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Woodbury, NY Violin Lessons

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Popular Violin Teachers near Woodbury, NY

Check out some of our most popular teachers near Woodbury, NY including Plainview, Syosset, Cold Spring Harbor, Melville and East Norwich.

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About Marvett H.

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New York, NY
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I currently teach students from beginner (pre-twinkle) to advanced levels.

About Marvett
I am a very encouraging and engaging teacher who focuses on proper form and technique, while maintaining the student's interest and encouraging creativity.

I incorporate both traditional and Suzuki methods and cater every lesson to the students individual needs and goals.

There is never a dull moment in my lessons, I keep the student motivated and excited about leaning to play the violin!

*** Lesson Details ***
The violin is my passion and I enjoy teaching all ages the violin!
Lessons are catered to every students personal goals and needs. Combining Suzuki and Traditional methods along with Etudes and scales will give the student a solid foundation on the violin.

*** Studio Equipment ***
Renting an instrument is simple, easy, and very cost effective. I will be more than happy to assist the student and parent with every
detail needed in deciding the appropriate violin and rental details!

*** Specialties ***
Suzuki, Traditional
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Reviews
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DInah July 24, 2017
· Violin · In home
So much patience for beginners like me! Great teacher to have!
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Viviana B. July 8, 2016
· Violin · In studio
Great first lesson!
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Viviana B. July 8, 2016
· Violin · In studio
Great first lesson!
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Marvett H.

Marvett H.

New York, NY 10024
(9)
starting at
$55 / 30-min

About Michael P.

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Brooklyn, NY
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For my beginning violin students, I have found the Essential Elements Series to be highly effective, as well as the Suzuki methodology. All lessons will typically start with scales/arpeggios and be followed with the selected piece(s) we have chosen together. All of my students will attest that I set clear and high expectations for every lesson, yet am very understanding, friendly and approachable right from the start. My goal is to provide every individual with the tools necessary for becoming a well-rounded musician, so that they too can share their love for music with others.

About Michael
Beginning his cello instruction at the age of 8, Michael spent the majority of his early years under the guidance of Nancy Hambleton-Torrente, current director of music for the Yorktown public school districts in Westchester county. During his undergraduate years, he attended Colgate University where he received a B.A. in both Music and Psychology. While at Colgate, Michael had the privilege of studying with cellist Florent Renard-Payen, founder and director of the esteemed Tarob Cello Ensemble. Upon graduation, Michael continued his studies at Montclair State University where he received an Artist Diploma in performance. Under the guidance of Nicholas Tzavaras of the Shanghai String Quartet, Michael performed two solo recitals for the John J. Cali School of Music before further pursuing his studies in the studio of Marc T. Johnson of the
Vermeer Quartet. From 2012 to 2014, Michael served as principal cellist of the Symphony Orchestra at Hunter College while concurrently earning a Masters degree in Music Education. He graduated with summa cum laude honors in 2014 and began his teaching career with the New York City Department of Education later that year.

At present, Michael is director of Orchestral activities at P.S. 205 Clarion in Brooklyn N.Y. and principal cellist of the Riverside Orchestra on the upper west side of Manhattan. He runs a full private teaching studio and actively gigs in and around the greater New York City area. He has also played in numerous master classes for world renowned cellists such as Lynn Harrell and Andres Diaz, and has had the privilege of working with esteemed conductors such as Marietta Cheng of the Southern Finger Lakes Orchestra, Paul Hostetter, Chair of Orchestral Activities for the Schwob School of Music, and Rueben Blundell, current Conductor and Music Director of the Lansdowne Symphony Orchestra, the Hunter Symphony and the Riverside Orchestra.

While Michael does enjoy a busy academic and teaching schedule, he believes that part of the joy of being a working musician is having the ability to share his love of music with others, something he feels both honored and privileged to be able to do.

*** Lesson Details ***
My teaching philosophy is one that tailors to the specific needs, interests and abilities of each individual. Throughout my years of private instruction, I have learned that no two individuals learn and/or think the same way. Thus, for some students I have found the Suzuki method to be highly effective, while for others I have been more comprehensive with my instruction, incorporated scales, etudes, sonatas, concerti and Bach suites for a more well rounded approach. Regardless of the methodology employed, all of my students will attest that I set clear and high expectations for every lesson, yet am very understanding, friendly and approachable right from the start. My goal is to provide every individual with the tools necessary for becoming a well-rounded musician, so that they too can share their love for music with others.

