Bernalillo Performing Arts Classes

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Popular Performing Arts Teachers near Bernalillo

Check out some of our most popular teachers near Bernalillo including Albuquerque, Corrales, Rio Rancho, Placitas and Sandia Park.

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About Aleena W.

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Albuquerque, NM

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About Aleena
I've been teaching piano and art for 7 years and I've been associated with TakeLessons for 6 of those years in 2 different cities. I am able to travel during certain times and I also have studio and online availability. ***Although my training was in classical music, I currently compose and perform a variety of genres besides classical.

I get so much gratification teaching and music improves math and other cognitive skills. I'm an encouraging and flexible teacher because every student is different and requires their own focus and individualized lesson plan. My teaching style includes the classical method and basic to intermediate theory integrated with contemporary methods.

I also employ an enjoyable environment and open communication with parents/guardians and adult students.

****One of my students was a 16 years old virtuoso i
n classical guitar. He came to me because he never learned how to sight read. Within 6 months he was writing his own music and decided to change his specialty from guitar to piano.
*****Another one of my students was told he would never be able to "sight read" which is to read music from paper but he was reading music and within a few months he was writing it himself.

I look forward to helping you reach your goals! I encourage anyone who is interested in learning to begin lessons with the knowledge that they can eventually create any kind of art they desire.
I continue to perform and create which enables me to sharpen and maintain my skills.

I hope to have an opportunity to meet you soon and I encourage you to ask any questions you have!!!

*****I highly encourage scheduling only 30 minutes for children younger than 12 and beginners of other ages. Students are more likely to focus and enjoy their lessons when they are shorter in the beginning. They can always be extended later.
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Reviews
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Lisa July 26, 2017
· Drawing · In studio
Great listener and teaches the preferences requested. Very knowledgeable of different methods of drawing
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Sarah July 6, 2016
· Drawing · In home
My daughter had her first art lesson with Eleena today, and she was welcoming, knowledgeable, and inspiring. She's really looking forward to her future lessons!
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Sarah July 6, 2016
· Drawing · In home
My daughter had her first art lesson with Eleena today, and she was welcoming, knowledgeable, and inspiring. She's really looking forward to her future lessons!
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Aleena W.

Aleena W.

Albuquerque, NM 87111
(9)
starting at
$30 / 30-min

About Valyncia V.

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Fort Washington, MD

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About Valyncia
I believe everyone has the ability to sing … some better than others, of course, -- but regardless, I believe every voice can make a beautiful sound. I believe learning to sing requires team work: with the proper instruction and learning tools from me, the instructor, and with the dedication (practice, practice, practice) from you, the student, a well-rounded singer can emerge. If you can hear the proper note, I can help your vocal instrument play to its fullest abilities.

I began singing when I was five years old in church. I continued singing exclusively inspirational music until I was a teenager. At that time, in addition to the second soprano part I sang in a five-part harmony a Capella (without instrumental accompaniment) Gospel group, I also sang in a few bands (Rhythm and Blues, Jazz, and Rock). My undergraduate studies we
re completed at the American University, where I majored in Communications (B.A.), and minored in Music, voice being my instrument. During my undergraduate studies, I was recruited and performed as the lead female vocalist for a Rock band that a few fellow music students had formed. While in college, I was trained in classical voice, piano, music theory, musical theater performance, and vocal pedagogy (vocal training). My vocal pedagogy studies credentialed me to become a professional vocal instructor. I began teaching voice after I earned my degree, and have been teaching private voice lessons for over ten years.

Most of my present expertise in teaching voice grew from my vocal pedagogy studies, my teaching experience which has developed over time, my own personal vocal dedication, and my training and understanding of various genres of vocal performance. My present singing career is as an inspirational singer; my vocal students encompass various genres in which I have experience, including: Inspirational, Rhythm and Blues, Jazz, Rock, Classical, as well as various degrees of popular music.

*** Audition Preparation ***
I have coached many of my students to prepare for auditions: auditions to be accepted into performing arts schools, parts in musicals and plays, joining a band or vocal ensemble, as well as auditions for televised singing shows, such as "The Voice," "Sunday's Best," "American Idol" and "The X Factor."

