards.

A strong supporter of the American Harp Society, she is Vice President of the American Harp Society Foundation. Alexandra is also co-chairman of
the distinguished Anne Adams Awards Harp Competition where she has been a main Director for fifteen years. She has served as the President of the Orange County Harp Society Chapter as well as a board member of the Bay Area Harp Society Chapter.

Alexandra received her Bachelor's Degree from DePauw University, majoring in Music and Anthropology. She also completed premedical studies at DePauw after spending her Junior year studying harp at the University of Oregon. She received her Master's Degree from Roosevelt University in Orchestral Studies, and did post graduate work at the University of Southern California in Harp Performance and Anthropology.

Alexandra's harp teachers have included: Sarah Bullen, Sally Maxwell, Edward Druzinsky, JoAnn Turovsky, Harriet Thompson Moore, Kara Bershad, Faye Seeman, Joy Andreasen, and Neva Lydiard. She has also had many mentors who have guided her life and career including: Kathleen Bride, Victor Salvi, Sally Maxwell, Patricia Masri- Fletcher, Robin Gordon- Cartier, Carrie Kourkoumelis, Dr. Craig Pare, and Karen Thielen.

Alexandra has performed in many master classes given by such internationally known harpists as Skaila Kanga, Jana Bouskova, Marie Pierre Langlamet, and Bryn Lewis. She has also organized many masterclasses and events featuring: Kathleen Bride, Sarah Bullen, Gwyneth Wentink, Patricia Masri - Fletcher, Louise Vickerman, Sivan Magen, Sasha Boldachev, Ina Zdorovetchi, Angel Padilla Crespo, Elzbieta Szmytt, Susan Allen, Gayle Levant, Stella Castelucci, Robin Gordon Cartier, Emmanuel Ceysson, Yolanda Kondonasis, and Kim Robertson.
 
Alexandra has performed extensively throughout North America and Europe as a soloist, with small ensembles, and as an orchestral harpist. She has appeared in several television shows such as General Hospital. Her playing,"Is filled with care, artistry, and mature interpretation. She is a talented musician, well rounded in her knowledge of music, and has a healthy curiosity in areas beyond music." (Donald Chen, conductor) "Everything I heard was sensitive, artistic, and had beautiful intonation." (Richard Ferrin, violist emeritus, Chicago Symphony Orchestra).

In addition to playing, Alexandra has also served as the Ambassador for Salvi Harps in North America for the past eleven years. She has given numerous masterclasses and workshops in addition to performing at National Harp Conferences and National and Regional music showcases. In her role as National Sales Manager, she helped harpists from all over the world find their dream harps, learn to care for them, and has mentored them along the way.

Apart from harp activities, Alexandra also enjoys teaching middle school, teaching piano, coaching rowing, participation in sports activities, and writing articles for various journals including: The American Harp Journal, Chicago Health Magazine, and Atlanta Health Magazine. She also enjoys being a board member on the DePauw University Alumni Board and she enjoys working on music startup companies.

*** Lesson Details ***

As a HARP teacher, all of my
students play scales, arpeggios, and technical exercises in
their lessons. I believe having a strong technical base is the foundation for
every part of playing and you can't learn without it. I will set the repertoire
for students according to their technical progress and although I may
take into consideration a student's desires to learn a certain piece, there has
to be time and they have to be ready for it. I have both short term and long
term goals for each student that involve theory, technical ability, and
repertoire: fun, orchestral and solo. Adult students still have to learn
technique, it makes things much more fun and easy six months later, I promise! Beginning students will learn how to read notes, understand basic theory, and technique in a short amount of time, so don't be scared if you have never had a music lesson before. 

