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Sunnyside, NY Violin Lessons

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Popular Violin Teachers near Sunnyside, NY

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About Thomas V.

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Massapequa, NY

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All styles- all ages- learn what you want! emphasis on a good technique for a good tone, bow arm, and left hand playing in tune!

About Thomas
Currently Thomas is an Orchestra Director in Merrick Public Schools, and has previous experience as a Music Teacher in New York City.

Thomas has vast experience as a professional performer and has played with countless acts across many different Genres of music.

Thomas is an experienced private instructor and will bring the best out of every student. Experienced will all ages, skill levels, music styles, special needs, and everything else that comes along with teaching.

Thomas holds a Bachelors Degree in Music Education from Hofstra University, as well as an Assosiates Degree in Music Perforance from NCC.
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Reviews
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Michael L. October 3, 2017
· Guitar · In home
Mike really enjoyed his first lesson. Looking forward to watching him progress.
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Joseph September 28, 2017
· Bass Guitar · In home
Tom is both extremely knowledgeable about music and the mechanics of playing an instrument, and great at making the instrument accessible to anyone at any skill level. Whether beginner or expert, child or adult, I can't recommend Tom enough.
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Sarah S. August 1, 2017
· Guitar · In home
My son loves working with Thomas.
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Thomas V.

Thomas V.

Massapequa, NY 11758
(30)
starting at
$41 / 30-min

About Penny H.

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Westbury, NY
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About Penny
Born in Cebu City, Philippines in 1990, raised primarily in Phnom Penh, Cambodia and other Southeast Asian countries, and pursuing further education in the United States of America, Hopengrace ("Penny") is a Global Nomad currently situated in the Greater New York City Area.

She started taking music lessons from her mother at the age of four and learned to read music at the same time she started to read storybooks. ​From the age of ten, Hopengrace took violin lessons, during her parents' rare furloughs, from Mr. Frederico Regner, a World War II veteran returned from the United States. While in the Philippines for a combined year of junior and senior level high school, she took violin lessons from Mr. Marc Hamlet Mercado and Mr. Rodelio Flores. Hopengrace has also taken coaching from Ms. Princess Christine Ybañez to prepare for competit
ion in the Solo String (Bowed) category of the 14th National Student Convention in which she won 2nd Place.

In 2007, Hopengrace received a Presidential Scholarship from Tennessee Temple University (TTU). There she studied violin under Mrs. Laura Minor (B.Mus. Vanderbilt University, MA Music NYU). She also took piano from Mrs. Carolyn Kemp​ (BS Mus.Ed. Baptist Bible College, MA Mu. Ed. University of Tennessee at Chattanooga) and voice from Dr. William Knowles and Mr. Michael Mays (BS Mus. Perf. University of Tennessee at Chattanooga, MA Church Music Southwestern Baptist Theological Seminary).

In 2008, as a member of TTU's Weigle Concert Choir, Hopengrace had the privilege to be chosen to sing with a combined choir in Carnegie Hall's Stern Auditorium with the Manhattan Chamber Orchestra under the baton of Dr. David Thye, Principal Conductor-in-Residence of MidAmerica Productions. She became a member of the Chattanooga Symphony and Opera Youth Orchestra (CSOYO) ​in the fall of that year and continued performing with them for three seasons. She also participated in the special orchestra for the annual Chattanooga Boys' Choir "Singing Christmas Tree" concerts at the Tivoli Theatre. In 2010, world-renowned violinist Midori chose CSOYO as one of two youth orchestras for her annual Orchestra Residencies Program, and Hopengrace had the rare opportunity to perform with one of her inspirations in concert.

Hopengrace​ became a registered Suzuki Method Violin Teacher with the Suzuki Association of the Americas on July 2011. She has also trained in Orff-Schulwerk.

During her travels around the world, Hopengrace struggled to keep her art alive. However, she has often been complemented for her distinctive strong, full-bodied tone​ and adaptability. Her range varies from Baroque to Modern. She plays on a John Cheng 1737 "King Joseph" Guarneri model violin with both wood and carbon fiber bows.

​Hopengrace welcomes students and employment while she prepares for entrance in a Master of Music in Performance program. She hopes to start on that new chapter of her life in the fall of 2013. Inspired by the impact of Venezuela's El Sistema program and her own experiences during her travels, Hopengrace hopes to use her talents to enable or build similar programs both while she teaches and in the lands where she was raised. ​

*** Lesson Details ***
TEACHING PHILOSOPHY
“Play with heart. Play with living soul.”
— Dr. Shinichi Suzuki
As a teacher, my goal is to instruct as well as inspire each student to reach for his or her highest potential. I hope to give each student the tools to progress so that one day they can be their own best teacher, and play with a sound and style that is uniquely their own. Most importantly, I hope to instill a desire to learn and a mindset that the art of violin playing is fun and that it is just as we call it--playing. My teaching abilities range from beginning through advanced levels. Students must have a desire to learn and commit to daily (mindful) practice.

