Ridgewood, NY Shakespearean Acting Lessons
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Popular Shakespearean Acting Teachers near Ridgewood, NY
Check out some of our most popular teachers near Ridgewood, NY including Middle Village, Maspeth, Rego Park, Woodhaven and Ozone Park.
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About Adam K.
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About Adam
Hello! My name is Adam, and I'm excited to be a part of the Take Lessons team. I am an Actor, Singer, Voice-Over Artist, and Teacher in New York City. Originally from the St. Louis area, I moved to NYC in 2004 to pursue a career in theatre. Along the way, I discovered a love for teaching. I have taught private lessons and classes in a variety of areas, including Acting, Voice, Singing, Musical theatre, Dialects, Shakespeare, and more. As a working professional actor, I am very familiar with the demands of the industry and the dedication it takes to have a career in the performing arts. One of my goals as a teacher is to instill a sense of dedication in my students. And of course, as I understand the personal nature of acting & performance, my main goal is to help each student find and strengthen his/her unique & personal talents.
I have been taught & inspired by many gifted teachers/performers over the years, and I always hope that I can pass along what I have learned to other students. I received my MFA in Acting from the Actors Studio/New School (NYC), and I received my BA in Theatre & Vocal Performance from McKendree University. I also have training from the American Academy of Dramatic Arts in NYC and the Old Vic Theatre in London.
Because I have been taught a variety of techniques and styles, my teaching style combines all of those techniques. There are many ways to approach the art of performing, whether it be acting, singing, etc. And it is most effective for me as a teacher to provide you with as many techniques as I can.
I look forward to meeting you and working with you!
*** Lesson Details ***
First and foremost, I believe in working with you to create a relaxed environment where you can learn and grow as a student and performer. Performing (acting, singing, etc.) is about taking risks and looking inside yourself to create something bigger than yourself. Because of that, I always begin each lesson with some sort of relaxation or technique to get you focused.
I ask a lot of questions during lessons---some of the questions may not have one definitive answer. But I ask you these questions to get you to consider various things, think, ponder, explore, and hopefully, DISCOVER.
Because all students learn in different ways, and we all have our strengths as learners and performers, my lessons are different for each individual student.
But you can always count on:
-Learning a variety of techniques to help you with your craft.
-Beginning with relaxation and other exercises to get you released, focused, etc.
-Each lesson being a building block: We build upon what we learned in the previous lesson.
-Combining technical exercises (which I promise are always FUN!) with practical performance pieces (songs, monologues, etc.)
Our goal together will be to unlock YOUR OWN, PERSONAL TALENTS. And then, we will work to fine-tune those talents.
It is my hope that you will continue your desire to perform and share your talents with others. Also, I hope that you will develop a desire for life-long learning and that you'll eventually want to pass along your knowledge and training to others.
*** Studio Equipment ***
n/a
*** Travel Equipment ***
I provide some materials (in terms of handouts, music, scripts, etc.). I expect you to provide additional music, which will be discussed. Also, if I travel to you and our lesson requires a piano, I would expect you to provide that. Thank you!
*** Specialties ***
I specialize in Musical Theatre/Acting. I am a firm believer in Method Acting Techniques, including sense memory---the result of these techniques is to bring more of the performer's persona into the performance itself. Therefore, I use exercises to enhance these techniques. I believe that the final performance should be creative and expressive, yet realistic.
I have been taught & inspired by many gifted teachers/performers over the years, and I always hope that I can pass along what I have learned to other students. I received my MFA in Acting from the Actors Studio/New School (NYC), and I received my BA in Theatre & Vocal Performance from McKendree University. I also have training from the American Academy of Dramatic Arts in NYC and the Old Vic Theatre in London.
Because I have been taught a variety of techniques and styles, my teaching style combines all of those techniques. There are many ways to approach the art of performing, whether it be acting, singing, etc. And it is most effective for me as a teacher to provide you with as many techniques as I can.
I look forward to meeting you and working with you!
*** Lesson Details ***
First and foremost, I believe in working with you to create a relaxed environment where you can learn and grow as a student and performer. Performing (acting, singing, etc.) is about taking risks and looking inside yourself to create something bigger than yourself. Because of that, I always begin each lesson with some sort of relaxation or technique to get you focused.
I ask a lot of questions during lessons---some of the questions may not have one definitive answer. But I ask you these questions to get you to consider various things, think, ponder, explore, and hopefully, DISCOVER.
Because all students learn in different ways, and we all have our strengths as learners and performers, my lessons are different for each individual student.
But you can always count on:
-Learning a variety of techniques to help you with your craft.
-Beginning with relaxation and other exercises to get you released, focused, etc.
-Each lesson being a building block: We build upon what we learned in the previous lesson.
-Combining technical exercises (which I promise are always FUN!) with practical performance pieces (songs, monologues, etc.)
Our goal together will be to unlock YOUR OWN, PERSONAL TALENTS. And then, we will work to fine-tune those talents.
