Applauded for his “gleaming trumpet work” (Hyde Park Herald) and “dazzling virtuosity” (Grunion Gazette), Justin B. is a versatile musician, performing on both historical and modern trumpets. He specializes in early music, most notably in difficult high-register music for Baroque trumpet. Before formally studying Baroque trumpet, Justin won first prize in multiple historical instruments divisions of the National Trumpet Competition. As a highly sought-after solo/principal Baroque trumpeter, Dr. B. has performed with several leading early music ensembles throughout North America including American Bach Soloists, Apollo’s Fire, Washington Bach Consort, Tempesta di Mare, Musica Angelica, Scaramella, Bach Collegium San Diego, Lyra Baroque Orchestra, and many others.
Justin continues to perform as both a soloist and ensemble musician, combi
ning ongoing North American engagements with new collaborations with leading Baroque ensembles in Denmark as well as in the rest of Scandinavia and Europe. In Europe he has played with Camerata Øresund, Copenhagen Soloists, Barokksolistene, Arte dei Suonatori, Höör Barock, Enghave Barok, the Næstved Early Music Festival, Ensemble Hven, and several others.
As a modern trumpeter, Justin has experience performing in orchestras, wind ensembles, jazz ensembles, pit orchestras for opera and musical theater, British brass bands, and numerous chamber ensembles. Before beginning his college career, he was principal trumpeter of the DC Youth Orchestra and had the opportunity to tour Japan as a trumpet soloist. He also performed regularly with the Prince George’s Philharmonic while in high school. More recently, he as appeared as a soloist with the South Dakota Symphony, the Firelands Symphony, and the Las Vegas Sinfonietta.
In addition to be being a trumpeter, Justin is also a countertenor and has sung with Apollo’s Fire and Opera Cleveland. While in Ohio, he was an alto section leader in the chamber and chancel choirs at Trinity Cathedral in downtown Cleveland and was the countertenor with Cantores Cleveland (now Contrapunctus). In addition, Justin briefly served as a bass section leader at Church of the Covenant in Cleveland. Justin also plays recorder.
Justin earned his DMA in trumpet performance from the University of Nevada, Las Vegas. He received his MA in early music performance practices from Case Western and his BM in trumpet performance from the University of Maryland. His primary trumpet teachers include Chris Gekker, Barry Bauguess, Steven Hendrickson, Steven Trinkle, and Justin Emerich. He has studied voice with Delores Zeigler, Ellen Hargis, and Aaron Sheehan. As a graduate assistant, Justin taught courses in ear training and music appreciation, and was a harpsichord tuner.
“The orchestra brought out the pulsy organ-grinder quality in the first movement of Concerto 3, but it was [Brandenburg] Concerto 2 that was the real show-stopper. Justin [B.], on Baroque trumpet, trilled his way nearly effortlessly through one of the most difficult parts in the repertoire, the highest notes piercingly clear above the orchestra.” (Post-Bulletin)
“It [the Baroque trumpet] is more difficult to play than its modern counterpart, but it’s a fascinating and arresting sound. The trumpet part in the second [Brandenburg] concerto is famous for its fiendish difficulties, and Justin [B.] played it with aplomb.” (Edmonton Journal)
“Skilled [Baroque trumpet] players can play the notes of the harmonic series with such instruments. A very refined embouchure is needed to “lip” or flatten or sharpen the impure harmonics of the notes of the 11th and 13th harmonics. The most virtuosic could use such techniques to produce certain chromatic notes outside this series…Justin [B.] made such skills seem effortless…” (Classical Voice of North Carolina)
“…trumpeter Justin [B.] displayed dazzling virtuosity in the solo cantata [“Jauchzet Gott in allen Landen”]…”(Grunion Gazette)
“A good trumpet player is hard to find, and an excellent one harder still. It’s again still rarer to find a great player of the baroque trumpet, since the instrument is considerably harder to play than its modern counterpart (smaller embouchure, no valves) and this may explain why Justin [B.] is so darn busy and why he plays with, well, basically everyone.” (The WholeNote)
He is very knowledgeable and professional! I’m relearning the basics and his sessions have been very helpful to me. I plan to continue!
August 14, 2019
Justin is one of the most helpful trumpet teachers I have ever had. He adjusts the level of lessons in order to make them both challenging and enjoyable. He makes sure that I have a solid foundation and continue to practice scales and basic techniques. He also demonstrates how I should play certain pieces and what they should sound like, rather than simply telling me, which I find very helpful when learning.
