Inwood Music Lessons

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Music Lesson Reviews from Students

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Popular Music Teachers near Inwood

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About Paul M.

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Staten Island, NY

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About Paul
I have been teaching music for about 22 years mostly on the guitar but I also give lessons on the bass, piano, and ukelele. I give lessons to beginners of all ages. If you want to learn and have fun I am ready for your lesson. In addition to teaching I have played in various local original and cover bands as well as musical productions. I enjoy the challenge every student brings.

*** Lesson Details ***
I structure my lessons with a focus on learning to read and play music but I also like to teach a student what interests them as well. I think learning to read music is very important and it aides in the students development of their own musical personality. Early on the student will also learn songs or stlyes that interest them so its not just work but also play.

*** Travel Equipment ***
I provide books and various other t
hings (e.g. picks, music stands, metronomes, etc... at students expense) if asked. Student should provide instrument

*** Specialties ***
beginner on all instruments and rock guitar.
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Reviews
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Henry November 9, 2017
· Guitar · In home
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Barbara October 17, 2017
· Piano · In home
Paul is a great instructor! My daughter really enjoys her piano lessons.
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Kenneth July 6, 2017
· Piano · In home
I have been struggling to learn how to play for 35 years and never could find the right instructor for "Me". I have come to the conclusion that I will never play the piano so I have given up on my dream. I felt this was a big let down in my life and I couldn't let myself down by giving up. So I started a search again for an Instructor that will be good for me. My search online took me to takelessons and I was connected with Paul.

I thought, "What do I have to lose, nothing". So I signed up and I have to say after meeting Paul and taking, now 3 lessons, I find that I finally found the instructor for me.

Paul is very attentive to my learning needs and is very accommodating in adopting his teaching style to fit my learning style. I am a slow learner, as well as, a sight learner (in other words, I have to see what one is explaining for me to understand) Paul has taken his time with me to show and explain everything to me.

Paul encourages me to ask questions and he will take the time to answer any question that I have and if I don't understand, Paul will explain it differently to me until I understand. Paul has a vast knowledge in music, Piano and other instruments which is very reassuring to me.

I know I have made the right decision to take my lessons with Paul. I have to say, I will finally be able to achieve a dream of mine that I have had for the past 35 year, and it's all thanks to Paul.

Thank you so much, Paul!!!
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Paul M.

Paul M.

Staten Island, NY 10314
(10)
starting at
$30 / 30-min

About Emily H.

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Brooklyn, NY

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About Emily
Singing and playing piano have always been a huge part of my life. I love to perform everything from opera and sacred music to music theater and jazz, and have been performing since I was very young. I earned my Bachelor’s of Music in vocal performance from DePaul University School of Music in Chicago. It was there that I fell in love with teaching, when I taught my first student as part of a course in vocal pedagogy. Since then I have built my studio to over 20 voice and piano students here in NY and CT. It has been thrilling to see all the progress they've made! I just completed my Masters of Music at the Conservatory of Music at Brooklyn College.

I have had several excellent and truly inspiring teachers myself with different teaching styles, and so I have a variety of approaches to drawn upon in helping my own students. Vocal techni
que was not something that came easy for me, and was something I had to really work on. This work on technique has made me a stronger teacher. I know how many different approaches it can take to make something click, so I use the diverse experiences of my own studies to find what works best for each student. While I am classically trained, I am comfortable teaching all types of singers, because I believe that at its core, what makes a singer great is the same between all genres. My number one goal in teaching is to help my students use their voice in a way that is healthy and allows them the greatest ability for expression, because ultimately, I believe that is what music is about.

Although singing has been a big part of my professional work in the past few years, I have also been playing classical piano since I was four and still love to play and share this love with my students. Most of my students are piano students, and I love seeing the progress they've made over the years. Students that started with me as beginners a few years ago are now reading music with confidence and playing works by Mozart and Beethoven.

