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Flushing, NY Violin Lessons

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Popular Violin Teachers near Flushing, NY

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About Marvett H.

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New York, NY

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I currently teach students from beginner (pre-twinkle) to advanced levels.

About Marvett
I am a very encouraging and engaging teacher who focuses on proper form and technique, while maintaining the student's interest and encouraging creativity.

I incorporate both traditional and Suzuki methods and cater every lesson to the students individual needs and goals.

There is never a dull moment in my lessons, I keep the student motivated and excited about leaning to play the violin!

*** Lesson Details ***
The violin is my passion and I enjoy teaching all ages the violin!
Lessons are catered to every students personal goals and needs. Combining Suzuki and Traditional methods along with Etudes and scales will give the student a solid foundation on the violin.

*** Studio Equipment ***
Renting an instrument is simple, easy, and very cost effective. I will be more than happy to assist the student and parent with every
detail needed in deciding the appropriate violin and rental details!

*** Specialties ***
Suzuki, Traditional
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Reviews
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Sharon A. January 16, 2018
· Violin · In home
Marvet is the best teacher ever i just starterd few lesonss she Teach me so well , she is great !
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DInah July 24, 2017
· Violin · In home
So much patience for beginners like me! Great teacher to have!
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Viviana B. July 8, 2016
· Violin · In studio
Great first lesson!
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Marvett H.

Marvett H.

New York, NY 10024
(10)
starting at
$55 / 30-min

About Antoinette A.

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New York, NY

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Beginner Group Violin Class
Sundays at 1pm in midtown, starting March 4th.

Intermedite Group Violin Class (Student Orchestra)
Sundays at 12pm in midtown, starting March 4th.

At this time, the schedule for private lessons is full. I mainly offer group lessons now, at the listed price below. The next 12 week semster is starting on March 4th at 1pm in midtown. Students will need to register in advance. Save you seat now as seating is limited. If you have any questions, don't hesitate to contact me through the button on this website.

Again, the price listed is for group lessons only. Once the first class fills up, another class will be added at a time near 1pm. Please contact me to find out the latest info.

Private lesson prices are not up at this time.

About Antoinette
Finding an schooled violinist and finding a good violin teacher are two very different things. When I see other teacher's profiles, they boast of the years of training they had. Anyone can learn and play, but it takes a love of teaching to really make a difference in someone's life.

PATIENCE
When you have a love of teaching, you have a seemingly endless resource of patience. This is because what the student sees as "patient" is really just a small step in the educational process. It is a fraction of time just before a correction. When you have something new to teach, whether it is a new technique, or a correction of something being done improperly, and you know exactly how to break it down so it is understandable and accomplishable, you know it is always a short matter of time before the student gets it. And by short, I mean a matter
of seconds, or minutes.

FRIENDLINESS
I respect others and what they feel and have to say. I treat others as I would want to be treated and lessons are always a pleasure to my students, because it is a pleasure for me to teach them.

EXPERIENCE
I have been playing for over 26 years. I have played with a multitude of local orchestras and bands and have done countless studio recording sessions and live shows. All of this experience comes through in my teaching either directly (when it comes time for you to perform) or incrementally.

When you are learning, there is a vast sea of information. Not all of that knowledge is equal in importance. It is incredibly important to be able to distinguish what is important and what is not very important. All of my real-life experience, and continuing experience reveals itself in the form of ensuring my students know what is truly important.

Lest you get the idea that I am a wishy-washy, undemanding teacher, I can assure you this is not the case. Lessons are fun, but that is because they are productive. You will walk away being able to do something, and that requires hard work, and practice.

WHAT I EXPECT FROM MY STUDENTS
Practice.
Practice.
Practice.
And a winning attitude.

I can even work with you if you don't have a winning attitude, but it makes it more fun when you do!

HOW FAST CAN I EXPECT RESULTS?
Some students who were musicians previously leave the first lesson being able to play their first song. Most students however, who have never played an instrument before, can expect to be comfortable bowing (a huge part of the process - half the sound!) within the first few weeks, and will then move on to learning songs. We will be learning sheet music as well, on a very, very easy gradient. After the first couple months, I expect you to tell me which song it is you might like to learn most so that we can start working on it.

