acoustic guitar playing: both finger picking and playing with a pick
Professor Nick R. (guitar, banjo, mandolin, ukulele, dobro/resonator/slide, lap steel, tenor guitar, baritone resonator, bass, drums, composition) is currently the adjunct professor at Essex College, Jazz clinician for over 19 years via Kupferberg Center (Queens College) and has been on the staff at Great Neck Music Conservatory. Nick has given lectures at Manhattanville College, at Queens College and at schools, nationally.
Nick has been a sideman with Antonique Smith, Jon Batiste, Rob Morrow, John Lithgow, Russell Hall, Vince Giordano & The Nighthawks, Marcus Miller (a new film), Moroccan vocalist/composer, Malika Zarra, Bill Charlap, Frank Vignola, Victor Jones and Cultur-versy, Jim Nolet (Jazz Passengers), Jennifer Jade Ledesna, the late greats Jimmy McGriff, Teddy Charles, Sonny Dallas, Joe Ascione and continues to play for Th
e Hot Sardines, Andrew Nemr (tap dancer), Miles Griffith's New Ting, Terry Waldo, Dandy Wellington, New Orleans’ Aurora Nealand, Gordon Au's Grand St Stompers, Mona's Hot Four, Dr. David Pleasant, Jon Weber, John Colianni, Kim Clarke, Raphael McGregor, Anastasia Rene, Indian/pop singer, Meetu Chilana, & many others.
Nick has played extensively with Malika Zarra, including her Ebony Road CD release with Harvey Wirht, Mamadou Ba, Brahim Frigane and other great world musicians. As a pupil of Pandit Samir Chatterjee, Nick continues to study Indian music, plays harmonium, box tanpura (soon sitar and oud!) and jams with grammy nominated producer/composer/Indian percussionist, Deep Singh (tabla player with Sting) and grammy nominated producer/trumpet player/composer, Frank London on a regular basis.
Nick has also played extensively with ELEW years before, when he was jazz pianist, Eric Lewis and trombonist, Clark Gayton as sideman in various bands, including the James Brown tribute band with the late great, Black Velvet (Charles Bradley) led by Victor Jones.
Nick currently leads/MC's 3 bands: Banjo Nickaru & Western Scooches, Hot Jazz Jumpers and NickR+11
Banjo Nickaru & Western Scooches (with Betina Hershey) album, Get Us Out Of Fearland: #2 album, #2 artist, #5 song with 6 of our songs in top 20 on April 2018 International Folk Music DJs Radio chart!
Over the past two year, Banjo Nickaru Western Scooches has built a solid following in the Eastern U.S. with a half dozen tours while also playing such prestigious events such as NBC affiliate Kansas City TV, Falcon Ridge Fest, Kansas City Folk Fest (main stage), Folk Alliance International, NERFA, WFUV Sunday Supper, Jon Platt's On Your Radar, Blue Plate Special, WMOT Finally Friday, WNCW Studio B Sessions, WoodSongs, Isis Music Hall, the Mid-Winter Folk Fest at Club Passim and recent January 2019 APAP showcase in NYC.
“Nick has worked with artists all over the jazz spectrum. His latest release brings a decidedly unorthodox approach.” DOWNBEAT ⋆⋆⋆⋆
"....the inimitable Banjo Nickaru & Western Scooches"
— John Platt (WFUV)
“A heart as big as the sky…full of high energy and higher spirits.” -Elmore Magazine
“A band that has to be seen to be believed.” — John Platt (WFUV)
"They go back to basics with songs that bask in a genuine roots regimen and a sense of timeless tradition." Elmore Magazine
"Americana music at its purest and most impressive." No Depression
“Unfailingly high-spirited." LONDON TIMES
"...Banjo Nickaru & Western Scooches are ridiculously fun." Rambles.
