I get good to amazing results from my students. I love teaching and I love for my students to succeed. My students end up singing with complete freedom and control. They often times get the roles, jobs or special workshops they are auditioning for.
I specialize in teaching technique. Through the correct, high placement of vowels and deep breath support I can teach my students to have free, powerful and controlled voices. I teach all genres but I specialize in opera. I was an opera singer myself and I particularly enjoy preparing students for applying to schools to be a voice performance major. I have a student now who is applying to all the top music schools.
Rebecca is not only professional and patient but she is an expert at identifying the best vocal exercises to address your specific weaknesses. She would make a perfect teacher for beginners, experienced singers and anyone in between. I've been a student for about 10 lessons and have noticed a big difference!
October 20, 2016
Rebeca is a terrific teacher, patient and thorough. For a novice such as myself, being lucky enough to have been matched with Rebeca has totally elevated my experience.
April 12, 2016
Rebecca was was wonderful. She helped me with my technique and was very patient with me. She corrected things I didn't even realize I was doing wrong. She also has a great sense of humor which helped me feel comfortable working with her.
I have been involved with singing longer than any other art form. My mama sang constantly as she worked. I sang along from my crib. First came the Arias, Later in life, Musical Theatre and later still, singer/songwriting. I have had the benefit of many teachers and eclectic tastes and love passing on the knowledge. There is nothing more fun than watching someone discover their own voice.
I have taught piano and voice most of my adult life. Early on I learned the need to adapt my teaching style to the uniqueness of each student, especially those whose perceptions differ widely from the general populace. I love what I do, helping each student discover and nurture their abilities, no matter what age the student may be.
The Holistic Piano method is especially effective with my Autism-spectrum students, a segment of the population I find particularly rewarding to teach.
The following is a quote from ex-student Karena Krull, author of "Drama Made Easy", and "Rummy Roots."
“Her greatest strength is her ability to find the right direction for each individual. This ability to adapt to the student's needs lends to individual success for student and avoids their frustration. If her current method or communication is
n't creating success for a student she will quickly change to another till she finds the right words or method to enable the student to succeed with the least amount of frustration.”
*** Lesson Details *** I draw on a wide range of materials in The Holistic Piano (and voice) method. The curriculum may be color-based or number-based, we might focus on chord building or sight-reading, or Songwriting, depending on the student's need and desire.
*** Studio Equipment ***Private Music studio with glass door so waiting parents can see what's going on (though they can also be in the studio if they feel more comfortable.) I have a grand piano, 1 keyboard, and a variety of other instrument including hand drums, chimes, boomwackers, a chimealong and autoharp to enhance learning experience.
*** Specialties *** Because each student is an individual, I approach teaching like a coach, custom designing a course of study for each student to meet their individual needs.
I enjoyed my 2 sessions with Marie, at the end of my second lesson she offered to email me a list of acting/improv classes in NYC because everyone she knows was in NYC.
This was contradictory because initially she told me she just moved here and doesn't know anyone up north. And besides that, I expressed how happy i was with her classes which was down the road 35 minutes and not commuting to NYC which is over a couple hours.
Anyway, I am glad that I actually learned something and got to do exercises and not leave with the feeling that i wasted my money and most importantly my time like other acting coaches on here.
May 17, 2018
Great teacher. Very encouraging and patient which is what an adult learner needs. She supports her students and gives them interesting contemporary pieces to learn (that is the genre we picked so we stay interested in practicing!). Thanks Marie France!
March 29, 2018
I enjoyed my 2 sessions with Marie, and from work she was a 35 min commute vs 90 mins to NYC.
With her I felt engaged, she was prepared, professional, stayed on topic and gave relevant critiques and feedback.
At the end of my second lesson she offered to email me a list of acting/improv classes in NYC which she did.
Anyway, I am glad that I actually learned something and got to do exercises and not leave with the feeling that i wasted my money and most importantly my time.
I've been teaching voice lessons for over ten years. I begin with a Berklee College of Music book as a foundation and then I flourish the student with techniques, theory, and inspiration from many sources. Past students have been nominated for Grammys and excepted to prestigious schools.
Tamara Kachelmeier received a Master’s degree in Media Scoring from Feirstein Graduate School of Cinema. She studied voice, piano, audio engineering, music production, sound design, and composition at Gustavus Adolphus College, Berklee College of Music, McNally Smith College of Music, MCTC, Full Sail University and the Academy of Art University. She currently runs Ghost Dog Studios, a music and film production company residing in Brooklyn, New York.