RENTALS
I rent out violins of all sizes.
I sell the book that I teach out of (or you can obtain it online or from Sam Ash).

If you have any questions, I am happy to answer them. You can use the contact button on this website and I will gladly answer you in return.
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Reviews
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Jennifer July 10, 2017
· Violin · In home
Antoinette is, by far, the best music instructor that I have ever hired. Music has always been a part of my life. As a child, I took piano lessons for years and continued on and off through college. As a complete novice to the violin, I was nervous to begin such a challenging instrument as an adult hobby. Antoinette is encouraging, intelligent and incredibly skilled. Her calm demeanor and patience is vital to one's success. She focuses on the building blocks to a successful technique with ease. I am incredibly grateful to Antoinette for reminding me of how enjoyable music can be. I look forward to our weekly sessions around my busy work schedule. Her location is conveniently located within walking distance from the subway in NYC.
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Tonia May 29, 2017
· Fiddle · In studio
I took violin lessons for a year with an instructor I found through a different organization (not TakeLessons)--and I learned more in one hour with Antoinette than I learned in 30 lessons with that other teacher. In just one lesson, I can see that Antoinette is friendly, smart, encouraging, knows her stuff--and knows how to teach (which not every good player can do). I'm an adult, but I bet she'd be just as great with a student of any age.
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Donna February 16, 2017
· Violin · In studio
Antoinette was patient and effective during my first lesson. As an adult, having never taken a violin lesson in my life, I was nervous. But Antoinette has confidence in me and I am looking forward to more lessons with her!
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Antoinette A.

Antoinette A.

New York, NY 10036
(20)
starting at
$40 / 60-min

About Kira H.

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Forest Hills, NY

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I accept violinists of all levels, and have completed Suzuki teacher training through book 8. I also bring in other methods such as Shirley Givens Adventures in Violinland for younger students, and incorporate books from Paul Rolland's teaching methodology.

About Kira
I graduated from Mannes College of Music with a BS in violin performance and a minor in psychology. While at Mannes, I was a student of Sally Thomas (Julliard School), and other primary teachers include Yi-Wen Jiang (Shanghai String Quartet), Claudia Schaer, Amy Barlowe and Oscar Ravina. I have performed at every major concert hall in New York City, including Carnegie Hall, Lincoln Center, Weill Recital Hall, and Symphony Space. My performance schedule has led me to perform in concert with pop superstar Sarah Mclachlan and to solo performances with the Rockland Summer Institute orchestra.

My past chamber music coaches include Ann Setzer, Peter Prosser, Chin Kim, Gena Raps, and members of both the Orpheus Chamber Orchestra and NY Philharmonic. I have also participated in masterclasses with Cho-Liang Lin, Pamela Frank, and Ida Kavafian.
I am also a alumna of the Meadowmount School of Music.

Currently, I am a registered teacher with the Suzuki Association of America and have completed Suzuki teacher training for books 1 - 8 at NYC's School for Strings, where I trained with Ekaterina Gerson and Allen Lieb. I have also completed additional violin and viola pedagogy studies with Ann Setzer of the Julliard School. My students have been accepted to performing arts high schools such as Laguardia Highschool School for the Performing Arts and now perform with ensembles such as Chicago University's Chamber Orchestra.

In addition, I completed both Music Mind Games Units 1 & 2 teacher training with Michiko Yurko in 2012. I incorporate this fun way of learning how to read and understand music theory into all of my lessons.

I have been teaching privately for over 10 years, and look forward to continuing to enrich other peoples' lives through music for years to come.

*** Lesson Details ***
I generally try to tailor my teaching approach based on a student's individual goals with a strong emphasis on proper violin technique. I have the most experience teaching using the Suzuki method, but also utilize more traditional approaches in order to address the developmental level of my pupil. I expect my students to come in with a positive attitude, willingness to learn, and strong work ethic.