I require all students make
at least half an hour a day commitment to practice. I teach mostly the Grandjany method of harp technique, however, I also use Salzedo and Renie methods
at times to fit a particular students' build and unique physical attributes as well as what the piece requires. I
have studied all techniques throughout my education and I find them all
beneficial for different reasons. I do, however, believe everyone is built
differently and the technique should help the harpist play and not hinder them
from achieving their goals. Everyone learns at a different speed, but as a
brand new musician, after six months practicing regularly, you should be able
to read music fluently, understand basic theory concepts, be able to play with
both hands and four fingers on each hand, play all of the basic scales and
arpeggios musically and be able to play at least one piece memorized.
Curriculum is based on the student's technical ability and issues and is
individually created – if you learn slower than someone else, don’t worry about
your pace. In the end, lessons are about you personally and not someone else.

As a PIANO teacher, I want students to learn about music and not just the piano. Students will learn basic music theory and basic scales as a part of their lessons. They will also occasionally choose a song of their choosing to work on chords. I do promote note reading and theory, so I am not the right teacher for students who don't want to invest time in learning the basics. These basics are the building blocks of all music and can be used for any instrument the student chooses to learn in the future.

*** Studio Equipment ***
I have harps and a piano at my studio, so you do not need to bring your harp to lessons. If you don't own a harp, you can rent one for around $45/month from several sources. 

*** Specialties ***
HARP - Grandjany Technique with an incorporation of Salzedo and French school depending on the player's body type and technical difficulties. I make use of the ABRSM as well as local, national, and international competitions depending on the student's level of commitment.

PIANO - I teach basic piano for fun through an Intermediate level. Although some students choose to take CM and ABRSM exams, I do not push them. I want students to enjoy piano and music lessons.
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Reviews
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christina March 9, 2016
· Harp · Online
Alexandra was an excellent teacher! She really makes you feel at home even if you are nervous at the beginning… I look forward to taking more lessons from her
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Carol M. September 30, 2015
· Harp · In home
Alexandra was the most patient and caring teacher. She is very interested in going at the student's pace. She excelled my expatiations! Thank you Alexandra!
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Yana T. June 13, 2015
· Harp · In studio
Alexandra Perdew is a one of a kind instructor. She not only pushes her students to excel, but I truly believe that she inspires greatness. She treats her students with the utmost respect and works diligently to provide them with every possible resource needed for learning. She is not a teacher who will let anyone get by with putting in half the effort. She motivates me to work and perform at the highest level possible.
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Alexandra P.

Alexandra P.

Online
(12)
starting at
$40 / 30-min

About Bradley A.

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Westerville, OH

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I have a special passion and love for teaching children. I love to encourage, praise, joke with, challenge, and hold accountable my students of all ages. I enjoy beginning students and watching them blossom through the years, advancing in technique and artistry.

About Bradley
Brad has specialized in Vocal Performance developing talent and technique for the likes of Miss Ohio 2001, Touring Professionals, Karaoke Singers, and Conservatory Students. He has a large range of interest and ability in the Musical and Theatrical Arts and has performed with Cantari Singers, Columbus Light Opera, Weathervane Playhouse, and toured in Italy, Germany, Wales, England, France, Austria, Switzerland. He has given Masterclasses in vocal technique to his Alma Mater and German Diction in Sevilla, Spain. He's as comfortable playing Captain Von Trapp as Charlie Brown. He has appeared as a World Premiere Vocalist, Phantom of the Opera, 1st Trumpet with the select OSU Repetoire Band, and in International Competition.

He holds a Bachelor of Music Performance and a Bachelor of Music Education from The Ohio State University. His
passion for music extends from intense listening to creative expression. He is ready to share his Love of the Performing Arts with his next students.
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Reviews
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Sarah S. October 3, 2017
· Christian Gospel · In studio
My daughter was so happy to have her first lesson with Mr Bradley which went well. She is looking forward to her next class thank you Mr Bradley.
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PHONG May 30, 2017
· Piano · In studio
GOOD TEACHER AND VERY HELPFUL.
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Conrad December 17, 2016
· Singing · In studio
I have attended lessons under Mr. Bradley for several months, and I would highly recommend him to others. He is patient, understanding, and persistent. His competence is unquestionable, and I look forward to studying under him in the future.
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Bradley A.

Bradley A.

Westerville, OH 43081
(19)
starting at
$25 / 30-min

About Lauren S.