August 12, 2019
There is no doubt that Justin is dedicated in working with his student and a good teacher. Our son Isac is improving every time. He enjoys the training with Justin and enjoys playing the trumpet so much that now he goes on YouTube to find popular songs he can learn to play.
All this is thanks to Justin and his good teaching skills.
I have been playing music for over 25 years and teaching for nearly 20 years. I have been a successful part of Rock Bands, Jazz Bands, Blues Bands, Marching Bands, etc. So, whatever style of music you are interested in or wanting to learn, I can help!
I am currently a working musician with multiple groups in Southern California as well as a working Studio session musician. This helps bring a lot of up to date and "real life" knowledge and skills to every lesson.
On top of that, I have spent the past 10+ years honing my skills for Training, Coaching, and Developing. So, I can promise two things. You will get results and you will have FUN!
I will design your lessons around you and your goals......not mine!
*** Lesson Details *** Ultimately, my goal is to make sure you enjoy yourself and want to keep coming back. In t
hat process I will make sure you get results.
I am laid back and very patient. Two qualities I feel are necessary to be successful in this field.
I design my curriculum for each individual. This is because everyone has their own goals, there own level of ability, and their own needs as far as how to get there.
Locations: 1) If you are located in Orange County, all lessons will be at my studio in Santa Ana.
2.) If you are located in the Southbay or West LA, I will come to your house for lessons.
*** Studio Equipment *** Drumsets, PA system. Amps, Guitars, and Keyboards.
*** Travel Equipment *** I have acoustic guitars, a practice pad, and a djembe. I expect my students to have their own drumsticks and, ideally, their own guitar and practice pad or drumset.
*** Specialties *** I specialize in rock/contemporary & marching band style percussion/drums. I also specialize in folk style guitar and bass.
Hello! Welcome to my profile - I can't wait to start working with you!
I have been teaching piano and general music topics for over 10 years; I have taught private lessons, college lectures, and high school classes - needless to say, I've seen students from all ages, all backgrounds and all levels. Lucky for me, they all one thing in common: a strong desire to learn music, and an open mind!
Some of my younger students have gone on to audition for arts high school in the greater LA area, and I've also helped a few prepare for college auditions. I've also been working with several students to prepare Certificate of Merit exams (in California) and I have been affiliated with the Southwestern Youth Music Festival as well. Other little ones were quite content learning how to play their favorite Christmas song or impress their friends
at their school's talent show.
I have also taught adults, who used to play and decided to pick it up again - or newbies wanting to discover the wonders of jazz standards.
In short, whatever your personal goal is, I can help you achieve it and hopefully inspire you to set a new goal to achieve right after that!
I can also help with music theory entrance exams, tutor for AP music classes or college classes, etc.
*Quick note on online lessons: Many prospective students are wary of online lessons and not sure if it's the right way to go for them - I always tell them that you'll never know until you try it for sure! I have taken online lessons myself in the past and loved the experience. I can also attest that several students get a much deeper musical understanding this way, because teachers can't just play an example and have the student copy it - the teacher actually needs to explain how to perform the passage, which leads to the student understanding clearly what is expected and how to achieve it, rather than just copy someone's hand movements without understanding why they are doing it in this particular way. I'm sure you'll also be more relaxed in the comfort of your own environment, at your own scheduled time!
Through her four albums and extensive performance schedule across North America, Canadian pianist and doctoral candidate Andree-Ann Deschenes is recognized as one of the world’s foremost advocates of the Latin American piano repertoire. For her efforts, The Whole Note celebrates her as a “very gifted pianist” with “a tremendous amount of energy, humour and astonishing talent”, while her career has gained the attention of outlets such as The Villa-Lobos Magazine, Classical Post, MainlyPiano, and Voyage LA.
Characterized by its catchy melodicism and evocative chromaticism, the music of Latin America has held a special reverence in Deschenes’ heart, beginning with her pursuit of a master’s degree in Afro-Latin music. “Some of history’s most brilliant composers,” Deschenes says, “come from Latin America, but the average audience has never heard of them or their work. My mission is to create a resurgence for this music, which deserves to hold equal weight with more familiar European composers in the canon.”
