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Mount Tremper, NY Flamenco Guitar Lessons

Looking for private in-home or in-studio Flamenco Guitar lessons? Our Mount Tremper teachers are ready to get you started. Find your teacher today!

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Popular Flamenco Guitar Teachers near Mount Tremper, NY

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About David F.

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Nashville, TN
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About David
Since beginning his teaching career in 1974 David has taught 7000 people how to play guitar! Some aspiring only to play at home for fun and others to pursue a career in the entertainment industry.

David F. has also taught advanced guitar and music theory to several professional musicians who already play other instruments fluently including Oscar nominee Scott Rogness, who co-wrote and performed the songs featured in the movie That Thing You Do. Scott had this to say about his study with David:

"I studied with David for about 8 months. Although proficient on keyboards, a singer and songwriter; I had never learned the guitar. I knew a lot about the guitar by osmosis, but technically was green. David let me look at the guitar in a whole new way, using infinite variations on basic chords, showed me how to move and follow vocal mel
odies and challenged me to SEE what I was playing. All at the speed of thought."

Scott Rogness
Singer/Songwriter/Keyboardist/Guitarist

David F. plays a custom built guitar with Bartoline electronics made by Jay Rhyne in Atlanta, GA. For live performances, David uses a Roland Guitar Synth and an Apple PowerBook with Logic audio for mixing his arsenal of software synthesizers and samplers, as well as Guitar Rig for guitar effects processing. When in Nashville contact David F. for private guitar lessons.

I am always looking for the band that will allow me to express myself, my influences include Hendrix, Page, Dimeola, Weather Report, Chick Corea, Emerson Lake and Palmer, and many others.

I read music and charts, and between practicing, teaching, playing, and recording, I have spent 80+ hours a week for the past 34 years with a guitar. I like to soar in the wind when I am playing."

*** Lesson Details ***
Almost all of my students learn bar chords and how to use them in song they want to play in the first hour of lesson time.

Almost all of my students begin in the first lesson with songs like Little Wing and Georgia On My Mind, and Stairway To Heaven, with the right chords in sheet music form. Once you learn how to do that you can begin to take yourself through songbooks, if you learn how to use the printed music, there is a vast amount of it available everywhere.

Almost all of my students are reading melodies using real notation by the 4th or 5th lesson. Reading melodies they like and want to play. Although my students know how to use tab, Notation is the best way and they all prefer it, once they know the difference. Like the Stairway To Heaven Solo, or any of the beautiful Spanish melodies from J.Rodrigo, or blues ,jazz,rock and roll, once you can read, you can read anything in print on your own.

All of my students learn rhythm skills playing scales and songs with a metronome, so you learn how to play in time, as you develop stronger rhythm skills you can play better alone or with other people.

All of my students learn the Music Theory. What Time Signatures are and mean, Scales and scale harmonization. Chord progressions and playing through the chord changes. All of these and more are the fundamentals you will begin to work on in the first 4-5 hours of lessons with me.
I just don't show you songs, I teach you to teach yourself and begin to become musically independent.
Work on picking and speed and most importantly touch and feel.
Work on Finger picking as well, learn to use all 5 fingers on your right hand. or use the pick and 3 fingers, with me you WILL use your pinky or little finger.
By 3-4 months we will have covered the fundamentals and be working on more advanced material, songs and technique.

*** Studio Equipment ***
separate room with seating for parents

*** Specialties ***
I use a Learn to play Guitar book that i wrote and self publish in full color. I also use several books by Jerry Coker with some jazz students,and I recommend the Harvard Dictionary of music to students
I teach the fundamentals of music applied to the guitar and bass, as well as metronome skills,sight reading and music theory.
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Mike L. December 8, 2014
· Guitar · Online
I have increased my lesson frequency to two one-hour sessions per week simply because of my progress under David's direction. After only three months of weekly lessons, I can now read music and play while reading. David has introduced me to effective melodic soloing, has significantly improved my understanding of barre chords up and down the fretboard, and has convinced me to abandon "guitaristic" thinking in favor of really understanding the potential of the guitar beyond shape memorization.
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Mike L. September 23, 2014
· Guitar · Online
For those players serious about music, who are willing to devote the time and attention required to improve, and who appreciate not only learning to play guitar but the theory and history behind the music, David is your man. I have taken lessons in the past, usually consisting of a teacher asking what riffs I wanted to work on that day. Sound familiar? Not David. Within the first two weeks, he has me focused on plucking the strings with more feel, using a pick and fingers simultaneously with my right hand, practicing scales to the tempo of a metronome while using the forwards and backwards technique, etc. He has convinced me that I can become as accomplished a player as I put my mind and heart to. His mantra is to work towards playing at the speed of thought, which, for the first time in my life, looks to be a possibility with time. Thank you, David.
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Lewis G. May 15, 2014
· Classical Guitar · In studio
Just had my first lesson with David. Gave a wealth of info now it's up to me but with his approach I know it will be all good. Have had other teachers but David is not only an accomplished player he is also is able to instruct and teach. Will write again after a few more lessons.
Lewis G.
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David F.

