Howard Beach, NY Acting Lessons
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Focus on building confidence and knowledge, beginner to intermediate. Acting exercises speech, public speaking techniques, elocution and finding meaning in text will be emphasized. Alexander technique used.
I believe that singing lessons should be a lot of fun. With good technique, my students and I can team up to accomplish anything from singing classical songs and even some opera arias to popular songs and musical theater. It is my goal to help you discover your own personal voice, and build confidence
*** Lesson Details ***
My lessons with always begin with warm ups and technique. We'll also focus on an important principal topic, such as breath and support, vowel placement or expression. We'll use some exercises that I have already, or perhaps a new one just for your needs (once I get to know your voice) to help you achieve our goals. We'll then work on 1-2 songs. You'll probably have picked one, and I may have picked one. The concept that we worked on in our technique session will be applied directly to the songs you are working on. You can learn so many different things in each song, we may practice your songs, using a different goal in several different lessons.
All of my students get a chance to perform in occasional "vocal class" settings, where you can sing your favorite songs for one another, in a fun, laid back environment. All students are welcome to participate in an annual recital for their family and friends too! Piano lessons are designed to suit your needs. We can work on the basics for classical playing, read chords, jazz improv and more.
*** Studio Equipment ***
I have my own music studio set up in my apartment. On teaching days, my living room can be a comfortable waiting room for parents/guardians. You are all most welcome to relax, have a cup of tea or coffee and listen to our lessons. I do ask that you do not sit inside the studio (at least not after the first lesson) as this can be distracting for your child. My studio is equipped with a music stand, upright piano, work sheets for theory, pencils and crayons. I also have a full Broadway and classical music library that students can borrow from, CD/DVD's that can be borrowed, and a New Grove Reference set.
*** Travel Equipment ***
I bring some music, until we assess the student's needs, then they may buy some books, while I provide the rest. I bring theory worksheets, stickers, pencils etc. If a student would like to sing/play a particular song (Broadway/pop etc) I may have it in my music library.If I do not, the student will need to purchase the music they would like to sing. The student would need a keyboard/piano in their home should I travel. I have a piano in my home.
*** Specialties ***
Classical singing, Musical Theater, Jazz, music for young children, pop singing, audition preparation, beginning music for adults.
· Singing · In home
I have take several lessons with Bridget and find her to be beyond superb! Her teaching style is clear, comprehensive and has already begun to make its impact on my singing. She is encouraging and provides good constructive feedback that benefits her students. I am so happy that we connected and I hope this is the beginning of a long learning relationship.
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Acting with ease is mostly about really being relaxed and at peace while fulfilling a role. The best acting comes from having passion and confidence in the choices that you have made while you have prepared. The greatest obstacle? The inner critic, the inner skeptic, the inner dragon that works hard to put on the breaks and make us question ourselves and whether it is safe or not to let go. My job is to help you feel safe enough to be able to trust your creative instincts and your natural impulses. I'm more of a kind, compassionate, understanding and forgiving coach who nurtures the talent that is already in there. We all know you've got it -- who are we kidding?
Gabriel doesn't just possess a formal college education, but more importantly an "informal" education based on his experiences on the stage and in the studio in the real world. Gabriel's approach is direct, simple and to the core, getting straight to the heart of the matter: developing the voice from the inside out by breaking things down to the essentials.
An expert at creating vocal warm-ups, vocal exercises, and vocal cool-downs and deeply passionate about psychology, this is your guy for learning to keep your voice in shape and having access to helpful insights and advice. Learn to cultivate a healthy attitude and how to create
With a kind and compassionate, yet stern and strong tone, Gabriel will work with you to develop the focus and dedication necessary to get your voice beyond what you even knew was possible.
*** Lesson Details ***
Regardless of the genre you sing, developing your voice with Gabriel's help will improve your tone, range, power and overall ability. You can expect to become a much better singer without losing any of your personal and unique traits.
His approach isn't a technical or mysterious one. It's all about re-learning the facts about how the voice functions best.
You can expect to clear away a lot of confusions regarding how the voice works and to take away the guesswork from the vocal development process.
If you want to improve your voice quickly, being guided by someone who understands how it all works and by someone who was where you are today and is now closer to where you want to be in the future is the best way to go. And Gabriel is that guy!
Gabriel's approach is quite simple, yet very effective at developing the entire voice.
"There are two basic levels that every singer must address. The first one is addressing the condition of the body and voice and the second one is addressing the functioning of the voice and body."
I - Silent Foundation
The silent foundation refers to the condition of your instrument as it is silent. If we are looking at the body as an instrument that sings, we first have to make sure that our instrument is in good condition. How healthy is your instrument? Is it well rested, well hydrated and loose? Or is it tired, dehydrated and tense? As you could guess, the condition of your instrument will have a significant impact on the quality of the sounds you make. So the first thing to be addressed is how your instrument is before it starts making sound.
