Piermont, NY Opera Voice Lessons
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My performance biography:
Nicholas C. is in demand with opera companies around the New York area. He was hailed “one of the highlights of the evening” for his portrayal of the Traveler in Britten’s Curlew River with the Church of the Transfiguration. He has premiered roles with Garden State Opera and American Opera Projects. His favorite roles include Silvio, Papageno, Belcore, and Dandini. A veteran of the Dicapo Opera Theatre’s Resident Artist Program, Nicholas has also sung for the Opera Company of Brooklyn, dell’Arte Opera Ensemble, Opera Manhattan Repertory Theatre, and R
*** Travel Equipment ***
If you have a piano or a good keyboard, I can teach at your home.
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Strudents can expect to be classically trained with the proper breathing, posture, performance and diction techniques to be able to sing opera.
Ms. Tina was born and raised in North Plainfield, NJ and attended college at Westminster Choir College in Princeton, NJ and Montclair State University in Montclair, NJ where she received a BM in Musical Theater. Music is not just a job for Ms. Tina...it's a passion.
I continually strive to encourage and motivate my students to explore their individual talents and abilities to their fullest and to have fun! I look forward to work with you and
· Flute · In home
· Saxophone · In home
· Violin · In home
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Do you love opera? Give opera singing a try with the solid foundation of breath support, resonance, even registration and character development required for the stage.
Includes singing technique, movement and gestures, repertoire selection, musicality and interpretation, diction, pitch memory, sight-singing, etc., with a focus on opera and classical vocal repertoire, according to the student's experience and needs.
Both voice and piano lessons are based on a foundation of healthy technique while incorporating musicianship skills and encouraging the student to develop their own creativity. While my focus as a performer is opera and other classical music, I am experienced in teaching Broadway/musical theater, pop, rock, R&B, folk, and other styles and genres. I encourage my students to explore new styles and apply good technique to any style they may choose to sing or play.
I also specialize in helping p
As a member of both NATS (National Association for Teachers of Singing) and ACDA (American Choral Directors Association) I am constantly working to improve my teaching skills by keeping up with the latest pedagogical research. I love sharing new tips and techniques with my students!
I strive to create a lesson environment that is open and honest, where my students are never afraid to ask questions or try something new. I am always happy to explain concepts in a different way and I encourage improvisation and creativity in addition to healthy technique and strong musicianship.
In-home lesson equipment requirements:
Voice: Piano (preferred) or keyboard; music stand(s); full-length mirror (preferred).
Piano: Piano (preferred) or keyboard; desk or table nearby for written assignments and assessments.
Music theory: Piano (preferred) or keyboard; music stand(s) (preferred); desk or table nearby for written assignments and assessments.
Note: Students are expected to purchase all music, curriculum, and other materials as appropriate. In many cases I can obtain the necessary materials prior to the first lesson and the student/parent can reimburse me at the lesson.
· Singing · Online
· Piano · In home
· Piano · In studio
Opera is my first love, and I love helping students learn and experience their voices for the first time in this beautiful art form. I also have a keen ear for experienced singers, and have a holistic approach to singing and breathing to help iron out problems in the voice.
Whether it's opera, musical theater, folk, rock, or just public speaking, anything YOU love to do, I would love to teach you! Having taught all ages and levels, from first graders to adults, from someone who's never sung a note in his or her life to semi-professionals, I cater my lessons to what YOU as a student need and are interested in.
Lessons shouldn't be a chore - I like to foster an environment you look forward to being a part of! I also think that music, like any sport, is hard work, and takes seriously practice; even hobbies take concentration and application! I understand and can
· Broadway Singing · In home
· Singing · In studio
· Singing · In studio
In 5th grade I started playing bass guitar at home, trombone in the school music program, and private lessons for piano. This exposed me to a wide range of music very early on.
When I was a teenager, I was the youngest person to study at Victor Wooten's first bass/nature camp in 2000, a week long master class with some of the world's most decorated musicians in Montgomery Bell State Park outside of Nashville. I played in local bands in the Berkshires, wrote music for Shakespeare & Company in Lenox, and sang such roles as Val
I moved to New York to get a degree in Theater as a singer and actor in 2004. Since then I've been fortunate enough to work in NY orchestras, cabarets, theater and national TV, tour the world with a variety of musical artists, work as a studio musician recording albums for songwriters, and develop musical education programs. Most recently I curated and taught the bass guitar curriculum for Yousician, a Helsinki-based music app with 25 million users in 154 countries worldwide. That has been an invaluable experience, working alongside educators and programmers in one of the world's leading countries in both education and technology.