*** Lesson Details ***
I teach students by using the tried and true techniques I have found to be successful, and allow the student to be my guide as to which direction to take with his or her vocal training. Whether the student is a novice, a professional, or somewhere in between, each student, after obtaining the basic singing knowledge and techniques, will have a vocal training schedule geared to his or her individual needs and development. Lessons are for the most part very casual in nature, and the student’s dedication (practice, practice, practice) will dictate whether or not the lessons become stricter. A few months into the vocal instruction, students will be given the opportunity to learn more about reading music and sight singing, if he or she so chooses, as well as vocal performance techniques for singing in front of an audience. Within one year, dedicated students may also have the opportunity to show off what they have learned, and perform in front of an audience at a recital with other vocal students. Please note that my preference is to work with teens age 13 through adults of any age. I believe that younger voices need more time to develop and stand to be damaged if too much stress is put on them too soon. However, exceptions for children under 13 may be made for gifted young singers.

*** Studio Equipment ***
Home studio- entry room of home, baby grand piano, seating area, dry erase board, mirrors
Music Studio- one recording studio, seating area, classroom

*** Travel Equipment ***
If needed, I provide a portable piano keyboard, microphone with amplifier, paper handouts of lessons, etc. The student needs to have paper to take notes and a writing instrument.

*** Specialties ***
Most of my voice lesson experience has been with adults, and contemporary popular and inspirational music.
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Reviews
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mildred July 24, 2017
· Singing · In studio
I really enjoy taking lesson with Valyncia, she is so
kind and very knowledgeable. I enjoy talking to her each visit. She is very patience with you and will work with you until you get it. I really enjoy spending my time with her on saturdays.
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Spencer April 10, 2017
· Singing · In studio
Got these lessons for my wife; excellent teacher and excellent improvement in my wife's singing ability
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Bri'on March 4, 2017
· Singing · In studio
Very professional, conveniently located, thoroughly analyzed first lesson. Looking forward to the next session.
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Valyncia V.

Valyncia V.

Online
(32)
starting at
$40 / 30-min

About Glenn W.

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Henderson, NV
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About Glenn
I have been active in the entertainment industry since the age of 12, when I gave my first professional performance. Prior to that I was already being introduced to music with years of guitar, and then vocal instruction. I do not remember a time of my life when I was not singing somewhere; in the house, in the yard, in the classroom. That is perhaps why I identify so well with the young people who gather so much enjoyment from "just singing" at every opportunity. I studied professionally for over 10 years with renown soprano and voice teacher Sylvia Jensen, who was instrumental in the enhancement of my vocal knowledge and technique. She is now the Director of Education for the Miss Ohio pageants of the Miss America competitions, elevating many young ladies to the national spotlight. At age 14, I auditioned for, and was added to cast of a
network television variety program, "The Gene Carroll Show", that was a television institution for over 30 years in the Midwest. I was a featured performer on that program for over 7 years, all the while perfecting the art of "playing to a camera." This experience was invaluable, and the knowledge I gathered is now included in my curriculum. I also began performing a solo act in the nightclub circuit at the age of 15, performing up and down the "north coast" from Cleveland, OH, (my home), to Erie. PA. At a very young age, I learned the difficult art of choosing musical material and pacing a show; also adapting to performing under a myriad of conditions with a vast array of musical accompaniment. After graduating college with a degree in Business Administration and Marketing, I assembled my own band, and took to the road. That experience eventually brought the act to Las Vegas in 1982. Over the years my show has been a staple in major casino cabarets in Las Vegas, and all over Nevada. Since my first engagement at The Landmark Hotel in the early 1980's, I have literally been up and down the famed Las Vegas Strip many times over. The Desert Inn, The Dunes, The Stardust, The Maxim, The Tropicana, New York New York, Mandalay Bay, MGM, Bally's, The Flamingo, The Imperial Palace, The Four Queens, The Golden Nugget, The Fremont, The Venetian, The Palazzo, and a three year engagement at The Riviera. My show is truly comprised of musical variety; classics, show tunes, jazz, rock, blues, r&b, country. Even a presentation of "Music of the Night" from Phantom of the Opera, that I perform in full costume. It is this ability to successfully deliver an extensive repertoire that I am enthusiastic about passing along to the next generation of entertainers.