She has written music that has appeared on the History Channel and CNBC. Tamara has also mixed and created sound designs for films that have appeared at the Art of Brooklyn Festival, Comic Film Festival, Art City Short Film Festival, Genre Celebration Festival, Barcelona Planet Film Festival, Court Metrage Festival de Cones and Top Indie Film Awards.
I enjoy writing and playing classical
, electronic, rock, jazz, folk, punk, and experimental music. In my free time I like to bend circuits.
*** Lesson Details *** When you take lessons from me expect to be inspired and pushed. I thoroughly love teaching music and want the best for my students. I try my best to involve and invite students to join or listen to live music ensembles, recitals, and performances of different genres. I teach all styles of music for voice, piano, and guitar. I am very diligent with practicing, teaching you how to practice, and keeping track of it. In 3 or 6 months you will have a basic understanding of music theory and a solid foundation of piano, voice, or guitar techniques. I thrive to boost self esteem and confidence in all the students that I teach. I also teach composition, students really enjoy writing their own songs and performing them.
*** Travel Equipment *** I can provide a guitar. I expect students that want voice or piano lessons to have some kind of keyboard in working condition.
*** Specialties *** As a member of of MTNA (Music Teachers National Association) and New York State Music Teachers Association. I am able to give your students great resources and opportunities to enter competitions.
*Pro Tools certified user *Have taught Grammy Nominated singer
Very upbeat very thorough made me feel very comfortable
August 26, 2019
I noticed in my first lesson Tamera was throughly prepared with all the foundational info that I would need to be able to stand before walking. She was also mindful to allow me to sing as I normally would so she could correct my errors and therefore help me achieve my best potential
July 28, 2019
Very professional and friendly . Made me feel at ease . It was my first vocal lesson.
Whether you are interested to sing in a belt, mix, head, chest voice or all of the above, I can help you! By using well-thought scaffolding methods, based on research, experience, and clinical training my students are given the opportunity to project their voice in a healthy manner and with an extensive vocal range up to five octaves. I train students and professionals for all types of auditions and performances.
I believe that progressive teaching must employ constructive pedagogical strategies to foster meaningful musical experiences for students to build and to exhibit competence. My pedagogical model is comprised of a student-centered approach to produce attainable challenges and to affect affirmative changes that will physically, technically, and emotionally enrich each student's performance.
During instruction, I exercise scaffolding methods to facilitate the students' zone of proximal development and innovative questioning to augment students' cognitive thinking and critical thinking skills. The process of musical learning is purposeful when it is facilitated within a nurturing environment to motivate the students' intrinsic interests and that is my goal!
Currently, I prepare my students for singing auditions o
n Broadway and off-Broadway productions, CCM Singing Competitions, Commercials, Musical Theatre Productions, The Voice, X-Factor, American Idol, Specialized Performance Schools, College Music Performances, and Choirs. A number of my piano students prepare for the NYSSMA and ABRSM examinations. As a clinical trained Vocologist, I also work with students to correct vocal fold injuries and to prevent further trauma, as well to improve phonatory production during singing.
Education / Training
As a music professional, I specialize in Voice (Contemporary Commercial Music), Vocology, and in Piano (Classical). I am certified by the New York Singer Teachers Association and the Somatic Voicework The LoVetri Method. In addition, I am a City/State Teacher Certified in Music (K-12) and a member of NYSTA, NATS, and MEANYC.
I am a graduate of Columbia University in Music & Music Education, M.A., Ed.M. I have a comprehensive background and training in Piano, Voice, Vocal Pedagogy, Vocology, and General Music. I studied music at Hunter College and I obtained a Bachelor Degree in Italian from Queens College. As an instrumentalist, I attended Fiorello LaGuardia of Music & Art & Performing Arts H.S. and the Center for Preparatory Studies in Music at Queens College.
My professional development is comprised of studies in Vocology at Keidar Voice Instititute, in Voice Management Techniques at Westminster Choir College, and in Dalcroze at Lucy Moses School.
Over the years, I studied with acclaimed vocal professionals such as Dr. Anat Keidar, Dr. Jeanne Goffi-Fynn, and David Sabella-Mills among others.
*** Lesson Details *** My pedagogical model is designed to benefit students' aspirations and strengths in voice and piano. The outcomes are based on each individual's commitment to the process.