I am an active performer and am able to draw upon this experience in my teaching. This summer I performed in Manhattan with dell'Arte Opera Ensemble and won 2nd prize in their dell'Arte/Jeiven Awards. Past roles include Gretel in Hansel and Gretel at Brooklyn College and Zerlina in Mozart's Don Giovanni with Connecticut Lyric Opera. Other roles include April in Company with Westport Community Theatre, Despina (cover) in Mozart's Così fan tutte for Connecticut Lyric Opera, the messenger in Monteverdi's L'Orfeo at DePaul University, and Maria in West Side Story with the McLeod Summer Playhouse. I have a special love for early music and have performed oratorio by Bach with the DePaul Baroque Ensemble and as part of the Bethesda Music Series in New Haven. I also participated in the prestigious Amherst Early Music Festival for two years. I have performed abroad in Austria and Italy, and speak French, Italian, and some German. Because of my experience on stage in opera , music theatre, and recitals, I understand the skills it takes to engage an audience and create a well-rounded performance. I am thus an asset to any student preparing for a contest, audition, or stage appearance.

*** Studio Equipment ***
Living room: Piano, keyboard (close to full) weighted, music stand, seating for parents.

*** Travel Equipment ***
I can provide some music. You would have to have a piano or keyboard in your home.

*** Specialties ***
Opera, early music, new/contemporary music, French melodie, German lieder, art song, Classical Music Theatre, Oratorio. Diction coaching in French, Italian, German, English.
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Reviews
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Jim C. October 17, 2017
· Piano · In studio
Emily was a great teacher for our daughter Allison for 5 years. She made amazing progress in her abilities and it is something she will always have. The recitals at the end of each year were fantastic!!! Thank you..
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Adam October 9, 2017
· Piano · In studio
Very Patient and lovely.
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Lara February 1, 2017
· Piano · In studio
This was my daughter's first piano lesson. She loved it.
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Emily H.

Emily H.

Brooklyn, NY 11226
(11)
starting at
$40 / 30-min

About Sue Anne G.

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Yonkers, NY

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About Sue Anne
Sue Anne offers classical structural work on the elements of the voice combined with a holistic approach to the individual needs of each student. The goal is a natural unaffected sound for effortless vocal communication in any singing arena. Ms. Gershenzon. has 35 years of experience in Broadway and Opera, and can help you with any aspect of vocal performance and technical mastery. Singers who are committed to vocal development on any and all levels are welcome.

There is nothing more exhilarating than beautiful sound soaring fully and freely out of your body. This achievement is a process!

I try to guide each student to the essence of his or her unique sound, and that is accessed through a clear and open instrument. This requires fundamental work on the elements of the voice. There are many technical steps to this process.

Freeing the head and neck of constriction
Balancing and integrating the head and chest registers
Vowel purification
Addressing Resonance and the 6 areas of relaxation
Coordination of and strengthening of the breathing body
Body awareness and relaxation
Mind Body Spirit integration

Each individual has unique challenges that can block the voice on many levels. My approach is a holistic one. When your instrument is in a healthy balance you can sing in any forum.

The goal is effortless voice

AEA SAG AFTRA
BROADWAY
SUNDAY IN THE PARK W/GEORGE Frieda Booth Theatre
LA VIE PARISIENNE Gabrielle Circle in the Square

OFF-BROADWAY
THE ROTHCHILDS Gutele Circle in the Square
STREET SCENE Rose Maurrant ELT
CARNIVAL Lili ELT
THE MIKADO Yum Yum Amas Rep
A SONG AT LAST Solo Act NYC &Tour

REGIONAL
AMARANTHA Amarantha The Kennedy Center
ADVENTURES OF FRIAR TUCK Maid Marian Lake George Opera
THE IMMIGRANT Leah Sacramento Theatre Company
DRAGONS Elsa Eugene O’Neill Theatre Conference
GIFT OF THE MAGI Della Actor’s Theatre of Louisville
TARANTARA Sybil Grey Actor’s Theatre of Louisville
THE FANTASTICKS Luisa John Drew Theatre, LI Tom Jones dir.
SOMETHING’S AFOOT Hope Langdon Alaska Repertory
FEATHERTOP Polly Penn Stage, Allentown, PA
OKLAHOMA Laurie Theatre by the Sea, Portsmouth, NH
GUYS AND DOLLS Sarah Brown Theatre by the Sea, Portsmouth, NH