David F.

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About Perry N.

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Dallas, TX
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I teach beginner to advanced flamenco technique. All 12 basic styles of flamenco and more will be covered: Rumba, Soleares, Alegrias, Bulerias, Colombianas, Farruca, Fandangos de Huelva, Guajiras, Verdiales Tarantos, Granadinas, Peteneras, etc.

The repetoire from Manitas de La Plata, Sabicas, Mario Escudero, Paco Pena and Paco de Lucia will be covered.

About Perry
Hello!

My name is Perry and I am a professional classical, flamenco and electric guitarist performing and recording in the Dallas area. I studied with Robert Guthrie at SMU for many years, as well as Brad McLemore of "Soul Food Cafe" and professional jazz musician Chuck Pangburn at Booker T. Washington High School for the Performing and Visual Arts. In addition, I have taken masterclasses w/ many professional guitarists in all styles such as the flamenco guitarist Miguel Antonio.

I am familiar with all styles. I teach using a foundation in classical/flamenco style and technique. I have found that for my own career as a recording artist in both the classical, acoustic and electric guitar fields that the classical/flamenco styles are the most useful for developing and training the hands to become a consummate professional.

I teac
h beginner to advanced students of any age. I also can provide pro and amateur electric guitarists an in-depth study of correct hand postures and left-hand/right-hand technique which can help to refine their overall technique and stylistic approach. I can also advise professional electric guitarists on their electronics, effects pedals, and amplifiers to achieve their own individual sound. I also teach Bass, and reading the Bass clef.

My teaching specialties include: Solfeggio, Sight Reading, Music Theory, Scales and Modes, Left and Right Hand Technique, Blues Progressions, Jazz Standards the Classical Repertoire, Flamenco styles, techniques and repertoire, and the works of Sor, Giuliani, and Carcassi, Brouwer, Aguado, Villa-Lobos, Sabicas and Paco de Lucia.

I have an in-depth knowledge of the stylistic approaches and techniques of such guitarists as Eric Johnson, Jeff Beck, Joe Satriani, Randy Rhoads, Jimi Hendrix, Robert Fripp, Adrian Belew, and SRV to name a few, and I can teach you the components they use to build their signature licks.

As a rule I only transcribe to give the students examples for lessons. I intend for all of my students to grow as musicians, so my lessons do not consist solely of transcribed solos and riffs.

I have a vast library of music, so I can draw from my own resources to teach you, or from a method of your choosing.

My schedule has a few openings right now. I do teach outside of my stated teaching radius, but ONLY at the 60 minute rate.

I teach people of all ages, from children to adults. I believe everyone is on an even keel, if they are willing and eager to learn.

*** Lesson Details ***
Emphasis on classical posture and technique.
Emphasis on sight-reading.
All students learn to play basic blues and jam
Technique varies depending on the particular style the student wishes to learn.

*** Studio Equipment ***
I presently don't teach in my home studio. I can bring a folding music stand or extra footstool if necessary.

*** Travel Equipment ***
I can provide a limited number of learning materials such as copied exercises, listening or practicing CD on occasion. However, I feel that it is the student's responsibility to provide their own guitars, and the bulf of their own learning materials and necessary electronic equipment. This can include footstools, music stands, method books, amps, cables, pedals, etc.

*** Specialties ***
I've been playing guitar for 25 years, and this has given me the time to study, perform, and perfect many styles of guitar playing.