I have been truly blessed in my career to have experienced so many highlights; too many to document. From winning an understudy roll in the Broadway Musical "Platinum" starring Hollywood actress Alexis Smith, to performing our National Anthem at events ranging from Major League Baseball to ESPN Boxing to receptions for major dignitaries, to recording 7 albums and a full-length video, to being asked to perform for Mr. Frank Sinatra at the Frank Sinatra Celebrity Golf Tournament, I have lived a full life on stage, learning and absorbing every bit of knowledge gathered along the way.
Now it is my desire to escalate my status as an educator to a more "one on one" experience; availing myself the opportunity to pass along that wealth of knowledge to individual students who aspire to enjoy the entertainment profession as I have, providing them with the skills needed to successfully compete. Or, should it be their choice not to pursue entertainment as a vocation, to gain a working understanding of all facets of their instrument so as to gain a better appreciation of music. Whatever the goal of the student, I feel that I am equipped to provide them with the tools needed to achieve that goal.

*** Lesson Details ***
Content of Sessions

Generally, the first 10-15 minutes of each lesson will be focused on vocal warm up and exercise. (For guitar students, we will review the previous
week's assignment). For Vocal Students, it is understood that the voice mechanism is made up of muscles, and as an athlete prepares for a sporting event, a singer must prepare to vocalize. It is at this time in our lesson when the student will develop good habits of voice maintenance, which will serve them well throughout their careers. The proper care and preservation of the vocal unit cannot be stressed enough, especially for pubescent and pre-pubescent students. Vocal chords in a developmental stage are most susceptible to damage, and because they are particularly sensitive, they must be handled with care. Our warm up regimen is designed to strengthen as well as preserve the singing voice.

I am not an advocate of getting too involved and "bogged down" in the technical aspects of singing, especially with the young students, and
especially early in our program. This is not to say that breath control, tonality, pitch, etc. are not vital to good singing, because these workings are ESSENTIAL, and their application will certainly be incorporated into our studies. Some instructors, on occasion, have a tendency to lose sight of the fact that much to do with singing happens "naturally", and too much focus on the "technical" can actually be inhibiting. This can alter a beautiful, natural tone into one that is unnatural and contrived.

I adhere to the philosophy that above all else, SINGERS WANT TO SING SONGS, and musicians-in-training want to play music. That is our focus, and all of our training is conceived with that objective in mind. All the technical knowledge and coaching serves no purpose without practical application. It is my belief that the most significant progress occurs when a vocalist is singing a song.

Nearly every element of instruction can be utilized in the performance of one song. This is why the majority of our session time will be spent "in song". For the very young student, we will concentrate our efforts with the students choices of favorite and familiar songs. The older students will undoubtedly have favorite songs, styles and artists. Special attention will be paid to the genre most enjoyed by the student, but diversity will be emphasized as well, and a variety of genres will be unpacked and explored. I believe that whatever a student's musical goals and aspirations, it is in their best interest to gain knowledge and insight in all facets of music, singing, and performance.

The most vital pre-requisite for any student is their enthusiasm. My ambition will be to harness that enthusiasm and channel it productively through stimulating instruction. Our sessions will be informative and educational, but always predicated upon "having fun with music".

I am proud to feature a curriculum that emphasizes the entertainment aspect of singing as well as the technical; created to benefit all ages and experience levels, from beginner to seasoned professional. After just weeks of my "Triple Threat Training" a student will begin to see astounding results: vocally, musically, and in the art of performance. I am excited to share my knowledge with you. Let's get started!