STOCK AND DINNER THEATRE
CARNIVAL Lili Pittsburgh Civic Lt. Opera Heinz Hall
THE MUSIC MAN Marian Saddleback Theatre, Laguna Beach, CA
GIGI Gigi Darien Dinner Theatre, CT
THE SOUND OF MUSIC Maria Carousel Dinner Theatre, Ravenna, OH
MY FAIR LADY Eliza Lakewood Playhouse, Skowhegan, ME
CAMELOT Guinevere Lakewood Playhouse, Skowhegan, ME
AUNTIE MAME Gloria Upson Lakewood Playhouse, Skowhegan, ME
THE TEMPEST Miranda Steamboat Cabin Theatre, IN
TOYS IN THE ATTIC Lili Steamboat Cabin Theatre, IN
A THOUSAND CLOWNS Sandra Tin Tree Theatre, MI
BAREFOOT IN THE PARK Corie Bratter Tin Tree Theatre, MI

TELEVISION
SQUARE ONE TV (MATHNET THE UNKIDNAPPING) Eve Adams PBS Children’s Television Workshop

TRAINING

Voice: Eileen Farrell Classical/Jazz at Indiana University; Conrad L. Osborne/Classical New York City; Bobby McFerrin jazz/Improv; Rhiannon jazz/Improv; Kirk Nurock Jazz; Maria Argyros McClosky Technique

College: Indiana U. School of Music, Bloomington, IN BS Music/Theatre
Hunter College NYC Masters Music Ed coursework
Molloy College Music Therapy
Certification Level 2 Somatic Voicework Contemporary Commercial Music
Certification McClosky Institute of Voice
Certification Energy Healer IM School of Healing Arts

Memberships:

New York Singing Teacher's Association,
National Association of Teachers of Singing
AEA, SAG, AFTRA

*** Lesson Details ***
Lessons are taught very close to Grand Central Station convenient for commuters from Connecticut or Westchester. Not to worry, there is no judgement in my studio, in fact, that is my one rule! The studio is a safe place to take risks and explore with our voices. We will work on the proper breathing for power and control, smoothly singing from the highest to the lowest notes in your range, and extending beyond what you never dreamed possible, how all the muscles in your body affect the sound that comes out of you and how to gently optimize your sound, and how you affect your sound by your thoughts feelings and emotions. You are your instrument! In three months you will feel you have a voice you never dreamed you could have.

*** Specialties ***
I have over 20 years of professional experience and training with masters. Eileen Farrell, who was one of the greatest voices of the 20th century. Conrad L. Osborne, Opera Critic for world renown musical publications such as Opera News and High Fidelity.

Somatic Voicework The LoVetri Method takes registration understanding to another level and combined with resonance work to take the chest voice up into the head voice fo a healthy Broadway sound.

The McClosky Technique offers the anatomical understanding and affect of the extrinsic muscles of the face, jaw, throat, neck, tongue and alignment, and how these elements affect the smooth functioning inside the larynx.

I incorporate these styles into my own method of approaching the voice by equally addressing Breathing/Registration/Resonance/ Relaxation, and Mind/Body/Emotion.

I am a certified Energy Healer with over 10 years of study and practice in this area. I am very aware of the energetic aspects of an individual, and utilize that knowledge to enhance the learning process.
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Reviews
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Maya C. October 1, 2014
· Singing · In studio
Sue Anne is truly an incredible teacher; she focuses on you holistically, and works thoroughly from the ground up, in the most optimistic, encouraging and comforting manner I could possibly dream of. Her shining personality and laughter are also contagious. I'd definitely recommend her to everyone and anyone looking for voice lessons.
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Shana C. February 25, 2014
· Singing ·
Great Teacher!

Although I've only been a student of Sue Anne's for a short time, she has already helped me so much to let go of bad habits and develop proper technique. She is very patient and at the same time, she is enthusiastic and genuinely invested in helping me reach my potential. I highly recommend her.
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Catherine M. February 9, 2014
· Singing ·
Sue Anne is wonderful!

I came to New York for school and to further my training and aspiration to pursue musical theatre. I saw Sue Anne's ad in Hunter College. Her work focuses on how to sing naturally, something I have always tended to struggle with. I often found myself losing my voice the night before my musical's opening night, because of my constant belting and lack of a balanced relationship between my head voice and chest voice. After being with Sue Anne for a few months, my voice has felt and sounded much healthier! I have gained knowledge of the parts of the body involved in singing and especially breathing, and now instead of wailing away at any high note, I am singing with more ease. Sue Anne is an amazingly talented, knowledgeable and lovely teacher and person. I am ecstatic to have met her, and look forward to hopefully what will be many more months of lessons!
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Sue Anne G.