I studied classical and flamenco guitar with Robert Guthrie for 4 years before and after my studies in the SMU program. I've also played in jazz and rock ensembles since the age of 14. I studied with Chuck Pangburn, pro jazz cat, and Brad McLemore, an indie rock songwriter, early on in my studies as an adolescent.

I encourage most students to learn to play on a classical or nylon-string guitar early on in order to develop proper technique, posture, sensitivity, and sensibility. I also encourage all students to learn to sight-read at a very early point in their studies. Once, this hurdle is cleared many other challenges are easily surpassed.

Presently, I am developing a new method which incorporates solfeggio, blues and popular music forms, and improvisational playing. I also am exploring the vanguard of new guitar technology such as the Moog Guitar, analog effects, and various guitar synthesizers.

I try to introduce an understanding of music theory early on so that students develop a full comprehension of not only the written language of music, but also the sonic-aural language of music.
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Reviews
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vishal May 8, 2017
· Flamenco Guitar · In studio
Perry takes the time to explain flamenco and related styles deeply and thoroughly. He also provides detailed micro-scale feedback on hand/arm placement, orientation, range and which muscle groups to engage. But more than the technical, he has an awesome vibe and makes learning guitar quite an enjoyable experience.
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Patricio P. February 27, 2016
· Guitar · In home
Perry is excelentt, very dedicated, patient and acknowledgeable.
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Kimberly K. February 8, 2014
· Guitar ·
Excellent Guitar Teacher

Within a month of lessons with Perry, my daughter was in love with the guitar! Perry is professional and great with kids! He couples the basics with discourse about genre, and is very encouraging! Perry helped guide us in the right guitar and accessories to get us set up before the lessons began, which was incredibly helpful. We are very glad we selected Perry to teach our 7-year old to play guitar and look forward to watching her grow under his guidance.
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Perry N.

Perry N.

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About Lucian W.

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Miami, FL

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- care of the fingernails
- repertoire
- right hand exercises with the free stroke and rest stroke
- scale studies
- 3, 4, and 5 stroke rasquedo

About Lucian
Lucian W is an alumnus of Berklee College of Music in Boston and former faculty member of the Hartford Conservatory. His vocal studies have been with Jacqueline Jarrett and David Baker in Connecticut, Jane Ellison at Loyola University in Montreal, noted operatic tenor Carmine Gagliardi in New York City, and Gina Moretta (whose students have included Gloria Estefan and Jon Secada) in Miami. He studied privately with world famous jazz guitarists George Benson and Chuck Wayne and has had a full time performing career of several decades as a guitarist, pianist, vocalist, bassist, arranger and orchestra leader.
Lucian believes that by sharing his enjoyment of making music with his students, he can give them confidence in other areas. That is because, in order to make music, they must go through a process of physical discovery through pr
actice. They are then empowered by experiencing the connections between inspiration, work, and pleasure.
He performs, as a solo entertainer, an unusually wide ranging repertoire because of his versatility on guitar, piano, and vocals. Being an accomplished arranger with a vast library of charts also allows him to lead a ten piece orchestra as competently as a trio or quartet. He has performed extensively in New York, Chicago, Cape Cod, and Florida.

*** Lesson Details ***
I always try to make lessons as comfortable and enjoyable as possible yet challenging enough to maintain interest. I build lessons around the student's individual interests (specific songs or styles) so that he or she can learn the technical fundamentals in a relevant context.
My own curriculum is supplemented by the following:
Guitar: Hal Leonard Guitar Method, Aaron Shearer Classical Guitar Method
Piano: Alfred's Basic Piano Course , John W. Schaum Piano Course
Voice: Jeffrey Allen's Secrets of Singing, Nicola Vaccai Practical Method