*** Studio Equipment ***
My studio is equipped with a full vocal sound system with microphones that I utilize to teach the valuable art of mic technique. Young students enjoy using the mics and hearing themselves sing and perform. Since our lessons are predicated on enjoying the art of singing, this opportunity has proven invaluable. For the advanced performer, studying all aspects of amplification and what a singer should know about their stage sound is a part of our educational curriculum. My studio is furnished with the equipment that is essential to mastering that knowledge.
Since the practical aspect of my course is based on singing songs, I provide all the latest technology required to allow my students the opportunity to sing the songs of their choosing, with and without the lead vocal tracks. I feel that when students are singing their favorite songs, it offers me the greatest teaching opportunities. I make certain the every musical genre can be represented, and feel I have the knowledge and ability to guide the student is whatever their musical tastes. My studio is also equipped with piano (for vocal exercises), and guitars, which gives me opportunity to accompany my students when the musical moment is appropriate. Be assured that all the technology I need to fulfill the educational needs of my students is but a step away!!
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Reviews
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George G. August 1, 2017
· Acting · In home
I was very pleased with Glenn and the help he gave myself and two other co-workers on the presentation we have to make this week at our conference. Glenn quickly picked up on what our outcome was and coached us in that direction. Many valuable tips and ideas for input was extremely helpful. Glenn also had a superb sense of humor and we shared plenty of laughs along the way also....highly recommend Glenn!
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Louise R. May 25, 2017
· Music Performance · In studio
Glenn has so much experience as a performer that he offers very practical suggestions!
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Alexandra November 17, 2016
· Acting · In studio
Very nice and friendly first impression
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Glenn W.

Glenn W.

Online
(66)
starting at
$35 / 30-min

About Dr. Daniel C.

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Chapel Hill, NC

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About Dr. Daniel
Baritone Daniel Collins has performed at Carnegie Hall and with the Metropolitan Opera chorus in New York City. He received his Bachelor of Music degree in Vocal Performance from the University of North Texas and earned both his Master of Music and Doctor of Music degrees in Vocal Performance from Florida State University. Dr. Collins was a finalist in the Dallas and El Paso Opera Guild Competitions, the NATS Singer of the Year Competition, and the NATSAA National Competition. He has performed in opera, concerts, and recitals throughout the United States and as a soloist at some of the most prestigious churches and synagogues in New York City and Washington, D.C. Dr. Collins was described by Tim Page with the Washington Post as a “funny, exuberant, and enormously likable” Papageno during Summer Opera Theater’s performance of The Magic Flu
te. The Post also celebrated him in Opera Theater of Northern Virginia’s The Barber of Seville as a “bright and bouncy” Figaro who delivered his lines with “aplomb.” He was a young artist in the studio programs of Portland Opera, Kentucky Opera, and El Paso Opera.

Dr. Collins has sung the roles of Sharpless in Madama Butterfly, Sid in Albert Herring, Figaro in The Marriage of Figaro and in The Barber of Seville, Papageno in Die Zauberflӧte, Belcore in L’elisir d’amore, Jupiter in Orphée aux enfers, Dr. Falke in Die Fledermaus, Bottom in A Midsummer Night’s Dream, Masetto in Don Giovanni, Schaunard in La Bohème, Clayton McAllister in Cold Sassy Tree, the Clock in L’Enfant et les Sortilèges, the Mandarin in Turandot, and Haushofmeister in the world premiere of Dorian Gray. Dr. Collins has had the pleasure of singing in the choruses of the Metropolitan Opera, Washington National Opera, and Fort Worth Opera. He has performed roles with the American Symphony Orchestra at Carnegie Hall, Kentucky Opera, El Paso Opera, Summer Opera Theater, Bel Cantanti Opera, Amarillo Opera, Crested Butte Opera, Portland Opera To Go, Opera Southwest, Opera Theater of Northern Virginia, Concert Royal, Ash Lawn Opera, Bay View Music Festival, and Seagle Music Colony.