*** Studio Equipment *** KORG Digital Keyboard, Baby Grand Piano, iMac, Macbook laptop, Cd player, iPod recording device, grand mirror
*** Travel Equipment *** Piano is a must!
*** Specialties *** Vocology, Contemporary Commercial Music, Piano, Theory
Fay is an amazing teacher that gives her student's the ability to progress and I can't even begin to describe how much I've improved because of her help.
January 8, 2016
An amazing teacher that helps you progress as a performer. Piano has been such a fun instrument to play and amazing considering the techniques taught by her! Her lessons are so fun as well as educational.
January 8, 2016
Fay is such an amazing teacher! I got into Fiorello H. LaGuardia High School thanks to her. Best Teacher I've had, she helps train your voice and goes through the vocal anatomy so you understand techniques such as proper breathing, posture, coordination, grounding, acting, diction...etc. I've been her student for about a year three years now and I have to say that my voice has improved so much as a performer all thanks to her! If you get the chance, at least take a class, you will not regret it!
General singing lessons are for those who simply wish to improve their voice without necessarily committing to a particular style.
You will learn what I call the technical non-negotiables to great singing. I have broken down systematically what is exclusively necessary to singing at a high, yet achievable level in every given style.
Once this is established then what we are left with can be categorized as artistic choice and preference.
As a vocal coach, you will find that I work from the perspective of a technician. My work is only enhanced by my knowledge and specialization of vocal intonation, which has allowed me to make these distinctions. This is precisely why I am not limited (nor confused by) to any one style.
I genuinely teach all legitimate vocal styles and how to approach them successfully. You will achieve this while exploring and expanding your natural ability (mostly unrecognized) regardless of style.
This includes those who are already very fluent and ...
The Exquisite Voice, Inc.
Christine is a professional vocal coach with an exceptional reputation. She is the owner of The Exquisite Voice, Inc. Currently home in Springfield Va.
As a D.C. native, Christine has taught extensively in the DMV area for 10 years and is now taking her business/work to New York.
She is considered an expert in her field for achieving high quality vocal technique that can be implemented in all legitimate singing styles.
Christine is a fearless technician in the vocal arts, willing to put her knowledge and know how against the best in the field.
Achievable, high quality, professional results that captures and highlights a singer’s natural voice is what I am after because it brings the most joy to ourselves and to others.
Straightforward technique that removes uncertainty and doubt.
Learning to have authori
ty over your instrument to really grow into an individual artist and communicator.
Always honoring the instrument that a person has by guiding them to really learn the fullness of their abilities.
There is nothing more compelling than a voice that is natural and confident in their ability and accessing technique consistently is vital to creating this assurance and peace.
I am able to rapidly diagnosis a full range of vocal issues and begin to work towards strengthening deficient elements in relation and respect to the singer’s entire technique.
This will take time, but I make it clear exactly why this is the focus so we can work efficiently and cooperatively together.
It is important to reveal issues in a highly apparent manner, yet to be supportive and respectful of the student’s voice while motivating change to take place. I try to make it extremely clear through the exercises and rep I personally select to highlight a capability that is lacking by giving a student the right challenges where they can see they are not fully demonstrating a vocal element.
It often times is things they have been told in the past, but aren’t able to identify the problem due to lack of clarity clouded by other elements from past instruction or not provided the right tools to overcome their vocal issues in a realistic way that leads to continue success in their process. Meaning I really isolate and get to the heart of issues.
I have a signature method of highlighting issues and making corrections. I am very particular about explaining the process so that it makes sense to each student and can be accessible for them.
Another strength I have is I am able to identify the student’s learning style and am resourceful in the way I teach.
Together we will learn to develop a practical process and routine that works consistently for you based on your own personal needs as an artist.
The goal is that you will be able to instruct yourself successfully every time by thoroughly learning your instrument’s capabilities through care and guidance provided in our lessons.
I expect this from each student in their time, so that they can become confident in the choices they make to direct themselves. It is important to become independent since you are the one in control of your voice alone, and I intend to get you closer to that goal every lesson by making your voice more relatable to you by providing the proper understanding and resources to achieve this.
This is how world class musicians think, that they will be able to lead themselves in their process and trust their choices without too much worry after because the foundation and thoughtfulness to their decisions have already been made over time to where it is now intuitively inspired while performing. You can only access what you have trained (technical) or allowed (emotional).