Music has been a life-directing guide for me; from the wonder of discovery to the mastery of new and exciting techniques, music has always been a sort of way for us to communicate intimately, yet on a universal scale. To pass the same experience on to others is such a gift, and one I value greatly.
"When words fail, music speaks."
So, let's start talking!
· Singing · In home
· Singing · In studio
· Guitar · In studio
I teach the same technique that the greats of the Golden Age used. Lots of science-backed technique designed to strengthen your voice and help you sing healthily. We will choose material appropriate for your voice type/age/range and apply the technique. I also place heavy emphasis on breathing technique, vowel modification, diction and foreign language pronunciation.
"In recent seasons, she has sung Santuzza in North Shore Music Festival’s production of Cavalleria Rusticana; the Mother in Amahl and the Night Visitors for the inaugural production of the Modern Opera Repertory Company, and also for the Passionist Hatian Missionary Charities in New York City; Brünnhilde in excerpts of Wagner’s Ring as part of an experimental theater piece entitled “A Yiddishe Wagner” for the 14th Street Y’s LABA Live project; as the soprano soloist in Beethoven’s 9th Symphony with the Garden State Philharmonic; and she has performed in recital with the Ca
She joined DiCapo Opera Theater covering the role of Abigail Williams and performing the role of Sarah Good in Robert Ward’s The Crucible and repeated her performance for the award-winning European Premiere of the work in Szeged, Hungary in November, 2008. Other engagements have included Rosina in Il Barbiere di Siviglia with Metro Lyric Opera New Jersey, and 2nd Lady in The Magic Flute with the Harrisburg Opera Association.
Active on the concert stage as well as in opera, Ms. Schneiderman has been a regular soloist with her home orchestras, the Burbank Philharmonic and the New West Symphony, performing works by Mahler, Stravinsky, Orff and Mozart. She has also performed at Carnegie Hall as soprano soloist in the world premiere of Ed Lojeski’s Missa Americana. Later, she premiered the soprano solos of Mike Garson’s Symphonic Suite for Healing at the new Segerstrom Hall in Costa Mesa, CA.
Ms. Schneiderman made her operatic debut with Festival Opera Walnut Creek as Cherubino in Le Nozze di Figaro to much critical acclaim and went on with the company to perform Rosina in Il Barbiere di Siviglia and Sophie in Werther. Ms. Schneiderman attended the San Francisco Opera Merola Program, and immediately followed this with a year as a Resident Young Artist with Seattle Opera, where she specialized in the music of Mozart and Rossini. She is is also a recipient of many awards and recognitions, including 3rd place in the Metropolitan Opera National Council Auditions - Southwest Region, 5th Place in the Loren L. Zachary Society competition, Gari Foundation Encouragement Award winner, and Violetta DuPont Competition finalist.
In addition to her passion for classical music, Ms. Schneiderman has performed extensively in crossover music, having performed regularly with pop legend, David Foster, at various events. During this time, she shared the stage with Michael Crawford and spent several years as duet partner to Josh Groban.
Her first full-length album, Unlimited; is available for purchase on iTunes and CDBaby.com."
Whether you are just beginning your training, if you want to sing for fun, or if you're an established professional, I can help by giving you the tools that will have you singing well for years to come.
*** Lesson Details ***
A lesson with me will include a warm-up, where we discuss basic concepts of technique, vocal physiology and sound. You will learn the fundamentals of healthy singing and increase your vocal stamina. Next, we will work on the music of your choice and apply those technical concepts to the piece you're working. I will also advise you on elements of style and performance at this point as well.
*** Studio Equipment ***
I use studio space that always includes a piano.
*** Travel Equipment ***
Student must have piano or keyboard in home if I am traveling.
*** Specialties ***
Voice, Musical Theater, Opera, Jazz, Pop Music, Style, Presentation
· Broadway Singing · In studio
· Singing ·
· Singing · In studio
As a French opera singer, I have been teaching voice for years. I have worked with beginners, pop-rock composers and singers, and advanced classical singers. Voice is a wonderful and unique instrument, and teaching it to help someone discover his/her voice and potential is a beautiful experience.
I do specialize in French diction too, for singers and actors.
Singing lessons will always be held at your place or in a music studio of Opera America. Travel time or rent of the studio are included in the price of the lesson.
Here are a few facts about me.
I am a native of France. For a part of my life I had to follow a “practical” course, and earned a degree in aerospace engineering, a profession I practiced successfully for several years at the French spatial agency. But I was eventually able to abandon the engineering profession in order to devote myself entirely to my true calling.