With students 7 years of age and younger, I strongly recommend that a parent take lessons for 6 weeks prior to their child beginning instruction. I also insist that parents sit in on their child's lessons and take notes. This enables parents to properly supervise their child's practice, which ultimately leads to speedier progress and a better grasp of the material being taught.

*** Studio Equipment ***
Separate dedicated violin studio in apartment with piano.

I do own three cats (Spork, Pancakes, and Brienne), so please let me know if this is a problem!

*** Travel Equipment ***
I ask that my students please speak to me prior to purchasing or renting an instrument.

Following the first violin lesson, I expect my student to provide their instrument (I can provide a list of resources and rental companies for instruments), a notebook, any music books assigned, a music stand, and a metronome.

*** Specialties ***
I specialize in classical playing and prefer teaching using the Suzuki method. I am currently registered with the Suzuki Association of America. I am also flexible enough to assist a student seeking to branch out, and for those not interested in Suzuki, I am also able to teach via more traditional methods. Additionally, I have an extensive educational background in music theory, I am also able to take those students interested in taking beginning to intermediate viola lessons.
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Reviews
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Jennifer K. August 14, 2017
· Violin · In home
Kira has been teaching my daughter for more than 5 years now. She tailors her lesson to my daughter’s needs, whatever they may be. Kira has been helping my daughter grow in so many ways – not just with violin skills. I highly recommend Kira!
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Vladimir Y. October 16, 2015
· Violin · In studio
Great teacher.
Experienced, very patient and helpful.
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Erin S. July 1, 2015
· Violin · In studio
Kira is an absolute gem! My daughter is a novice and Kira's teaching method was so "in tune" to her getting the best learning experience. My daughter is very enthusiastic about her violin lessons that she can't wait till her next lesson! Thank you Kira for being the best instructor ever!!
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Kira H.

Kira H.

Forest Hills, NY 11375
(8)
starting at
$40 / 30-min

About Penny H.

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Westbury, NY
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About Penny
Born in Cebu City, Philippines in 1990, raised primarily in Phnom Penh, Cambodia and other Southeast Asian countries, and pursuing further education in the United States of America, Hopengrace ("Penny") is a Global Nomad currently situated in the Greater New York City Area.

She started taking music lessons from her mother at the age of four and learned to read music at the same time she started to read storybooks. ​From the age of ten, Hopengrace took violin lessons, during her parents' rare furloughs, from Mr. Frederico Regner, a World War II veteran returned from the United States. While in the Philippines for a combined year of junior and senior level high school, she took violin lessons from Mr. Marc Hamlet Mercado and Mr. Rodelio Flores. Hopengrace has also taken coaching from Ms. Princess Christine Ybañez to prepare for competit
ion in the Solo String (Bowed) category of the 14th National Student Convention in which she won 2nd Place.

In 2007, Hopengrace received a Presidential Scholarship from Tennessee Temple University (TTU). There she studied violin under Mrs. Laura Minor (B.Mus. Vanderbilt University, MA Music NYU). She also took piano from Mrs. Carolyn Kemp​ (BS Mus.Ed. Baptist Bible College, MA Mu. Ed. University of Tennessee at Chattanooga) and voice from Dr. William Knowles and Mr. Michael Mays (BS Mus. Perf. University of Tennessee at Chattanooga, MA Church Music Southwestern Baptist Theological Seminary).

In 2008, as a member of TTU's Weigle Concert Choir, Hopengrace had the privilege to be chosen to sing with a combined choir in Carnegie Hall's Stern Auditorium with the Manhattan Chamber Orchestra under the baton of Dr. David Thye, Principal Conductor-in-Residence of MidAmerica Productions. She became a member of the Chattanooga Symphony and Opera Youth Orchestra (CSOYO) ​in the fall of that year and continued performing with them for three seasons. She also participated in the special orchestra for the annual Chattanooga Boys' Choir "Singing Christmas Tree" concerts at the Tivoli Theatre. In 2010, world-renowned violinist Midori chose CSOYO as one of two youth orchestras for her annual Orchestra Residencies Program, and Hopengrace had the rare opportunity to perform with one of her inspirations in concert.