It is my hope that you will continue your desire to perform and share your talents with others. Also, I hope that you will develop a desire for life-long learning and that you'll eventually want to pass along your knowledge and training to others.
*** Studio Equipment ***
n/a
*** Travel Equipment ***
I provide some materials (in terms of handouts, music, scripts, etc.). I expect you to provide additional music, which will be discussed. Also, if I travel to you and our lesson requires a piano, I would expect you to provide that. Thank you!
*** Specialties ***
I specialize in Musical Theatre/Acting. I am a firm believer in Method Acting Techniques, including sense memory---the result of these techniques is to bring more of the performer's persona into the performance itself. Therefore, I use exercises to enhance these techniques. I believe that the final performance should be creative and expressive, yet realistic.
...
Reviews
· ·
adam is a great teacher. i dont feel self conscious at all in the lessons. and im a pretty self conscious person in general so u can imagine how i feel about singing.he doesnt judge u one bit. and fast moving lessons
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Adam K.
Astoria, NY 11106
starting at
$40
/ 30-min
About Gina B.
Close
A classical education makes everything so much easier. There are basic classical rhetorical devices that are easy to use once you understand them and make acting so much more fun and simple. It is 'playing' after all and with these techniques that are just ages old and so ingrained in humanity and nature you will be delighted and challenged.
About Gina
As of May 10th, I am in New York City. I will be accepting new students for the summer months either in NYC or online.
I am studying Music in The Mills College Music Department and Center for Contemporary Music; in pursuit of my second MFA, specializing in Improvisation. My main instrument is Voice; I also study piano. That will add to my BFA in Dance from The Juilliard School, an MFA in Dance and my other fancy pants pedigrees!! I teach Music Improvisation as well as many other aspects of music and the list of subjects below.
I graduated from Juilliard in dance and pursued modern dance and all sorts of theatre, dance/theater, music/theater, experimental, modern and classical theater, post modern and modern dance. I have taught children and grown ups for many years. I have a strong performing career and love the way teaching ke
I am studying Music in The Mills College Music Department and Center for Contemporary Music; in pursuit of my second MFA, specializing in Improvisation. My main instrument is Voice; I also study piano. That will add to my BFA in Dance from The Juilliard School, an MFA in Dance and my other fancy pants pedigrees!! I teach Music Improvisation as well as many other aspects of music and the list of subjects below.
I graduated from Juilliard in dance and pursued modern dance and all sorts of theatre, dance/theater, music/theater, experimental, modern and classical theater, post modern and modern dance. I have taught children and grown ups for many years. I have a strong performing career and love the way teaching ke
eps me in a giving and learning place.
*** Lesson Details ***
With beginning students I am very laid back and patient and believe strongly that in the play of games and experiments technique will develop and manifest. As the student becomes more advanced I become more demanding as do the materials. As an acting teacher I have an advanced capacity to take students along all the way to professional and beyond. I am a member of the Actors Studio, the performing unions and studied since childhood at ACT and then all over the world including The National in London.
In Singing and Piano I can be valuable to the beginning level and will want to send them to another teacher as they progress beyond my ability.
In dance I have a wide knowledge and can teach several forms as well as history and materials. In Juilliard I specialized in historical dance of the French Court which is also known as pre-ballet. At present I am studying Tango and other ballroom forms and can teach the beginning levels as well as help choreograph for weddings or events. Of course I can also teach Ballet and many forms of Modern Dance.I adore teaching dance composition. To help a dance student make dances is very very fulfilling to me. I work with other media to inspire, using painting and painters, poetry, sound and dream, ideas and desires. All to contribute in making a dance.
In Visual Arts I can teach Abstract Painting, Installation and Performance Art. I have taught children and adults and have a way of bringing the body's expression into the act of making visual art that I and my students find very successful.
*** Studio Equipment ***
I have supplies and space. Visual Art students need to contribute to materials by finding or purchasing whatever they like and adding to the mix. My students are welcome to use what I have here and I am always adding materials. Many people throw away materials that are perfectly good for art making so keep your eyes open and you'll find all kinds of good things. Visual Art students need to book a 2 hour minimum and I will lower the price if you just let me know you need it.
*** Travel Equipment ***
just a space to work in - we can create a work space out of any space.
*** Specialties ***
In dance I teach classical ballet principles for beginners or those who are returning and want to work carefully and privately. I teach from the tradition of Alfredo Corvino's principles of relationship to organic forms and structures for sound development. I studied with Mr Corvino for years and continue to study with Ernesta Corvino.
For acting I teach a combination of classical acting technique with American sense memory and relaxation skills. I am well versed in the teachings of Lee Strasberg and then spent time in London to 'fill in the cracks' of my training with analytical skills as well as the various european influences that the Royal National embrace.
I teach creative discovery in combination with classical devices so the student can discover their own artistry while learning actual classical devices for accomplishing specific goals.
