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Scarsdale, NY Music Theory Lessons

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Popular Music Theory Teachers near Scarsdale, NY

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About Bernadette T.

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Lindenhurst, NY

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I incorporate interval recognition, chord spelling, voice leading, and scale construction in my guitar lessons.

About Bernadette
I am a NYS certified Music teacher who has been teaching in the school system for over 20 years.

I hold both my BM and MA degree in Music Education, and Jazz guitar was my major instrument in college. My focus is to teach techniques, skills and concepts for life-long learning.

I am currently available to teach Guitar, Music Theory and Beginner Piano.

Aside from teaching private guitar and piano lessons and teaching General music and Chorus in school, I perform and accompany singers as a guitarist in churches on Long Island.

For your added security, I've been VIRTUS trained with the Catholic Diocese of Rockville Centre and fingerprinted with the NYS Education department.

My system of guitar training includes:

* Right hand and Left hand technical exercises geared towards developing coordination and confidence;

*
work in music reading of standard music notation and TAB;

* Fretboard navigation, pick-control and fingerstyle techniques.

* Song repertoire knowledge and memorization

*Solo guitar interpretation of popular songs as well as accompaniment styles appropriate for backing your or another's voice;
*Ear-training and Music theory is incorporated into each lesson.

NYSSMA preparation is available for both Classical and Jazz auditions.

Piano lessons are available with concentration in proper hand mechanics and technique, theory, ear-training and music reading. NYSSMA preparation up through level 4 is available.

*** Lesson Details ***
My guitar lessons follow a structured format. I begin with technical exercises for both the picking/strumming hand and the fretting hand, leading to good sound production. As students learn to achieve well-balanced tones, they learn to apply that to the written page using standard music notation and the TAB system. From single notes, students learn to build harmony, (chords), from 2 notes, to 3, and thereafter, 4. Song repertoire is built from a variety of sources including published method books. Memorization of song repertoire is stressed.

After the student has learned the notes and scales in the first position as well as the associated chords, he/she can learn songs of his/her choosing from the Folk, Pop, Classical and Jazz repertoire that is appropriate to his/her current level.

Piano method books used include the Dozen-A-Day and Hanon technique exercises as well as the Schaum and Michael Aaron method book series'.

NYSSMA training/coaching is available for both piano and guitar with suitable training beginning a least a year before the NYSSMA audition is to take place.

The Guitar student should have a good quality guitar, (steel strings, nylon strings, or steel-string electric) professionally set-up with light-gauged strings (for the beginners), a strap, a music stand, and time and space in the home in order to encourage a daily routine of practice.

The Piano student should have daily access to a piano or keyboard instrument with weighted keys in order to be able to practice lesson material daily.

For young students, a practice chart is given where a student is to mark his/her practice time in order for progress to be made.

*** Studio Equipment ***
I have a dedicated room in my home that is set up for private practice and teaching. It has an electronic piano, folding chairs, a music stand and guitar amplifiers and cables.

*** Travel Equipment ***
I bring an acoustic guitar with me to all out-going lessons so that I can play along with the student and demonstrate techniques as necessary. I bring extra blank sheets of music writing paper, fret board diagrams, and study sheets, as well as extra copies of the books I use most frequently. I can purchase books/materials for the student, with the student's or parent/guardian's reimbursement, or the student may purchase materials on their own.

*** Specialties ***
Pick-style and finger-style guitar, both acoustic and electric; music reading, music theory; re-harmonization and arrangement techniques to make a song your own!
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Reviews
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Sophia C. September 2, 2017
· Piano · In studio
Bernadette is really kind and patient, Both of our kids look forward to working with her.
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Gianna Z. April 9, 2016
· Guitar · In studio
Just wonderful with my children very pleased
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Michaela Z. April 9, 2016
· Piano · In studio
She's very patient I couldn't be happier
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Bernadette T.

Bernadette T.

Lindenhurst, NY 11757
(9)
starting at
$25 / 30-min

About Etan H.

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Montclair, NJ
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Music Theory

About Etan
I have been both a performer and dedicated teacher in the NYC and NJ area for over 14 years. I began playing music at the age of 8 years old, studying classical piano until I was 13. From there, I picked up guitar and started to immerse myself with rock, folk, classical, and jazz music. I eventually attended William Patterson University where I earned a BA in Jazz Performance, and then decided to move to NYC and pursue my career as a performer and educator. Upon moving to the city, I attended the American Institute of Guitar where I studied classical guitar for 5 years with world renowned guitarist Yasha Koffman.