Not only trust, but enjoy the freedom to do so. It might be a freighting concept to many, it was for me to think I must take full control, but you must eventually be assured about who you are and that you have more than enough to manage.
Something we will discuss a lot from the emotional standpoint, not allowing our fears or need/expectation to be perfect stand in our way of the bigger picture. We will develop a healthy relationship with our voice.
Every necessary element required for excellent singing will be explained. It is not possible in one or two lessons however.
It is real time and work. I do require you trust the process to a reasonable degree and know that I will always have your best intentions at heart. I have worked with many issues and types of people and have a lot of insight to pull from. Mostly people think their issues are unique, when in reality they are common. Nor do I get easily confused. So rest assure that your voice is always inspiring to me and I love to help people find more meaning in their art.
I can confidently say, almost more than any other instructor you have had we will thoroughly go over every element.
It is necessary that a student knows what is already amazing about their technique so they do not expel or replace it while working on their challenges. I cannot emphasis this enough. I have found this to be the biggest issue with passing on good instruction in the last 40 years from all institutes of voice.
Every voice comes in with something to build upon. There is not one voice, even the most challenging that doesn’t have an element right, it just might not be used appropriately while lacking all the other supportive elements, however it is there and that’s where we will start if that’s the case.
That’s why so many students, particularly very talented ones get lost in their training, because they do not realize that this has happened, so their natural abilities they cannot explain if they become teachers or professionals, which you must be able to explain everything or worst, they lose their natural ability and do not understand why.
This is also another fear of people who have natural ability, but if you have an instructor who understands you and these factors, you will be in good hands to find greater success vocally.
We need to identify our technique simply and readily every time in a way that we can articulate to ourselves.
This is a process and hard work (particularly emotional/reasonable expectation) is required on your end. More importantly developing trust for the process because what you do with your voice is up to you in the end alone and to displace that is neither helpful or honest. It is your voice! Always.
We will be doing honest work, look forward to it:D 💗💗💗
I am extremely generous as a teacher, you will come to find this is true. I promise to do my end of the deal and give you everything I have got in terms of my knowledge and insight, you just have to give yourself the opportunity to really commit to trying full heartedly. The lesson is for you. If I do not know something I say it.
I am a dramatic soprano and I have continued my vocal studies vigorously with Mrs. Fabian Bravo, a long term principal singer at The Met, who was taught formerly by Mr. Luciano Pavarotti.
I am very confident in the Italian Bel Canto technique and extensively in all popular genres, including jazz, ballads, R&B, Broadway, traditional, etc.
Technique I cover is creating legitimate support via fully integrating the body, while from the body’s relative support, applying highly efficient/directed air that is responsible for the quality of the voice’s capabilities and range of elements. Everything is created from these two fundamental elements.
We will also cover muscle release (throat, spine, tongue, facial, soft palate and accessing resonators directly, releasing the larynx and closing the vocal folds genuinely and appropriate air and relative use to the other elements, accessing legitimate chest and head voice, mixing/centering the voice appropriately with highly disciplined air and body support) legitimate dynamics with muscles released/throat open, accessing internal naturally covered space that can thoroughly release the voice through the skull and centered in which the air pressure/direction determines the dynamics, while not improperly closing the muscles or inappropriately moving the larynx/overly directing and dropping into one register, proper articulation that enhances/does not interrupt or cut off breath support/the body inappropriately/use of compressed air and direction that directly effects head voice, chest, middle mix access that most professionals do not have disciplined and create through other secondary means. This is more all equates to flexibility, strength and freedom to be endlessly expressive. Everything in balance and relation to become competent and proficient. The best part is really being able to enjoy your singing in the moment.
I have been singing opera for 7 years now, and Christine had the most thorough teaching process by far! I found my real voice underneath all the conformity I had been taught through choir and am now moving through singing more powerful and with my "real voice." She is open to workshopping repertoire that you are interested in, and suggests things that will help you grow your voice while not pushing an agenda, so you feel as though you have lots of artistic freedom.
Also just a super warm and authentic person. Overall a great experience!
May 12, 2019
Christine is extremely talented and provided me with positive yet technical feedback each practice.
February 17, 2019
Christine is a Godsend! Prior to working with her, I studied classical voice and opera with several instructors. Christine is by far the best teacher and wish I had met her sooner!