Hopengrace​ became a registered Suzuki Method Violin Teacher with the Suzuki Association of the Americas on July 2011. She has also trained in Orff-Schulwerk.

During her travels around the world, Hopengrace struggled to keep her art alive. However, she has often been complemented for her distinctive strong, full-bodied tone​ and adaptability. Her range varies from Baroque to Modern. She plays on a John Cheng 1737 "King Joseph" Guarneri model violin with both wood and carbon fiber bows.

​Hopengrace welcomes students and employment while she prepares for entrance in a Master of Music in Performance program. She hopes to start on that new chapter of her life in the fall of 2013. Inspired by the impact of Venezuela's El Sistema program and her own experiences during her travels, Hopengrace hopes to use her talents to enable or build similar programs both while she teaches and in the lands where she was raised. ​

*** Lesson Details ***
TEACHING PHILOSOPHY
“Play with heart. Play with living soul.”
— Dr. Shinichi Suzuki
As a teacher, my goal is to instruct as well as inspire each student to reach for his or her highest potential. I hope to give each student the tools to progress so that one day they can be their own best teacher, and play with a sound and style that is uniquely their own. Most importantly, I hope to instill a desire to learn and a mindset that the art of violin playing is fun and that it is just as we call it--playing. My teaching abilities range from beginning through advanced levels. Students must have a desire to learn and commit to daily (mindful) practice.

I am a Suzuki Violin teacher. This means that I am trained to work with even the youngest of musicians in a nurturing , fun and challenging way. Dr. Suzuki believed that it was important to develop a noble character in all children through the mastery of a musical instrument. He also believed that all children were capable of this mastery if the environment is saturated with music and love. My students enjoy playing the violin because they are given the tools they need to play beautifully and to make progress on their instrument. Each lesson will focus on proper set up and posture, technical work and musical direction/ideas that will inspire them to carry on their work throughout the week. I demonstrate quite a bit in the lessons, as I find it is the most effective way to communicate in music. However, I am only with the student once a week, therefore much of the lesson is geared towards helping the parent and child understand what his/her home tasks are, and how to carry them out successfully. 10 minutes of mindful practice is worth an hour of careless work.
“There is no born genius. Education is the way to develop ability.”
— Dr. Shinichi Suzuki
​Parental support and involvement is key to any child’s progress, especially at the beginning stages. Parents of young beginners are encouraged to take a few lessons before starting their child on the instrument. Parents serve as a practice coach/partner during daily home practice sessions and are required to attend and participate in their child’s lessons. Listening to recordings and attending live concerts are strongly recommended to increase musical awareness and enthusiasm in the student.

In spite of my rigorous Suzuki training, my unorthodox learning experience has taught me the value of being flexible and using methods that work best for a specific individual. I am not averse to seeking and applying a new method (eg. traditional, Masterclass, O'Connor, etc.) if the situation calls for it.

What should be expected from a Teacher/Student relationship?

I think a student should expect their teacher to give them honest, thoughtful feedback. Just enough that they can manage the information at that time. The teacher should give detailed instruction on ways the student can improve, without destroying the students sense of self worth or spirit. On the contrary, the teacher must always find a way to see the student as having great potential. This way, no matter how limited the current level of ability may be, there is hope for growth. Even without saying it, the student will feel the teachers' attitude towards him and may become that person (for better or for worse). The student should expect to be challenged, encouraged and inspired by their teacher. The teacher should expect that the student and the parents commit to daily practice, and have a desire to improve. The student must apply his/her teacher's feedback while always searching within himself for ways to develop. Mutual respect is key.

*** Studio Equipment ***
living room, baby grand piano, couch, two chairs, residential area, street parking

*** Travel Equipment ***
My own violin, music stand, and teaching books. I expect my students to provide their own instruments, music stand, and student books.

*** Specialties ***
Suzuki, Orff-Schulwerk, classical, film, fiddle, world music, new age, popular, contemporary classical
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Penny H.

Penny H.

Westbury, NY 11590
starting at
$40 / 30-min

About Gregor K.