*** Studio Equipment ***
Two music stands and chairs.

*** Specialties ***
While I do specialize in classical instruction, I am able to instruct students in a variety of genres, including Jazz, Pop, and alternative rock. In addition, I tend to tailor my lessons to the needs of my students. If they are more comfortable learning by rote, then this is how I tend to instruct. My lessons are loosely structured by beginning with scales, moving on to etudes, then finishing with Bach suites, a sonata and/or a concerto.
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Reviews
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Ke C. August 28, 2016
· Cello · In home
I had a great class with Michael. He is extremely experienced in teaching and he has a very focused teaching strategy. Definitely take his class if you are interested in cello.
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Yemi A. August 12, 2016
· Cello · In studio
I have been taking lessons with Michael for over a year now. I've taken lessons before with other instructors (though not in cello). Michael is one of the best instructors that I have ever had. He instructs and challenges you to get better, while at the same time being patient with your development. It has been a pleasure being a student of Michael.
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Marlynn W. May 3, 2016
· Cello · In studio
Beginner nerves vanished immediately. Michael is very disarming. Very encouraging. Very happy with him.
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Michael P.

Michael P.

Brooklyn, NY 11209
(8)
starting at
$40 / 30-min

About Kira H.

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Forest Hills, NY

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I accept violinists of all levels, and have completed Suzuki teacher training through book 8. I also bring in other methods such as Shirley Givens Adventures in Violinland for younger students, and incorporate books from Paul Rolland's teaching methodology.

About Kira
I graduated from Mannes College of Music with a BS in violin performance and a minor in psychology. While at Mannes, I was a student of Sally Thomas (Julliard School), and other primary teachers include Yi-Wen Jiang (Shanghai String Quartet), Claudia Schaer, Amy Barlowe and Oscar Ravina. I have performed at every major concert hall in New York City, including Carnegie Hall, Lincoln Center, Weill Recital Hall, and Symphony Space. My performance schedule has led me to perform in concert with pop superstar Sarah Mclachlan and to solo performances with the Rockland Summer Institute orchestra.

My past chamber music coaches include Ann Setzer, Peter Prosser, Chin Kim, Gena Raps, and members of both the Orpheus Chamber Orchestra and NY Philharmonic. I have also participated in masterclasses with Cho-Liang Lin, Pamela Frank, and Ida Kavafian.
I am also a alumna of the Meadowmount School of Music.

Currently, I am a registered teacher with the Suzuki Association of America and have completed Suzuki teacher training for books 1 - 8 at NYC's School for Strings, where I trained with Ekaterina Gerson and Allen Lieb. I have also completed additional violin and viola pedagogy studies with Ann Setzer of the Julliard School. My students have been accepted to performing arts high schools such as Laguardia Highschool School for the Performing Arts and now perform with ensembles such as Chicago University's Chamber Orchestra.

In addition, I completed both Music Mind Games Units 1 & 2 teacher training with Michiko Yurko in 2012. I incorporate this fun way of learning how to read and understand music theory into all of my lessons.

I have been teaching privately for over 10 years, and look forward to continuing to enrich other peoples' lives through music for years to come.

*** Lesson Details ***
I generally try to tailor my teaching approach based on a student's individual goals with a strong emphasis on proper violin technique. I have the most experience teaching using the Suzuki method, but also utilize more traditional approaches in order to address the developmental level of my pupil. I expect my students to come in with a positive attitude, willingness to learn, and strong work ethic.

With students 7 years of age and younger, I strongly recommend that a parent take lessons for 6 weeks prior to their child beginning instruction. I also insist that parents sit in on their child's lessons and take notes. This enables parents to properly supervise their child's practice, which ultimately leads to speedier progress and a better grasp of the material being taught.

*** Studio Equipment ***
Separate dedicated violin studio in apartment with piano.

I do own three cats (Spork, Pancakes, and Brienne), so please let me know if this is a problem!

*** Travel Equipment ***
I ask that my students please speak to me prior to purchasing or renting an instrument.

Following the first violin lesson, I expect my student to provide their instrument (I can provide a list of resources and rental companies for instruments), a notebook, any music books assigned, a music stand, and a metronome.