As an accomplished singer herself, she is able to identify challenging areas and help improve technique. I’m now attempting pieces with confidence that I never would have attempted previously. And, I find the sessions very relaxing and enjoyable. She inspired me to push myself further and feel like I’m getting great results! Well worth the investment.
Fun, open, and honest!! I have the tools and experience to help achieve your goals.
Are you interested in exploring Voice? I believe that each student is a unique individual who needs a secure, caring, and stimulating atmosphere in which to grow. It is my desire as a educator to help students meet their fullest potential by providing an environment that is safe, supports risk-taking, and invites a sharing of ideas. Together we will set long-term and short-term goals while enjoying all that music can bring. I hold an Artist Diploma and Masters of Music from The University of Michigan on full scholarship and a Bachelor of Science in Vocal Performance from Roberts Wesleyan College. Having performed both state-side and internationally I have the artistic depth and knowledge to help you achieve your goals.
I currently teach at my private studio in NYC Monday through Thursday. Professional
Tenor Steven T is distinguishing himself as a versatile leading man singing roles from Rodolfo in Puccini’s La Bohème to Argento’s The Man With A Paint Box in Postcard from Morocco. Known for his clear ringing top, OperaNews described his voice as possessing an “All-American sweetness… that blossomed heroically in the role’s highest phrases.”The Naples (Florida) Sun Times describes his voice as “fused with power and passion.”The Ann Arbor News simply calls his voice “outstanding.”
Mr T has performed extensively through out the United States and Europe singing the title roles of Faust, Fritz in L’amico Fritz, and Albert in Albert Herring. Other lead roles include Alfredo in La Traviata, Pinkerton in Madama Butterfly, Jeník in Prodana Nevesta, Tamino in Die Zauberflöte, Macduff in Macbeth, Don Ottavio in Don Giovanni, and Don José in Peter Brook’s adaptation of Bizet’s Carmen. Noted venues include Carnegie Hall, Opera Santa Barbara, Fresno Grand Opera, Caramoor, Mercury Opera, Amore Opera, The Eastman Kodak Theater, The Sheen Center, WQXR The Green Space, Trealto Bramante, Opera in the Ozarks, The Connelly Theater, Teatro Caio Melisso, and The Garden State Opera.
Oratorio and Concert works include Handel’s Messiah, Beethoveen’s 9th Symphony, Bach’s St John’s Passion and Cantata No.4, and both Schütz and Dubois’s The Seven Last Words Of Christ with The International Symphony Orchestra, The Life Science Orchestra, and the Michigan Sinfonietta among others
Mr. T received his Masters of Music and Artist Diploma from the University of Michigan of full merit scholarship and his Bachelors of Science in Vocal Performance from Roberts Wesleyan College. As well as performing Mr. T maintains an active teaching studio in NYC, Long Island, and Berlin. Students with whom he has worked with have booked leads in Musical Theater and Opera both professionally and regionally as well as going on to conservatory
Steven is an amazing teacher, can’t wait for the next lesson !
March 18, 2019
Stephen was awesome! He created a light fun atmosphere that made me feel really comfortable being a beginner. and also is very truthful about my vocal potential which I really appreciated. I really enjoyed the space it was very peaceful. I would highly recommend Stephen to anyone who's interested in taking vocal lessons for the first time or someone who has tons of experienced. Steven is very attentive he really breaks down every detail about your voiceso you can recognize if there is a problem and correct it I really appreciated that.
February 26, 2018
Steven has everything possible going for him. He is amazingly talented in voice!
He is honest & sincere. He cannot create a talent in us that is not there. He tested me with chords, etc. , however we do not know if I have the talent to continue. Only my first lesson. He does not believe to continue if we both feel the inert talent is not there. He is ethical & moral.
Steven is patient & calm but has this inert enthusiasm that supports you, so you feel uninhibited & give it your best when you are with him in his quiet studio.. He is totally with you every second. I couldn’t ask for a better teacher. 5 STARS!!!!!
Learn to Sing The Correct Way.......By learning from a music school-trained singer-musician who makes a living every weekend working a stage & singing many styles in various venues (large & small) for a wide range of ages/ethnicities~!!!
I Put Your WHOLE Singing 'Package' Together that's all about YOU (correct technique, the right songs, increased repertoire, working a stage/audience, placing tunes in set, using your 'ears' magically, singing or playing with musicians/accompanist, personality-'attitude'-style, blazing a vocal track in the studio/mic technique...& more).