Dr. Collins is currently on the voice faculty at the University of North Carolina at Chapel Hill and maintains a private voice studio at the National Opera Center in New York City where he teaches singers of all skill levels including those who perform on Broadway and at the Metropolitan Opera. He has a passion for vocal instruction and is dedicated to the success of each individual student. Dr. Collins keeps an active record of each student’s progress, vocal exercises, repertoire, performances, and personal goals. He is a member of the College Music Society, the American Guild of Musical Artists, the National Association of Teachers of Singing, Pi Kappa Lambda, and Opera America.
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Reviews
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Patrice O. August 4, 2017
· Singing · Online
Dr . Daniel is great in his field and very honest to talk to .
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Omar July 21, 2017
· Singing · In studio
Though my time as a student with Dr. Dan was short, it was very valuable. Even though the lessons were about singing, it helped me gain a general confidence in myself regarding posture, and using a loud voice. He has given a number of exercises to develop my breathing, vibrato, tone, and lower registers to use on my own. Dr. Dan is a great teacher who makes the atomsphere of the lessons very friendly and I would highly recommend him!
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Calaf S. July 8, 2017
· Opera Voice · Online
Dr. Dan coached me on singing breath-support, enabling me become more relaxed when hitting the notes at the high end of my range. His explanations on vocal placement are very clear and intuitive. I recommend him highly for anyone serious about learning to sing with high confidence.
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Dr. Daniel C.

Dr. Daniel C.

Online
(64)
starting at
$45 / 30-min

About Mariana W.

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Astoria, NY

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About Mariana
Hello! After earning my Bachelor of Music degree in Classical Voice from Hunter College in 2011, I have been working successfully as a singer, voice coach, and academic tutor. As a singer, over the past 8 years I have performed at professional theaters across the country, including Off-Broadway and at the world-renown Carnegie Hall. I specialize in musical theatre, but have a thorough classical technique, as well as strong pop/rock/belt training.

My teaching style is highly energetic, and engages the development of the student's self-esteem and enjoyment, but is also focused on a foundational technique and strong work-ethic. I am extraordinarily proud of the accomplishments many of my students have made, from achieving principal parts in their school productions, to even getting cast in Broadway shows. I am determined to help every on
e of my students reach their greatest potentials.

As a tutor, my approach is no different. Trained in the highly specialized and effective Lindamood-Bell programs, I have an intuitive grasp of children's needs and levels. I teach decoding, math, and reading comprehension, and nurture students' self-esteem and independence in their learning.

*** Lesson Details ***
I give lessons in 30, 45, and 60 minute increments. Each lesson will be personalized to the specific needs of the student.
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Reviews
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Cornel D. June 4, 2017
· Music Theory · In home
We practiced the new cadence for example of the deceptive cadence, the plagal cadence, and the phrygian. we learnt the basic root progression. a standard method of connecting triads with roots a fifth apart is to hold the common tone in the same voice and move all the other parts to the closest possible chord number. We learn about mediant triads s well.some ways using cadence that I can expand my harmonization practice is in general, when tempted to part write or analyze a chord in common-practice music as iii (in major), give the context further thought. i imagine with this knowledge it ill help me to compose a better harmonize song.
We practice together the scale degrees that are designated by Arabic numerals (1, 2, 3...), chor ds are similarly designated by Roman numerals (I, II, III). For example, in the key of C major the notes are C,D,E,F,G,A,B and we have designated them as 1,2,3,4,5,6,7. However, when we consider the triad chords in the key of C we have Cmaj, Dm, Em, Fmaj, Gmaj, Am, Bdim. These are designated I,II,III,IV,V,VI,VII. When speaking about these chords, for instance in the key of C major, we would call Gmaj the five chord, Dm the two chord,

Cornel's review of Mariana
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Cornel May 16, 2017
· Music Theory · In home
The easiest way to find an interval's name is to first, count all the pitch names present, including the notes themselves (ignore sharps and flats at this point). Then, find out (had it been missing a flat or sharp) what type of interval it would be, depending on whether it is perfect (a 1,4,5,8) or major (2,6,7). If there are no sharps or flats, you are done. If there are, figure out if the flat or sharp decreases or increases the distance between the two pitches. If it increases the distance, the interval is augmented. If it decreases the distance, and the interval would otherwise be perfect, it is diminished. If it decreases the distance and the interval would otherwise be major, it is min that is what I learnt
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Kristina September 10, 2015
· Singing · In studio
Mariana was great! Very professional and able to explain the techniques in a very clear way. When I began, I was very nervous and self-conscious. She was patient and kind and never made me feel embarrassed!

She really knows her stuff and technique. I'd been to a few voice teachers before and they were great singers, but they didn't seem to have to really KNOW the techniques behind singing. Mariana clearly is a wonderful singer and has great training in what she does.
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Mariana W.