*** Specialties ***
I specialize in classical playing and prefer teaching using the Suzuki method. I am currently registered with the Suzuki Association of America. I am also flexible enough to assist a student seeking to branch out, and for those not interested in Suzuki, I am also able to teach via more traditional methods. Additionally, I have an extensive educational background in music theory, I am also able to take those students interested in taking beginning to intermediate viola lessons.
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Reviews
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Jennifer K. August 14, 2017
· Violin · In home
Kira has been teaching my daughter for more than 5 years now. She tailors her lesson to my daughter’s needs, whatever they may be. Kira has been helping my daughter grow in so many ways – not just with violin skills. I highly recommend Kira!
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Vladimir Y. October 16, 2015
· Violin · In studio
Great teacher.
Experienced, very patient and helpful.
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Erin S. July 1, 2015
· Violin · In studio
Kira is an absolute gem! My daughter is a novice and Kira's teaching method was so "in tune" to her getting the best learning experience. My daughter is very enthusiastic about her violin lessons that she can't wait till her next lesson! Thank you Kira for being the best instructor ever!!
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Kira H.

Kira H.

Forest Hills, NY 11375
(8)
starting at
$40 / 30-min

About Penny H.

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Westbury, NY
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About Penny
Born in Cebu City, Philippines in 1990, raised primarily in Phnom Penh, Cambodia and other Southeast Asian countries, and pursuing further education in the United States of America, Hopengrace ("Penny") is a Global Nomad currently situated in the Greater New York City Area.

She started taking music lessons from her mother at the age of four and learned to read music at the same time she started to read storybooks. ​From the age of ten, Hopengrace took violin lessons, during her parents' rare furloughs, from Mr. Frederico Regner, a World War II veteran returned from the United States. While in the Philippines for a combined year of junior and senior level high school, she took violin lessons from Mr. Marc Hamlet Mercado and Mr. Rodelio Flores. Hopengrace has also taken coaching from Ms. Princess Christine Ybañez to prepare for competit
ion in the Solo String (Bowed) category of the 14th National Student Convention in which she won 2nd Place.

In 2007, Hopengrace received a Presidential Scholarship from Tennessee Temple University (TTU). There she studied violin under Mrs. Laura Minor (B.Mus. Vanderbilt University, MA Music NYU). She also took piano from Mrs. Carolyn Kemp​ (BS Mus.Ed. Baptist Bible College, MA Mu. Ed. University of Tennessee at Chattanooga) and voice from Dr. William Knowles and Mr. Michael Mays (BS Mus. Perf. University of Tennessee at Chattanooga, MA Church Music Southwestern Baptist Theological Seminary).

In 2008, as a member of TTU's Weigle Concert Choir, Hopengrace had the privilege to be chosen to sing with a combined choir in Carnegie Hall's Stern Auditorium with the Manhattan Chamber Orchestra under the baton of Dr. David Thye, Principal Conductor-in-Residence of MidAmerica Productions. She became a member of the Chattanooga Symphony and Opera Youth Orchestra (CSOYO) ​in the fall of that year and continued performing with them for three seasons. She also participated in the special orchestra for the annual Chattanooga Boys' Choir "Singing Christmas Tree" concerts at the Tivoli Theatre. In 2010, world-renowned violinist Midori chose CSOYO as one of two youth orchestras for her annual Orchestra Residencies Program, and Hopengrace had the rare opportunity to perform with one of her inspirations in concert.

Hopengrace​ became a registered Suzuki Method Violin Teacher with the Suzuki Association of the Americas on July 2011. She has also trained in Orff-Schulwerk.

During her travels around the world, Hopengrace struggled to keep her art alive. However, she has often been complemented for her distinctive strong, full-bodied tone​ and adaptability. Her range varies from Baroque to Modern. She plays on a John Cheng 1737 "King Joseph" Guarneri model violin with both wood and carbon fiber bows.

​Hopengrace welcomes students and employment while she prepares for entrance in a Master of Music in Performance program. She hopes to start on that new chapter of her life in the fall of 2013. Inspired by the impact of Venezuela's El Sistema program and her own experiences during her travels, Hopengrace hopes to use her talents to enable or build similar programs both while she teaches and in the lands where she was raised. ​

*** Lesson Details ***
TEACHING PHILOSOPHY
“Play with heart. Play with living soul.”
— Dr. Shinichi Suzuki
As a teacher, my goal is to instruct as well as inspire each student to reach for his or her highest potential. I hope to give each student the tools to progress so that one day they can be their own best teacher, and play with a sound and style that is uniquely their own. Most importantly, I hope to instill a desire to learn and a mindset that the art of violin playing is fun and that it is just as we call it--playing. My teaching abilities range from beginning through advanced levels. Students must have a desire to learn and commit to daily (mindful) practice.