Currently, I am teaching and performing in the greater NJ and NYC areas, and have performed with notable figures such as Steve LaSpina, James Williams, Tyshawn Sorey, and Yasha Koffman.

*** Lesson Details ***
After t
eaching for 14+ years of teaching, I have developed a teaching style that is unique in that I approach each student’s progress on an individual basis. Musically speaking, I am able to identify what is holding the student back and take necessary steps to move forward in a constructive and supportive way that will inspire you to continually grow as a musician.
The first thing I want to accomplish in my lessons is to get the student excited about playing music in general. That means understanding what kind of music the student likes to listen to and incorporate it into the lessons. I find that relating ear training, theory, reading, technique, and rhythmic study to the music that they are interested in is a great way to do that.

CLASSICAL GUITAR INSTRUCTION:
We will focus on a variety of topics including right and left hand technique, proper body position, sound production and tone, reading, repertoire, and finding your own personal musical voice with regards to playing classical music.

JAZZ GUITAR INSTRUCTION:
We will cover jazz theory, chord shapes, scales, repertoire, and transcription. Jazz is an oral tradition and I am a firm believer that the best way to learn it is through listening/transcribing and applying those concepts on your instrument. We will draw inspiration and knowledge from great jazz musicians of the past in addition to finding your own personal voice as an improviser in jazz music.

TEACHING YOUNG CHILDREN:
I have lot of experience teaching young children (as young as 5 years old). For these children, I like to focus on the basic foundations of music (e.g. rhythm, melody, etc.). We will use a variety of tools (rhythm sticks, guitar books for children, singing) to enrich these early foundations in music, in addition to learning to get over the physical demands of learning to play the guitar.

*** Frequency Requirement ***
Students are required to take lessons at least once per week in order to insure consistent progress and ongoing assessment. Lessons given every other week are not offered.

*** Studio Equipment ***
Living room set up. Chairs. Music stands. Guitars. Music. Seating for parents. *** Please note, there is no piano in studio. If you are interested in piano lessons, only in home lessons are available.

*** Travel Equipment ***
I usually provide guitar picks if needed, photocopies of materials (mel bay, chord charts, etc.). I require my students to have the instruments that they will be taking lessons on and a notebook to write in.

*** Specialties ***
Piano lessons are in students' homes only! I cover music theory, application of music theory, technique, ear training, sight reading, and repertoire building.
I teach a variety of styles including classical, jazz, rock, folk and blues.
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Reviews
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Kathy C. May 5, 2013
· Guitar ·
Very happy with Etan

Etan comes to our home which works for 2 kids lesson, one guitar the other piano. He is always on time, and can handle kids who sometimes have difficulty getting going. Nothing stops him. Each of my kids has improved and likes Etan. That is a success story. This has turned out better than expected. Etan rocks!!!
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Tom D. March 19, 2013
· Guitar ·
Great lessons for my son

My son has been taking lessons with Etan for 2 years now, he is a great teacher. He has a passion for music, and a passion for teaching. My son always looks forward to his lessons. I definitely recommend Etan for teaching young kids.
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Steve M. March 3, 2013
· Guitar ·
Excellent teacher!

Etan is a very inspiring teacher, and really pushes me to learn in very constructive way. Highly Recommend!!
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Etan H.

Etan H.

Montclair, NJ 07042
(3)
starting at
$45 / 30-min

About Asuka U.

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New York, NY

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Music theory tutor at Queens College for 3 years. Specialized in aural skills and solfege.

About Asuka
I started my musical training as a pianist at YAMAHA institute at age 4 in Japan. I was selected to enter perfect pitch class. It was designated for students who have perfect pitch and potentials to be professional musicians.

I enjoyed playing piano and electric piano and won the 1st prize at Kitakantou Electric Piano Competition hosted by YAMAHA institute. Because of the intensive training, I have been accompanying my students' recitals and performance exams.

As much as I enjoyed playing piano, I discovered that I also love singing, so I started to take singing lessons and majored in vocal performance during my college days.