*** Studio Equipment ***
Hardman baby grand acoustic piano
OptimusMD1600 electronic keyboard
Crate TX50D guitar amplifer

*** Specialties ***
- Singing lesson time is generally divided 50/50 between voice building and repertoire. I accompany vocalists on both piano and guitar, teaching the melody notes as they are sung along with the piano. Then, once the melody is learned, I often switch to the guitar with just chordal backing. The acoustic guitar is also softer than the piano and lets the singer hear their own voice better. For voice building, I use my own concepts plus approaches of famous voice teachers like Jeffrey Allen, Seth Riggs, and Anthony Frissel.
- I am very experienced performing all styles of guitar and can cater to the student's specific area of interest, whether it be rock, folk, classical, or jazz.
- With piano, I work on fundamentals of reading and technique. Learning basic harmony and chord construction starting with triads (3 note chords), the student can soon read single stave lead sheets (a form of music notation widely utilized by professional musicians) as well as the grand staff. This approach trains the ear and makes learning how to play popular songs much easier.
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Reviews
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Aron July 10, 2017
· Classical Guitar · In studio
very methodical, had a good approach! we enjoyed learning with him
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Nelson May 27, 2017
· Acoustic Guitar · In studio
Lucian has a life time of experience as a practing musician, and also has been teaching for many years. I've had other guitar teachers, but Lucian​ is great at explanation and practical instruction. He's not just teaching you how to strum chords, but also about music theory.

He has the patience, and demeanor that is perfect for teaching. No easy task. I've seen other students of all ages here as well.

Great teacher
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Marty May 26, 2017
· Guitar · Online
Lucian is a great musician and after my first lesson I am comfortable knowing he is an excellent teacher. I look forward to taking my guitar playing to the next level. Thanks Lucian!
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Lucian W.

Lucian W.

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About Albino M.

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Cambridge, MA

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Solid knowledge from 18 years of playing guitar and I Graduated From Berklee College Of music as one of the first African Scholars.

About Albino
Albino was born in Maputo, the capital of Mozambique, a country in southern Africa known for its rich musical and cultural heritage. Fueled by the resourcefulness and determination that have always characterized Mozambicans, he built his first guitar at 16 from a 5-liter can of oil, scrap wood, and strings made out of electrical cords.

Drawn to the sounds of neighborhood street musicians in Maputo, Albino began to play in a number of local bands. As with his home-made guitar, Albino wanted to combine styles and incorporate diverse elements in his music. For his talents to grow, he knew he needed experience new places, cultures, and sounds.

While studying music education and Performance at Universidade Eduardo Mondlane in Mozambique, he heard about the Berklee School of Music in Boston, USA, where he could expand his musical horizons
. Soon after, he was one of the first students to receive a full scholarship to Berklee through the African Scholars program. In 2009, he settled in Boston, Massachusetts.

At Berklee, he was exposed to a variety of influences, but wanted to go deeper into the roots of jazz and expand his knowledge of music. He auditioned and was selected to participate in the Berklee Global Jazz Institute, which is directed by Danilo Perez and the residency teachers, including Joe Lovano John Patitucci, and Terri Lyne Carrington. The Institute emphasizes an artist's original vision in jazz, and has helped Albino find his own unique voice in the art form.

Albino still felt the absence of his own Mozambican traditions in his music. With the help of his mentors, Richard Bona and Lionel Loueke, two of the most prominent African musicians in the United States of America today, he began to bridge that gap.

Today, Albino's music succeeds in combining many disparate parts into an organic whole. It incorporates his musical experiences from Mozambique, the U.S., and many other places around the world, combining rhythmic patterns and musical concepts to create a unique Moz-Jazz sound. He will always continue to combine and capture the energies of different musical traditions to create a unified and original musical style.

Albino's original composition “Mozambique Dance” was recorded by Jazz Revelation Records, a student-run record label at the Berklee College of Music, for the 8th annual album released in 2011. He also recorded “Awusiwana,” his own composition, for the Berklee 2012 summer album. His debut album, also called Mozambique Dance, is to be released in Spring 2013.

Albino is an active musician, and has performed in several countries including Mozambique, Zimbabwe, South Africa, Italy, the U.S., and Mexico. He has also produced and recorded various projects in Mozambique and in the United States. In 2012, he will graduate from Berklee College with a degree in Music Production & Engineering and Performance, and a minor in Acoustics and Electronics.

*** Lesson Details ***
My teaching method dependent on the type of student. All my students will be treated with care and commitment to help them archive the their goals in the lessons.
We will be using book method as a way to follow a clear direction.
Learn songs, chords, scales, phrase, theory and more material that is needed for better musical foundation.

I am open to what the student wants to achieve over short and long terms.