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New York, NY
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I don't have much to add after what you've already read. I love teaching and hope my enthusiasm will be contagious. You are free to record a video your lessons to help you practice more efficiently at home and to tell me whatever else you need to help you learn. Every teacher wants their students to practice as much as possible but I focus on how to help you learn quickly because many of you have very busy lives. Whatever time you have I'll help you make the most of it.

About Gregor
I perform regularly at Carnegie Hall with Orchestra of St. Luke's, have performed and recorded with David Bowie (Heathen), play lots of chamber music and contemporary music concerts and have toured extensively but always lived in NYC. While I studied with Jascha Heifetz protege Erick Friedman to get my BM and MM from Manhattan School of Music,, Charlie Castleman at The Quartet Program and Chris Lee, concertmaster of NJ Symphony, my teaching is based on what I learned as a performing musician in NYC. Working with great players here showed me what they all had in common versus what were just my teacher's idiosyncrasies. Using your body efficiently to avoid injury is at the core of what I teach. Playing well in your 20's is entirely different than having learned how to avoid injury and play well in your 50's. I teach anyone from beginners o
f all ages to young professionals preparing for auditions to older people who always wanted to do this and just need someone to spark their curiosity.
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Reviews
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Lauren March 30, 2017
· Violin · In studio
Gregor was terrific to work with! He has had so much experience and teaches in a very personal and dynamic manner. He can really address the root of many issues in playing and take personal differences in consideration. I was very happy he had so much experience using the Alexander Method and adapting it to violin playing. This is what you need to set yourself up for a lifetime of playing! While I studied primarily classical music, he also has lots of experience in many other genres as well.
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Laura March 21, 2017
· Violin · In home
I briefly studied with Gregor when I lived in the NYC Metro area. He is one of the best teachers I've had the privilege of studying with over the years. My lessons were tailored to my goals, and Gregor was committed to helping me learn as much as possible, while being incredibly down to earth. He is simply a world-class teacher, and someone I was very fortunate to meet. It was a pleasure and privilege taking lessons from him, and I cannot recommend him enough to aspiring violinists and violists.
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Chala March 20, 2017
· Violin ·
Gregor is a wonderful violinist and a thoughtful musician. As someone who has worked with him on and off for years, I'm positive he'd bring the same qualities into his studio and pass his love of music on to his students.
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Gregor K.

Gregor K.

New York, NY 10031
(7)
starting at
$90 / 60-min
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About Jeremy R.

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Suffern, NY

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Having spent the last 15 years playing and performing on violin, I can help you grow into the musician you'd like to be! Additionally, I was a NY State certified Music Teacher in the NYC Department of Education, educating students on music history, theory, and violin/viola performance

Lessons are always catered to the students' needs and expectations. Generally, my lessons will consist of stretching, warm-ups, sight reading, and any pieces that need to be prepared. Content is subject to lesson duration.

About Jeremy
Hi, there! My name is Jeremy and I can't wait to meet you! I've been giving music lessons since 2013 and was a music teacher in the NYC School system. I went to New York University and earned a degree in Music Education in 2015. I'm a patient and professional person and my teaching style is an emphasis on improving technical qualities through various genres of music. I look forward to helping you reach your goals!
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Jeremy R.

Jeremy R.

Suffern, NY 10901
starting at
$30 / 30-min

About Erica Q.

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Fresh Meadows, NY

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We will start off our lessons with introductions to the violin. In addition to posture and being able to appropriately hold and play the violin, you will develop a thorough understanding of basic music theory. We will incorporate music theory (reading notes, note values, notation, etc.) to every lesson. You will typically use Suzuki books to learn and develop different violin techniques. We will also spend a lot of time working on etudes/scales to compliment those newly learned techniques.