Since I have graduated, I have been performing opera professionally. My career highlights include roles as Cio-cio san(Madame Butterfly) with Snob Opera, Montreal, Quebec, Canada, Fairy(Falstaff) with Sir B
ryn Terfel with the Royal Liverpool Philharmonic, Liverpool, England, Dorinda(Orlando) with Cantanti Project, Pamina (Die Zauberflöte) with Opera Manhattan Studio, Frasquita (Carmen) with One World Symphony, Zerlina (Don Giovanni) and Clorinda (La Cenerentola) with Capitol Heights Opera, Alice (Le comte Ory) with West Side Opera Society, Adele (Die Fledermaus), Susanna (Le Nozze di Figaro), and Myrrhine (Lysistrata) with Opera Avanti, Gilda (Rigoletto) with Académie Internationale d'Eté de Nice, and The First Spirit (Die Zauberflöte) with the Opera Company of Brooklyn.

My international credits include performances under the direction of Conductor Laurent Pillot at the Royal Liverpool Philharmonic, Liverpool, England;the Académie Internationale d'Eté de Nice, France; the Daniel Ferro Vocal Program in Chianti,Italy; the International Vocal Arts Institute in Tel Aviv, Israel where I was selected to sing for the Japanese Ambassador.

I made appearances as a soloist at Carnegie Hall, Lincoln Center, Symphony Space, Town Hall, and MOMA museum in New York City and the Royal Liverpool Philharmonic Hall.

As a versatile singer, I was presented as an aspiring opera singer on the website of Maybelline New York. Her voice was featured in short films for the Japanese technology company NEC. I appeared as a soprano soloist for the opera, Jazz and theater collaboration of "TAKE ABITE" by David Antonio Cruz. I also sings Broadway songs and continues her musical theater studies. She is an active recitalist and also performs Oratorio works.

I was also a finalist at the Opera Idol Competition at Lincoln Center in New York City, The Hariclea Darclée Voice Competition in Romania and the Mario Lanza and Elaine Malbin Vocal Competition in New York City. Ms. Uchida was selected as a vocal scholarship recipient at Savannah music festival.

My upcoming engagement includes singing the role of Gilda in Rigoletto and Oscar in Un ballo in maschera in 2018 in New York City.

Besides being an opera singer, I have been teaching piano and voice for 11 years. I would like to share my skills and experience with you. Since I perform often, I can coach you how to perform on stage in addition to building solid technique and languages. Also, I have taught various kinds of music, such as Rock, Broadway musicals, Pop music, so we can work on all kind of music.

I look forward to teaching you soon!

*** Lesson Details ***
My students can expect to improve their skills and start to enjoy music more as we work together.
I believe that learning music is fun and enjoyable. However you also need to be serious and focused.
I can demonstrate various and specific techniques, phrasing, and interpretation and will always coach on how to develop your skills. However, I feel it is important for students to think critically on their own and take the first try at solving a problem themselves. I cannot emphasize enough that primarily it is you who find the ways to improve. Leaning music is a collaboration between teachers and students. I hope that through my lessons, students will become more self-sufficient and confident as musicians.
Let me help you become a better musician.

*** Studio Equipment ***
Piano (Clavinova), music stand, and desk.

*** Travel Equipment ***
By Subway, the closest station is 23rd street. You can take C, E train(within one block). 1 train(one block), M, F train (2 blocks).
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Reviews
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Matt February 13, 2018
· Japanese · In studio
Great!
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Mavpanisa January 19, 2018
· Opera Voice · Online
I just signed up with Asuka a few weeks ago while she was traveling internationally for her performance. Because she was away, we did online lessons. At first I was skeptical because of the time difference and the quality etc. but she has very much experience not only teaching, but with online lessons. My son has an international singing competition coming up and Asuka is not only preparing him for the competition, but also for what expect from judges and how to mentally perceive the performance. Although she travels and maintains her successful career, she is able to put everyone ounce of her expertise into helping my son from where ever she is. When she came back to NYC she also worked personally with him as well. She is the best teacher and vocal coach we have had to date.
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Nitan S. June 22, 2017
· Singing · Online
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Asuka U.

Asuka U.

New York, NY 10011
(31)
starting at
$55 / 30-min

About tamara p.

