Roslyn Heights, NY Drum Lessons

ne of which is in Long Island. At this school I teach electronic music production w/ Ableton as a digital audio workstation. I also teach DJ/Turntablism along side DJ 4our 5ive (he has worked with Notorious BIG, Jay z, and is the current tour DJ for Lil Wayne). We have also started working together on performing at the venue near the school.

I hope to inspire others to pursue a musical life. No matter how serious and long, or short and light.

One of my ultimate goals in teaching is to help my students develop the skills and knowledge to not only be able to play well, but to also be able to teach themselves (and hopefully others in the future). Thank you for your time! Have a great day!

rums, PA, percussion (bongo, cajon, udu, davul)

*** Specialties ***
Patience

a highly professional drum teacher and have been instructing students of all ages and levels informatively and creatively. Students under my teaching methods are engaged with numerous styles of music and cultures, and develop gradually while achieving excellent music and performance skills.

*** Lesson Details ***
In general, and depending on the student requirements, I teach drum rudiments, music notation, a range of styles, drum tuning and setup. As part of my method, I divide my class/lesson into four sections, which begins with warm ups and proceed with drum rudiments and coordination. I devote the second portion of the lesson to reading and playing orchestral snare drum pieces, and in the third section, students practice different types of rhythms. In these lessons, as well as in private classes, I use drum-method books such as Joel Rothman's Mini-Monster Book of Rock Drumming by Joel Rothman (Fort Lauderdale, Fla: J.R. Publications, 1981), Advanced Techniques for the Modern Drummer by Jim Chapin (New York: Jim Chapin, 1971), Ted Reed’s Progressive steps to syncopation for the modern drummer (Van Nuys, California: Alfred, 1996), as well as many music charts. In the last portion of the session, I engage students in an open discussion about their progress, improvements and goals.

*** Studio Equipment ***
Small studio: drum set, two drum thrones plus two drum pads, computer / mixing board and studio monitors , downstairs there is a living room or I can bring a chair if parents want to sit in on lesson

*** Travel Equipment ***
I can provide : Books, Music Charts , skills and my knowledge
The student need provide : Drum Set , Drum Sticks , Stave paper / Music paper / Note Book

*** Specialties ***
I teach students separately and collectively. During my lessons, I teach drum rudiments, how to read drums’ musical notation, various rhythm styles such as rock, funk, shuffle, and drum tuning and setup. I divide my classes into four sections beginning with warm ups, which included drum rudiments and coordination; the second portion of the class is devoted to reading and playing orchestral snare drum piece, and in the third section, students are practicing various rhythms, where I included books such as Mini-Monster Book Of Rock Drumming by Joel Rothman, Four way coordination by Jim Chapin as well as various music sheets. The last portion is devoted to an open discussion and enable the students to ask questions which were not discussed during the lesson.

mely creative and knowledgeable, but if you don't have the technique and vocabulary needed to express your ideas, you will find yourself very limited and suppressed musically.

My philosophy about teaching follows that I am here to provide you with those tools in a fun, exciting way. When I say "tools" I mean the whole toolbox. This includes giving you the technique, correcting bad habits, providing listening material, finding holes in your playing and much more. A good music teacher must be more than an instructor, but a mentor and an inspirational guide. My best teachers were the ones who could cultivate my playing not just through the physical aspects but ESPECIALLY through the cerebral. We ALL need encouragement and inspiration to get the best out of our natural talent. I love to encourage my students to do their best. To strive to not only complete exercises, but to execute them well. Every student is different, and therefore I will tailor their education with me on an individual basis. I expect a lot out of my students because I strongly believe in my teaching ability as well as their ability to learn and feel good about their progress.

My approach to providing all these things is modeled around my best experiences in learning and performing. I've studied under some of the absolute best players and teachers in the world. Here are just a couple:

World renowned drummer and educator

TOMMY IGOE from
The Lion King on Broadway
The Birdland Big Band
Numerous instructional books and DVDs.

Highly sought after percussionist

TOM KOLOR
Graduated from William Paterson as well as with a Masters from the Julliard School of Music
Professor of Music at the University at Buffalo.

IAN FROMAN
Professor of Drums at Berklee School of Music
Professional, world renowned Drummer

I've also graduated Cum Laude from the University at Buffalo with a degree in Music Performance, Dean's List and Honor Roll awards.

Some of my experience includes being featured in Tommy Igoe's "Great Hands For a Lifetime" DVD which received 5 stars from Modern Drummer magazine in 2010. I've also played great venues like Gramercy Theatre and Central Park in NYC among others. I've played in Big Bands, Symphony Orchestras, Klesmer and Percussion ensembles, and more.

I really could go on forever talking about music, what it means to me, how I approach teaching, etc. When you love music and teaching as much as I do, you really can't help it. It's ingrained in you. Precisely as ingrained as I like to think being a fun, caring, disciplined, attentive teacher is in me. Whether it be for you or your child, I can easily promise that I will deliver the same success-bound mentoring that I have to my students for over 10 years running.