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Pickerington, OH
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Music should never simply be a rote-learning process. We develop real artistry. My students learn how to interpret, transform, and create music. From the first lesson, we experiment with various musical "ingredients" and revisit these tools often as we move through a lesson series or repertoire. Students explore a variety of styles and learn to read, compose, and improvise. Students as young as five have created their own theme and variations on a favorite tune with these techniques.

About Lauren
Hello! My name is Lauren S., and I am excited to bring out the musician in you!

Whether you're searching for yourself or your child, I would love to invite you to my beautiful creative space and help you meet your musical goals.

I focus on developing true artistry with my students and giving them the fundamental tools to be able to play and write various styles of music including classical, musical theater, folk, contemporary, Christian, and more.

We play from the very first lesson and learn other concepts such as music theory, literacy, and technique in subsequent lessons.

My students are involved in school ensembles, church choirs, community choirs, community and children's theater, and district contests. I support and seek out these opportunities according to their interests.

Please send me a note! I can't wait to get
started.
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Reviews
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Michaela April 27, 2017
· Violin · Online
My 16 year old daughter is not only enjoying her lessons with Lauren and motivated to practice regularly, she is advancing at a strong pace due to the intuitive and creative teaching skills that a Lauren creates for my daughter! I get the sense that lessons are prepared with thoughtful consideration and attention to my daughter's needs and ability with the future goals always attended to! So far Lauren has been an excellent teacher for my child!🤗
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Dulce A. February 11, 2017
· Classical Piano · In studio
Very nice teacher
Good lesson
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Sebastian F. December 31, 2016
· Violin · In studio
Great first session with Lauren today. Our son is super excited to continue learning with her.
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Lauren S.

Lauren S.

Pickerington, OH 43147
(4)
starting at
$30 / 30-min

About Ben U.

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Columbus, OH

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I have been playing the piano since I was five years old. My passion for music led me to steadily progress in my studies, and I naturally chose to major in music at Ohio State. To broaden my scope, I earned my degree in Composition while taking piano lessons concurrently from Professor Emeritus George Haddad and Professor Steven Glaser. Rather than focus on one area of piano music, I augmented my repertoire through extensive study of the Baroque through Modern periods. In addition, I accompanied orchestra and band instruments, a youth choir, and even performed the first movement of Shostakovich’s Second Piano Concerto with my high school’s chamber orchestra.

I am very perceptive of my students’ rate of improvement and level of engagement with the music they’re playing. If they are stuck on something, I take the time to break the music into manageable steps and to find appropriate supplemental material. I am thrilled when students are eager to learn and committed to practice; ...

About Ben
Music Lessons & Tutoring

Welcome to my studio, where I will instruct you in your musical and academic endeavors. What sets me apart is that I offer diverse instruction in two different areas. In my music studio, I give lessons in piano, violin, guitar, and composition. In my tutoring center, I specialize in Latin (learning from scratch and tutoring). I instruct students of all ages at different skill levels.

My in-studio lessons are given on a grand piano.

Education

BM Music Composition -- Ohio State University, Autumn 2012
BA Classics (Greek and Latin) -- Ohio State University, Autumn 2012
Classics Fellowship -- Indiana University, 2013-2014
Piano Training: Collegiate lessons from Steven Glaser and private lessons from George Haddad

Accomplishments

As a high school senior, under the tutelage of OSU Profess
or Emeritus and world-renowned pianist George Haddad, I performed the first movement of Shostakovich's Second Piano Concerto with the chamber orchestra.

I performed different self-composed pieces at seven OSU Composers' Workshops and won the Audience Favorite Award at the Johnstone Woodwinds Composition Competition in 2012. My Senior Composition Recital was performed on October 25, 2012. It showcased several of my three-movement works: string quartet, clarinet solo, set of classical songs for piano and voice, set of pop songs for piano and voice. Interspersed with these were two solo piano pieces and a duet for piano and violin.