*** Lesson Details ***
With beginning students I am very laid back and patient and believe strongly that in the play of games and experiments technique will develop and manifest. As the student becomes more advanced I become more demanding as do the materials. As an acting teacher I have an advanced capacity to take students along all the way to professional and beyond. I am a member of the Actors Studio, the performing unions and studied since childhood at ACT and then all over the world including The National in London.
In Singing and Piano I can be valuable to the beginning level and will want to send them to another teacher as they progress beyond my ability.
In dance I have a wide knowledge and can teach several forms as well as history and materials. In Juilliard I specialized in historical dance of the French Court which is also known as pre-ballet. At present I am studying Tango and other ballroom forms and can teach the beginning levels as well as help choreograph for weddings or events. Of course I can also teach Ballet and many forms of Modern Dance.I adore teaching dance composition. To help a dance student make dances is very very fulfilling to me. I work with other media to inspire, using painting and painters, poetry, sound and dream, ideas and desires. All to contribute in making a dance.
In Visual Arts I can teach Abstract Painting, Installation and Performance Art. I have taught children and adults and have a way of bringing the body's expression into the act of making visual art that I and my students find very successful.
*** Studio Equipment ***
I have supplies and space. Visual Art students need to contribute to materials by finding or purchasing whatever they like and adding to the mix. My students are welcome to use what I have here and I am always adding materials. Many people throw away materials that are perfectly good for art making so keep your eyes open and you'll find all kinds of good things. Visual Art students need to book a 2 hour minimum and I will lower the price if you just let me know you need it.
*** Travel Equipment ***
just a space to work in - we can create a work space out of any space.
*** Specialties ***
In dance I teach classical ballet principles for beginners or those who are returning and want to work carefully and privately. I teach from the tradition of Alfredo Corvino's principles of relationship to organic forms and structures for sound development. I studied with Mr Corvino for years and continue to study with Ernesta Corvino.
For acting I teach a combination of classical acting technique with American sense memory and relaxation skills. I am well versed in the teachings of Lee Strasberg and then spent time in London to 'fill in the cracks' of my training with analytical skills as well as the various european influences that the Royal National embrace.
I teach creative discovery in combination with classical devices so the student can discover their own artistry while learning actual classical devices for accomplishing specific goals.
...
Reviews
· Abstract Painting · In home
· Acting · In studio
She loves the craft and it shows in her teaching. Shes tough but so loving and enthusiastic.
· Acting · In studio
P.S. She is a great Dancer and a great Musician.
Good Luck!
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Gina B.
New York, NY 10003
starting at
$70
/ 45-min
About Kristofer K.
Close
Every actor has their own strengths and weaknesses. It is my goal to pull out strengths, develop, and help achieve a natural and realistic performance. From the audition to the final performance, my actors are ready for anything that is thrown at them.
Becoming successful depends on your definition of success. It could be professional theatre, film and television, community theatre, school plays, or just to gain confidence in yourself. Whatever your path to success is, it’s all about using your strengths to help connect to each and every role you play. This is our focus, your strengths to achieve naturalism and realism.
No matter what your goals are, I am focused on helping you find the best possible path towards your version of success. Every road is different and that’s what makes every actors story so interesting.
About Kristofer
www.kristoferkauff.com
Currently in the NYC area, Kristofer Kauff began his career as an actor working on shows from Off-Broadway, Regional, Community Theater, Film and Television, as well as Walt Disney World and Universal Studios. His true passion, however, lies in directing where he has forged an extensive career over the last 19 years. He believes in a collaborative effort to reach honest and true performances. Kris's resourcefulness, experience, patience, and passion are the cornerstones of each production. He is a proud associate member of SDC.
Kristofer has a passion for developing new plays and the collaborative effort it requires from all involved. Over the last few years he has directed new projects here in NYC, as well as Washington D.C. and Florida. Recent "new work" include Bad Actor (NYC), The Prop Master (NY
Currently in the NYC area, Kristofer Kauff began his career as an actor working on shows from Off-Broadway, Regional, Community Theater, Film and Television, as well as Walt Disney World and Universal Studios. His true passion, however, lies in directing where he has forged an extensive career over the last 19 years. He believes in a collaborative effort to reach honest and true performances. Kris's resourcefulness, experience, patience, and passion are the cornerstones of each production. He is a proud associate member of SDC.
Kristofer has a passion for developing new plays and the collaborative effort it requires from all involved. Over the last few years he has directed new projects here in NYC, as well as Washington D.C. and Florida. Recent "new work" include Bad Actor (NYC), The Prop Master (NY
C), Witchhazel (NYC), For I am Nothing If Not Critical (Washington, D.C.), Our Struggle to be Illustrious (Washington, D.C.) Paginas Latinas (Orlando, FL) Orlando the Television Show... on stage! (Orlando, FL)
Most recent directing credits include The Prop Master (NYC), Assassins (Fair Lawn, NJ), Witchhazel (NYC), Dinner With Friends (Arlington, VA), Godspell (NYC), FEARS (NYC), Why Torture is Wrong, and the People Who Love Them (Annapolis, MD), The Rocky Horror Show (Alexandria VA), Superior Donuts (Annapolis, MD), The Producers (Gaithersburg, MD), Pippin (Baltimore, MD), Little Shop of Horrors, Seussical The Musical, Inherit the Wind, Comedy of Errors, Orlando the Television Show… On Stage, and The Land of Counterpane. (For a more detailed list, please visit the productions page.)