At the age of 30, Deschenes’ recording career is formidable, with an output as decorated as it is prolific. All of her first three albums–Cervantes, Lecuona & Nazareth (2014), Milhaud & Ginastera (2016), and Villa Lobos & Castro (2017)–were each awarded a Silver Medal for Outstanding Achievement by the Global Music Awards. Praise in the media comes from the blog Music for Several Instruments, who remarked that Deschenes “puts across the regional Brazilian folkloric flavour with cool clarity,” as well as The Whole Note, who celebrated her third album, Villa Lobos / Castro, as “a rich program revealing… skill and artistic mastery.”
Further recognition has come for her most recent album, The Ovalle Project (2018), a comprehensive two-disc record that revives the work of late Brazilian composer Jayme Ovalle—as of now the only commercially available recording of his piano works. In reviewing the album, Classical Post called Deschenes “the perfect person to take on [Ovalle’s music] and bring life back into his works,” while Mainly Piano remarked that “the variety in the moods, intensity and tonal colors is vast [in The Ovalle Project], and Ms. Deschenes has taken the time and attention as well as research to get inside of the music.”
Based in Los Angeles, Deschenes maintains an active lecture and performance schedule. A three-time semi-finalist for The American Prize, she currently serves on faculty for the California School of the Arts, Los Angeles.
Her education includes a Doctor of Musical Arts degree from Claremont Graduate University, a Master of Music degree in Afro-Latin music from California State University Los Angeles, and an Advanced Diploma in Jazz from Toronto’s Humber College. She is grateful to her pedagogues, Dr. Jenny Soonjin Kim, Dr. Paul De Castro, Dave Restivo, David Virelles, Linda Brady, Yvan Leduc, and Elisa Chaput. Deschenes’ albums can be found on all major retail and streaming platforms.
Absolutely amazing instructor. Great with kids. Goes extra mile with selecting right music and guiding through.
July 18, 2019
May 24, 2019
Andree-Ann is coaching my children for an upcoming performance. She is able to quickly assess their level of preparation, identify problem areas and suggest practice solutions. My children showed immediate improvement in their practicing after one lesson. Andree-Ann encourages rigorous attention to detail when practicing technical assignments. She brings a high level of professionalism and confidence to teaching classical repertoire.
Without any musical training at age five my gut told me that I had the innate ability to understand music & that I would make music for the rest of my life. This thought has become my truth. It is this truth that drives me to inspire & teach others in cultivating their own musical truth. Some want music as a way a life & others are looking for an outlet, while others still only want music for themselves for fun. I believe I am equipped with the passion, drive & innovation to serve others in reaching their musical goals. Whether playing solo, in orchestras, chamber groups or bands, I like to incorporate all that I have learned through the years. My experience with strings began with bluegrass fiddling, followed by teaching myself to play guitar & then viola. In my spare time I like to write my own music & play with groups in which
I can improvise. Music has come to influence all areas of my life & what I have learned from my five-year-old-self is that it always will.
Amy is a wonderfully gifted teacher! My teen daughter loves her teaching style and encouraging personality. Amy has a knack for understanding a student's strengths and weaknesses and guiding them to reaching their potential. We highly recommend her!
January 27, 2017
My 2nd grade daughter is enthralled with learning the guitar and Amy deserves much of the credit. Her teaching skills are perfect for my daughter - fun, interactive and at the right level! I am thrilled we found Amy and look forward to watching my daughter's guitar skills grow! - Jen
January 22, 2017
Amy is a super friendly and knowledgeable tutor! I loved all our lessons and hope to get more lessons with her in the future.
Franz, trumpeter, clinician, composer, and brass instrument maker is the founder and artistic director of the internationally renowned Outreach Music Festival and Academy and leads his own group, Franz's IDO Quartet. His feed-forward approach, building on traditions, and looking beyond the fashionable trend leads to his distinctive style.
Franz is constantly evolving as an artist, producer & teacher searching for new ways to collaboratively expanding the musical language. Franz was born in Tyrol, Austria. Growing up with traditional Austrian brass music as a soloist, he soon became interested in jazz. She is an alumnus of the Conservatory of the City of Vienna and received an M.S. degree from the Manhattan School of Music, where he studied with Lew Soloff.
As a composer, his stylistic versatility grew to include works for full o
rchestra, chamber groups, choral works, and multimedia events. He received commissioned works from many prestigious venues and institutions. His works were premiered at places like the 'Theater an der Wien,' U.N. Headquarters NYC ( Year Of the Mountains Launch Event), Red Bull Hangar 7, European Forum Alpbach, Austrian Cultural Forum NYC & Washington, Lincoln Plaza, etc.