Sue Anne G.

New York, NY 10017
(4)
starting at
$70 / 45-min

About Billy N.

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Brooklyn, NY
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About Billy
Billy N. has played Jazz, Brazilian and Classical music in the NYC area for the last 20 years. He has actively taught both finger-style and pick guitar for the last 20 years. He was on staff at the American Institute of Guitar for 11 years. His book on Brazilian Guitar is published by Alfred Music and currently available. He now offers online lessons via Skype as well as in his private studio. Playing credits include many museums and clubs in the NY area including Museum of Modern Art Museum of the City of NY and an extended stay at the Guggenheim museum in the Summer of 2000. Also he has been in the Brooklyn Museum concert series with his group Afinidades Bronx Libraries Brooklyn College and the Jewish Museum in trio and duo setting with great Percussionist Vanderlei Pereira. He has performed in Brazil as well most recently in the South
of Brazil,  receiving TV and radio coverage. He has also done workshops and performed at the Conservatory of the state of Pernambuco. In August 2004 he performed weekly at Rio Scenarium in Rio de Janeiro. His Band Brooklyn Brazil Bop has played at Joe's Pub as well as Central Park Festival. His band the Brazilian Acoustic ensemble performs periodically at 'Barbes' an important performance space in Brooklyn NY. In 2007 he gave a successful jazz workshop and concert in the city of Florianopolis Brazil. Billy has been awarded 3 prestigious composer's residencies 2006 - Yaddo and 2007 - The MacDowell Colony. He was featured on the PBS news hour during his residence at MacDowell. In 2008 he was awarded another MacDowell residency and followed this with a 3 hour appearance presenting his compositions live on WKCR Jazz Radio and another live radio appearance with band in 2010. Billy regularly plays in many venues around NY in Jazz trio settings as well as with Brazilian vocalists and instrumentalists. Most Recently his groups have been performing at the famed Cornelia Street Cafe in New York City. He also specializes in solo guitar and can double on percussion (Pandeiro) and Cavaquinho. Billy has completed two CD's of his original music and an EP of his original Choro music. He has a BFA in Jazz Performance from CCNY.

Testimonials:
From Coda Magazine August 2012: by Seton Hawkins

Through outstanding collaborations like the Brazilian Acoustic Ensemble, guitarist and composer Billy N has emerged as a leading exponent of the music of Brazil. Exploring far beyond the well-trodden bossa nova path. Billy unearths the full range of styles the country offers, including choro, baiào, valsa and samba, and gives American audiences a rich panoramic glimpse into Brazilian art, highlighting its parallels with progressive jazz.

A recipient of composers residencies at Yaddo and MacDowell Colony, he is the curator of a three-day series at the club dedicated to the country's music. Billy will showcase his own group—a sextet with drummer Matt Kane, bassist Leco Reis, saxophonists Michael Attias and Eric Schugren and trumpeter Ben Holmes—in a concert primarily featuring his original works. SH

Reviews of my Book on Alfred Brazil: Guitar Atlas,  I love this series and this is the best of the six titles I have. Billy really knows his stuff; the analysis of time at the beginning is superb: something I now use in my teaching. This is definitely for intermediate and higher guitarists, but the pieces are worth the effort to get right, and the accompanying CD shows you what you are aiming for. This is as good as my other Brazilian guitar book (by Nelson Faria) and much more compact and easier to follow. Highly recommended!

#2

This book is essential homework for students of Brazilian guitar. It is one of the best resources out there, along with Nelson Faria's "The Brazilian Guitar Book." The original etudes are not only instructional, but are nice pieces in their own right. An excellent value.

*** Lesson Details ***
I've taught all levels over 20 years both in NYC and Brazil. I work with the material that the student wants and also through recordings and charts introduce much music that the student might have been unfamiliar with. My lessons are catered to the individual. There is no obstacle anyone has that is too great to work through. My approach to rhythmic training has helped many. I have simple way of breaking down the guitar fingerboard which can used as a guide to learn harmony. I'll get you into the horizontal aspects of guitar, traveling across the neck, making music across one string as well, mastering the guitar in a small fret range - " vertical position playing".