Throughout his career, Kris has dedicated himself to directing shows with a natural and realistic approach, making productions accessible to new and seasoned audiences. In the rehearsal process he allow actors to search for the reality in their characters and relationships, always staying within the shows overall vision. Kris truly loves working with actors and designers, and believes in leading a collaborative effort.
Kristofer has taken great pride in sharing his passion and knowledge through workshops, classes, and private coaching. In 2000 he headed workshops and directed theatre for younger audiences with MicheLee Puppets in Orlando, FL. Since then he has served as the Theatre Director for Camp Echo Lake in NY (2004-2008) and is currently the Performing Arts Director at Maine Arts Camp (Since 2011).
Most recent directing credits include The Prop Master (NYC), Assassins (Fair Lawn, NJ), Witchhazel (NYC), Dinner With Friends (Arlington, VA), Godspell (NYC), FEARS (NYC), Why Torture is Wrong, and the People Who Love Them (Annapolis, MD), The Rocky Horror Show (Alexandria VA), Superior Donuts (Annapolis, MD), The Producers (Gaithersburg, MD), Pippin (Baltimore, MD), Little Shop of Horrors, Seussical The Musical, Inherit the Wind, Comedy of Errors, Orlando the Television Show… On Stage, and The Land of Counterpane. (For a more detailed list, please visit the productions page.)
Throughout his career, Kris has dedicated himself to directing shows with a natural and realistic approach, making productions accessible to new and seasoned audiences. In the rehearsal process he allow actors to search for the reality in their characters and relationships, always staying within the shows overall vision. Kris truly loves working with actors and designers, and believes in leading a collaborative effort.
Kristofer has taken great pride in sharing his passion and knowledge through workshops, classes, and private coaching. In 2000 he headed workshops and directed theatre for younger audiences with MicheLee Puppets in Orlando, FL. Since then he has served as the Theatre Director for Camp Echo Lake in NY (2004-2008) and is currently the Performing Arts Director at Maine Arts Camp (Since 2011).
...
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Kristofer K.
New York, NY 10013
starting at
$92
/ 60-min
About Anthony H.
Close
"All the world's a stage, and all the men and women merely players: they have their exits and their entrances; and one man in his time plays many parts"
We will explore the intentions of William Shakespeare and all of the wonderful plays and sonnets that he has gifted the world. We will work on his specific rhythm of iambic pentameter and make it comfortable as tho you're speaking modern day English.
About Anthony
My life revolves around music in all of its forms. I have studied piano since the age of 6 while singing ever since I knew how to make sound. Throughout my lifetime, I have been taught by some of the most influential teachers, and it is my goal to become one in your lifetime.
I began participating in theater at an early age. Once In high school, I had my first job as a Drama Teacher at Saltworks Young Actors Studio where I taught Improvisation, Monologues and Musical Theater to students ages 6 through 16.
I went to Point Park University where I received a BA in Musical Theater in 2006. Throughout College, I was also teaching voice and piano lessons.
As an actor, I have enjoyed many successes. In 2007, I joined the NY Public Theater’s three night, 40th anniversary concert of HAIR at the Delacorte Theater in Central Park.
I began participating in theater at an early age. Once In high school, I had my first job as a Drama Teacher at Saltworks Young Actors Studio where I taught Improvisation, Monologues and Musical Theater to students ages 6 through 16.
I went to Point Park University where I received a BA in Musical Theater in 2006. Throughout College, I was also teaching voice and piano lessons.
As an actor, I have enjoyed many successes. In 2007, I joined the NY Public Theater’s three night, 40th anniversary concert of HAIR at the Delacorte Theater in Central Park.
The following summer, I was a member of the cast in a full mounted production in their 2008 Shakespeare in the Park season. Shortly after the production transferred to Broadway, the cast performed at the 2009 Tony Awards and took home the Tony for Best Revival.
During the run of Hair, I was entered into the Broadway Beauty Pageant, where male cast members from different Broadway shows compete to win the title of "Mr. Broadway". After competing in Talent and Interview; I was crowned Mr. Broadway 2009.
In 2010, I journeyed across the Atlantic with the production to perform HAIR in London’s West End. It was such a joy to have the influence of UK culture and experience the best of their Music and Theater in my time living in London.
Since moving back to America, I began teaching full time and have been a first hand witness to all of my students growing and flourishing throughout their process. It makes me so proud of them!!
I believe music has the power to be the most fun thing in the world, while at the same time, the most challenging thing. No matter what age, it's never to early or late to open your heart and mind to its fullest potential.
*** Studio Equipment ***
I have an Upright Piano in my living room with plenty of seating for parents/guardians. I also have a spare room and patio in case one would like some privacy to work or read.