As a bandleader he performed at the Jazz Standard, Dizzy's Coca-Cola Club Lincoln Center, Porgy & Bess, Brucknerhaus Linz and many Jazz Festivals (Vienna Jazz Festival, Espoo Jazz Festival, etc.) Franz is co-leading a brass trio with the legends Dave Taylor (bass trombone ) and John Clark ( french horn). He also has duos with percussion super star Mino Cinelu and pianist Michael Wolff.
Franz also works often with leading classical artists like Dietmar Küblböck ( principal Trombone Vienna Philharmonic) and Gerhard Fluch ( principal trumpet Bruckner Orchester Linz). Franz taught at many workshops ( Jazzmarathon Mattighofen, Jazzworkshop Pulawy/Poland, SUNY Purchase, Friedberg Jazz Cocktail, etc.) and is regularly hired for masterclasses ( University of Music and Theater Leipzig, Music University Tunis, Musikschule Wiener Neustadt, brass bands, masterclasses at music exhibitions, etc.)
In partnership with his father, Franz sen., who is a famous trumpet virtuoso in Austria and started his career in the mid-'50s, Franz jun. is also handcrafting innovative horns & accessories (Hybrass, DeeflexxBrass). The family business was established in 1965.
Franz is a deeply knowledgeable instructor who truly cares about sharing his expertise. Plus his easy-going demeanor makes him a great mentor, can't recommend him enough!
December 2, 2017
With Mr. Hackl, you get not only world-class training and experience, but also access to the best equipment and technological skill!
December 1, 2017
Franz is a master musician.
As a teacher he is able to take the student from their level of playing and introduce them to new concepts on the instrument, thus raising their musicianship to much higher levels.
Born and raised in Austin, Texas, Emi began his formal training in jazz guitar with Berklee College of Music mentor and professor Bruce Saunders while attending college preparatory school at St. Stephen’s Episcopal. After graduating high school cum laude, at 18, Emi relocated to New York City where he attended The New School for Jazz and Contemporary Music on scholarship.
Since arriving to New York, Emi has studied with instrumentalists and composers Dave Douglas, Marcus Strickland, Matt Wilson and Kirk Nurock; guitarists Adam Rogers, Mike Moreno, Peter Bernstein, Nir Felder, Steve Cardenas, Vic Juris, Jack Wilkins, Richard Boukas, and Rory Stuart; and pianists Joanne Brackeen, George Cables, Garry Dial, and Rachel Z. While attending The New School, Emi was a member of the audition based Herbie Hancock Ensemble directed by George Cables
and Rory Stuart’s Advanced Rhythm Ensemble where he first met and collaborated with young rising jazz stars pianist James Francies, vibraphonist Joel Ross, and drummer Jeremy Dutton.
Now an honors graduate, Emi continues gaining recognition in the modern jazz scene as a rising contemporary improviser, composer, and arranger leading/sidemanning gigs and teaching in the greater New York area.
I've taken lessons with Emi as a beginner and later as a more experienced guitarist. Always a great lesson. He's a fantastic teacher for people of any experience level. He goes out of his way to tailor his lessons to whatever you specifically want to learn.
September 4, 2019
I've been trying to teach myself to play the guitar for months now, and I learned more with Emiliano in 2 lessons than I did in those months. If you really want to learn to play, get a lesson with Emiliano. It is worth it. He makes things easy to understand, and was super patient with me who has zero musical talent. I really cannot recommend him enough.
September 3, 2019
Emiliano is a fantastic teacher. I knew little to nothing about guitar before working with him and he was able to easily walk me through everything. Thanks Emiliano!
I am a college student and long-time lover of music! I have been playing clarinet for nine years and singing for twelve. Though I am not majoring in music, I play in my college's orchestra and study education, making me well-prepared to give lessons. I began teaching clarinet three years ago. I specialize in classical training for beginning and intermediate students. Feel free to reach out so we can discuss what you or your child are hoping to get out of lessons and create a learning plan.
Looking for some easy jazz guitar songs to get you started? Jazz music can sound very complicated, at first. It requires a combination of skills like speed, precision, and endurance. There are many great jazz guitarists that can attest to that.
While advanced jazz can take quite a while to work up to, beginner jazz guitar songs aren't difficult or time-consuming to learn. In this article, we'll provide videos and tabs for seven jazz songs that any beginner can start learning today. Let's …