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Glen Cove, NY

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Music theory include a lot of different subjects: theory, harmony , ear training, music dictation, music structures, composition. I am going to teach, whatever student want to study and, of course, it depends on student level. For example, if the student does not know theory, he (she) can not learn harmony and so on. I was teaching all theory subjects in college and music schools for a long time. I have very good experience.

About tamara
I started to play piano when I was 6 years old. After I finished music school, I continued to study music in junior college and finally in Gnesins' Academy of Music. While I was studying, I started to work as a pianist in Drama Theater and as an accompanist for singers, violinist and cellist in different music schools. After i've got my Master degree in Gnesins' Academy of Music, I started to work as a teacher in college. I am teaching in US since 1991. I was working as a piano and music theory teacher in music schools and my private studio. I am using traditional method and, of course, I have individual approach to each student, because everyone is so special and goals are very different. Most of my students take NYSSMA and have the highest scores. What unite all my students - love to music.
*** Travel Equipment ***
instrument

**
* Specialties ***
classical music
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Reviews
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Leslie July 22, 2017
· Piano · In studio
My children have been taking piano lessons with Tamara since 2005. Both started when they were 6 years old. She is amazing! Tamara is SO knowledgeable and has a gift for teaching. She is a serious teacher and has pushed my children to reach their fullest potential. She has always done so with understanding and kindness though. They love her. I travel more than 1/2 hour each way for their lessons but it is definitely worth it! My children have progressed much more quickly than their peers studying with other piano teachers. They have been exposed to pieces from various composers and studied music theory as well. Both have taken several NYSSMA exams and they've both scored at the highest level on every one. My daughter has already completed all 6 levels. My son is 13 years old and planning to take level 5 next Spring. I would HIGHLY recommend her for students of all levels and ages. She can teach the beginner as well as the more advanced. She has also been VERY flexible with lesson days and times. [working around my son's busy sports schedule]. She is a treasure in Glen Cove!
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Kelly July 14, 2017
· Piano · In studio
I was studying with Tamara for 4 years. I started as a beginner when I was 13 years old and I was able to pass NISSMA level 6 with the highest score. Tamara is a great teacher, very patient and in the same time also demanding. It was a pleasure.
Recommend to everybody.
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Anu July 1, 2017
· Piano · In studio
Mrs. Tamara is a talented, exceptional and inspiring teacher for my 2 kids. She has been teaching them for 5 years. She is always caring, constantly encouraging them to play challenging pieces, and very patient. She has instilled in them a love for music, and my kids have in turn grown in their musical ability.
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tamara p.

tamara p.

Glen Cove, NY 11542
(5)
starting at
$40 / 30-min

About Dr. Daniel C.

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Chapel Hill, NC

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My minor is in music theory and I have had considerable experience teaching theory one-to-one. We will discuss the rudiments of musical theory (key/time signature, note values, figured bass, etc.) all the way, if you're so inclined, to 12-tone series and complex harmonies.

About Dr. Daniel
Baritone Daniel Collins has performed at Carnegie Hall and with the Metropolitan Opera chorus in New York City. He received his Bachelor of Music degree in Vocal Performance from the University of North Texas and earned both his Master of Music and Doctor of Music degrees in Vocal Performance from Florida State University. Dr. Collins was a finalist in the Dallas and El Paso Opera Guild Competitions, the NATS Singer of the Year Competition, and the NATSAA National Competition. He has performed in opera, concerts, and recitals throughout the United States and as a soloist at some of the most prestigious churches and synagogues in New York City and Washington, D.C. Dr. Collins was described by Tim Page with the Washington Post as a “funny, exuberant, and enormously likable” Papageno during Summer Opera Theater’s performance of The Magic Flu
te. The Post also celebrated him in Opera Theater of Northern Virginia’s The Barber of Seville as a “bright and bouncy” Figaro who delivered his lines with “aplomb.” He was a young artist in the studio programs of Portland Opera, Kentucky Opera, and El Paso Opera.