*** Travel Equipment ***
I expect my student to have a Piano or a full electronic keyboard for proper Piano or Voice lessons, and a Trumpet or French Horn for those lessons respectively.
*** Specialties ***
I am a very earnest, physical, character actor with a great sense of comedic timing. I live for anything theatrical and I hope that I can share all the joys it brings me with you.
I have a vast singing range from bass’ low D, high A belt, to a B6 in my falsetto. I have shaped my voice through almost a dozen voice teachers since the time my voice changed from boy to young man and now I feel confident to sing in styles from Traditional and Contemporary Broadway, to Pop and Rock. I hope that I can help you gain the confidence and strength to conquer multiple styles.
I have been playing the Trumpet, French Horn and Piano since grade school. From Honors bands to Marching bands, the excitement from a band is tap-your-foot contagious!
During the run of Hair, I was entered into the Broadway Beauty Pageant, where male cast members from different Broadway shows compete to win the title of "Mr. Broadway". After competing in Talent and Interview; I was crowned Mr. Broadway 2009.
In 2010, I journeyed across the Atlantic with the production to perform HAIR in London’s West End. It was such a joy to have the influence of UK culture and experience the best of their Music and Theater in my time living in London.
Since moving back to America, I began teaching full time and have been a first hand witness to all of my students growing and flourishing throughout their process. It makes me so proud of them!!
I believe music has the power to be the most fun thing in the world, while at the same time, the most challenging thing. No matter what age, it's never to early or late to open your heart and mind to its fullest potential.
*** Studio Equipment ***
I have an Upright Piano in my living room with plenty of seating for parents/guardians. I also have a spare room and patio in case one would like some privacy to work or read.
*** Travel Equipment ***
I expect my student to have a Piano or a full electronic keyboard for proper Piano or Voice lessons, and a Trumpet or French Horn for those lessons respectively.
*** Specialties ***
I am a very earnest, physical, character actor with a great sense of comedic timing. I live for anything theatrical and I hope that I can share all the joys it brings me with you.
I have a vast singing range from bass’ low D, high A belt, to a B6 in my falsetto. I have shaped my voice through almost a dozen voice teachers since the time my voice changed from boy to young man and now I feel confident to sing in styles from Traditional and Contemporary Broadway, to Pop and Rock. I hope that I can help you gain the confidence and strength to conquer multiple styles.
I have been playing the Trumpet, French Horn and Piano since grade school. From Honors bands to Marching bands, the excitement from a band is tap-your-foot contagious!
...
Reviews
· Singing · In studio
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Anthony H.
Long Island City, NY 11101
starting at
$45
/ 30-min
About Nicholas M.
Close
My basic approach to classical work focuses primarily on the connection of the breath with the feeling on the word.
This is the foundation on which you can then build. From the ‘words’ to the ‘thoughts’ to entire ‘passages’ of text, as you work and explore, the richness of the playwright’s words comes to life. Your own unique emotional life is allowed to come through the text and you are able to fully embody the role.
About Nicholas
I have been an actor for more the 35 years having worked Off-Broadway and Regionally.
I've taught acting for 18 years privately as well as at Brooklyn College, St Frances College, Marymount Manhattan College, and the American Musical and Dramatic Academy.
"Nicholas is patient, insightful, friendly, and gets
results. After working with Nicholas, I felt great
about my auditions, got two callbacks, and landed
a touring job.
I would recommend him to any actor."
*Jonathan M.
Shakespeare Theater of New Jersey
Pennsylvania Shakespeare Festival
Millbrook Playhouse
I am the Producing Artistic Director of the Hudson Warehouse and have been since its inception in 2004. Known as "The Other Free Shakespeare in the Park," we produce free classical theater in Riverside Park during the summer months and we hav
I've taught acting for 18 years privately as well as at Brooklyn College, St Frances College, Marymount Manhattan College, and the American Musical and Dramatic Academy.
"Nicholas is patient, insightful, friendly, and gets
results. After working with Nicholas, I felt great
about my auditions, got two callbacks, and landed
a touring job.
I would recommend him to any actor."
*Jonathan M.
Shakespeare Theater of New Jersey
Pennsylvania Shakespeare Festival
Millbrook Playhouse
I am the Producing Artistic Director of the Hudson Warehouse and have been since its inception in 2004. Known as "The Other Free Shakespeare in the Park," we produce free classical theater in Riverside Park during the summer months and we hav
e an indoor season during the winter months as well.
"Mr. Martin-Smith has been my director, coach and
mentor in productions and the classroom. His patience,
insight and his passion excites students, and makes
them feel safe and supported enough to take risks."
*Joseph H.
Shakespeare Theater of New Jersey
Pearl Theater Company
York Theater Company
Hudson Warehouse
*** Teaching Methods ***
I foster a safe, relaxed and engaging environment to explore truthful human behavior on stage.
The objective is 'the truth' to which end there is no one technique. Actors are encouraged to find their own tools and to draw from elements of different practices to discover a technique that works best for them as individuals.