I am a Suzuki Violin teacher. This means that I am trained to work with even the youngest of musicians in a nurturing , fun and challenging way. Dr. Suzuki believed that it was important to develop a noble character in all children through the mastery of a musical instrument. He also believed that all children were capable of this mastery if the environment is saturated with music and love. My students enjoy playing the violin because they are given the tools they need to play beautifully and to make progress on their instrument. Each lesson will focus on proper set up and posture, technical work and musical direction/ideas that will inspire them to carry on their work throughout the week. I demonstrate quite a bit in the lessons, as I find it is the most effective way to communicate in music. However, I am only with the student once a week, therefore much of the lesson is geared towards helping the parent and child understand what his/her home tasks are, and how to carry them out successfully. 10 minutes of mindful practice is worth an hour of careless work.
“There is no born genius. Education is the way to develop ability.”
— Dr. Shinichi Suzuki
​Parental support and involvement is key to any child’s progress, especially at the beginning stages. Parents of young beginners are encouraged to take a few lessons before starting their child on the instrument. Parents serve as a practice coach/partner during daily home practice sessions and are required to attend and participate in their child’s lessons. Listening to recordings and attending live concerts are strongly recommended to increase musical awareness and enthusiasm in the student.

In spite of my rigorous Suzuki training, my unorthodox learning experience has taught me the value of being flexible and using methods that work best for a specific individual. I am not averse to seeking and applying a new method (eg. traditional, Masterclass, O'Connor, etc.) if the situation calls for it.

What should be expected from a Teacher/Student relationship?

I think a student should expect their teacher to give them honest, thoughtful feedback. Just enough that they can manage the information at that time. The teacher should give detailed instruction on ways the student can improve, without destroying the students sense of self worth or spirit. On the contrary, the teacher must always find a way to see the student as having great potential. This way, no matter how limited the current level of ability may be, there is hope for growth. Even without saying it, the student will feel the teachers' attitude towards him and may become that person (for better or for worse). The student should expect to be challenged, encouraged and inspired by their teacher. The teacher should expect that the student and the parents commit to daily practice, and have a desire to improve. The student must apply his/her teacher's feedback while always searching within himself for ways to develop. Mutual respect is key.

*** Studio Equipment ***
living room, baby grand piano, couch, two chairs, residential area, street parking

*** Travel Equipment ***
My own violin, music stand, and teaching books. I expect my students to provide their own instruments, music stand, and student books.

*** Specialties ***
Suzuki, Orff-Schulwerk, classical, film, fiddle, world music, new age, popular, contemporary classical
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Penny H.

Penny H.

Westbury, NY 11590
starting at
$40 / 30-min

About Gio A.

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New York, NY
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I teach violin at the New School for Leadership and the Arts, mostly to novice players, and I have experience teaching violin to children of all ages.

My primary instrument is guitar, which I've played for about 25 years in many different bands, styles, and genres. I studied music and classical guitar at University of Central Florida, and during that time I also helped teach violin to a class of third graders. I'm not a pro violinist, but I have plenty of experience working with novice players, helping them develop proper technique, sight reading, ear training, and other skills needed to advance to the next level.

About Gio
I studied music at UCF (Orlando), focusing on classical and jazz guitar, but I also have years of experience playing rock, blues, folk, hip-hop, and musical theater on both guitar and drums.

I have been teaching guitar, drums, and piano for about eight years to students of all ages. Music is what I'm passionate about and it's what I enjoy. I want to inspire that same passion into the hearts and minds of others.

*** Lesson Details ***
I am a laid-back teacher, fun, and I focus on the needs, abilities, and ambitions of the student. In turn, students must realize that learning an instrument takes a lot of work and dedication. One can't expect to learn very much if s/he only practices or thinks about the instrument during the lesson. If the student is willing to put some time into practicing, then I will help them go far!