Dr. Collins has sung the roles of Sharpless in Madama Butterfly, Sid in Albert Herring, Figaro in The Marriage of Figaro and in The Barber of Seville, Papageno in Die Zauberflӧte, Belcore in L’elisir d’amore, Jupiter in Orphée aux enfers, Dr. Falke in Die Fledermaus, Bottom in A Midsummer Night’s Dream, Masetto in Don Giovanni, Schaunard in La Bohème, Clayton McAllister in Cold Sassy Tree, the Clock in L’Enfant et les Sortilèges, the Mandarin in Turandot, and Haushofmeister in the world premiere of Dorian Gray. Dr. Collins has had the pleasure of singing in the choruses of the Metropolitan Opera, Washington National Opera, and Fort Worth Opera. He has performed roles with the American Symphony Orchestra at Carnegie Hall, Kentucky Opera, El Paso Opera, Summer Opera Theater, Bel Cantanti Opera, Amarillo Opera, Crested Butte Opera, Portland Opera To Go, Opera Southwest, Opera Theater of Northern Virginia, Concert Royal, Ash Lawn Opera, Bay View Music Festival, and Seagle Music Colony.

Dr. Collins is currently on the voice faculty at the University of North Carolina at Chapel Hill and maintains a private voice studio at the National Opera Center in New York City where he teaches singers of all skill levels including those who perform on Broadway and at the Metropolitan Opera. He has a passion for vocal instruction and is dedicated to the success of each individual student. Dr. Collins keeps an active record of each student’s progress, vocal exercises, repertoire, performances, and personal goals. He is a member of the College Music Society, the American Guild of Musical Artists, the National Association of Teachers of Singing, Pi Kappa Lambda, and Opera America.
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Reviews
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Greg November 28, 2017
· Audition Prep · In studio
Dr. Daniel was great. After some initial work getting to know my voice, he was able to offer several exercises tailored to me. Looking forward to continuing our work together.
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Augusta September 12, 2017
· Opera Voice · In studio
This was my first private lesson with Dr. Daniel, most importantly he made me feel very comfortable and I wasn't afraid to sing notes in front of him. Dr.Daniel took the time to gather my history and take notes about what I said. Dr. Daniel was very thorough for our first visit, even though I had only booked my first class to be 30 minutes. I look forward to taking more lessons with him and am excited for our next lesson! Thank you so much!
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Patrice O. August 4, 2017
· Singing · Online
Dr . Daniel is great in his field and very honest to talk to .
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Dr. Daniel C.

Dr. Daniel C.

New York, NY 10001
(66)
starting at
$50 / 30-min
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About Concetta A.

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Brooklyn, NY

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How to read and write music fluently as well as compose your own original music. This is an amazing skill to have that opens up so many opportunities!

About Concetta
Private instruction, early childhood education, elementary and high school education, Continuing Adult Education
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Winston Thomas June 11, 2017
· Violin · In studio
It was truly a pleasure meeting Concetta for my first ever violin lesson. It is difficult to learn anything at the age 40, specially a musical instrument, but she made it comfortable and easy to understand. She's extremely patient a key quality when teaching a subject such a music to anyone. I would say, give her teaching style a try and you won't regret it. Very knowledgeable indeed.
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Matthew February 27, 2017
· Singing · In home
She was great, first lesson and I learned a lot about how to improve my singing, demonstrably so. Very pleased, looking forward to continuing.
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Blyth February 2, 2017
· Fiddle · Online
Very patient and beyond knowledgeable! I haven't done anything with TakeLessons before and my online class was hosted via skype so it was easy to get connected and learn at my own pace. I like that my lessons will be tailored to my style and my level of musical understanding. She has excellent follow-up for after the lessons as well. I'm excited to be a student again :)
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Concetta A.

Concetta A.

Brooklyn, NY 11222
(30)
starting at
$50 / 30-min

About Rebecca S.

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New York, NY

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Music Theory is just like grammar - the grammar of music. Don't let that scare you! Studying at the Mannes School of Music (a conservatory notorious for its very intense Music Theory classes) I have learned great strategies for tackling its difficulty. I will break down complex chordal harmony or counterpoint and give simple steps in order for you to completely understand the material. Or maybe you have no background in Music Theory - that is great too! I can start simply with learning how to reading music. A good foundation is very necessary! :)

I am able to teach Music Theory at 4 locations:
- West 13th Street (Mannes School of Music)
- Your Home
- Online
- Linford Road (My Home) **Winter & Summer ONLY

About Rebecca
Hello! Thank you for coming to view my profile! I am a junior at the Mannes School of Music studying Flute Performance with Judith Mendenhall. I graduated from Great Neck South High School and Manhattan School of Music Precollege. I have had a wide age range of flute students whom I taught how to read music as well as the flute itself. These students then went on to participate in NYSSMA. I have always had a passion for learning and teaching and hope to instill my passion upon you! Don't hesitate to send me any questions you may have!