My background makes me a knowledgeable and effective tutor. I was valedictorian at Delaware Hayes High School in 2009 and received OSU's Maximus Scholarship based on my ACT and SAT scores.
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Reviews
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Lillian J. January 12, 2018
· Piano · In home
Ben was on time and he was very patient with my 5 year old daughter.
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Catherine August 30, 2017
· Violin ·
My son enjoyed his experience and he was patient with him.
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Catherine H. August 21, 2017
· Violin · Online
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Ben U.

Ben U.

Columbus, OH 43220
(27)
starting at
$25 / 30-min
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About Amy C.

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Columbus, OH

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I specialize in teaching beginner-intermediate piano to children. A solid base is SO important if one expects to grow and eventually play more advanced pieces. I believe that every child is unique, and I tailor my teaching approach based on the individual child before me. I have lots of experience with children and understand how to keep young people engaged and active in a lesson. I look forward to meeting you!

About Amy
Are you interested in learning piano, or do you have a child who is? I can't wait to help you turn this desire into reality! My name is Amy, and I am a piano teacher who specializes in teaching children. I descend from a long line of musicians (both my mother and grandmother were piano teachers) and have played piano for 21 years, studying with a private instructor for 13 of those. I received my BFA at Goddard College (’14) and my MFA at Boston University (’16).

Over the past seven years I have taught piano to students of all ages and levels in Ann Arbor, Michigan, Boston, Massachusetts, and now Columbus! I am currently accepting students for the Winter 2018 Semester! As a member of the Ohio Music Teacher’s Association, I can offer your child multiple performance opportunities throughout the year, as well as small group lessons in my s
tudio. Learning an instrument is beneficial for many reasons. Aside from the obvious enjoyment one gets out of playing beautiful music, working at a skill week after week helps children build confidence and grow in all areas of life. I coach my students to take pride in their accomplishments, to exude an air of assurance and poise when sitting at the piano, and to become self-directed learners.

MY TEACHING PHILOSOPHY:
One of the wonderful (and obvious) benefits of private instruction is that each student's unique abilities and shortcomings can be brought into clear focus and addressed. I am highly skilled at encouraging students through a careful balance of praise and constructive criticism. I make sure they are aware of (and take pride in) their strengths so that when challenging moments arise, they are motivated to do the work.

I maintain high expectations for my students, constantly reminding them that it's the quality (not the quantity) of their playing that counts. It is much more important to me that a student learns to play one piece well rather than ten pieces poorly. There is no race to the finish line. I believe in taking however much time is necessary to help a child understand a concept—we might spend the majority of a lesson on it if we have to. Learning must be done at the child's own speed. Children benefit enormously from having 100% of my attention during lessons; they will never need to try and "catch up" with other students.

METHOD:
Most method books for young students focus on teaching the child to read notes on a page, and as one can only learn to read music so fast, children are therefore stuck playing songs that keep the hands rooted on or around Middle C. There are so many problems with this method, least of all the fact that it's quite boring. A bigger issue is the lack of focus on technique and playing. Children are naturally musical--they love to sing and dance. Playing piano should be no different. Children can be taught songs using no music at all; rather, they can learn simple melodies by identifying patterns on the piano. This helps train their ear AND frees the child up to focus on technique rather than scrutinizing the notes on the page. My students get to use the entire keyboard almost right away (both black keys and white keys) rather than being crowded around Middle C.

Another issue with the Middle C position is that it creates an awkward twisting inward of the wrists, which breeds tension. The first thing students should learn is how to play with relaxed wrists, not tense ones!! This is one of the building blocks of good piano technique. Keeping kids rooted around Middle C for the first six months of their piano education does not set them up for good technique.

Now, all of this is not to say that I don't teach children to read music--I do. Absolutely! I introduce intervals and guide notes as soon as possible. I think the intervallic approach is super useful, especially when dealing with children who are coached from a young age to look for patterns. Alongside reading music, though, it is important to teach songs that are only for playing.