I studied the methods of Constantin Stanislavski for acting with Sergei Pomerov of the Moscow Circus Theater. I am classically trained as well.
I work primarily as a guide to help navigate the way and to interpret ‘the signs.' I teach the lesson in the moment and address the challenges of both the beginner and the experienced actor.
***Classical Work***
My basic approach to classical work focuses primarily on the connection of the breath with the feeling on the word.
This is the foundation on which you can then build. From the ‘words’ to the ‘thoughts’ to entire ‘passages’ of text, as you work and explore, the richness of the playwright’s words comes to life. Your own unique emotional life is allowed to come through the text and you are able to fully embody the role.
*** Teaching Levels and Focuses ***
*Beginning Actors
-Work With Classical Text.
-Vocal Work.
-"Moment to Moment" Work.
-"Sense Memory" Work.
*Experienced Actors
-In depth Classical Text Analysis.
-Connecting to the Text.
-Audition Technique
-Monologue Coaching
"Mr. Martin-Smith has been my director, coach and
mentor in productions and the classroom. His patience,
insight and his passion excites students, and makes
them feel safe and supported enough to take risks."
*Joseph H.
Shakespeare Theater of New Jersey
Pearl Theater Company
York Theater Company
Hudson Warehouse
*** Teaching Methods ***
I foster a safe, relaxed and engaging environment to explore truthful human behavior on stage.
The objective is 'the truth' to which end there is no one technique. Actors are encouraged to find their own tools and to draw from elements of different practices to discover a technique that works best for them as individuals.
I studied the methods of Constantin Stanislavski for acting with Sergei Pomerov of the Moscow Circus Theater. I am classically trained as well.
I work primarily as a guide to help navigate the way and to interpret ‘the signs.' I teach the lesson in the moment and address the challenges of both the beginner and the experienced actor.
***Classical Work***
My basic approach to classical work focuses primarily on the connection of the breath with the feeling on the word.
This is the foundation on which you can then build. From the ‘words’ to the ‘thoughts’ to entire ‘passages’ of text, as you work and explore, the richness of the playwright’s words comes to life. Your own unique emotional life is allowed to come through the text and you are able to fully embody the role.
*** Teaching Levels and Focuses ***
*Beginning Actors
-Work With Classical Text.
-Vocal Work.
-"Moment to Moment" Work.
-"Sense Memory" Work.
*Experienced Actors
-In depth Classical Text Analysis.
-Connecting to the Text.
-Audition Technique
-Monologue Coaching
...
Reviews
· Acting · In studio
· Shakespearean Acting · In studio
· Acting · In home
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Nicholas M.
New York, NY 10025
starting at
$50
/ 60-min
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About Anthony Michael M.
Close
We will demystify and embrace Shakespeare’s language to help support and inspire the character’s motive and intention:
Antithesis/Paradox, Alliteration/Assonance, Imagery/Metaphor, Wordplay/Pun, Rhythm/Rhyme & Tempo, Irony, Iambic Pentameter/Prose
, and many more!
The first question the actor must ask about a Shakespearean speech/scene is not who he is playing or what the character wants, but WHAT the character says and HOW he says it. The form of the text is the end-result. After working with the language technically and contextually, we'll utilize the textual clues to communicate Shakespeare's ideas, with clarity and intention.
The ultimate goal is to help students strengthen their facility and technique so that they are confident in understanding and speaking the text with specific and strong points of view.
About Anthony Michael
I received an MFA in Acting from the Shakespeare Theatre Company’s Academy for Classical Acting at The George Washington University, a BA in Theatre from Florida State University, and have worked professionally with Off-Broadway, International, and Regional credits.
An actor makes many personal and professional discoveries on the way toward fulfilling his/her artistic goals. He/she may get disenchanted by the nature of a competitive and challenging industry. But when we dedicate our focus to the craft itself, the journey becomes surprisingly rewarding and exciting!
Whether you are beginner or experienced, we will work to confront the obstacles and emotional blocks that get in your way by building and refining your technique, helping you feel more confident, prepared, and excited about the work you create!
The goal is to help yo
An actor makes many personal and professional discoveries on the way toward fulfilling his/her artistic goals. He/she may get disenchanted by the nature of a competitive and challenging industry. But when we dedicate our focus to the craft itself, the journey becomes surprisingly rewarding and exciting!
Whether you are beginner or experienced, we will work to confront the obstacles and emotional blocks that get in your way by building and refining your technique, helping you feel more confident, prepared, and excited about the work you create!
The goal is to help yo
u build a solid technique in voice & diction, physicalization & movement, spontaneity & improvisation so that you illuminate your natural talents and present your best self in the audition room, in rehearsal, and eventually in performance!
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Reviews
· Shakespearean Acting · In studio
· Acting · In studio
He has shown me how very important it is to have technical training, that it can only enhance the natural talents that I have. He is caring, stern in the fact that he makes you work the full time you are with him. He is an incredible support system a great encourager, I'm looking forward to what the future holds for my acting career now!!