I am a Suzuki Violin teacher. This means that I am trained to work with even the youngest of musicians in a nurturing , fun and challenging way. Dr. Suzuki believed that it was important to develop a noble character in all children through the mastery of a musical instrument. He also believed that all children were capable of this mastery if the environment is saturated with music and love. My students enjoy playing the violin because they are given the tools they need to play beautifully and to make progress on their instrument. Each lesson will focus on proper set up and posture, technical work and musical direction/ideas that will inspire them to carry on their work throughout the week. I demonstrate quite a bit in the lessons, as I find it is the most effective way to communicate in music. However, I am only with the student once a week, therefore much of the lesson is geared towards helping the parent and child understand what his/her home tasks are, and how to carry them out successfully. 10 minutes of mindful practice is worth an hour of careless work.
“There is no born genius. Education is the way to develop ability.”
— Dr. Shinichi Suzuki
​Parental support and involvement is key to any child’s progress, especially at the beginning stages. Parents of young beginners are encouraged to take a few lessons before starting their child on the instrument. Parents serve as a practice coach/partner during daily home practice sessions and are required to attend and participate in their child’s lessons. Listening to recordings and attending live concerts are strongly recommended to increase musical awareness and enthusiasm in the student.

In spite of my rigorous Suzuki training, my unorthodox learning experience has taught me the value of being flexible and using methods that work best for a specific individual. I am not averse to seeking and applying a new method (eg. traditional, Masterclass, O'Connor, etc.) if the situation calls for it.

What should be expected from a Teacher/Student relationship?

I think a student should expect their teacher to give them honest, thoughtful feedback. Just enough that they can manage the information at that time. The teacher should give detailed instruction on ways the student can improve, without destroying the students sense of self worth or spirit. On the contrary, the teacher must always find a way to see the student as having great potential. This way, no matter how limited the current level of ability may be, there is hope for growth. Even without saying it, the student will feel the teachers' attitude towards him and may become that person (for better or for worse). The student should expect to be challenged, encouraged and inspired by their teacher. The teacher should expect that the student and the parents commit to daily practice, and have a desire to improve. The student must apply his/her teacher's feedback while always searching within himself for ways to develop. Mutual respect is key.

*** Studio Equipment ***
living room, baby grand piano, couch, two chairs, residential area, street parking

*** Travel Equipment ***
My own violin, music stand, and teaching books. I expect my students to provide their own instruments, music stand, and student books.

*** Specialties ***
Suzuki, Orff-Schulwerk, classical, film, fiddle, world music, new age, popular, contemporary classical
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Penny H.

Penny H.

Westbury, NY 11590
starting at
$40 / 30-min

About Zhana G.

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New York, NY
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Each lesson will be taught in response to current needs of a student but the following are the parts that make up an entire lesson:
- Technique
- Theory
- Music
- Practice
All together are basic fundamentals.

My job as a teacher is to help you find a place for music in your daily life and to make a practice time more of an experimental discovery play, than boring work. Once you find a key, it opens up a whole new world of communication.

As a private violin instructor, I believe that education is impossible without student’s motivation and passion. Perhaps you have decided to become a professional musician or maybe you want to play for your own enjoyment... Whatever your goals are, I can lead you there! Let's make it happen together because it is never late to follow a dream!

I recommend younger children travel to me for the best learning experience.

About Zhana
I have been a freelance violinist and a professional violin teacher for the past 30 years. Playing in the orchestra and teaching students are two of my greatest passions in life. As a private violin instructor, I firmly believe that education is impossible without student motivation and passion. As much as I love teaching, my best experience is also learning from my students.

Education - received in the Republic of Georgia (Eastern Europe)
- Tbilisi State Music Academy - 7 year degree in Violin/Piano performance.
- Tbilisi State College of Music and Arts - Bachelor's Degree in Violin Performance.
- Tbilisi State Music Conservatory - Master's Degree in Violin Performance.

I am very fortunate to love teaching because it allows me to share my knowledge and incredible experiences that I have acquired in my 30 years of being a m
usician in Europe and the United States.