BEGINNERS: 1st Meeting Walk in, Walk Out Singing/playing...........Learn to sing very quickly correctly for a career or just for your own pleasure~! INTERMEDIATE - ADVANCED: Learn to really saaaaaang very quickly, going beyond your limitations~! GETTING READY TO LAY DOWN A PRO VOCAL TRACK????......This is the kind of vocal coach you need with you in the studio to keep you on your 'A Game'. You can't always depend on the Producer & certainly not an engineer to bring that out of you~! AUDITIONING FOR TV SINGING COMPETITIONS???........I give you what you'll need to go against the stiff competition.
....Learn to tell a 'lyrical story' with your voice & the song through breathing and phrasing. ....Singers who dance - learn to not lose your breath whi
le dancing & to use movement as a means of support for your vocal tricks (some of you have gone to schools learning music, dance & even acting, but do not know how to put these skills together in a competitive package. I show you how). ....Learn to go from chest voice to a strong head voice smoothly. ....Learn to sing & play an instrument together & not look awkward ....Learn to use your 'ear' to inspire you to take chances with your voice/instrument that work in the song while staying in pitch. ....Learn to sing or play various styles effectively & how to utilize those styles for your own musical growth. ....Working singers.....Learn to pace yourself & sing 3-5 nights a week without losing your voice. ....Learn to approach & eventually acquire the "riffing" ability of the top Gospel/R&B/Soul/Pop artists & be able to add these vocalese techniques to your style.
I'm passionate about sharing my knowledge and helping students find their own unique voices, no matter what kind of music they'd like to sing. Lessons include vocal technique plus work on repertoire, music theory, and/or sight singing, depending on the individual student's interests and needs.
I’m currently on faculty at The American Musical and Dramatic Academy (AMDA) in NYC. I hold a B.F.A. from New York University's Tisch School of the Arts and have studied for 16 years under renowned vocal pedagogue Dorothy Stone. My performing career has taken me around the US and Europe, performing roles in musicals, operettas, and operas. I'd love to share my knowledge and experience with you! Let's get singing!
"I think Concetta is awesome! She listens to you what you say and ding and she gives you great exercises! I'm happy I choose her. Gordon Rice"
"I was surprised that a coach with Fawn's background, successful track record and expertise was/is so reasonably priced! I was paying twice as much for my
other vocal coach, without the massive improvements! Fawn is worth every penny. I am THRILLED to be working with Fawn this past year and can't wait to see what my future holds. I'm singing better now than I ever have, after 5 years with other coaches. Fawn is TOP NOTCH."
"I continue to be amazed with Ricardo's skill as an instructor. He continue's to teach my son new skills and stretch his learning. He is very thoughtful
"Great introductory class, covering the basic fundamentals of singing the right way with confidence."
"Gfire is just awesome. In only a few lessons I see such a great work with my daughter. She is already learning to find her head voice after three lessons
and is getting better already. I am looking forward to greater things they will accomplish together. Gfire I have been looking for someone like you for such a long time. Where have you been hiding? Everyone look no further, you have found your voice teacher. Thanks Gfire"
"Loved my Granddaughters first lesson with Barbara. She is very patient and easy to understand. I would recommend her to anyone."
"My daughter was very nervous and Sarah made her feel very comfortable. She was very kind and welcoming!!"
"I've been taking lessons with Dan for about a month and a half now and I gotta say, I don't think you'll find a better vocal teacher. He is very knowledge
able about how the voice works and has many years of coaching experience. He is great at giving direction and knows how to adjust to your learning style. He also takes notes throughout the lesson to track your progress, which I think helps a lot. Having started with pretty much zero vocal ability, I've definitely seen significant improvement in my voice. I highly recommend him to anyone who is thinking of taking singing lessons!"
"She’s a terrific teacher! She’s scholarly and intellectual herself, years of research and study on her own, knows the fundamental mechanics, physiological
and mental, to learning to sing properly and conveys it in a very clear fashion. She builds a singer; she doesn’t just do superficial pitch coaching."
We all know the importance of vocal warm-ups before singing. But we also know how easy it is to start slacking off or conveniently "forget" that step of the process. Warm-ups - and scales, in particular - may not be the most fun, but they are absolutely essential when it comes to caring for your voice and improving your singing. Not only does incorporating scales into your routine help warm up your vocal cords, it can help you to improve your vocal range, increase your pitch accuracy and t …