*** Studio Equipment ***
Desk top and Laptop Mac Computers
Protools, Logic Pro, reason
Focusrite 56 Liquide, Focusrite Dual Mono Mic pre
BBe Maximizer
Bricasti, M7, sterreo reverb

*** Travel Equipment ***
Guitar
Guitar Amp
Mic
Laptop
Mbox

*** Specialties ***
Guitar
Bass Guitar
Voice
Ukelele
Song writing
Production
Audio Recording
Mixing
Mastering
...
Reviews
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Gina September 7, 2017
· Singing · In studio
Albino is a supportive instructor. He definitely wants to help mold his students into the best performers they can be. Very excited to continue working with him!
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Michael M. August 30, 2017
· Guitar · In home
Very patient and knowledgeable. Great mix of feedback and praise
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Caleb July 10, 2017
· Singing · Online
canceled on the day of my first lesson... didn't reply to emails.
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Albino M.

Albino M.

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About Billy N.

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Brooklyn, NY
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I don't consider myself a Flamenco Guitarist but I'm schooled for over 5 years in the techniques and styles. I love the music and as an excellent teacher I have an excellent method from my own guitar master that will get you going on your way. If you stay with Flamenco to a certain level, I'll try to help you find a teacher that would really specialize in advanced playing

About Billy
Billy N. has played Jazz, Brazilian and Classical music in the NYC area for the last 20 years. He has actively taught both finger-style and pick guitar for the last 20 years. He was on staff at the American Institute of Guitar for 11 years. His book on Brazilian Guitar is published by Alfred Music and currently available. He now offers online lessons via Skype as well as in his private studio. Playing credits include many museums and clubs in the NY area including Museum of Modern Art Museum of the City of NY and an extended stay at the Guggenheim museum in the Summer of 2000. Also he has been in the Brooklyn Museum concert series with his group Afinidades Bronx Libraries Brooklyn College and the Jewish Museum in trio and duo setting with great Percussionist Vanderlei Pereira. He has performed in Brazil as well most recently in the South
of Brazil,  receiving TV and radio coverage. He has also done workshops and performed at the Conservatory of the state of Pernambuco. In August 2004 he performed weekly at Rio Scenarium in Rio de Janeiro. His Band Brooklyn Brazil Bop has played at Joe's Pub as well as Central Park Festival. His band the Brazilian Acoustic ensemble performs periodically at 'Barbes' an important performance space in Brooklyn NY. In 2007 he gave a successful jazz workshop and concert in the city of Florianopolis Brazil. Billy has been awarded 3 prestigious composer's residencies 2006 - Yaddo and 2007 - The MacDowell Colony. He was featured on the PBS news hour during his residence at MacDowell. In 2008 he was awarded another MacDowell residency and followed this with a 3 hour appearance presenting his compositions live on WKCR Jazz Radio and another live radio appearance with band in 2010. Billy regularly plays in many venues around NY in Jazz trio settings as well as with Brazilian vocalists and instrumentalists. Most Recently his groups have been performing at the famed Cornelia Street Cafe in New York City. He also specializes in solo guitar and can double on percussion (Pandeiro) and Cavaquinho. Billy has completed two CD's of his original music and an EP of his original Choro music. He has a BFA in Jazz Performance from CCNY.

Testimonials:
From Coda Magazine August 2012: by Seton Hawkins

Through outstanding collaborations like the Brazilian Acoustic Ensemble, guitarist and composer Billy N has emerged as a leading exponent of the music of Brazil. Exploring far beyond the well-trodden bossa nova path. Billy unearths the full range of styles the country offers, including choro, baiào, valsa and samba, and gives American audiences a rich panoramic glimpse into Brazilian art, highlighting its parallels with progressive jazz.

A recipient of composers residencies at Yaddo and MacDowell Colony, he is the curator of a three-day series at the club dedicated to the country's music. Billy will showcase his own group—a sextet with drummer Matt Kane, bassist Leco Reis, saxophonists Michael Attias and Eric Schugren and trumpeter Ben Holmes—in a concert primarily featuring his original works. SH

Reviews of my Book on Alfred Brazil: Guitar Atlas,  I love this series and this is the best of the six titles I have. Billy really knows his stuff; the analysis of time at the beginning is superb: something I now use in my teaching. This is definitely for intermediate and higher guitarists, but the pieces are worth the effort to get right, and the accompanying CD shows you what you are aiming for. This is as good as my other Brazilian guitar book (by Nelson Faria) and much more compact and easier to follow. Highly recommended!