About Erica
I was introduced to the violin at the early age of 5. I quickly found a deep passion for the violin and would play all day and night, much to my neighbors' dismay. I joined the NY Young Musicians' Ensemble, where I was given the opportunity to travel to Greece to play at numerous concert halls. I attended Fiorello H. LaGuardia High School as an instrumental major and took music theory/ history and ear training courses along with daily orchestra classes. At Hamilton College, I joined the orchestra and quartet ensemble, appropriately named, “Hamstrings”. I was asked to join the saxophone ensemble in 2015 and also took upon a Teacher Assistant position for a Jazz MOOC. In addition to my vast musical opportunities, I have also had many experiences working with children in education. After graduating from Hamilton College, I taught both 1 on
1 and group violin classes at Real Brave Music School in Queens, which allowed me to incorporate the Suzuki method into my own curriculum for beginner violinists.
In November of 2016, I moved to Chongqing, China to work at Musicool Music & Art, where I was a Music Instructor, an English- Chinese Translator, and the Education Program Coordinator. I had the wonderful opportunity to develop comprehensive and innovative curricula to match the needs of multiple age groups, lead classes in both English and Mandarin Chinese, and assist other teachers in accurately translating class content. I was also responsible for overseeing program/curriculum development for the rest of the company, ensuring that each class had engaging and interactive elements. Please contact me for more information!
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John Y. September 25, 2016
· Violin · In studio
Very patient instructor. Can't wait to take another lesson.
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Erica Q.

Erica Q.

Fresh Meadows, NY 11365
(1)
starting at
$34 / 30-min

About Xavier R.

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Elmont, NY
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NYS Certified Music Teacher. Public school teacher (Elementary)on Long Island since 2002. Excited to work with new students and students desiring to learn more and do more with their instrument!

About Xavier
Music education is my passion. Currently a certified New York State N-12 music teacher, teaching instrumental music in a school district on Long Island. I have been playing piano since I was 5 years old and performed a pair of recitals at Carnegie Hall and other fine performance halls. In addition to the piano I play multiple instruments and teach several such as the cello, violin, trumpet, clarinet and saxophone. Learning to play an instrument and make music can be challenging but it is wonderful experience! I look forward in teaching you.
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Chelsey S. November 13, 2017
· Violin · In home
My daughter really enjoyed her 1st Session. She stated that the Instructor was very patient and he made learning to play the Violin very interactive and fun.
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Xavier R.

Xavier R.

Elmont, NY 11003
(1)
starting at
$35 / 30-min

About Larry M.

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Teaneck, NJ

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Larry teaches students of all ages and skill levels on violin technique, repertoire, and musicality. He is based in Teaneck, NJ and teaches students in his studio in North Jersey or any location via the internet. Larry works hard to foster the creative spirit in his students while simultaneously providing solid technical and classical training on the violin. Students love Larry's positive attitude and his commitment to music as a means of personal growth and self expression. An accomplished educator, chamber musician and violinist, Larry offers a simple and straight-forward perspective on the violin that is sure to inspire. Skilled at adapting the violin to his great love of American Standards and other popular genres, Larry introduces students to the innovative and exciting roles that the violin can play in contemporary music. Larry also strives to bring the world's great music to all through is work as founding member of the Iceni Ensemble.
Whether you have never picked up a ...

About Larry
TBA
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Tiara November 8, 2017
· Violin · In studio
Mr. Marino is by far the greatest, and most talented instrumental instructor I have ever had. The amount of patience and passion he has for this art is resonate in his teaching style. I had the absolute pleasure of working with him for 6 years and I can truly say I have learned a wealth of information and have become incredibly skilled at multiple instruments thanks to Mr. Marino.
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Larry M.

Larry M.

Teaneck, NJ 07666
(1)
starting at
$40 / 30-min

About Patrick S.

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Montclair, NJ

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I believe that practice is a result of methods learned in the lesson. I like to make every student develop as their own teacher. Practice is incomplete in theory if the method to problem has not been identified.