*** Studi
o Equipment ***
I have several guitars, a drum kit, djembe, mandolin, clarinet and full-size keyboard.

*** Specialties ***
Guitar: Classical, jazz, American or Irish folk, rock and pop; lead or rhythm.
Drums & Percussion: All genres
Piano: Classical (includes sight reading)
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Reviews
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Ian C. July 7, 2017
· Drum · In studio
1 lesson and he wants to go back so it is a win for me.. Gio is an educator and knowledgeable on many instruments.
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Steve May 6, 2016
· Guitar · In studio
Gio is an encouraging and helpful teacher!
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Julianne April 26, 2016
· Piano · In studio
My son Joseph just completed his 5th lesson with Gio and he LOVES his piano classes. Gio is very patient and dedicated to Joseph. Glad that my son is taking lessons from him.
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Gio A.

Gio A.

New York, NY 10034
(15)
starting at
$28 / 30-min

About Concetta A.

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Brooklyn, NY

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Learn folk music or classical. Explore the various styles and genres this instrument is capable of!

About Concetta
Private instruction, early childhood education, elementary and high school education, Continuing Adult Education
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Winston Thomas June 11, 2017
· Violin · In studio
It was truly a pleasure meeting Concetta for my first ever violin lesson. It is difficult to learn anything at the age 40, specially a musical instrument, but she made it comfortable and easy to understand. She's extremely patient a key quality when teaching a subject such a music to anyone. I would say, give her teaching style a try and you won't regret it. Very knowledgeable indeed.
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Matthew February 27, 2017
· Singing · In home
She was great, first lesson and I learned a lot about how to improve my singing, demonstrably so. Very pleased, looking forward to continuing.
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Blyth February 2, 2017
· Fiddle · Online
Very patient and beyond knowledgeable! I haven't done anything with TakeLessons before and my online class was hosted via skype so it was easy to get connected and learn at my own pace. I like that my lessons will be tailored to my style and my level of musical understanding. She has excellent follow-up for after the lessons as well. I'm excited to be a student again :)
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Concetta A.

Concetta A.

Brooklyn, NY 11222
(30)
starting at
$50 / 30-min

About Emily V.

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Hicksville, NY

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Whether young or old, raw beginner or experienced player, I am happy to teach you! I am keenly aware to the needs of my students and adjust my teaching based on each individual's musical interests and goals. I have experience preparing grade-school aged students for NYSSMA solo festivals.

About Emily
American violinist Emily V. is an active and versatile performer of chamber and orchestral music. As a chamber musician, Emily has appeared with the Mannes American Composers Ensemble in the ensemble's Alice Tully Hall debut. Additionally, she has collaborated with the Newman and Oltman Guitar Duo in a concert that has been broadcast on WWFM, and is a member of Trio des Waldes, a horn trio that has performed throughout NYC and on the Bucks County (PA) Performing Arts concert series.

As an orchestral violinist, she regularly performs with the Symphony of Westchester and the Chappaqua Orchestra; previously, she served as concertmaster of the Mannes Orchestra, Columbus State University Philharmonic, and the pit orchestra for LoftOpera, and as section violinist in the Columbus and LaGrange Symphony Orchestras. She was an orchestral fellow
with the National Repertory Orchestra, and has attended the Bowdoin International and Madeline Island Music Festivals.

Emily maintains a private teaching studio of twenty students ages 3 to adult in the NYC/Long Island area. Additionally, she teaches group violin classes, as well as after school private lessons in the NYC public schools through Opus 118 Harlem School of Music. In the summers of 2013-2015, she was Junior Faculty at the Stringwood Chamber Music Camp.

Emily received her bachelor's degree, summa cum laude, from Columbus State University, where she was named the Presser Scholar, and received her master's from Mannes College of Music. Currently, Emily is pursuing a DMA in Performance at the CUNY Graduate Center. Her major teachers include Daniel Phillips, Lewis Kaplan, Muneko Otani, and Sergiu Schwartz. In 2016, she completed violin teacher training through Opus 118 Harlem School of Music's intern program.
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Reviews
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Julia October 7, 2017
· Violin · In home
Emily was great. My daughter is very excited for her next lesson!
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Samuel September 28, 2017
· Viola · In home
Emily is a very focused and professional teacher. She gives instructions clearly.
My son seems to understand the concepts much better just after a few lessons and he has improved quite a lot since. We are very happy with Emily.
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Steve October 29, 2016
· Violin · In home
Very good first lesson. Emily is very well versed and has a lot of patience. I am looking forward to many more lessons with Emily!
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Emily V.

Emily V.

Hicksville, NY 11801
(10)
starting at
$35 / 30-min
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About Monica B.

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New York, NY

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An organized, clear approach applicable to all levels. Develop a strong technical foundation, learn how to avoid injuries and tension while playing, create a beautiful sound and express yourself through music. Teaching tailored to your level and needs - learn repertoire and a variety of styles.