*** Studio Equipment ***
I have guitar for the student, either electric or nylon. Cavaquinho students bring their instrument. First time students must bring their instrument so I can see what they are playing on.

*** Specialties ***
Brazilian Fingerstyle - Choro, Samba, Baiao Solo
Jazz Guitar - Pick or Fingers
Beginning Flamenco
Cavaquinho
Improvisation for any instrument
Harmony and Theory
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Reviews
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Flaminia D. May 12, 2015
· Acoustic Guitar · In home
I have been taking lessons with Billy since January 2015. I am a total beginner and I really think I have made the best choice ever to pick him as my teacher. Billy is an experienced guitar teacher and a professional player that knows great techniques for beginners. He has been teaching me basics of guitar in a smart way, and at each lesson I feel I learn something new and at the same time I can clearly see how much progress I have made since our first lesson. He has also been teaching me how to read music and tabs which proofed to be extremely useful every time I want to learn a new song by myself. Highly recommended!
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Lynn W. December 17, 2014
· Guitar · In studio
I cannot recommend Billy enough. I studied jazz improvisation with Billy for three years, and later returned to study Brazilian guitar and Piedmont-style finger picking with him. I had been playing for more than twenty years when I started studying with him and he not only helped me improve my playing technically and creatively (on electric and nylon stringed guitars) but also expanded my knowledge of theory and helped me develop new approaches to composing and arranging. I am still working with the material he gave me and take lessons from him whenever my schedule allows.
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felicia D. October 17, 2014
· Brazilian Guitar · In home
I took Brazilian guitar lessons from Billy for several years. His method focuses on absorbing the many rhythms of Brazil and translating them from percussion instruments to the guitar. Much of his effort is devoted on achieving the elusive Brazilian swing, which non Brazilians need to learn. Billy is excellent in breaking down the rhythms and explaining them. He even has a book out on his method. He covers various Brazilian genres: choro, bossa nova, samba, baiao and more.
Billy also is an accomplished jazz, classical and flamenco guitarist with a thorough understanding of harmony and improvisation. He is very patient and has years of teaching and performance experience. You will be lucky to study with him!
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Billy N.

Billy N.

Brooklyn, NY 11217
(11)
starting at
$60 / 45-min

About Justin L.

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Cedar Grove, NJ

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About Justin
Hello there! I'm very excited to offer trombone, trumpet, tuba, and piano lessons to students of any age in the northern New Jersey area.

I studied music at the College of New Jersey and have orchestral, wind ensemble, brass quintet, pit orchestra, jazz, and drum and bugle corps performance experience. I am currently pursuing my Master of Arts in Teaching Music at Montclair State University.
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Blair November 15, 2015
· Trumpet · In home
Justin is great. Very patient and engaging.
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Monna August 23, 2015
· · In studio
While I don't have firsthand knowledge of Justin's trombone teaching skills, I am quite familiar with his talent for and love of teaching through my work with him as an organizer and a trainer ever since we met in 2010. Justin is great at interacting with people of all backgrounds and ages, and has utmost patience for absolute beginners. Justin's method of teaching is learner-centered and successfully balances being supportive while also challenging. Also, he'll make you laugh while you learn!
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Justin L.

Justin L.

Cedar Grove, NJ 07009
(2)
starting at
$25 / 30-min
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About akabi P.

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Rego Park, NY
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About akabi
I am very dedicated teacher. My students have won prestigious international awards and have gone on to study in the best colleges such as The Juilliard School, Yale School of Music, La Guardia, etc.
I have 40 years of experience and have taught from 5 year olds to adults.
I am a graduate of Sofia and Plovidv conservatories and also have over 25 years of orchestra experience that can help a student prepare for any orchestra audition.
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akabi P.

akabi P.

Rego Park, NY 11374
starting at
$30 / 30-min

About Monica B.

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New York, NY

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About Monica
Monica B., hailed as an “excellent violinist” by the Washington Post, performs extensively in chamber music, orchestral and solo settings. Monica has studied and worked both in the United States and Europe. A graduate of the Eastman School of Music and the Conservatoire de Geneve, she has held positions with L'Orchestre de la Suisse Romande in Geneva, Switzerland, and the Esbjerg Ensemble-the national chamber ensemble in Denmark. She is presently coaching and performing at Siena Summer Music in Siena, Italy, and has performed as soloist with orchestras in Scandinavia, Central Europe, and the New York region. Her recordings are under the Philips and Albany labels.
Monica is the founder of the Manhattan chamber music series “Concerts in the Heights”. This series brings together world-class musicians for performances and educational proje
cts. She is also a founder and Artistic Director of the conductor-less String Orchestra of New York City- SONYC.
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Monica B.