Mariana W.

Online
(3)
starting at
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About Ollie L. J.

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Silver Spring, MD
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About Ollie L.
Professor of Communication & Theater with incredible experiences performing, producing, directing, and writing stage plays performed at the John F. Kennedy Center for the Performing Arts, Publick Playhouse, THEARC Theater, National Children's Museum and over 60 different stages annually. She is the President/Owner and Founder of Timeless Visual Works - the inspirational film, theater, and publishing company. She leads with Christian faith-based principles and extensive knowledge as well as experience training aspiring and professional performers.
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Linda September 9, 2016
· Acting · In studio
It was my daughter's first contact with professional acting.
She has been talking about being an actress for quite a while now, so we decided to let her take a few lessons to see if she likes it.
Ollie was really comprehensive of our needs and made us see the big picture of that world... just what we needed, to start walking into that direction on the right path.
My daughter had a wonderful time with Ollie.
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Kristyl N. March 3, 2016
· Acting · In studio
I booked 4 acting sessions with Ms. Ollie for my daughter. Ms. Ollie did a phenomenal job starting from scratch, coaching my daughter for her up coming audition. My daughter had no acting experience, she was shy, and soft spoken but in just 4 short days, Ms. Ollie turned her into a confident, outspoken young actress. My daughter nailed her audition thanks to Ollie!! I will highly recommend her as your acting coach.
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Leana T. January 13, 2016
· Film and TV Acting · Online
Great person to work with! Cheerful. Listens to what you have to say. Ready to help you improve.
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Ollie L. J.

Ollie L. J.

Online
(9)
starting at
$60 / 30-min

About Winslow Y.

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San Francisco, CA

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About Winslow
My focus is on you - helping you achieve your goals with the harmonica, whatever they may be. Whatever inspires you to pick up the harmonica, whoever you want to emulate, whatever style grabs you, I bring the background, deep knowledge, and teaching experience to enrich your understanding and grow your skills and ability to express yourself musically.

I'm a harmonica specialist, known internationally as a player and teacher. I'm the author of the books Harmonica For Dummies and Blues Harmonica For Dummies. I can teach all styles, all levels of expertise and all types of harmonica.
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Andrew July 22, 2017
· Harmonica · Online
Great first lesson- Winslow is easy to talk to and very knowledgeable. He is very good at explaining and demonstrating technique in a clear way. Thanks again!
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Philip E. November 11, 2016
· Harmonica · Online
Winslow is very knowledgeable and an excellent teacher.
He's very passionate about the harmonica, which makes for a great learning experience. I look forward to future lessons.
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Bob S. August 5, 2016
· Harmonica · In studio
My first lesson went very well and was just as I had hoped.
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Winslow Y.

Winslow Y.

Online
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starting at
$30 / 30-min

About Jessica O.

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Albuquerque, NM
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About Jessica
Trained at Italia Conti, London. Currently coaching at Talent Development USA. Theatre: Diva/ Shirley in Priscilla QOD, Shirley in Shirley Valentine, Audrey in Little Shop of Horrors. Film/TV: Manhattan, Better Call Saul, The Messengers, The Amateur, The Man-App & Mickey.

Testomonials:
“I was kind of in rut until I found your class… learned new things…You are a great teacher…” ~ Nick Lopez
“What I enjoy most about your classes is the feeling of myself resurfacing...going back to basics is refreshing and valued” ~ Tiffany Neeley
“If you’ve taken classes before or are a beginner... these classes...are a must! ~ Laramie Cooley
"Wow! what a difference. Never had a teacher/coach break it down as much as you did for me. Surprised myself” ~ Bob Ross
“It was really amazing for me. I had a lot of new discoveries in my work… I love your c
lass so much.” ~ Shahana Rajan
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Ashleigh M. November 11, 2016
· Singing · In home
Was super willing to rearrange her schedule to accommodate an "in-house" lesson, though she was expecting an online lesson. My daughter felt very comfortable with Jessica, and is looking forward to more lessons.
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Chandni S. September 10, 2016
· Acting · Online
My daughter has been working with Jessica for almost 6 months and she is awesome. Jessica is very talented and makes learning acting and vocal training fun. She is well in tuned to what is needed in the entertainment industry and will coach you well accordingly and otherwise. Love her accent!
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Jordan M. September 10, 2016
· Vocal Training · Online
Jessica is very professional. She works well with kids. She has done both kids acting and vocal training with us. My daughter has improved in her diction and performance of monologues greatly after working with Jessica. My daughter gets many compliments after watching her presentation.
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Jessica O.