#2

This book is essential homework for students of Brazilian guitar. It is one of the best resources out there, along with Nelson Faria's "The Brazilian Guitar Book." The original etudes are not only instructional, but are nice pieces in their own right. An excellent value.

*** Lesson Details ***
I've taught all levels over 20 years both in NYC and Brazil. I work with the material that the student wants and also through recordings and charts introduce much music that the student might have been unfamiliar with. My lessons are catered to the individual. There is no obstacle anyone has that is too great to work through. My approach to rhythmic training has helped many. I have simple way of breaking down the guitar fingerboard which can used as a guide to learn harmony. I'll get you into the horizontal aspects of guitar, traveling across the neck, making music across one string as well, mastering the guitar in a small fret range - " vertical position playing".

*** Studio Equipment ***
I have guitar for the student, either electric or nylon. Cavaquinho students bring their instrument. First time students must bring their instrument so I can see what they are playing on.

*** Specialties ***
Brazilian Fingerstyle - Choro, Samba, Baiao Solo
Jazz Guitar - Pick or Fingers
Beginning Flamenco
Cavaquinho
Improvisation for any instrument
Harmony and Theory
...
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Flaminia D. May 12, 2015
· Acoustic Guitar · In home
I have been taking lessons with Billy since January 2015. I am a total beginner and I really think I have made the best choice ever to pick him as my teacher. Billy is an experienced guitar teacher and a professional player that knows great techniques for beginners. He has been teaching me basics of guitar in a smart way, and at each lesson I feel I learn something new and at the same time I can clearly see how much progress I have made since our first lesson. He has also been teaching me how to read music and tabs which proofed to be extremely useful every time I want to learn a new song by myself. Highly recommended!
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Lynn W. December 17, 2014
· Guitar · In studio
I cannot recommend Billy enough. I studied jazz improvisation with Billy for three years, and later returned to study Brazilian guitar and Piedmont-style finger picking with him. I had been playing for more than twenty years when I started studying with him and he not only helped me improve my playing technically and creatively (on electric and nylon stringed guitars) but also expanded my knowledge of theory and helped me develop new approaches to composing and arranging. I am still working with the material he gave me and take lessons from him whenever my schedule allows.
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felicia D. October 17, 2014
· Brazilian Guitar · In home
I took Brazilian guitar lessons from Billy for several years. His method focuses on absorbing the many rhythms of Brazil and translating them from percussion instruments to the guitar. Much of his effort is devoted on achieving the elusive Brazilian swing, which non Brazilians need to learn. Billy is excellent in breaking down the rhythms and explaining them. He even has a book out on his method. He covers various Brazilian genres: choro, bossa nova, samba, baiao and more.
Billy also is an accomplished jazz, classical and flamenco guitarist with a thorough understanding of harmony and improvisation. He is very patient and has years of teaching and performance experience. You will be lucky to study with him!
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Billy N.

Billy N.

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About Don D.

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Kingston, NY
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Beginners will learn:1.Proper left and right hand positioning 2. Introductions to Rasguedos, Tremolos, Tamboras, and Golpes, etc. 3.Strongly suggested reading of music (staff). 4. Reading and playing simple traditional pieces of the Spanish style composers.
Intermediate to Advanced Students will learn: 1. Advanced mastery of all aforementioned. 2. More concentration on Apoyando and Tirando with mastering of scales in all positions. 3. Multi-position playing featuring held barres with advanced tremolo techniques. 4.Reading and translating the works of Villa-Lobos, Tarrega, Martin, Serrano, and Montoya. 5. Incorporating all for ... ... Improvisation ! ... Yes !, Improvisation ! .... 6. How to create your own Masterpieces from my guidance of theory and composition.