Monica B.

New York, NY 10034
starting at
$50 / 30-min

About Bele B.

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Yonkers, NY
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About Bele
Beledo lives in New York and started teaching private lessons in the 80s in Uruguay were a few of his students became instructors and session players themselves. Every year he travels back to give seminars and intensive lessons to select intermediate and advanced students.
He is currently available to teach lessons online. Beledo has helped students connect the natural impulse of the blues improvisation with the theory of music and composition and jazz performance since the early times of his career by mirroring his own chronological process of learning with his original method.
Beledo received his classical music training at the University School Of Music of Uruguay, toured in South America with famous artists before coming to the US. In 1990 attended UCLA program of Film Scoring. Beledo's latest CD is called Dreamland Mechanism with
Gary Husband and Lincoln Goines. He's also a member of the Prog-Rock band Circuline.
With all of his worldly knowledge he looks forward to helping new students achieve their goals sooner than they expect. Beledo's teaching style is extremely hands on with no gimmicks.
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Bele B.

Bele B.

Yonkers, NY 10701
starting at
$80 / 60-min

About Ken F.

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Brooklyn, NY

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About Ken
A recent transplant to the Park Slope area, I'm a composer and multi-instrumentalist originally from Raleigh, North Carolina. Prior to receiving my master's degree in composition from Mannes (The New School), I was the lead guitarist in the indie rock band Annuals. As part of this group I signed with two major record labels, appeared on national television programs such as Late Night with Conan O'Brien, and performed globally both on tour and at prominent festivals such as Bonnaroo, Coachella, Glastonbury (England), and Roskilde (Denmark).

I have been teaching private music lessons for twelve years, both freelance and as part of various organizations. My approach to teaching is highly dynamic—I don't use the same method with every student and I have no stylistic prejudices or an agenda to push. I approach each student as an individual
, tailoring lesson plans to suit their personal goals and interests. I have experience playing and teaching an extensive range of styles including pop, rock, jazz, country, metal, and classical. One of my main goals is to foster a sense of musical understanding with every student so that they may learn to combine technical, theoretical, and aural skills into a unified whole.

Most students want to learn to play songs they know and love. To that end, I get students playing the music they want to play right from the beginning, often through personally crafted arrangements of songs/pieces of the student's choosing, specifically tailored to their current skill level. This way, technical and theoretical skills are learned through direct experience with actual music, and only very rarely through rote exercise.

For more advanced players, I offer an array of strategies designed to take your playing to the next level. I find that the most common shortcomings of advanced players are conceptual. The technical skills are there but the level of conceptual and theoretical understanding has hit a wall. Many players find themselves playing the same chord shapes, melodic patterns, and harmonic progressions over and over again. I've had much success over the years in getting advanced students out of this rut and helping open up new pathways for exploration in both improvisation and composition.
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Christopher Cross April 8, 2017
· Guitar ·
I've been playing off and on for 15 years and am mostly self taught. I knew what I wanted to learn but was having trouble figuring it out on my own. In the first lesson Ken was able to zero in on what I want to learn and the best way to go about it. In three lessons I feel that I understand the guitar so much more than I have in the past 15 years of playing. Not only from a technical standpoint, but also in a "feel" sense. On my own I could learn all the scales, chords, and songs I wanted, but Ken has helped me to make sense of everything and use these skills to become a better player all around.
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Brittany Pare February 8, 2017
· Piano ·
Ken is an incredibly talented musician and teacher and I would recommend him to anyone. He tailors his lessons to meet the individual goals of his students. If I wasn't understanding something, he knew how to explain it in a different way until I understood. He also taught me some techniques for figuring out songs on my own which I really appreciate since I am about move out of NYC. However, if I wasn't leaving I would still be taking lessons with him!
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adam baker March 24, 2016
· Guitar ·
Ken is an outstanding musician/composer who I have had the privilege of taking lessons from for years up until I moved to Los Angeles to pursue a music production career. My favorite part about Ken is his perceptiveness in teaching. He can always tell when i am not understanding something, and he will address it before I have to say "I don't get it." Which would keep my confidence level up during the lesson. He is also EXTREMELY versatile in his musical ability. I have come to him with everything from death metal, to impressionist classical, to electronica and he never skips a beat. He is very passionate about music, which transfers to his students easily due to his easy going nature, and natural skill for teaching. It is no exaggeration in my mind to say he is the best musician I have ever known personally. On top of all of this, Ken is an incredible song writer, and composer.... He does it all!
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Ken F.