For beginning students, I like to use the Piano Safari method. These books offer a wonderful blend of rote pieces (for playing, not reading) and reading pieces that use the intervallic approach. These pieces are fun and engaging--some parents complain about how their children won't stop practicing them! Here is a sampling book of other books and materials I may use:

Beginning Students: Tales of a Musical Journey Books 1 + 2, Piano Safari Books 1 + 2, Carl Czerny's The Little Pianist, Bastien Piano Literature Book 1, Royal Conservatory Series Preparatory Books A & B and Book 1

Intermediate Students: Piano Safari Book 3, Bastien Piano Literature Books 2-4, Royal Conservatory Series Books 2-6

Advanced Students: Bastien Piano Literature Books 5-6, Early Advanced Classics to Moderns, Royal Conservatory Series Books 7-10
...
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Ali R. January 9, 2018
· Piano · In studio
Very engaging first lesson! Ali is excited to continue.
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Jasmine R. November 16, 2017
· Piano · In home
We had our first piano lesson today and Amy was absolutely fantastic. My daughter left very excited and looking forward to her next lesson.
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Mickey M. February 23, 2017
· Piano · In studio
Amy has been great. She adjusted quickly to my skill level (somewhere between beginner and intermediate), tailored what she taught me to my interests, and is generally very patient and helpful. She's skilled, knowledgable, and is great to work with!
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Amy C.

Amy C.

Columbus, OH 43202
(11)
starting at
$25 / 30-min

About Kateri L.

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North Hollywood, CA

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Beginning students: learn piano fundamentals with Faber Piano Adventures + supplementary material that I provide

Intermediate students: learn your favorite songs and learn how to write your own songs

About Kateri
MY TEACHING PHILOSOPHY
My approach is compassionate, nurturing, and collaborative. My teaching style is structured but leaves room for fun. I believe that a student new to their instrument will thrive when they:
- have a parent involved in their practice in-between lessons (parents observing the lesson is highly recommended)
- have fun while learning proper technique to avoid harmful habits down the road
- choose songs that are interesting to them while the teacher picks songs that will help them grow
- are given foundational tools and approaches to further lifelong learning as they get older

ABOUT ME
I’ve been playing professionally as a pianist/keyboardist for 15 years and teaching for just as long. I have a B.A. in Music from Cal Poly Pomona. I also write, sing, record, and produce my own songs on piano and ukulele. People th
at work with me say that I’m highly qualified, reliable, and punctual.

www.katerilirio.com
...
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Marley November 13, 2017
· Ukulele · In home
Kateri was wonderful, patient, kind and supportive. I look forward to our next lesson!
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Linda J. October 11, 2017
· Ukulele · In home
Kateri was wonderful, she really took her time explaining things and had a lot of patience with me. Looking forward to our next sessions.
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Kateri L.

Kateri L.

Online
(2)
starting at
$40 / 30-min

About Michele R.

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Walled Lake, MI
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Piano students can expect theory, technic, note reading and performance pieces presented in a way that is fun and encouraging.

About Michele
I have been teaching strings, piano, harp and drums since 1999. Many of my students have studied with me for years and developed a lifelong love of music. Some have gone on to be professionals.

I have been tutoring music therapy students as well as teaching music composition for seven years.

I strive to help students achieve their musical goals however I can, but I do not tolerate laziness or half-hearted attempts.

Music can be a tool and thus, summers are dedicated to fun, composition and learning to record.
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Jan September 7, 2017
· Acoustic Guitar · In home
So far Michele is a talented instructor. She is a down to earth person and knew my strengths and weakness right away. I am looking forward to my next class with her.
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Michele R.

Michele R.

Online
(1)
starting at
$25 / 30-min

About Sarah L.

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Pickerington, OH
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I started taking piano lessons when I was 5 years old. I continued my music career in college at Capital University studying music education and music industry. I am very interested in teaching beginners piano to help them get started in music. I work extremely well with all ages for those willing to learn.

About Sarah
Hello! My name is Sarah. I have been playing the piano since I was 5 years old. I studied all throughout elementary, middle, and high school. I attended Capital University in Columbus, Ohio as a Music Major and studied voice but also took piano classes. I also enjoy singing and playing the ukulele. I can't wait to teach you!
...
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Sarah L.