About Don
Hi,
My name is Don and have been teaching guitar for many years. Currently I teach at the New York School of Music in Walden, N.Y. as well as at my home studio. From 2003 -early 2015 I was a staff instructor at Imperial Guitar and Soundworks of Newburgh, N.Y.
I teach all levels and ages for such styles as Classical/Flamenco Guitar(including ABRSM EXAM PREP.), Blues, Rock, Shred, Metal, Jazz, Country, and General Instruction for Beginners and those just wanting "to know how to play some tunes.".
I tailor instruction to my students' goals... not mine. Goal #1..we're having fun as we learn !.. this is not to be confused with Navy Seals Training !
...
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David August 15, 2016
· Guitar · In studio
Had a great first lesson with Don. I believe I will progress nicely under his tutelage. Already have a lot to work on.
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Aneiah November 7, 2015
· Guitar · In studio
Years ago I took Guitar Lessons at a local music store ( a very prominent one) as a raw beginner and quickly became frustrated with my lack of progress. Although my teacher was a great player and "very hot" to look at I soon began to feel like I was merely his "practice dummy."... I'd play the chords he showed me, endlessly,... while he seemed to be just practicing his solo playing. ... I then tried On-Line Lessons from various sites which were actually even less helpful and soon just lost interest completely.
A friend of mine said she had taken lessons from a Don DeBold for about 5 years before going off to college and highly recommended him.
I've now been taking lessons from Don for almost 2 years and having a blast ! I've learned how to play along with most of my favorite songs (mainly Blues and Rock) and now I'm learning to play Solo Guitar that needs no accompaniment !
Unlike my first teacher, during many lessons Don barely plays or even has his Strat on his lap because he's busy concentrating on what I'm doing !
He's a stickler yet lots of fun at the same time> I super recommend him as a Guitar and Music Teacher !!! Aneiah J.
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Kyle M. November 5, 2015
· Guitar · In studio
Don is an amazing teacher to say the least!! I've playing guitar for years with never a full grasp of harmony, and within a few short hours he caught me up on some of the most vital information I was missing. A true expert teacher.. Give him a chance... You won't be disappointed!!!
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Don D.

Don D.

Lake Katrine, NY 12449
(9)
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About james C.

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Daytona Beach, FL
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“Jim is a blues-rock guitar master from Florida who can play as well as blues greats like BB King and Stevie Ray Vaughan.”
- Gail Worley
I have been an on-call recording artist and producer for Full Sail University for over 10 years. It is my duty as such, to have quality musicians available for both audio and video recordings, usually on very short notice.
I have also been teaching guitar for 40 years.
James is currently on several radio airplay lists with The Rolling Stones, Pink Floyd, ZZ Top, AC/DC, Joe Satriani, Ozzy, Albert King, Led Zeppelin, and many more.

About james
Central Florida guitar legend James was selected along with 23 additional masters around the world to create a second tribute to the incomparable Jeff Beck entitled The Loner 2- A Tribute To Jeff Beck. The Loner 2 - A Tribute To Jeff Beck on Itunes
James has rightfully drawn comparisons to Jimi Hendrix, BB King and Eric Clapton. MTV.com.
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james C.

james C.

Online
starting at
$34 / 30-min

About Jeff B.

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Profile_109950_pi_Bowen%204
Seattle, WA

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A major priority of my guitar teaching is to have students making expressive music every time they touch the instrument.

I begin by working on tone production on the open strings of the guitar, so that students are able to produce a full, beautiful tone on the first day. From there, we study left- and right- hand techniques in the context of real pieces of music, giving students the chance to apply the mechanics of guitar playing to the expression of musical ideas. At the same time, I work with students through progressive studies and warm-up exercises that have built-in expressive goals, so that they can learn to rely on their own ears to further refine their playing.

As I believe that a good guitarist is, first and foremost, a strong musician, I fold a number of diverse activities into weekly lessons, developing skills in music theory, ear training, sight reading, composition, and improvisation, all of which reinforce the acquisition of strong technique.

About Jeff
I’m a composer and guitarist, with 20 years of experience playing and performing on classical and electric guitars. I’ve given solo and chamber performances across the United States, with recent Seattle performances including Astor Piazzola’s complete "Histoire du Tango", the world premiere of Brian Cobb’s "Campfire Songs," and the Seattle premiere of James Bonney’s electric guitar concerto "darkLIGHTness."