About Patrick
s a violinist, and violist, Patrick Shaughnessy​ has played in numerous ensembles from orchestral
to chamber. As an orchestral violinist, Mr. Shaughnessy has played in Pensacola Symphony,
Opera, and Ballet. He has also played with the Tallahassee Symphony, Hingham Symphony,
Hanover Chamber Orchestra, Boston Civic Symphony, and The Loudoun Symphony Orchestra. In
the fall of 2005, Mr. Shaughnessy was asked to do a reading of Mozartʼs 2nd violin concerto with
the Boston Civic Symphony under the direction of Max Hobart. As an avid chamber musician, Mr.
Shaughnessy has played chamber music in many different ensembles. In 2008 Mr. Shaughnessy
was invited as a guest artist with the San Juan Chamber players. It was there that Mr. Shaughnessy
collaborated with pianist Max Levinson, cellist Allison Eldrige, and violinist Catherine Leonard. In
2009
Mr. Shaughnessy performed the chamber music of Apostolos Paraskevas in New Yorkʼs Weil
Recital Hall with cellist Francisco Vila, violinist Markus Placci, and others. From 2009 to 2010 Mr.
Shaughnessy was a member of the Neave String Quartet. As the second violinist Mr. Shaughnessy
participated on many concert series. Some of those included the New England Chamber
Foundation, Lyrica New Jersey, a recital at Providence College, and collaborations with cellist
Sergey Antonov. Mr. Shaughnessy participated in an orchestra tour of China with The Manhattan
Symphony Orchestra. Other engagements have included a concert for peace, where a performance
of Beethoven's piano quartet was given with Victor rosenbaum. Mr. Shaughnessy holds degrees
from The Florida State University School of Music, and The Boston Conservatory of Music. His
principle teachers have been Yehonatan Berick, Eliot Chapo, and Irina Muresanu.
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Patrick S.

Patrick S.

Montclair, NJ 07043
starting at
$67 / 30-min

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Sad Violin Music That Will Bring You to Tears

Sad Violin Music That Will Bring You to Tears

The violin is a particularly emotive instrument, with plenty of powerful and sad violin music to explore. When you're feeling down or simply looking for the perfect song to capture melancholy feelings, take a look at our list below. Make sure you have some tissues on hand! Sad Violin Music - Top 5 Songs If you're a violinist, you have a lot of particularly emotional and sad violin music to choose from. This type of powerful music can transport any listener into a different world. As a perf … Read More

Sad Violin Music That Will Bring You to Tears
The violin is a particularly emotive instrument, with plenty of powerful and sad violin music to explore. When you're feeling down or simply looking for the perfect song to capture melancholy feelings, take a look at our list below. Make sure you have some tissues on hand! Sad Violin Music - Top 5 Songs If you're a violinist, you have a lot of particularly emotional and sad violin music to choose from. This type of powerful music can transport any listener into a different world. As a perf
10 Inspirational Quotes from Famous Violin Players
Do you need a little inspiration to get you through your violin lessons? When learning a new instrument, especially one as complex as the violin, it's normal to feel frustrated or defeated. Even the most famous violin players have felt insecure about their playing at one point or another during their career. Instead of admitting defeat and giving up, it's important that you overcome these feelings of frustration and remember the many reasons why you first started playing the violin. Below are
How to Hold a Violin Bow for Proper Grip
  One of the most challenging parts of learning how to play the violin is learning how to hold a bow and mastering grip properly, as it can feel very unnatural for beginner and intermediate students. While it can be frustrating, learning how to hold a violin bow is extremely important--especially for those who are just starting violin lessons. After all, the movement of the bow creates the sound of the violin. With proper bow technique, you can essentially produce whatever tone
5 Tips for Pulling Off a Showstopping Violin Performance
Stage presence is an important skill for all musicians to master. Below, violin teacher Ha-eun R. shares several tips on how to confidently pull off a showstopping violin performance... Have you ever attended a concert in which the artist sounded better if you closed your eyes? A performer’s stage presence is more important than one might think, as a recent study has shown. According to research, published in the PNAS journal, participants who were shown silent videos of piano competit
How Can I Make Practicing Violin Scales More Effective?
No matter how much students may groan when it comes to scales, they are very important for all beginners to know, particularly for the violin. Almost all of your knowledge about playing the violin starts with learning how to play scales, from reading sheet music to better understanding the fingerings. Of course, it is not nearly as exciting as playing one of the songs you love, but practicing scales will give you a strong foundation that will help you progress and improve. Violin scales are typ

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