-Down Beat magazine 2006 Ro review plus [Jan/Feb 2016] Hot Jazz Jumpers' "The Very Next Thing" DVD/CD review
-Jazz Insider magazine current issue [Dec 2015] 2.5 page interview
-Just Jazz Guitar magazine interview [February 2015 issue]
-Vanity Fair magazine (August 2013) interview
"Summer of 2013, Nick R. performed at Gwyneth Paltrow and Chris Martin's home. It was an honor to meet Paul McCartney and jam with him while he played toy harmonica. Carnegie Hall, Lincoln Center, Iridium, Bluenote, Birdland, U.N., IAJE, Cape Cod Jazz Festival, NJPAC, Sweet Rhythm, Smalls, Zinc Bar, Smoke Jazz Club, internationally: Japan, Spain, Russia, Brasil, St. Kitts, Canada, France, Bermuda, Sweden, Israel
-Toured/recorded and/or worked as sideman with Antonique Smith, Jon Batiste (from the Colbert show), Jimmy McGriff, Teddy Charles, Bill Charlap, Sonny Dallas, Victor Jones and Cultur-versy, Vince Giordano & The Night Hawks, Frank Vignola/Joe Ascione, Miles Griffith, David Pleasant, Jim Nolet (former violinist for the Jazz Passengers), Dandy Wellington, Jon Weber, Aurora Nealand (from New Orleans), Anastasia Rene, Mona's Hot Four, Gordon Au's Grand Street Stompers, Michael Arenella's Dreamland Orchestra, with Jesse Gelber, Raphael McGregor, Emily Asher's Garden Party, and many other groups.
-Appears in Sam Mendes Film "Away We Go"
-Movie Soundtrack: King George.
-Guitar/banjo: "Jew Grows in Brooklyn," "Take Me Along," "The Big Apple Circus" + others.
-Banjo/Guitar Chair: "New Girl In Town" (Irish Rep Theatre)
M.A. from the Aaron Copland School of Music at Queens College (partial scholarship)
B.S. from S.U.N.Y. Stony Brook, graduated magna cum laude. Dean's list all semesters
-Published interview (book): A New Face of Jazz (Cicily Janus)
-Playing guitar/banjo on first episode of new PBS cartoon "Peg and Cat"
- Current adjunct professor at Essex College
-Guest lecturing professor at Manhattanville College
-Substitute adjunct professor at Queens College
-Winning participant: I.A.J.E. with Miles Griffith's New Ting 2007. Performance and educational certificate granted.
-Winning participant; part-scholarship award: 2004 International Jazz Workshop at BANFF Centre, Canada (dir, Dave Douglas)
-Winning participant; full-scholarship award of the 2001 JAS academy in Aspen Colorado (dir, Christian McBride (Down Beat Dec. 2001)
-Studying Bol (Indian rhythmic system) with tabla player, Pandit Samir Chatterjee 2006-2007; 2013-current
-Studied with Pat Martino, Billy Bauer, Ben Monder, Tony Purrone, Pete Bernstein, Dr. Stephen Salerno, Dr. David Belser
-Studying African Rhythms with drummer, Harvey Wirht
*** Lesson Details *** With over 20 years teaching experience, Nick is patient with children & adults. He has a creative, unique pedagogy emphasizing hearing through singing, ear-training & natural, organic listening. Nick instills healthy absorption of music while students have fun learning their music, sight reading, internalizing with focus on rhythm and time. As a student, you will get to work on music that you, the student select as well as work on sight-reading, technique, ear-training. We will also work out of method books and use other sources of information.
*** Studio Equipment *** Chairs, music stands, instrument stands, classical foot pedals, classical guitar pillows, guitar amps, guitar, banjo, mandolin, ukulele, drum set. Students usually provide their own instruments but it's possible to borrow an instrument during the lesson at the studio on the first lesson. (free street parking right in front!)
*** Specialties *** Nick's pedagogy emphasizes ear-training, singing, reading and truly hearing the music we are working on. Rather than rote teaching and guitar tablature, he instills natural listening, transcribing, sight-reading and proper technique. Lessons are always enjoyable as Nick observes each student's unique needs and listen's to their song preferences and musical goals. Students have the opportunity to learn pieces and genres they select and they are trained to figure out tunes by ear (ear-training) and transcribe.