Jessica O.

Albuquerque, NM 87102
(4)
starting at
$30 / 30-min

About Ryan S.

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New York, NY
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About Ryan
My name is Ryan and I am currently a working actor and teaching artist. My background includes Shakespeare, Modern Text, Movement for Actors, and Spoken Word. I was trained at Howard University in Washington D.C (one of the premiere training schools in America) as well as CAP21 Conservatory in New York, NY and the British American Drama Academy in Oxfordshire, Oxford.
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Reviews
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Cynquel April 10, 2017
· Acting · In studio
Ryan isn't simply an acting coach, he's a scholar. After working with him for several years it eveident to me that he has studied the craft of acting. His coaching has helped me to step out of my comfort zone and taught me how to create character physically and vocally. He then pushes me to fully transform into the character. I will continue to work with him so I can continue to grown as an actor.
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Barry M. April 8, 2017
· Acting · Online
Wonderful teacher and actor. He has a way of deeply understanding you intuitively. THE BEST OF THE BEST.
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Ryan S.

Ryan S.

Online
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starting at
$34 / 30-min

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Whether you’re the parent of a budding actor, or a drama enthusiast hoping to ignite a stage spark in your child, there are plenty of cool acting games you can play at home! Acting games are used in many top drama classes and workshops because they’re really handy for developing key acting and performance skills in a fun way. Another cool thing about acting games is that they cost nothing but time and creativity, yet yield educational and personal development as well as hours of precious family … Read More

6 Kids' Acting Games to Play With Your Budding Actor
Whether you’re the parent of a budding actor, or a drama enthusiast hoping to ignite a stage spark in your child, there are plenty of cool acting games you can play at home! Acting games are used in many top drama classes and workshops because they’re really handy for developing key acting and performance skills in a fun way. Another cool thing about acting games is that they cost nothing but time and creativity, yet yield educational and personal development as well as hours of precious family
7 Qualities to Look for in the Perfect Ballroom Dance Partner
Whether you're a veteran dancer or you're just beginning to learn ballroom dancing, every dancer needs a partner. If you haven't already found your perfect partner, keep your eyes peeled for these seven winning characteristics. 1. They've Got Smooth Moves Your perfect partner doesn't have be Fred Astaire or Ginger Rogers, but they should know how to ballroom dance well. Ideally, you and your partner should be dancing at about the same skill level. The best dancers tend to be the most s
Introduction to Voice Acting: Books & Resources to Check Out
When it comes to the performing arts, voice acting attracts some of the most fiercely dedicated enthusiasts, despite the relative anonymity compared to acting on stage or on screen. In the old days, radio dramas were the most common inspiration for aspiring voice actors. Today, it’s animation. The key component of voice acting, even more than secrecy and seclusion, is versatility. An in-demand voice actor may be called upon to provide the pipes for a cartoon rabbit in a kid's show on Friday, a
This Fun Activity Helps Your Child Learn Languages
Did you know that participating in performing arts can help your child learn a new language? In this article, Mariella Gambardella from eSpectacularKids.com shows you how theater and language-learning go hand in hand...   When I moved to Spain with my family, neither my husband nor I spoke a word of Spanish. Our one-year-old daughter had not been exposed to the language yet either. Having lived in a few countries before, though, we were very aware of the importance of learning the
Contemporary Dance for Beginners: What Do You Need to Know?
Contemporary dance. You’ve probably seen it on famous dance television shows like So You Think You Can Dance or Dancing with the Stars, but do you actually know what contemporary dance is? With roots in several different styles of dance, like ballet, hip hop, and modern dance, contemporary dance emerged in the mid-1900s and quickly became one of the most popular dance styles in the Western world.  If you are interested in any kind of dance, studying contemporary dance for beginners is a great wa

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