**The availability drop down is a bit confusing. During the winter and summer, I will be able to teach in/around Great Neck AND in NYC, whereas during the Fall and the Spring I will be living in NYC and ONLY able to teach there. If you have any questions, please send me a message and we can work out our a
vailability through the message system. In the photos section of the profile, I have posted my free hours from August 28th - December 20th. Hopefully this also helps!

Thank you again for taking interest in my profile!
Rebecca
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Camila February 15, 2018
· Flute · In studio
Great class
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Laith February 10, 2018
· Flute · Online
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Micah F. January 6, 2018
· Flute · In home
Our son really enjoyed his lesson and we saw immediate improvement. We are looking forward to having Rebecca back! She is an excellent teacher and really understood how to engage our son.
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Rebecca S.

Rebecca S.

New York, NY 10011
(15)
starting at
$22 / 30-min

About Zachary G.

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New York, NY

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Lift the veil behind the mystery of music and begin to understand the language that music encompasses.

About Zachary
I am an orchestral conducting Masters student at Mannes College of Music who has been playing piano since the age of 4. I have been teaching beginner and intermediate piano for the past 3 years to students ranging from ages 7 - 65. I teach all types of styles ranging from classical to pop with everything in-between.

My students can expect to develop a strong and reliable technique while being able to express their musical ideas with a clear and dynamic level of sophistication. It's the stories and emotions that draw people to music, so I do my best to base my teachings around that concept.
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Zachary G.

Zachary G.

New York, NY 10031
starting at
$45 / 30-min

About Christopher H.

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Maspeth, NY

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I can take a student that has no understanding of music theory and leave them feeling comfortable with the fundamentals after our first lesson. This being general theory and reading music on any instrument.

About Christopher
I'm a musician proficient in multiple styles. My main focuses are Jazz, Rock and R&B. I teach Piano, Guitar (including bass), Singing and musical theory from beginning through advanced.

I have worked with Norah Jones, Katharine McPhee, Miranda Lambert, Walking Shapes, The Wailers, Alabama as well as Broadway and Off-Broadway shows. I also performed on Miranda Lambert’s national television commercial for Cotton’s Fabric Of Our Lives Campaign

In addition to live and studio work I have scored and performed music for television and film. My credits include MSNBC’s “Locked Up” series;
as well as Amnesty International’s documentary Women of Liberia.

I have always been a "student" of the instrument and of music in general, and enjoy passing on what I have learned throughout this journey. I was very lucky to study with one of the most renown
ed drummers and educators John Riley. Through his teachings and years of touring and playing drums professionally I have developed a style of teaching all my own that focuses on the the foundation and essentials of being, not only a great drummer, but a great musician.
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Christopher November 27, 2017
· Drum · In home
I have a little background with making beats on my computer, but felt that sometimes I’m limited, So I figured it would help if I took a drum lesson. It was awesome! I have a little electronic kit that we hooked up to my computer! I’m so happy I booked Chris! Chris is an awesome teacher and knowledgeable about everything having to do with music and theory! He even hooked me up with some theory and keyboard techniques that just opened me right up! On top of that, he’s played with a couple bands that I love! I’m excited for our next lesson on an actual drum kit!
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Christopher H.

Christopher H.

Maspeth, NY 11378
(1)
starting at
$35 / 30-min

About Sam C.

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New York, NY

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Hello! Through my deep personal study and four long years at the Juilliard School, I have become a master of Music Theory.

Most people struggle with music theory due to overloading their brain with memorization and other processes of elimination. However, the one thing that's never taught on this subject (even inside Juilliard), is common sense. Above all, music theory is rooted in common sense. Once my students learn WHY things work, rather than simply WHAT works, they make TREMENDOUSLY fast progress. Once you get the snowball rolling, it picks up speed and snow exponentially.

Learning the mechanics of the beauty of music was one of the most important processes in my life. It opened up my eyes and ears and gave me a better understanding not just of music, but of life. I can't wait to share this beauty with you, it's one of my biggest passions.

PS- I also have cohesive lesson plan for AP Music history study

Happy practicin' !