-classical guitar and Brazilian guitar (nylon 6 string and nylon 7 string guitar) -acoustic steel string guitar, electric 6 string and electric 7 string guitar - jazz guitar + an eclectic mix of styles: blues, Brazilian music, Latin Jazz, Afro-Peruvian, Indian music, rock, heavy metal, funk, R & B, Motown, reggae + other genres. - tenor banjo (traditional jazz, jazz from New Orleans, Dixieland and world music) -5 string banjo (Earl Scruggs finger picking [bluegrass and country]) -tenor guitar -ukulele -mandolin -resonator slide/dobro. -lap steel -baritone resonator (slide)
This was my first lesson with Nick. He is a very nice guy. He created a calm, relaxed atmosphere in his studio, and he was clear when he gave me particular instructions. His knowledge of music theory in general, and of the five-string banjo in particular, was quite impressive. I would recommend him highly to both a beginner and to anyone (like myself) who is in need of a refresher course. I am very much looking forward to my next lesson.
April 2, 2019
Nick Russo is a fantastic tutor for kids and adults who would like to learn Ukulele, guitar, banjo or other instruments. He makes ‘learning fun’ he's friendly and cheerful. I don’t have any background in music but, Nick made it easy for me to understand the notes and how it works. I always look forward to every lesson. I Highly recommended Nick to everyone.
March 22, 2019
I’ve been taking guitar lessons with Nick now for a few months and it’s been a terrific experience — cannot say enough good things. Each lesson builds on the last and Nick tailors them to my ability and musical interests mixing in enough music theory, which makes learning both productive and enjoyable. Most importantly I feel like I’m beginning to understand how music works and not just blindly memorizing patterns or scales. I considered online courses before choosing Nick, but there’s no substitution for one-to-one instruction. Nick’s feedback and instruction are invaluable.
I was a little concerned about trying to pick up guitar in my early 40s, but its been a rewarding experience so far and I’m looking forward to more lessons with Nick.
Guitar players look no further! Guitar can be very rewarding and is a wonderful all-a-around instrument to learn.
My studio is based on the belief that our customers' needs are of the utmost importance. We are committed to meeting those needs. We would welcome the opportunity to earn your trust and deliver you the best service in the industry! With over 14 years of teaching experience in both the classroom and privately, my lessons are comprehensive, diverse and individually tailored to each student.
Ms. Tina was born and raised in North Plainfield, NJ and attended college at Westminster Choir College in Princeton, NJ and Montclair State University in Montclair, NJ where she received a BM in Musical Theater. Music is not just a job for Ms. Tina...it's a passion.
I continually strive to encourage and motivate my students to explore their individual talents and abilities to their fullest and to have fun! I look forward to working with you
and your family to achieve your music education goals!
After graduating from Salford University, England with a Bachelors degree (Honors) in Music and Composing I worked for a short time as a commercial "jingle" writer, before moving to San Diego, marrying my dream girl, and opening my own music recording, teaching and production studio. From there I have been teaching lessons, recording bands and writing music for independent film ad video games for the last 6 years. Throughout this time I've been continually performing live in venues all over California.
*** Lesson Details *** I teach both from a privately rented studio in Santee and from my home studio in La Mesa. Both are fully equipped for guitar, bass and drum lessons and even have recording facilities! In my lesson plans I try to combine theory and technique with practical application (that is, playing music and rocking out!).
A typical lesson begins with a warm up and review of last weeks' lesson, and then moves to a new concept or technique. Once this new idea is understood, we give it a practical application by using it a song the student is familiar with. We finish up by setting some homework and answering any questions the student my have.
My lessons are structured and goal orientated (I want my students playing songs they love as soon as possible to keep the inspiration and excitement going!) but I adapt each lesson plan to suit the student, accommodating different musical tastes and learning styles. Most important I keep the lessons fun and engaging - it's the best way to learn!
*** Studio Equipment *** Fulling equipped, professional teaching studio. Guitars, drums, amps, PAs, Pianos, Mandolins and much more!