Ken F.

Brooklyn, NY 11215
(5)
starting at
$40 / 30-min

About Grady T.

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New York, NY

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About Grady
My personal philosophy of music is to explore and learn as much from my students as I can teach them. For me teaching is like going on an adventure to find something together. I've been able to play all over the world and tour with many different musicians and the thing that made the core of every great performance was the human interaction and communication. For me music is about being more human. This is something I just as much try to impart and teach in my lessons as theory and technique.
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Linus October 5, 2017
· Piano · In studio
Grady Rocks!
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Richard K. October 5, 2017
· Piano · In home
knows his stuff, would def recommend
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Kacey August 25, 2017
· Music Theory · In studio
Really enjoyed my lessons and learned a lot. Would recommend!
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Grady T.

Grady T.

New York, NY 10009
(3)
starting at
$25 / 30-min

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Guitar for Beginners: 5 New Year's Resolutions for Learning Guitar

Guitar for Beginners: 5 New Year's Resolutions for Learning Guitar

Make this year your most musical year yet with these excellent new year's resolutions for learning guitar for beginners by guitar teacher Kirk R.... Pick Up Your Guitar Everyday To some this may seem daunting, and to others it might sound obvious. Regardless of which side of that you’re on, getting your hands on your guitar often is an important step in learning, especially when you’re just starting out. This is true in most other areas of study as well, but if you’re learning to w … Read More

Guitar for Beginners: 5 New Year's Resolutions for Learning Guitar
Make this year your most musical year yet with these excellent new year's resolutions for learning guitar for beginners by guitar teacher Kirk R.... Pick Up Your Guitar Everyday To some this may seem daunting, and to others it might sound obvious. Regardless of which side of that you’re on, getting your hands on your guitar often is an important step in learning, especially when you’re just starting out. This is true in most other areas of study as well, but if you’re learning to w
Too Much Vibrato? Not Enough? How to Control Your Voice
Is there such a thing as too much vibrato? Find out about the technique in this guest post by Brooklyn, NY singing teacher Liz T...   Have you ever listened to a professional opera or Broadway singer and noticed how strong their vibrato was? Or noticed how a lot of contemporary pop singers on the radio today do not use a lot of vibrato? In this article, I will explain how to find and control your vibrato to use appropriately when performing. What is Vibrato? To begin with, a simple
Tips for Singing: Why Practicing Scales Matters
It's a common misconception that singers and instrumentalists are two completely different types of musicians. They're actually much more alike than you might think! The difference is that, as singers, your instrument is your body! Because of this, as you learn how to sing, you'll likely come across some specific issues of technique. One of the most important things for singers to work on is singing notes that are perfectly in tune. Generally, producing the correct notes for an instrumentalist
The Anatomy of a Hit Pop Song [Infographic]
When you're learning how to write a song, looking at how other songs are structured can be a great place to start. Like looking at a map before you go on a roadtrip, checking out the basic elements of songs you love gives you a sense of how they were written and what you need to do to write a song of your own. If analyzing all your favorite songs sounds like a daunting task (it is), you're in luck. The Billboard Experiment wanted to know if there was a formula that could determine which songs
How to Sing While Breaking a Sweat: Tips for Triple Threats
John Travolta, Hugh Jackman, and Catherine Zeta-Jones are just a few of the Hollywood celebrities known for being "triple threats"--skilled in singing, dancing, and acting. Here, Corona, CA teacher Milton J. shares his tips for reaching their superstar status...   So you've decided to take vocal lessons to learn how to sing better, but the buck doesn't just stop there for your own ambitions. You have your eyes set on the stage and the screen, and you won’t stop until you're there.

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