II - Conditioning of Singing Behaviors
This is when we get busy. Once we have a well rested, healthy, hydrated and relaxed instrument we can start working it out. The goal is to condition our singing behaviors to be reflexive, reliable and strong. The way to do this is through a series of vocal exercises that will condition your voice to respond to the desires of your heart. Whatever it is that you want to express will be possible once your instrument is conditioned to the point where there is no gap between what you want to express and your ability to do so. Learning to sing is all about learning how to express yourself without barriers. You should be able to develop enough range, power, control and skill so that you can express your heart without feeling like you're incapable of achieving what you pursue. To achieve these abilities training is often necessary.
*** Specialties ***
ALL CONTEMPORARY GENRES!
Confidence Building, Warming-Up, Releasing Tension and Strain, Eliminating Stage Fright, Expanding Range, Improving Tone, Developing Vocal Power and Presence, Eliminating Doubt, Simplifying Singing, Strengthening The Voice, Improving Pitch, Building Stamina, Increasing Creativity, Performance Tips, Artist Development, Acting and Songwriting.
Once we have a good foundation any contemporary genre or style can be improved.
· Singing · In home
· Vocal Training · In studio
· Vocal Training · In home
We are going to start with the basics and work upward from there. We will talk about what's happening in the scene or monologue? What's your character's objectives and obstacles? What's the givens of the situation? Of the character? From a Method Acting perspective, we will talk about you the actor is working with - the who? the what? the where? Then we are going to score the text, find the beats and the music in the script! After all that, we are going to go over until you can make it sing!
Glenn's class work includes script examination/scoring, building a character from within and without, sensory work, animal work, scene study, working with substitutions, places, people, over
Glenn English is also a director/writer/producer working with Mystik Films, based in New York City. He has an MA in dramatic theory and criticism from Hunter College, has been a theater professor for CUNY and is a recipient of the John Golden Award. He has directed a good number of stage plays off and off-off broadway for a variety of organizations over the years. Glenn was the artistic director of Muse of Fire Theater Company for five years, the creator of the Sirens Festival which produced original plays by women writers. He also produced a series of plays for young audiences with the Starlight Foundation which grants wishes for terminally and chronically ill children.
I will help you improve your actill skills with acting improve exerecises. I will help you practice your scripts and give you hands on tips.
He is a 2-time recipient of the VanDenEnde Foundation scholarship grant and a recipient of the EMIA Summer Award of Merit & Talent Scholarship.
He attended the Ailey Summer intensive and EMIA summer intensive, and studied at the Ailey school where he completed the independent study. He has performed works by a range of choreographers including Troy Powell, Anthony van Laast, Bob Fosse, Pearl Primus, Abdel Salaam. Victorius has danced background for recording artist Lisa Lisa, Danced in Saturday Night the Musical (NL).
In 2015 he performed in Santiago de Cuba at the FinDance Festi
Victorius is also an arts in education teacher and has taught for EM Techniques, Arts to Grow and the Lucia Marthas Academy, in the styles ballet, hip hop, jazz, Tap, Afro-Caribbean and contemporary. He joined the Teaching Artist Roster of AIley’s Arts in Education and Community Programs in 2016
· Dance ·
· Dance · In studio
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A complete interactive beginners guide to Acting... Structured ways to conquer your auditions and an experienced instructor who knows the ins and outs of Acting... At your service!
· Film and TV Acting · In studio
He's an great teacher, he's great! At what he do and
I am learning so much about the ART.
Lear to embody the character both physically and emotionally. Discover how to make bold choices, to take risks while staying in true to the work. Dissect a scene so you understand the rhythm, the style and the arc. Become a smart, vulnerable and in tune actor so that you can give the director exactly what she or he are looking for.
· Theater Acting · In studio
· Shakespearean Acting ·
In leading our class through all aspects needed to put on a quality Shakspearean production the two not only taught us the skills necessary in creating an efficient and positive group dynamic, but also worked meticulously with each of us as individuals to help us build personal confidence and overcome any individual barriers we might have.
Whether you're looking for professional high level coaching to bring your acting career to the next level or have zero background in acting and are looking for a starting point, these are two of the most kind hearted enthusiastic individuals I have ever met. Their experience and knowledge in the industry as well as their ability to work with all skill levels and ages will most certainly provide you a positive experience, leaving you with skills able to be applied to your acting career and so much more.
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What is acting technique and how can it make me a better performer? How should my technique change for stage versus screen? How do I knock an audition out of the park? How can I improve the strength and quality of my speaking voice?
Whether you have never stepped foot on stage or you are ready to take the basics you know to the next level - let's meet, discuss, and access how to move forward together. I will always provide a warm, encouraging atmosphere for actors at all levels. If we are looking to simply build confidence, have fun and explore - I've got the right attitude and exercises for you. If we are looking to set up a foundation for a working actor career, get ready to do the work.
One unique bonus I offer: I have a camera and production abilities and can provide authentic on-camera training with copies of footage at an additional rate
I am particularly interested in working with teenagers and young adults as I remember the difficulty of that age of having this dream,
We can start from the very beginning and explore in a fun, creative environment underlining the basics. But if you're looking for a more career-driven lesson experience, get ready to learn lots of technique and do. the. work.