*** Specialties *** Very versatile both in preferred styles and my ability to adapt to students requests. Can cover anything from jazz to metal, or pop to blues, on guitar, bass or drums.
David is awesome!! He tailors lessons to fit your musical preference but also takes you out of your comfort zone to challenge you and help one build confidence...in three short lessons I've learned so much! Not just technically, but personally as well. Great teacher, fun sessions, highly recommend
May 3, 2019
I've had 4 lessons so far with David and have learned so much about music theory and mandolin playing. He is an absolutely amazing teacher. I highly recommend him.
March 23, 2019
Really fun and listened very well. I’m excited to start this musical journey.
- chords - learning songs - using the pick - strumming patterns - finger picking
Lucian W is an alumnus of Berklee College of Music in Boston and former faculty member of the Hartford Conservatory. His vocal studies have been with Jacqueline Jarrett and David Baker in Connecticut, Jane Ellison at Loyola University in Montreal, noted operatic tenor Carmine Gagliardi in New York City, and Gina Moretta (whose students have included Gloria Estefan and Jon Secada) in Miami. He studied privately with world famous jazz guitarists George Benson and Chuck Wayne and has had a full time performing career of several decades as a guitarist, pianist, vocalist, bassist, arranger and orchestra leader. Lucian believes that by sharing his enjoyment of making music with his students, he can give them confidence in other areas. That is because, in order to make music, they must go through a process of physical discovery through pr
actice. They are then empowered by experiencing the connections between inspiration, work, and pleasure. He performs, as a solo entertainer, an unusually wide ranging repertoire because of his versatility on guitar, piano, and vocals. Being an accomplished arranger with a vast library of charts also allows him to lead a ten piece orchestra as competently as a trio or quartet. He has performed extensively in New York, Chicago, Cape Cod, and Florida.
*** Lesson Details *** I always try to make lessons as comfortable and enjoyable as possible yet challenging enough to maintain interest. I build lessons around the student's individual interests (specific songs or styles) so that he or she can learn the technical fundamentals in a relevant context. My own curriculum is supplemented by the following: Guitar: Hal Leonard Guitar Method, Aaron Shearer Classical Guitar Method Piano: Alfred's Basic Piano Course , John W. Schaum Piano Course Voice: Jeffrey Allen's Secrets of Singing, Nicola Vaccai Practical Method
*** Studio Equipment *** Hardman baby grand acoustic piano OptimusMD1600 electronic keyboard Crate TX50D guitar amplifer
*** Specialties *** - Singing lesson time is generally divided 50/50 between voice building and repertoire. I accompany vocalists on both piano and guitar, teaching the melody notes as they are sung along with the piano. Then, once the melody is learned, I often switch to the guitar with just chordal backing. The acoustic guitar is also softer than the piano and lets the singer hear their own voice better. For voice building, I use my own concepts plus approaches of famous voice teachers like Jeffrey Allen, Seth Riggs, and Anthony Frissel. - I am very experienced performing all styles of guitar and can cater to the student's specific area of interest, whether it be rock, folk, classical, or jazz. - With piano, I work on fundamentals of reading and technique. Learning basic harmony and chord construction starting with triads (3 note chords), the student can soon read single stave lead sheets (a form of music notation widely utilized by professional musicians) as well as the grand staff. This approach trains the ear and makes learning how to play popular songs much easier.
Beginners will learn: 1. Proper Left and Right hand, arm, and body positioning. 2. Proper pick grip ... (not common pick grip !) 3. How to ,play notes and first position chords. 4. Rhythm focus to play with all previously listed to some of their favorite songs. Intermediate to Advanced students will learn: 1. To continue proper positioning 2. Advanced strumming techniques 3. Finger picking accompaniment 4. Multi-position playing including use of bar chords and capo use. 5. How to play Solo Acoustic Guitar that includes polyphonic technique with chords, bass lines, pedal tones, and melody played simultaneously.... yeah, now you're dangerous !