· Acting ·
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Anthony Michael M.
Astoria, NY 11106
starting at
$25
/ 30-min
About Mary C.
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Shakespeare is where my heart is! I have an MFA in Classical Theatre and run a small classical theatre company, so I have a good perspective on how to deliver the bard's brilliant words! Let's work!
About Mary
Singing is the most joyful form of expression!
My philosophy is that every voIce is uniquely beautiful, and every singer has a different path to his or her full potential, but regardless of the path, singing that is based in joyful expression is the most satisfying. I look forward to working with you to sing to your heart out!
We will begin by discussing your goals, whether it be to nail a callback, prepare yourself for college, or sing confidently in front of friends and family (or in the shower!). I believe that a good, healthy technique will allow you to soar in whatever kind of singing you like.
BIO:
Mary is an accomplished singer, teacher, actor, producer, pianist and voice-over artist. She is the Co-Artistic Director of Hedgepig Ensemble Theatre, a classical company dedicated to a joyful and dynamic theatrical process, a
My philosophy is that every voIce is uniquely beautiful, and every singer has a different path to his or her full potential, but regardless of the path, singing that is based in joyful expression is the most satisfying. I look forward to working with you to sing to your heart out!
We will begin by discussing your goals, whether it be to nail a callback, prepare yourself for college, or sing confidently in front of friends and family (or in the shower!). I believe that a good, healthy technique will allow you to soar in whatever kind of singing you like.
BIO:
Mary is an accomplished singer, teacher, actor, producer, pianist and voice-over artist. She is the Co-Artistic Director of Hedgepig Ensemble Theatre, a classical company dedicated to a joyful and dynamic theatrical process, a
nd the founder of Joyful Singing Studios.
Mary holds a BA in Music (vocal performance) from Duke University, an MFA in Classical Acting from George Washington University's Academy for Classical Acting, and a fancy certificate from NY Vocal Coaching Teacher Training. 😋
She has worked with an array of exceptional teachers and coaches including Chrissellene Petropolous (DC), Katja Kullander (NYC), Justin Stoney (NYC), Elizabeth Linnartz (NC), Marion Johnson Healy (DE).
Mary has performed across the country in roles such as Maria in West Side Story, Amalia in She Loves Me, Rapunzel in Into the Woods, Audrey in Little Shop of Horrors, Juliet in Romeo and Juliet, Anne in The Diary of Anne Frank, and Emily in Our Town.
Mary is a proud member of Actors Equity Association, The New York Singing Teachers Association, and League of Professional Theatre Women.
Mary holds a BA in Music (vocal performance) from Duke University, an MFA in Classical Acting from George Washington University's Academy for Classical Acting, and a fancy certificate from NY Vocal Coaching Teacher Training. 😋
She has worked with an array of exceptional teachers and coaches including Chrissellene Petropolous (DC), Katja Kullander (NYC), Justin Stoney (NYC), Elizabeth Linnartz (NC), Marion Johnson Healy (DE).
Mary has performed across the country in roles such as Maria in West Side Story, Amalia in She Loves Me, Rapunzel in Into the Woods, Audrey in Little Shop of Horrors, Juliet in Romeo and Juliet, Anne in The Diary of Anne Frank, and Emily in Our Town.
Mary is a proud member of Actors Equity Association, The New York Singing Teachers Association, and League of Professional Theatre Women.
...
Reviews
· Vocal Training · In studio
As far as logistics go, I have both driven and taken the subway to get to her house. She lives super close to the L train (maybe a 2 or 3 minute walk?) and there is usually adequate parking nearby. Her home is lovely and the backroom where the piano is has incredible acoustics. I could sing there for hours!! Her cute pup Waka is also a nice addition/perk to the overall environment :)
Overall, I'm incredibly happy and so excited to see how she helps me achieve my goals!!
· Singing · In studio
· Singing · In studio
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Mary C.
Brooklyn, NY 11207
starting at
$30
/ 30-min
About Jacob P.
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I'm a professional actor and teacher. I have an MFA in Acting and have studied with the top acting teachers in the world. I've taught acting privately for 5 years.
About Jacob
I'm a professional actor that teaches. I have an MFA in acting and have worked professionally off-Broadway, commercial and film. I believe in teaching with humor and support. I have been teaching for over 5 years and have had a chance to learn what really works for students. I am ESL and IPA certified.
...
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Jacob P.
Brooklyn, NY 11220
starting at
$42
/ 45-min
About Rebecca L.
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Acting is such a broad term! What are your goals? Do you want to be in films? Do you want to do Shakespeare? Do you want to be in a sit com? Depending upon what your interests are and where you want to go, we will build a plan together. My philosophy on acting techniques is that they are tools to help you, not tests you pass if you're a good actor and fail if you're a bad one. Different techniques work for different people and it is our job to find out what inspires you.