About Monica
Monica B., hailed as an “excellent violinist” by the Washington Post, performs extensively in chamber music, orchestral and solo settings. Monica has studied and worked both in the United States and Europe. A graduate of the Eastman School of Music and the Conservatoire de Geneve, she has held positions with L'Orchestre de la Suisse Romande in Geneva, Switzerland, and the Esbjerg Ensemble-the national chamber ensemble in Denmark. She is presently coaching and performing at Siena Summer Music in Siena, Italy, and has performed as soloist with orchestras in Scandinavia, Central Europe, and the New York region. Her recordings are under the Philips and Albany labels.
Monica is the founder of the Manhattan chamber music series “Concerts in the Heights”. This series brings together world-class musicians for performances and educational proje
cts. She is also a founder and Artistic Director of the conductor-less String Orchestra of New York City- SONYC.
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Monica B.

Monica B.

New York, NY 10034
starting at
$50 / 30-min

About Gregor K.

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New York, NY

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I don't have much to add after what you've already read. I love teaching and hope my enthusiasm will be contagious. You are free to record a video your lessons to help you practice more efficiently at home and to tell me whatever else you need to help you learn. Every teacher wants their students to practice as much as possible but I focus on how to help you learn quickly because many of you have very busy lives. Whatever time you have I'll help you make the most of it.

About Gregor
I perform regularly at Carnegie Hall with Orchestra of St. Luke's, have performed and recorded with David Bowie (Heathen), play lots of chamber music and contemporary music concerts and have toured extensively but always lived in NYC. While I studied with Jascha Heifetz protege Erick Friedman to get my BM and MM from Manhattan School of Music,, Charlie Castleman at The Quartet Program and Chris Lee, concertmaster of NJ Symphony, my teaching is based on what I learned as a performing musician in NYC. Working with great players here showed me what they all had in common versus what were just my teacher's idiosyncrasies. Using your body efficiently to avoid injury is at the core of what I teach. Playing well in your 20's is entirely different than having learned how to avoid injury and play well in your 50's. I teach anyone from beginners o
f all ages to young professionals preparing for auditions to older people who always wanted to do this and just need someone to spark their curiosity.
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Lauren March 30, 2017
· Violin · In studio
Gregor was terrific to work with! He has had so much experience and teaches in a very personal and dynamic manner. He can really address the root of many issues in playing and take personal differences in consideration. I was very happy he had so much experience using the Alexander Method and adapting it to violin playing. This is what you need to set yourself up for a lifetime of playing! While I studied primarily classical music, he also has lots of experience in many other genres as well.
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Laura March 21, 2017
· Violin · In home
I briefly studied with Gregor when I lived in the NYC Metro area. He is one of the best teachers I've had the privilege of studying with over the years. My lessons were tailored to my goals, and Gregor was committed to helping me learn as much as possible, while being incredibly down to earth. He is simply a world-class teacher, and someone I was very fortunate to meet. It was a pleasure and privilege taking lessons from him, and I cannot recommend him enough to aspiring violinists and violists.
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Chala March 20, 2017
· Violin ·
Gregor is a wonderful violinist and a thoughtful musician. As someone who has worked with him on and off for years, I'm positive he'd bring the same qualities into his studio and pass his love of music on to his students.
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Gregor K.

Gregor K.

New York, NY 10031
(7)
starting at
$90 / 60-min

About Elana L.

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Ridgewood, NJ

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My violin and viola students study classical Russian technique--used by the best players in history. It involves efficient use of the body, both to avoid injury when playing and also to get the best possible sound from the instrument. Students progress in technique, musicality, and music theory.

About Elana
Hello,

My name is Elana. I'm a professional violinist and enjoy teaching students of all ages and levels. My students have ranged from ages 4-64. Their goals have ranged from pure enjoyment to those considering a career in music. My goal is to help each student play to the best of their abilities and for them to enjoy the lessons. Violin is my passion, which comes through in my enthusiasm during lessons. I am gentle and patient but also honest and very particular about what to look for when practicing.

I take great pride in teaching the Russian method. Not only is the technique I teach used by the best violinists of all time, it also emphasizes efficient and correct use of the body to avoid injury and develop a tone with richness and projection.

What I look for in a student is a commitment to practicing every day. It's an
adjustment in the beginning for many, but once established simply becomes part of the day, like brushing your teeth. Over time, students hear improvements from practicing consistently and this creates a very positive experience. The violin becomes a source of joy and confidence.

Violin lessons help develop skills such as coordination and focus at the highest level, persistence, confidence, creativity, patience, and many other "life" skills whose benefits extend far beyond music lessons. Many people who achieve success in a career outside music later in life often credit their music lessons as having been key in that process.