Hi, My name is Don and have been teaching guitar for many years. Currently I teach at my home studio in Lake Katrine, N.Y. From 2015 - 2017 I taught at the New York School of Music in Walden, N.Y. From 2003 -early 2015 I was a staff instructor at Imperial Guitar and Soundworks of Newburgh, N.Y. I teach all levels and ages for such styles as Classical/Flamenco Guitar(including ABRSM EXAM PREP.), Blues, Rock, Shred, Metal, Jazz, Country, and General Instruction for Beginners and those just wanting "to know how to play some tunes.". I tailor instruction to my students' goals... not mine. Goal #1..we're having fun as we learn !.. this is not to be confused with Navy Seals Training !
Don was wonderful with our son Brett, who enjoyed his first lesson immensely. We are definitely in this for the long haul with Don! He was very patient and very attentive to Brett.
August 15, 2016
Had a great first lesson with Don. I believe I will progress nicely under his tutelage. Already have a lot to work on.
November 7, 2015
Years ago I took Guitar Lessons at a local music store ( a very prominent one) as a raw beginner and quickly became frustrated with my lack of progress. Although my teacher was a great player and "very hot" to look at I soon began to feel like I was merely his "practice dummy."... I'd play the chords he showed me, endlessly,... while he seemed to be just practicing his solo playing. ... I then tried On-Line Lessons from various sites which were actually even less helpful and soon just lost interest completely.
A friend of mine said she had taken lessons from a Don DeBold for about 5 years before going off to college and highly recommended him.
I've now been taking lessons from Don for almost 2 years and having a blast ! I've learned how to play along with most of my favorite songs (mainly Blues and Rock) and now I'm learning to play Solo Guitar that needs no accompaniment !
Unlike my first teacher, during many lessons Don barely plays or even has his Strat on his lap because he's busy concentrating on what I'm doing !
He's a stickler yet lots of fun at the same time> I super recommend him as a Guitar and Music Teacher !!! Aneiah J.
Acoustic GuitarYou will learn proven methods of technique, improvisation, warm up routines, chord & scale memory improvement, music theory, and how to play your favorite songs/albums of ANY genre. Yes ANY genre, Heavy Metal, Jazz, Rock, Blues, Classical, Flamenco, Finger-Tapping, Funk, Country.
20 years in Music. Taylor has created a proven method of practice guaranteed to keep the student on their finger tips! All skill levels are welcome: beginner intermediate advanced.
All Styles, Electric Guitar, Acoustic Guitar, Classical, Flamenco, Jazz, Blues, Heavy Metal, Rock, Reggae, Funk, Soul, Country
You will learn proven methods of technique, improvisation, warm-up routines, chord & scale memory improvement, music theory, and how to play your favorite songs/albums of any genre. Instruments: -Guitar Lessons -Vocal Lessons -Song Writing Lessons -Drum Lessons -Piano Lessons
Taylor is a gifted musician and an excellent instructor. And very patient. I look forward to my lessons with him each week.
January 10, 2019
Ras is very patient and methodical which is perfect and necessary for learning flamenco guitar.
July 1, 2018
Taylor is awesome, very dedicated and patient with helping his students understand what hes saying. I’m not a quick learner but wow I play guitar 100x better than I did before our lessons ! He’s very nice. Thanks Taylor (:
From the very beginning of how to get a sound out of the guitar to playing songs/solos and melodies in various styles.
My name is Nadav and I have been a professional guitar player and teacher for most of my life now. I have a very extensive experience playing festivals and venues in the U.S and abroad and have been teaching beginner and advanced guitar/bass and musical ensemble classes for 15 years.
I always strive to make the lessons fun (otherwise, what's the point? (: ) all the while being educational and try to have the student start playing actual music (simple melodies/songs) from the very first lesson.
For more advanced students- I focus on many valuable technics for live playing/recording situations as well as theory/harmony and ear training and cover a very wide range of musical styles.
I also teach electric bass and Ukulele.