Professional work experience:
- Park Avenue Chamber Orchestra - NY,NY
- Charlotte Symphony Orchestra - Florida
- Tbilisi State Symphony Orchestra - Georgia
- Tbilisi State Opera House Orchestra - Georgia
- Tbilisi State Sympho-Jazz Orchestra - Georgia
- Tbilisi State Pop - Jazz Ensemble - Georgia

*** Lesson Details ***
Each lesson will be taught in response to current needs of a student but the following are the parts that make up an entire lesson:
- Technique
- Theory
- Music
- Practice
All together are basic fundamentals.

My job as a teacher is to help you find a place for music in your daily life and to make a practice time more of an experimental discovery play, than boring work. Once you find a key, it opens up a whole new world of communication.

As a private violin instructor, I believe that education is impossible without student’s motivation and passion. Perhaps you have decided to become a professional musician or maybe you want to play for your own enjoyment... Whatever your goals are, I can lead you there! Let's make it happen together because it is never late to follow a dream!

*** Studio Equipment ***
Music studio set up in the living room.
Parents welcome.

*** Specialties ***
Classical
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Reviews
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motherless July 10, 2017
· Violin · In home
Please how can i get to know you my email is tinabruce4reaal@gmail.com waiting for your reply
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Natalya B. June 11, 2017
· Violin · In studio
Zhana is a wonderful teacher and person. I started as an adult beginner with her almost 4 years ago, and have continued to go to her despite moving farther away because of her patience, kindness, encouragement, and of course, expertise. I feel lucky to have found her.
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Julie R. July 23, 2016
· Violin · In studio
If you are looking for an excellent teacher that can help you develop both technique and musicality, I highly recommend Zhana.

I have had the privilege of studying with her for seven months as an adult beginner, and I have learned so much. I come out of every lesson feeling like I’ve made progress—even when I am unhappy with how I am playing, Zhana helps me understand a key thing that I need to do to play better. She is able to explain things so that you don’t just conceptually understand, but so that your body can understand too (for all those times that your brain knows what you need to do but your finger/wrist/arm/etc. won’t cooperate).

Because she has played as a professional performer, Zhana draws on her experience to guide you to bring musicality and emotion to whatever you’re playing… even if you’re still in the early Suzuki books like me. I’ve studied with many teachers in the past (in school and privately) for piano, clarinet and voice lessons, so I know that the ability to teach across this broad spectrum of skills is rare.

Zhana isn’t just a great teacher, she is also a wonderful person. I am moving out of the city for a year, but I fully intend to continue lessons with her when I return!
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Zhana G.

Zhana G.

New York, NY 10003
(21)
starting at
$55 / 30-min
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About Gabrielle A.

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Spring Valley, NY
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I began playing violin as a young child, and progressed to several hours a day during my teenage years. I taught throughout college, both as a violin instructor and as a private instructor.

My teaching programs vary according to the level of the student, and the goal he or she has set for him/herself, be it as a support to a school educational program or a personal love for music and/or the violin that seeks to develop itself into a practice.

About Gabrielle
A violinist is a musical knight: the round shield which once protected the heart has become a sound-resonating violin, the linear sword a bow, yet the fundamental gestures are the same. The active right directs according to linear rules, the left spirals inwards.

Dear Student,

My name is Gabrielle A. I am French, in my mid-twenties, and hold a MA in education. Simple, to the point, confident, smiling and fun, I engage quickly and well with those around me.

While teaching a standard violin apprenticeship curriculum, I approach the instrument from the perspective of movement: what qualitative gesture is at play behind a particular stroke or fingering?

Imagine playing violin according to lines of force, directions and qualities of movement between the right and the left! Musical sound, and its higher sibling tone, are born from
the qualitative interplay between right and left meeting in the human chest.
By inwardly experiencing the instrument as a threefold instrument (violin, bow and violinist) we can step away from the view that the violin is 'somewhere out there', a foreign object to be more or less painfully mastered.

I believe that as instrumentalists we ourselves are a part of the tone we produce.
I will therefore look with you at the kinesiology behind a correct posture and encourage you to experience the playing process as a circle between the violin, the bow and the violinist.

I hope to hear from you, meet you, and work with you!