In 2010, I received a Bachelor of Arts degree in classical guitar performance and composition from Stanford University, where I performed solo recitals of Bach, Mozart, Turina, and Henze, collaborated with the Stanford New Ensemble on contemporary chamber pieces, and played lead guitar in the heavy metal band Full Metal Apocalypse.
I recently received a Doctorate in music composition from the University of Washington in Seattle, wher
e I’ve taught music theory, composition, and musicianship at the college level for seven years, and where I continue to perform with the UW Modern Ensemble, Inverted Space Ensemble, and Seattle Modern Orchestra.

A major priority of my guitar teaching is to have students making expressive, compelling music every time they touch the instrument. And as I believe that a good guitarist is, first and foremost, a strong musician, I fold a number of diverse activities into weekly lessons, developing skills in music theory, fretboard knowledge, ear training, sight reading, composition, and improvisation, all of which reinforce the acquisition of strong technique.

I teach a wide array of styles—including classical, folk, rock, flamenco, and heavy metal—and I look forward to helping you realize your musical goals!
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Jeff B.

Jeff B.

Online
starting at
$45 / 30-min

About Jay H.

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Profile_108756_pi_Jay%2018
Tacoma, WA

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If you're a complete beginner, an advanced classical player, or anywhere in-between, this is the place for you! My teaching philosophy is simple: each student is unique and each student requires a unique approach.

With experience in a range of teaching methods and schools of guitar playing, I take the time to get to know you, to learn what it is you want to play, to learn your music, and teach it to you in the way you will understand.

​I'm Jay, an award-winning guitarist and teacher with a doctorate in guitar and music theory.

About Jay
I'm an award-winning guitarist with a Doctorate of Musical Arts (Guitar and Music Theory, University of Minnesota-Twin Cities, 2016), and a Masters in Classical Guitar Performance (University of Wisconsin-Milwaukee, 2013). I've taught students of all ages and abilities at the University of Minnesota and at the Saint Paul Conservatory of Music.

My teaching philosophy is simple; each student is unique and each student requires a unique approach.

Using my experience and training in a range of teaching methods and schools of guitar playing, I take the time to get to know you, to learn what it is you want to play, to learn your music, and teach it to you in the way you will understand.

You should expect professional, personalized, and engaging lessons each week. And ask any of my other students: you'll have lots of fun too :)
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Reviews
Silhouette-80
Erich L. October 17, 2017
· Acoustic Guitar · Online
Jay was very nice to work with.
Silhouette-80
Sam Claeson March 20, 2017
· Acoustic Guitar ·
Jay is fantastic. Not only is he a fun, outgoing person, he is absolutely brilliant on the guitar. I reached out to Jay because I wanted to improve my finger picking. He thoroughly taught me many different picking patterns that helped develop proper technique and accuracy. Because I taught myself to finger-pick on guitar my first 2 years of playing, I developed very bad habits. But with just 3 half-hour lessons with Jay, I've corrected these bad habits.
Silhouette-80
Katie Nelson March 13, 2017
· Guitar ·
Jay was very patient in teaching me guitar as a beginner! It was easy to learn from him and he taught me a lot to get started in a short amount of time. Great lessons!
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Jay H.

Jay H.

Online
(33)
starting at
$35 / 30-min

About Paul W.

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Profile_113505_pi_Paul-Weber
Indianapolis, IN
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There is no such thing as talent! Talent is only an illusion of learned skills and ANYONE can do it. Remember you only fail if you stop trying! As an instructor it is my job to show you how to be a self sufficient guitar player. To me this means that I should be giving you and teaching you tools to be able to hold your own as a great musician. I am a Junior at Iupui majoring in Music Technology with a minor in New Media and I have been playing guitar, piano, bass, percussion, and working in DAW's much longer than I'm proud to say. I've taught all ages and playing levels. My goal is to stop you from looking around for answers and lead you down a straighter path. I will help you learn about your guitar and the functions of music theory applied directly. In this way, regardless of genre styles you will see that all music is the same. Thus, you can be a musician and not just a guitar player.

About Paul
Hello, I'm Paul Weber and I am here to help you become a better musician on your guitar. I will explain techniques and proper use of the instrument as well as music theory. I want you to understand what is going on so that you don't feel frustrated or confused any longer. I have personally spent countless hours studying and trying to find the right answer not having proper instruction and it can be so frustrating and discouraging to you as a player. I'm looking forward to guiding you and getting you up to the next level much quicker than I ever did!
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Paul W.

Paul W.

Online
starting at
$25 / 30-min

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