I've worked as a professional actor for many years, performed on Broadway, have my MFA in Performing Arts, and my BA in Arts and Education. I was an assistant director to Tony-winner Sharon Ott and have written and produced my own work. I have experience in both stage and camera acting, which have specific technical differences, but are both a lot of fun once you get used to the medium. Audition technique, preparing monologues, and creating promotional materials are also things I can help with. Anyone who wants to ...
About Rebecca
I have worked professionally as a singer and actor for over twelve years, having performed on Broadway in Lincoln Center's Tony-winning Revival of "South Pacific" and toured the county with Rob McClure and Anika Larson in the First National Tour of "Avenue Q." I have an MFA in Performing Arts from Savannah College of Art and Design, graduated summa cum laude, and was the only female recipient of the Presidential Scholarship for Vocal Performance. My BA is in Arts and Education from Hobart and William Smith Colleges. I'm currently signed with Roth and Associates East.
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Reviews
· Acting · In home
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Rebecca L.
Baldwin, NY 11510
starting at
$34
/ 30-min
About Stephanie R.
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Tony Nominated Broadway Producer Stephanie Rosenberg has been teaching acting for years both in class rooms and private settings to a variety of ages and level of actors.
A graduate of Samford Meisner's Neighborhood Playhouse School of Theater, a BFA in Acting from Adelphi University, and a working knowledge of what it takes to make it in the market today, Stephanie is passionate about supporting her students to meet their artistic goals.
Whether you are looking for a good basic technique on which to build your career, or how to nail your next audition, Stephanie will support you in an approach you can count on again and again.
Stephanie has also supported students in creating a game plan in approaching their career development.
Stephanie utilizes techniques by Meisner, Stanislvaski, and other great masters to support her students to reach their goals, all while coming from a compassionate point of view. Her technique will teaches her students how to be self empowered in artistic
About Stephanie
Hi, I'm Tony Nominated Broadway Producer Stephanie Rosenberg, and I believe you deserve to have your dream. Whether you are starting out as a child actor or a professional here in NYC, you deserve to make it happen.
I look at my job as being a support system to give you the tools to help you get there. My teaching modalities come from Sandford Meisner, Stanislavski, and many of the other great teachers.
We look at your skill set to identify what is working for you. What should you keep, and celebrate. (Learning to act is a lot of work and it can be fun!). From there what needs to be adjusted becomes very apparent and we can start to tackle those elements one by one. We can also take the time to look at your career goals, and create a game plan to get there. This career is a journey.
The key is that you come out with skills you c
I look at my job as being a support system to give you the tools to help you get there. My teaching modalities come from Sandford Meisner, Stanislavski, and many of the other great teachers.
We look at your skill set to identify what is working for you. What should you keep, and celebrate. (Learning to act is a lot of work and it can be fun!). From there what needs to be adjusted becomes very apparent and we can start to tackle those elements one by one. We can also take the time to look at your career goals, and create a game plan to get there. This career is a journey.
The key is that you come out with skills you c
an rely on, repeat, and apply as you grow in your art form; as well create a performing confidence that will support you throughout your artistic journey.\
For private coaching in the NYC area, I teach out of many of the Professional Rehearsal Studios in NYC, such as: Shetler Studios; Ripley Grier; Simple Studios; Pearl, etc...Virtual coaching is also available.
To learn more about me as a producer please go to: TheEmpressProductions.com
Past productions include ANASTASIA, ON THE TOWN, MATILDA, GORE VIDAL'S THE BEST MAN, LAST SMOKER IN AMERICA.
For private coaching in the NYC area, I teach out of many of the Professional Rehearsal Studios in NYC, such as: Shetler Studios; Ripley Grier; Simple Studios; Pearl, etc...Virtual coaching is also available.
To learn more about me as a producer please go to: TheEmpressProductions.com
Past productions include ANASTASIA, ON THE TOWN, MATILDA, GORE VIDAL'S THE BEST MAN, LAST SMOKER IN AMERICA.
...
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Stephanie R.
New York, NY 10018
starting at
$167
/ 30-min
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Shakespearean Acting Lesson Reviews from Students
Students are raving about their Shakespearean Acting instructors on TakeLessons. Check out some of these recent reviews.
Review by Lance
"I was always afraid I couldn't learn Shakespeare, but Nicholas explained the intent on the word, the intent on the line. Soon, I was so caught up in the
meaning of the lines and the story I was telling in that moment that I was able to engage in the role, smoothly, without worrying that I was performing Shakespeare. He broke it down so I could understand it, and then feel confident doing it. Highly recommend!"
...
New York, NY teacher:
Nicholas M.
Review by Beth
"So...I got into a great school!!!! NYU Tisch. I truly know its because if the intensive lessons Mary and I did together. I totally recommend her."
New York, NY teacher:
Mary Elizabeth M.
Review by Sevans
"Anthony Michael is very skilled and adept at working with Shakespeare. He is patient and focused, and allowed me to find the sense of the piece together.
I would highly recommend him!"
...
New York, NY teacher:
Anthony Michael M.
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