Yours sincerely,
Gabrielle
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Zach August 17, 2017
· French · Online
Gabrielle is great at teaching my 9 year old french. She makes his lessons fun and keeps him engaged so that he always looks forward to his lessons. She does a great job engaging with the interests of her students, instead of sticking to a rigid lesson plan and losing the student. For example, quietly inserting verb conjugation and tense training into the telling of a story her student is determined to share with her. She really works with the kid's interests and gets their buy-in and engagement.
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Fishy May 28, 2017
· English · In home
she's amazing
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Athbah May 25, 2017
· Violin · Online
Gabrielle was Fantastic!
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Gabrielle A.

Gabrielle A.

Spring Valley, NY 10977
(14)
starting at
$40 / 30-min

About Luther A. B.

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Bridgeport, CT
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The student will be instructed on the basics of proper playing techniques, music theory, and musicianship. They will learn to read music and also play by ear which will make them a well rounded player.

About Luther A.
Mr. Blackwell unique talents as educator, instrumentalist, conductor, vocal coach, cinematographer, composer and arranger make him a sought-after teacher. Currently, Luther is working with the Bridgeport Board of Education at Roosevelt Elementary School for President Obama's Arts and Humanities Turn-Around Arts Initiative he is the Executive Director and Program Director of Blackwell's School of Music and Film and Minister of Music Director for New Hope Missionary Baptist Youth Singers located at 1100 Park Ave. in Bridgeport, CT.
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Yasin July 1, 2017
· Piano · In studio
Had a great time, felt comfortable and am looking forward to my future lessons. Luther is great!
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Wilmary R. May 17, 2017
· Singing · In studio
Luther made me feel very comfortable. I was able to follow his direction without having any prior musical training.
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Monica March 24, 2017
· Acoustic Guitar · In home
Luther is a fantastic teacher. He is extremely knowledgeable, mulit talented and good with kids of all ages. He is teaching our 17 year old guitar and 12 year old the saxaphone. We highly recommend him.
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Luther A. B.

Luther A. B.

Bridgeport, CT 06604
(16)
starting at
$40 / 30-min

About John S.

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New York, NY
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I have taught hundreds of students over the course of seven years.
Basically, I am a great player having graduated from one of the two most competitive studios in the world and really enjoy passing on my knowledge to fellow travelers on the quest for good violin playing.
I am well liked by current students because of my ability to explain in lucid, relatable ways -- using any method the student seems to latch on to more easily.

About John
About three months ago, I decided to slow down my touring for a while and joined takelessons to rebuild my teaching studio.

All in all I've taught for about seven years, and I went to school here in NYC at Mannes and Juilliard. And as a graduate of one of the two most elite violin studios in the world, I know exactly what fundamentals are necessary for you to enjoy playing the violin every time you pick it up; and in order to make this happen I preview for and review each session.

I am very good with children and understand that it is particularly important to win their trust quickly so they can begin to soak in all the material in a fun environment.
For older students, I am quick to understand the personal goals of the individual and figure out the most efficient method to achieve their dreams.
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John S.

John S.

New York, NY 10069
starting at
$30 / 30-min

About Daniel H.

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Malverne, NY

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You will be comfortable, tuned, and attuned - ready to play. You may tell me about music you have just heard, which interested or inspired you. You will play what you have most recently practiced or performed. I will explain what went best, and model how to improve. We will find your best next steps for technic and repertoire, and set a realistic, effective plan for you to achieve them. Carrying out the plan will be up to you, with family support. I will be reachable if you need guidance.

About Daniel
Kind, insightful and experienced coach and performer. Excellent background in Suzuki and traditional string instruction from Louise Behrend and Dorothy DeLay. Music graduate of Indiana University, Sarah Lawrence College, School For Strings, and Aaron Copland School. Member of ASTA, NYSSMA and NJMEA; do NYSSMA/All-State/ASTA adjudication and preparation. State certified to teach music in both New York and New Jersey.
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Jessica J. March 22, 2017
· Violin · In home
Daniel is a great violin teacher. Very professional, very helpful, very knowledgeable, very punctual.
I can recommend this teacher to everyone. "The best instructor ever!!"
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Daniel H.

Daniel H.

Malverne, NY 11565
(1)
starting at
$40 / 30-min

About Carol M.

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Brooklyn, NY

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I am a patient teacher, and passionate about teaching music. There are many aspects on learning how to play the violin. I focus on the sound a lot, so it will be a very short or almost to none screeching time when they play. To produce good sound, posture is number one thing. I like to build a student from a solid ground, so correct posture, right hand, left hand position, violin holding, and the whole body posture are all little pieces can make big differences in violin playing. By doing so, can make playing much easier, sounding beautiful, and make hard passages easier! And the correct posture will also help prevent the possibility from getting playing related injuries. I believe having inspiration is important too, listening to different music and great players can develop the ears, and also is a hugh inspiration to practice.