Sarah L.

Pickerington, OH 43147
starting at
$20 / 30-min

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Free Piano Lessons with an Expert Teacher

Learn how to play the piano in these video tutorials from a professional piano teacher!

Have you always wanted to play the piano? We’re here to help! Get started with these 20 video tutorials hosted by San Diego, CA piano teacher Jordan M, one of our expert instructors with TakeLessons.com. In this free video series, you’ll get an introduction to the instrument and learn a few easy exercises to get you reading music and understanding rhythm!

Video #1:
Intro to the Piano

Intro to the Piano: Learn about the parts of the piano and how to find the all-important Middle C.

Video #2:
Piano Basics

Learn about proper posture, hand placement, and other beginner essentials.

Video #3:
Reading Piano Notes

Learn about the treble and bass clefs, and tips for remembering the notes on the piano.

Video #4:
Time and Key Signatures

Learn what all those sharps and flats really mean, and how to decode your music.

Video #5:
Understanding Rhythm

Follow along to master quarter notes, quarter rests, and half rests.

 

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Recent Piano Articles from the Blog

Whether you're just starting out or a seasoned pro, check out the Piano articles on our blog.

5 Exercises for Faster Fingers When Teaching Yourself Piano

5 Exercises for Faster Fingers When Teaching Yourself Piano

So you've started your piano lessons and you're in it for the long haul... but playing the same exercises over and over again is starting to get frustrating. We understand. Listen, no one goes to the gym and does the same routine day in and day out. Why should you have to trudge your way through the same repetitive piano exercises over and over? Teaching yourself piano requires a bit of creativity in this respect. So crack your knuckles, climb down off the top of the piano before you scratch th … Read More

5 Exercises for Faster Fingers When Teaching Yourself Piano
So you've started your piano lessons and you're in it for the long haul... but playing the same exercises over and over again is starting to get frustrating. We understand. Listen, no one goes to the gym and does the same routine day in and day out. Why should you have to trudge your way through the same repetitive piano exercises over and over? Teaching yourself piano requires a bit of creativity in this respect. So crack your knuckles, climb down off the top of the piano before you scratch th
3 Reasons Why Piano Players Should Also Learn the Organ
There are many reasons why a music student may find themselves learning to play piano on a keyboard rather than on a baby grand: cost, space, or simply lack of access, for example. Versatility on a range of keyboard instruments is also an extremely useful string for any pianist to have to their bow, and can lead to greater practice and public performance opportunities, and even excellent opportunities to earn a little money on the side. The organ, although not the most prevalent or popular musi
5 Amazingly Fast Piano Pieces (and How to Play Them)
Want to really impress your friends and family? There are so many famous piano songs out there designed just for that! Here, Nutley, NJ teacher Christina C. shares five amazingly fast piano pieces, and her tips for mastering them...   Playing piano is a lot of fun, but it is even more fun to play fast! It is an indescribable feeling when you have mastered a fast piano piece to the point where you can play it fast with no mistakes. It is almost as if your fingers play themselves (which
7 Powerful Life Lessons from Famous Piano Composers
We talk a lot about the benefits of piano lessons (you know, making you smarter, teaching discipline, relieving stress, and so on and so on), but have you ever thought about the lessons to be gained from looking at the lives of famous piano composers? These seven celebrated composers have lots to teach about life, creativity, and how to make your mark on the world. 1. Wolfgang Amadeus Mozart - Competitors Can Be Your Friends Like Mozart, you can achieve greatness by focusing on develop
Beginner Piano Exercises: How to Tame the Flyaway Fourth Finger
When you're learning how to play the piano, finger exercises are especially important--especially if you're having trouble controlling that pesky fourth finger! Learn the steps to take in this guest post by Ann Arbor, MI teacher Amy C...   When I first began to learn piano, my fourth finger seemed bent on being anywhere but on the keys. Whenever I was not using it, the fourth finger--and by extension, the fifth finger--simply floated in midair, hovering above the ivories. This mea

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