As far as my musical background, I received my music degree from Rutgers University, where I was a recipient of the Marryott Music Scholarship. Upon graduation I freelanced as a violinist in the NYC metro area. My major teachers include Neil Weintrob and Lewis Kaplan.

As a teacher I have 20 years of experience. I've worked in various programs and currently teach violin and viola lessons at a local private school, in addition to running a private studio of violin and piano students. My violin students have been concertmaster, principal players, and section players in orchestras such as All-County, Region I, and NY Youth Symphony.

Feel free to contact me with any additional questions you may have. I look forward to working with you.
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Elana L.

Elana L.

Ridgewood, NJ 07450
starting at
$40 / 30-min

About Nicolas O.

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New York, NY
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Hello! My name is Nicolas, I was born and raised in Valladolid, Spain.
From an early age, I have been very interested in many facets of world culture including music, art and languages. I attended the Professional Conservatory of Music in Valladolid, as well as Musikene College of Music of the Basque Country.

I have 17 years of experience in classical violin, as well as 15 years of bilingual education. Throughout my violin career I've performed with numerous professional orchestras in Spain and Germany, opera companies and many chamber music groups. As a teacher, I've remained active as a private instructor for the last 5 years.
I currently reside in Manhattan where I continue to teach violin lessons.

To inquire about specifics or for more information, please don't hesitate to contact me! Thank you!

About Nicolas
Hello! My name is Nicolas, I was born and raised in Valladolid, Spain. From an early age, I have been very interested in many facets of world culture including music, art and languages. I attended the Professional Conservatory of Music in Valladolid, as well as Musikene College of Music of the Basque Country.

I have 17 years of experience in classical violin, as well as 15 years of bilingual education. Throughout my violin career I've performed with numerous professional orchestras in Spain and Germany, opera companies and many chamber music groups. As a teacher, I've remained active as a private instructor for the last 5 years.

I currently reside in Manhattan where I continue to teach violin lessons.To inquire about specifics or for more information, please don't hesitate to contact me! Thank you!
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Nicolas O.

Nicolas O.

New York, NY 10028
starting at
$96 / 60-min

About Emanuele V.

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New York, NY
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I have more than ten years of teaching experience with students of all ages and backgrounds.
As a music educator, I provide my students with a lasting foundation that will serve them for all their musical journey.
My first priority is to my students. Through a tailored approach to their training, I help them create a professional identity in an increasingly competitive world, with an emphasis on technique, relaxation, efficient practice skills, and entrepreneurship.

About Emanuele
My mane is Emanuele, I come from Italy were a studied at the Conservatory of Novara, Bologna, Ferrara studying with the most renewed teachers as Alessandro Perpich, Anton Berovski and Marco Fornaciari.
I pursued a Performance Diploma from The Boston Conservatory at Berklee trained by Markus Placci and also studied Privately with Mela Tenenbaum in N.Y.
From the age of 20 a started teaching children and assisting my professors with the younger students.
As a music educator, I provide my students with a lasting foundation that will serve them for all their musical journey.
Through a tailored approach to their training, I make sure that my students create a professional identity in an increasingly competitive world, with an emphasis on technique, relaxation, efficient practice skills, and entrepreneurship.
Thanks to all my teachers I have
learn the tradition of the Russian and Franco-Belgian violin school that I transmit with all my passion to all my students.
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Emanuele V.

Emanuele V.

New York, NY 10023
starting at
$67 / 30-min

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How to Play Violin Pain Free: 11 Easy Tweaks to Reduce Shoulder, Neck, and Back Pain

How to Play Violin Pain Free: 11 Easy Tweaks to Reduce Shoulder, Neck, and Back Pain

Do you experience pain or discomfort when you play violin? Here, Portland, OR violin instructor Naomi Cherie S. shares her tips to teach you how to play violin pain free... If you've been playing violin for a while, you know that it can be a lot of fun! You've probably also noticed, however, that it isn't always the most comfortable instrument to play. Due to the positions and poses necessary to play this unusual instrument, you may feel sore and stiff after practice. Like most physica … Read More

How to Play Violin Pain Free: 11 Easy Tweaks to Reduce Shoulder, Neck, and Back Pain
Do you experience pain or discomfort when you play violin? Here, Portland, OR violin instructor Naomi Cherie S. shares her tips to teach you how to play violin pain free... If you've been playing violin for a while, you know that it can be a lot of fun! You've probably also noticed, however, that it isn't always the most comfortable instrument to play. Due to the positions and poses necessary to play this unusual instrument, you may feel sore and stiff after practice. Like most physica
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