I have graduated from the Rubin Academy for Music and Dance (Jerusalem) with honors and was
a dean's list honoree while attending the New School for Jazz and Contemporary Music (NYC) I have been awarded with the America-Israel Culture Fund's "Exellence in Jazz Guitar" award as well as many scholarships for various prestigious musical institutions around the world.
I'm happy to teach at both my studio in Los Feliz or online.
Speaking from the standpoint of a colleague of Nadav’s for many years and professional musician/educator myself, Nadav is the real deal. He is my top recommendation, without question, for anyone looking to study the guitar and/or music in general.
Nadav is an extremely gifted and skilled musician, composer, and bandleader with very deep understanding of playing the guitar. He has the experience and versatility to so in a multitude of different styles ranging from R&B, Pop, Funk, Jazz and Ethiopian groove music (check out his incredible band: Abbess Orchestra). He is also extremely kind, has a gentle yet “matter-of-fact” demeanor and is the consummate professional.
For anyone who has interest in learning the guitar and needs an instructor, no matter their experience level, it’s impossible to go wrong with Nadav. Just check him out and sign up!
February 4, 2018
I was a self taught guitar player since a very early age, so when I met Nadav for the first time I already knew many songs and chords. But my technique was a mess.
Nadav helped me establish a healthy and meticulous practice routine that fixed my technique very quickly.
I would recommend him as a teacher for every level.
February 4, 2018
Great teacher with good vibes! Nadav showed me great ways to practice harmony and soloing on the guitar. Highly recommended.
I offer lessons in both classical and fingerstyle guitar (especially for open tunings like DADGAD, for which I have published two books with Mel Bay). I tailor my lessons to the individual, but I like to concentrate on both technique and overall musical expression. When called for, I offer assistance in basic theory, including rhythm, chord structure, and melodic playing--and can teach both standard notation and tablature. One of my classical guitar students has commented, Julie "has patiently brought me through increasingly more difficult technique by choosing a wide variety of challenging but enjoyable pieces to practice. I am gradually working my way up the fret towards the 5th position. She has helped me with theory, including rhythm, the major and minor scales and chord building. Her empathy is a particular blessing for me because of my poor eyesight and the arthritis in my wrists, hands and fingers.”
I am a professional musician, specializing in traditional American and Irish music and song; I can, however, also teach classical guitar and beginning-intermediate violin. My CD, "American Stranger," has received critical acclaim and I have authored two books on DADGAD guitar for Mel Bay Publications.
I taught myself guitar at the age of thirteen, but took three years of lessons at Washington University, where I also studied English and French. As an adult I became interested in fingerstyle guitar in open tunings, especially DADGAD. I am, however, happy to teach in standard tuning--including basic guitar proficiency, classical guitar, and "folk" guitar.
I have played violin since I was eleven, taking lessons until the age of sixteen and playing in both high school orchestra and the local youth symphony. I later learned to sus
pend much of my classical technique in order to play both old-time and traditional Irish fiddle as authentically as possible; but I still retain my initial training and apply good basic violin technique to my fiddle and (of course) her violin teaching, while tailoring it to the musical idioms of each of students.
I have also studied voice, which again, however, I have never allowed to interfere with my performance of traditional songs--largely because I had developed a traditional approach to the singing of both American southern mountain repertory and traditional Irish song many years before receiving any formal instruction. This training, however, has given me greater insight into how to get the most out of your voice for almost any style.
I also taught myself to play lap dulcimer, basing my approach on the Eastern Kentucky styles associated with Jean Ritchie, Barbara Edwards, and Anne MacFie—that is, primarily using a small dowel stick or noter to sound the melody, and playing counter-melodies for song accompaniments.
My clawhammer banjo-playing is influenced by various Appalachian instrumentalists and accompanists (including Dock Boggs, Clarence Ashley, Hobart Smith, and Lily May Ledford), but my style is also influenced by years of playing with midwestern and southern-style fiddlers.
I welcome students ages 10 or above, and have learned to adapt my teaching style to the individual student, helping each one to make the most of his or her talents and enthusiasms, while emphasizing sound technique and good practice habits.