8+ Years of performance experience in NYC, Regional, NJ, Philly, and Indie Film (Full acting resume available in photos below)
8+ Years of teaching classes and privates lessons in NYC and NJ
Current resident student at HB Studio (keep studying!)
NY Conservatory of Dramatic Arts
Industry Media School (film production)
BFA Acting Mon
What have I been studying all these years??
Scene Study and Acting Technique, Voice Work and IPA, Character Development, Movement, Shakespeare, Chekov, Acting for the Camera, Directing, Improv, Film Production
While my passion as an actor tends to lead me into theater work, I have skills in film production and can help you get authentic on-camera experience. There is a definite difference in the way an actor approaches screen work vs stage work, and the best way to learn it is to be ON camera and see the difference for yourself.
· Theater Acting · In studio
· Child Acting · In home
· Acting · In studio
I am an actor and acting coach living in New York City. I have worked over the last seven years on stage, both in NYC and regionally, as well as in television and film, working with talent such as Hugh Grant, Donnie Wahlberg, and Beau Willimon.
I hold an MFA from Yale School of Drama, a BFA from UC Santa Barbara, and have studied extensively with on-camera experts such as Bob Krakower, Jessica Cummings, and Marci Philips. As a coach, I work with individuals and productions, on stage and film, and specializes in dialect management for actors and on camera auditions.
I can assist you in shaping your audition, expanding your actor toolbox, learning an accent or dialect, or putting an audition on tape!
PRIVATE ON-CAMERA COACHING WITH CASTING DIRECTOR ERICA PALGON!
COACHING for COMMERCIALS! — spokesperson copy, natural reactions w/no copy, comedic material.
COACHING for an upcoming audition for FILM, TV/WEB!
Need COACHING for upcoming SELF TAPING?
Let’s work together to bring your auditions to a COMPETITIVE level!
Producers, directors, ad agencies, studios..want that “REAL”, quality from actors. They want a NATURAL performance without seeing the effort behind it.
Through my coaching I help actors build their CONFIDENCE and tap into their own natural, creative mindset, bringing them closer to an AUTHENTIC performance.
Casting, teaching/coaching over 20 years, I have a clear understanding of what actors battle in auditions. I’ve seen actors constantly overthink in their auditions. They try too hard to please or do what they think is expected from them. It’s a habit that sabotages actors over and over, and with no sense of awareness. It’s one of the main things that prevents ...
I also have a strong background in comedy. I cast several hilarious promos for COMEDY CENTRAL for Amy Schumer Show, The Daily Show, The Nightly Show w/Larry Wilmore, South Park, & Tosh.0. Completed casting on a comedy series for TruTV’s Late Night Snack, titled “Blank meets Blank,” worked on the casting of films “Hedwig And The Angry Inch,” “Shortbus”, “Series 7,” “Great World Of Sound;” “Just Like the Son” w/ Mark Webber & Brendan Sexton III, “Doomsdays” w/Leo Fitzpatrick, “Hannah Has a Ho Phase” w/Kate McKinnon, “C Street” w/Dylan Walsh, Don Stark, Michael Gross, Jessica Blank & Grainger Hines, short films “Visit 57” directed by Kate Phelan; & a hilarious short film “Murphy Crib, featuring an ensemble of creative female comedy talent. I have cast comedic hosts for HISTORY CHANNEL & new dating show “Date Night Live” for LIFETIME as well as cast for FULL FRONTAL w/SAMANTHA BEE.
I worked with & learned from top commercial & film directors, including John Cameron Mitchell, Tom DiCillo, Jesse Peretz, Matt Aselton, Phil Morrison, Jeff Preiss, David Gordon Green, Pam Thomas, Kinka Usher, Frank Samuel, Dewey Nicks Mark Pellington, Mark Tiedeman, Fredrik Bond, Stacy Wall, & Morgan J Freeman. I also graduated from Level 1 & 2 improv at The PIT, performed a storytelling at The Magnet as well as participated in the show Mortified.
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I am a current working and auditioning in NYC. I train in NYC with the on-set acting coach for Blue Bloods as well as the top Casting Directors for all of the major network shows. I am a repped actor and recently was the lead in "Maternals Secrets" alongside Daytime Emmy winner Kate Mansi and Kelly McGillis from "Top Gun." I can provide teaching and training for acting technique, commercial technique, and audition technique for on-camera acting. I can also be of service for the business side of acting as well and walk students through the ins and outs of the tricky business side of acting.
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Zero travel time is great for a busy schedule.
Typically priced lower than local lessons.
Online students stick with lessons as long as local students.
She loves the craft and it shows in her teaching. Shes tough but so loving and enthusiastic."
And they're not alone!
Our teachers have taught
lessons and counting!
Professional actors often cant help but feel a little powerless when it comes to the process of auditioning and booking jobs. Sure, from the outside people think that actors have some say in creative aspects, but your input and personal preferences are really quite insignificant in the process (well, not until you're on a Brangelina level at least). So while you're on your way to superstardom, it's smart to leverage the opportunities at hand. The first area you have control of as an actor is t … Read More