As an opera singer, I have been performing in places such as Cortot concert hall in Paris or Carnegie Hall in New York. I have been teaching voice for years now, to kids and adults. I have also been teaching French since my arrival in the US.
I therefore teach French diction too, to professional singers and actors.
I also enjoy teaching music initiation to the little ones (3 to 6 years old).
I would be happy to answer all the questions regarding my work.
· French · In home
I hope you had a very happy National Teacher's day.
Until our next lesson! In the meantime I'll do some homework. 😊
· French · Online
· Classical Voice · In studio
Among many skills, she herself has an extraordinary voice and vocal technique which will make you even more willing to develop your vocal skills.
I am a professionally managed opera singer and have prepared singers for careers on the opera stage for the past 13 years. In addition I run a regional opera company and have heard thousands of singer audition for me over the last 6 years. I bring the breathe of that knowledge to singers who want to learn how to sing opera. Naturally each singer is different and we will address what areas need to be improved and then what repertoire is appropriate but I find the techniques: Stamina, Volume, Range, Consistency and Appogio (Support). In addition the performance aspect of the operatic art goes beyond just great singing, and I will bring my expertise and experience from both sides of the audition room to help you be the most competitive singer possible.
Daniel teaches all experience levels from beginner to intermediate to advanced as well as artists that are out there working. Many student who have started with Daniel in High School have gone on to attend of some of the most prestigious schools in the country including The Julliard School, Indiana School of Music, Carnegie Mellon, New England Conservatory, Manhattan School of Music and Peabody. They also have done very well, ma
Daniel is trained in standard singing teaching methods, however he has developed his own method of teaching to help his students rapidly achieve an elite level of singing. His goal as a teacher is specifically designed to help you achieve your goals as an artist and a musician. He has made constant education and growth one of the priorities and continues to study privately and work with some of the worlds finest teachers and coaches.
In additions to Daniel’s teaching and singing careers, is the director of a music festival which produces several shows annually, in that time he has heard literally thousands of auditions. He brings this experience with him when teaching to help his students be as competitive as possible. Daniel received a Bachelors in Music Performance from Carnegie Mellon University, a Masters in Vocal Performance from University of Southern California and attended the Universita per Straineri di Perugia, Italy and Die Neue Schule, Berlin. He has won or been a finalist in the Metropolitan Opera National Council Auditions Los Angeles District, The Liederkranz Competitions, Violetta Du Pont Competition, Vienna Kammeroper International Competition, Los Angeles County Artist of the Future and the National Association of the Teachers of Singing Young Artist Competition in Los Angeles and Pittsburgh.
Lessons are scheduled to best fit to the student's schedule when possible. Daniel is a very patient instructor and understands that students learn at a different pace, after all everyone is an individual!
· Singing · In studio
· Vocal Training · In home
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Detailed instruction in full, rich sound throughout your whole range.
Clear and concise work on diction and style for different languages.
Give written out exercises so you can always strengthen your voice between lessons.
I'm a musician, performer and teacher from Wisconsin, based in New York, who studies voice at Queens College. Have taken coachings for years in voice acting/voice over work. I've studied many different acting and singing styles with a number of notable stage directors, conductors, and other performers. I perform regularly around the Queens and Brooklyn area.
My performance credits include lead roles in operas by Mozart and Stravinsky; and musicals such as "Forever Plaid" and "Fiddler on the Roof".
I have spent years working on voice over/voice acting, and can show the right way to round out and project your voice for radio or stage work!
Work with the Suzuki method for violin/viola, as well as other methods such as John Thompson for piano for children.
I'm excellent with children and adults alik
Am comfortable teaching anyone, from beginners to coaching professionals!
· Opera Voice · In studio
· Violin · In studio
From a very young age, I have had extensive training in Operatic, Classical, and Broadway style voice. I have performed with Symphony Orchestras as well as Broadway Shows. I will help work with my students to not only find their voice, but also build an Appropriate repertoire and cuts of music suitable for any audition.
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Zero travel time is great for a busy schedule.
Typically priced lower than local lessons.
Online students stick with lessons as long as local students.
My high C/C6 came by early December, a couple of weeks after starting with Asuka. Some of this is my voice type, but I believe anyone who works with Asuka will see improvement.
I am taking lessons with a well-regarded pop teacher from the same time period and I've developed almost entirely from Asuka's lessons vs the other teacher, and quickly too with consistent practice. What Asuka teachers carries over to non-classical singing also.
Asuka is not rigid in her approach, thankfully, and she is so nice about the million things beginner singers can correct. I don't feel embarassed singing in front of her because she is non-judgmental.
I did some online lessons when she was traveling, and I got just as much out of them so even if I leave New York I will continue working with her."