About Carol
I am a professional violinist, pianist, string arranger, and recording artist. I have been teaching for over 20 years. Teaching students ages from four to adult.
I graduated from Peabody Conservatory with a Master of Music in violin performance.

Currently the solo violinist at Brooklyn Tabernacle. Performed in Radio City Hall, LeFrak Hall, Skirball Hall, Carnegie Hall, Merkin Hall, Queen’s Theatre, Vanderbilt Hall, Blue Note, Triad Theater, Lincoln Center, NY Times auditorium, Metropolitan Museum, Joe’s Pub, Hopkins’ Club. I am a member of Aisan Cutural Symphony, Brooklyn String Orchestra, Metro Chamber Orchestra, American Studio Orchestra, Manhattan Symphonie Orchestra, Fu-Jen Catholic University Orchestra- principal of second violin, and Taipei People Orchestra. Ms. Ma has performed productions with the local theatre such as “Cats”
, “Oklahoma”, “The Phantom of the Opera”, “Westside Story”, “ Mame”, and “Kings.” Solo at brooklyn Tabernacle Christmas production.

I also arranged string parts, recorded in numerous albums and string sessions, which included “Warmth & Light”, “African Skies”, “To Journal Square”, “Come to Me”, “Mosaic”. One of them was the Grammy award album “Mosaic” by the well-known jazz drummer Terri-Lyne Carrington, Gary Thomas “Pariah’s Pariah”.

Performed with many variety styles of bands such as Jazz, Gospel, contemporary Christian, Latin, Argentine Tango, Folk, Hip-hop, Pop, World, Rock, Peruvian, Romanian…etc. in the East Coast of America, China and Taiwan. She has been on Bronx local channel, Fox news, and Hooplaha, interviewed by the largest hiphop station for beat 1 from Apple Radio, performed with singer Rihanna, opended for Cyndi Lauper, solo for Nike Soho store for the new sportswear line.
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Carol M.

Carol M.

Brooklyn, NY 11225
starting at
$67 / 30-min

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5 Famous Violin Songs to Add to Your Repertoire

5 Famous Violin Songs to Add to Your Repertoire

Learning to play the violin can be a difficult, sometimes tedious task for beginners, especially among younger students. The process of learning to pluck the notes and use a bow can try many students' patience, and they may give up on the instrument out of frustration. However, once you master your first great violin song, you’ll understand why so many musicians play the beloved instrument. Below is a short list of famous violin songs that are easily-recognized and may inspire even the wearies … Read More

5 Famous Violin Songs to Add to Your Repertoire
Learning to play the violin can be a difficult, sometimes tedious task for beginners, especially among younger students. The process of learning to pluck the notes and use a bow can try many students' patience, and they may give up on the instrument out of frustration. However, once you master your first great violin song, you’ll understand why so many musicians play the beloved instrument. Below is a short list of famous violin songs that are easily-recognized and may inspire even the wearies
10 More Helpful Apps for Violinists
There are mobile apps for just about everything these days--even playing the violin. Below, violin teacher Julie P. shares 10 helpful apps for violinists... The world of music apps is ever expanding. More and more apps are available to help musicians with everything from music theory to sight reading to organizing practice time. Specifically, there are many helpful apps for violinists. Whether you're a seasoned violin players or you're just starting to take violin lessons, there are to
5 Violin Techniques You Didn't Know Existed
Do you want to liven up your practice routine and add new sounds to your existing repertoire? Violin teacher Julie P. shares some new violin techniques that will take your playing to the next level... As a beginner or intermediate violinist, you’re probably familiar with the basic bowed sound of a violin. However, there are a number of other techniques you may not have heard of yet. Today's more modern composers are continuing to come up with new bowing techniques to create new and exciti
How to Hold a Violin Properly: 7 Expert Tips and Tricks [Infographic]
How you hold your violin makes a huge difference in the way you sound. Below, violin teacher Julie P. shares some helpful tips on how to hold a violin properly... As a beginner violin student, you know that posture is very important when playing the violin. Since there aren’t any keys to push, every sound is created by forming precise angles with the violin and bow. Below are some tips on how to hold a violin properly and how to find the best posture to support your playing. 1. Sit or St
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