I also teach academic subjects, especially English (in which I hold a Ph.D.) and French (in which I hold a B.A.). In English, I emphasize good grammar and solid composition skills and try to get my students as excited as I am about everything from sentence structure to Shakespeare.
We had some trouble with the audio on her end, but once we got going, it went well. I spoke and understood a lot of French in my first hour! Julie is going to help me with singing in French. I'm so excited.
August 5, 2019
Many people are talented as performers but not gifted as instructors - Julie is most definitely both. She uses her keen ear to let you know your strengths, and finds productive ways to help you improve weak points. She lives and breathes traditional music and it is always a true delight to learn from her.
July 30, 2019
I have been taking lessons in classical style guitar from Julie for about two years. She has patiently brought me through increasingly more difficult technique by choosing a wide variety of challenging but enjoyable pieces to practice. I am gradually working my way up the fret towards the 5th position. She has helped me with theory, including rhythm, the major and minor scales and chord building. Her empathy is a particular blessing for me because of my poor eyesight and the arthritis in my wrists, hands and fingers.”
"My lesson was very rewarding - excellent instructor , if you have a question he has an answer . He knows the guitar - Mr. Tomas makes you feel at ease , I
was having a problem with my short fingers . He told me all the things that I was not doing correct and this was my first lesson - He made me feel really good when I did something right .
I have known Mr . Tomas for a short period of time and believe me if he can teach me and I am 70 years old and I have tired taking lessons before and they never worked out . Mr . Tomas is the person to go with ."
"I love to hear her play and think she has a lot of talent."
"My daughter was very impressed with her teacher."
"Katey is unquestionably one of the most talented musicians I have ever had the privilege of knowing, playing with, and learning from. Even after thirty ye
ars of piano and vocal training, I know that in many ways my ability and knowledge still pales in comparison to hers. Any student would be fortunate to have her as their teacher."
"My daughter, who is 8, started this fall taking lessons with Nick. We were so happy that she had such an enthusiasm to take lessons and learn an instrume
nt, but even happier that we found someone who shares this same enthusiasm when teaching. Nick is patient and kind and makes learning fun for younger students! Learning an instrument can be frustrating in the beginning...having a teacher who takes that frustration away and patiently teaches and encourages young students is crucial! We are extremely happy and so is our daughter!"
"My daughters ages 8 and 9 began lessons with Stan a couple months ago and they both love it!
My 8-year old is learning the guitar and my 9-year old is
learning the piano/keyboard.
My youngest is a bit of a jokester who thinks she can do everything and my oldest is more cautious when trying new things. Stan is very good at reading their personalities and tailoring the lessons and how encourages them to suit their personalities.
We are quite surprised at how well both of the girls are learning to play songs in such a short period of time!"
"David is an amazing talent and provides me with much needed inspiration. In little over a year, I have learned a tremendous amount about nearly all styles
of guitar, classical and lead guitar in particular. It's very helpful to have an awesome instructor who is extremely knowledgeable and very patient. His lesson plans are geared towards what I want to learn and the lessons that we work on cover all the techniques that are necessary to take my skills to the next level. He makes every lesson fun and he works with me until I am comfortable to move on."
"Why would anyone defame such a wonderful teacher? He is so dedicated and follows through with his lessons by consistently sending links all through the we
ek that helps with understanding all you need to know about musical sounds. Its been an intriguing experience for me. Pay no attention to anonymous critics; they choose to remain anonymous not to help you, but to help themselves. I would recommend James to anyone seriously interested in honing their skills in the acoustic guitar. Cheers!"
Not sure whether to buy an acoustic or electric guitar for your first try at the instrument? Read on as Corona, CA teacher Milton J. shares his expert advice...
Deciding on which guitar to start with is a big step. Not only do you want to feel comfortable with playing guitar for the first time, but you also want to suit your musical tastes, style, and aptitude. So should you learn to play acoustic guitar first? Or go straight to the electric, if your style leans more toward Hend …