Can't wait to hear from you!

-Asaf

*** Lesson Details ***
-I am here for you.

I would not teach if I wasn't very interested in the progress of my students. I want you to be the biggest, baddest, awe-inspiring drummer/percussionist possible. I want to ultimately end up at your shows and concerts and be able to say "That's MY student." You can always be guaranteed that when studying with me everything I assign has precisely that goal in mind.

-Strict or Laid Back?

Many people might ask if I'm strict, or laid back. My response is that I am excited and driven to help you reach success. I will never scold you because that sort of practice has no place in teaching. I also understand that learning isn't just a straight upwards incline of progression. We're all humans. Sometimes we progress astronomically in a short period of time and sometimes we have to fight hard to nail something. Sometimes we have a lot of time to practice, and sometimes we simply don't. My job is to make the most out of every situation and help you learn no matter what. That being said, I will still hound you to practice as much as healthily possible!

-What do you want out of music?

Probably the most important question I will undoubtedly ask you upon meeting you is why you are taking lessons. There is no way to formulate a tailored lesson plan if I don't know what it is you're working towards.

-Expected Material

Like I said, I can't tell you very specifically what your lesson plan will be, but I CAN give you examples of what I almost always assign. Individually written out exercises, exercises from books, assigned reading/listening, song covers, chart writing/reading, improvisational exercises, rudiment study, warm-up routines, among others.

-Don't be Afraid to Make Mistakes

Mistakes are part of the learning process! If you aren't making mistakes then I'm doing something wrong. Never be afraid to make mistakes.

-You Get What You Give

I promise I'll be there for you. I'll be there to give you the material and show you the path, but you're going to have to be there for yourself as well. The more prepared you are for our lessons, the more you will grow from the time we spend together.

Mastering an instrument takes time and effort both by student and teacher. The sooner we get started the sooner you get on that path. I'm ready whenever you are.

*** Studio Equipment ***
detached studio 3 professional drum sets seating for parents

*** Travel Equipment ***
Numerous practice pads and snare stands. I expect my students to only provide their own Drum Sticks and books.

*** Specialties ***
I pride myself on being as versatile as I possibly can be. I can aptly teach most styles including Jazz, Rock, Funk, Latin, Hip Hop\R&B, Classical, and more.

l, DW/PDP and Gibraltar Hardware,
Vic Firth AJ2 and Regal Tip Rock sticks,
Regal Tip Jazz Brushes (classic)

*** Travel Equipment ***
Depending on gig the snare drum, cymbals and bass pedal at every showcase in case playing a back line or house drum kit.

*** Specialties ***
All styles, any method.

http://www.worcesterphoenix.com/archive/music/01/01/04/M_SIMON.html

is sound is dynamic, spontaneous and full of energy and melody. The mix of genres appeals to a diverse crowd, regardless of age and preferences. Some of his more open and orchestral compositions have appeared in several films and other media. Currently, Freddy works and lives between Palm Beach and New York City, where he runs his own NYC recording facility.

When not busy making music, Freddy operates a very successful luxury travel agency, Sienna C with his wife Jaclyn Sienna India.

DRUMS
A pair of drumsticks were probably the first thing I ever fooled around with when I was younger. Well, maybe not the first thing, but I remember playing as young as 4 years old. It's always easier to start learning an instrument when you're a child. Endless hours of the day to practice with no responsibilities, works wonders! Those of us that were fortunate enough to have the time as a child to lay a foundation for music, we were lucky. Drumming is the most physical form of musical instrument expression. For me it was the only form of expression. The drummer learns to control two sides of his brain, a practice that allows the individual to develop in a unique way. In order to learn how to properly play the drums, you need to loosen up. The point is to release the tension through the beats and notes, as opposed to being tense while playing. An accomplished drummer will learn how to master the muscle separation between arms, hands and fingers. The latter being the most difficult. My influences when performing behind the kit are many, but the following will always stand out; Ginger Baker, Bill Bruford, Billy Cobham and Buddy Rich to name a few. My practice regime as a child was putting on records and playing along. Developing my ear was the most important aspect of my training. Being able to hear what you are going to play, before you play it is what the musician strives for. My approach to teaching drums relies on heavy ear training, rather than reading notes. I think some fundamental theory and notation reading is a plus, but not necessary in today's musical context.

ol, and have taught dozens of students of all ages, skill levels, and in all styles of music. In addition to private lessons, I have taught workshops and masterclasses in high schools and community centers throughout my years at New England Conservatory. I have also taught at the Outreach Summer Music Workshop in Austria for 2 years, where I instructed and coached ensembles of international students. Music is a powerful thing, and the ability to teach it is a great joy and learning experience.

g Island based post/math rock band.