About Sam
Hello! I'm Sam Chess and I'm a graduate of the Juilliard School. I'm a huge music nerd and teaching is one of my biggest passions. For eight years, I have been teaching students of various ages and backgrounds, compiling lesson plans designed to work with students at ALL LEVELS. As a prominent NYC based jazz trombonist/band leader/composer, I am more than qualified to teach any student.
I have given numerous masterclasses, workshops, lessons and group lessons in everything from classical trombone technique to jazz history. I offer fun, cohesive lessons catered to your ability in the following subjects:

--Trombone (jazz and/or classical, beginning to advanced)

--Jazz Harmony (any instrument [bass, piano, drums, guitar, etc.] beginning to advanced)

--Music Theory and/or AP Music Theory prep (any instrument, beginning to advanc
ed)

--Ear Training (any instrument, beginning to advanced)

--Arranging/Composition (any instrument, beginning to advanced

--Songwriting (any instrument, beginning to advanced)

--Piano lessons (beginning to intermediate)

*Since I charge the same rate for each of these subjects, many of my students request to split the lesson time into 2 or more subjects
*ASK ABOUT MY GROUP LESSON DISCOUNT, and call up a buddy!

If you have any questions about my specific lesson plans for a particular subject, please don't be afraid to shoot me an email!

Happy practicin'!
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Sam C.

Sam C.

New York, NY 10032
starting at
$30 / 30-min

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Recent Music Theory Articles from the Blog

Whether you're just starting out or a seasoned pro, check out the Music Theory articles on our blog.

Subdivision: The Easy Trick for Reading Rhythms Right

Subdivision: The Easy Trick for Reading Rhythms Right

As you're learning to read music, you'll come across complex rhythms at some point. Here, Saint Augustine, FL music teacher Heather L. offers some helpful tips to help you get through the tricky parts...   Have you ever found yourself sitting in a big concert hall, or in your room, listening to a soloist play a practically perfect rhythm? Almost all of us have, and almost all of us have asked ourselves, "How do they do that?" Their secret is subdivision. You might be just begin … Read More

Subdivision: The Easy Trick for Reading Rhythms Right
As you're learning to read music, you'll come across complex rhythms at some point. Here, Saint Augustine, FL music teacher Heather L. offers some helpful tips to help you get through the tricky parts...   Have you ever found yourself sitting in a big concert hall, or in your room, listening to a soloist play a practically perfect rhythm? Almost all of us have, and almost all of us have asked ourselves, "How do they do that?" Their secret is subdivision. You might be just begin
Why Learning Piano Theory is Important for All Musicians
Struggling to understand music theory? Try heading over to the piano -- seeing a visual representation can help a ton! Here, Lowell, IN teacher Blake C. shares how to get started...   Many musicians avoid learning music theory altogether because it can feel much like learning a foreign language; as a result, many musicians enlist in the anti-music theory organization. I will admit it – I was a member of the anti-music theory organization in my early years, declaring that music theory
All in Order: Tricks for Identifying Key Signatures
What are the "keys" to identifying different key signatures? Read on for some great tips from Tucson, AZ teacher Lourdes C... In reading music, there are a few things that give musicians the biggest headaches. One major migraine-maker is determining keys from the key signature and then remembering the order of sharps and flats. This chart gives musicians a quick way to help with identifying key signatures. Key Signatures at a Glance Major sharps: the name of the key can be fou
How to Prepare for Sight Reading at an Audition | 3 Helpful Tips
Nervous about the sight reading portion of an upcoming audition? Find out how to work sight reading practice into your routine in this guest post by Saddle Brook, NJ teacher Christian D...   “Be prepared to sight read.” That dreaded requirement on all auditions that makes us all nervous. But the fact is, you shouldn’t be! Sight reading is a learned skill, just like everything else in music. Think of it as sight reading a passage from a book in front of an audience. With so many
4 Painless Steps to Help You Learn Music Theory
Sure, music theory is complex -- but there's no need to fear it! Here, Jamaica Plain, MA teacher Noaa R. shares four steps to get you started...   Many students tend to avoid studying music theory and harmony. This can stem from a fear of compromising one’s creativity with rules and numbers, a failure to connect concepts with application, or from feeling overwhelmed by the perceived volume of material to be learned. However, when you approach theory as an exploratory process that help

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