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Waldwick, NJ Violin Lessons

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Popular Violin Teachers near Waldwick, NJ

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About Antoinette A.

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New York, NY
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Whether your interest is classical music, fiddle or contemporary, you can be sure you will start your journey off right. First you will learn the basics, which apply to all types of violin playing, and then you can specialize in any genre you wish after that.

You will gradiently learn everything you need to know, becoming skilled at each new task, and never being overwhelmed by an avalanche of unimportant information. My goals for you are based upon three things:

1. Working towards your goals
2. Increasing your strengths
3. Strengthening your weaknesses.

Everybody has weaknesses and I work to improve yours with both education and practice (You can only learn how to practice something correctly if you know how to do it correctly, or fix what is wrong with it.)

Expect to play the violin on your first day, play a song within the first few weeks, and get to an intermediate level in about one year - of course, depending on how much you practice.

About Antoinette
Finding an schooled violinist and finding a good violin teacher are two very different things. When I see other teacher's profiles, they boast of the years of training they had. Anyone can learn and play, but it takes a love of teaching to really make a difference in someone's life.

PATIENCE
When you have a love of teaching, you have a seemingly endless resource of patience. This is because what the student sees as "patient" is really just a small step in the educational process. It is a fraction of time just before a correction. When you have something new to teach, whether it is a new technique, or a correction of something being done improperly, and you know exactly how to break it down so it is understandable and accomplishable, you know it is always a short matter of time before the student gets it. And by short, I mean a matter
of seconds, or minutes.

FRIENDLINESS
I respect others and what they feel and have to say. I treat others as I would want to be treated and lessons are always a pleasure to my students, because it is a pleasure for me to teach them.

EXPERIENCE
I have been playing for over 26 years. I have played with a multitude of local orchestras and bands and have done countless studio recording sessions and live shows. All of this experience comes through in my teaching either directly (when it comes time for you to perform) or incrementally.

When you are learning, there is a vast sea of information. Not all of that knowledge is equal in importance. It is incredibly important to be able to distinguish what is important and what is not very important. All of my real-life experience, and continuing experience reveals itself in the form of ensuring my students know what is truly important.

Lest you get the idea that I am a wishy-washy, undemanding teacher, I can assure you this is not the case. Lessons are fun, but that is because they are productive. You will walk away being able to do something, and that requires hard work, and practice.

WHAT I EXPECT FROM MY STUDENTS
Practice.
Practice.
Practice.
And a winning attitude.

I can even work with you if you don't have a winning attitude, but it makes it more fun when you do!

HOW FAST CAN I EXPECT RESULTS?
Some students who were musicians previously leave the first lesson being able to play their first song. Most students however, who have never played an instrument before, can expect to be comfortable bowing (a huge part of the process - half the sound!) within the first few weeks, and will then move on to learning songs. We will be learning sheet music as well, on a very, very easy gradient. After the first couple months, I expect you to tell me which song it is you might like to learn most so that we can start working on it.

RENTALS
I rent out violins of all sizes.
I sell the book that I teach out of (or you can obtain it online or from Sam Ash).

If you have any questions, I am happy to answer them. You can use the contact button on this website and I will gladly answer you in return.
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Reviews
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Jennifer July 10, 2017
· Violin · In home
Antoinette is, by far, the best music instructor that I have ever hired. Music has always been a part of my life. As a child, I took piano lessons for years and continued on and off through college. As a complete novice to the violin, I was nervous to begin such a challenging instrument as an adult hobby. Antoinette is encouraging, intelligent and incredibly skilled. Her calm demeanor and patience is vital to one's success. She focuses on the building blocks to a successful technique with ease. I am incredibly grateful to Antoinette for reminding me of how enjoyable music can be. I look forward to our weekly sessions around my busy work schedule. Her location is conveniently located within walking distance from the subway in NYC.
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Tonia May 29, 2017
· Fiddle · In studio
I took violin lessons for a year with an instructor I found through a different organization (not TakeLessons)--and I learned more in one hour with Antoinette than I learned in 30 lessons with that other teacher. In just one lesson, I can see that Antoinette is friendly, smart, encouraging, knows her stuff--and knows how to teach (which not every good player can do). I'm an adult, but I bet she'd be just as great with a student of any age.
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Donna February 16, 2017
· Violin · In studio
Antoinette was patient and effective during my first lesson. As an adult, having never taken a violin lesson in my life, I was nervous. But Antoinette has confidence in me and I am looking forward to more lessons with her!
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Antoinette A.

Antoinette A.

New York, NY 10036
(20)
starting at
$45 / 30-min

About Michael P.

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Brooklyn, NY
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For my beginning violin students, I have found the Essential Elements Series to be highly effective, as well as the Suzuki methodology. All lessons will typically start with scales/arpeggios and be followed with the selected piece(s) we have chosen together. All of my students will attest that I set clear and high expectations for every lesson, yet am very understanding, friendly and approachable right from the start. My goal is to provide every individual with the tools necessary for becoming a well-rounded musician, so that they too can share their love for music with others.

About Michael
Beginning his cello instruction at the age of 8, Michael spent the majority of his early years under the guidance of Nancy Hambleton-Torrente, current director of music for the Yorktown public school districts in Westchester county. During his undergraduate years, he attended Colgate University where he received a B.A. in both Music and Psychology. While at Colgate, Michael had the privilege of studying with cellist Florent Renard-Payen, founder and director of the esteemed Tarob Cello Ensemble. Upon graduation, Michael continued his studies at Montclair State University where he received an Artist Diploma in performance. Under the guidance of Nicholas Tzavaras of the Shanghai String Quartet, Michael performed two solo recitals for the John J. Cali School of Music before further pursuing his studies in the studio of Marc T. Johnson of the
Vermeer Quartet. From 2012 to 2014, Michael served as principal cellist of the Symphony Orchestra at Hunter College while concurrently earning a Masters degree in Music Education. He graduated with summa cum laude honors in 2014 and began his teaching career with the New York City Department of Education later that year.

At present, Michael is director of Orchestral activities at P.S. 205 Clarion in Brooklyn N.Y. and principal cellist of the Riverside Orchestra on the upper west side of Manhattan. He runs a full private teaching studio and actively gigs in and around the greater New York City area. He has also played in numerous master classes for world renowned cellists such as Lynn Harrell and Andres Diaz, and has had the privilege of working with esteemed conductors such as Marietta Cheng of the Southern Finger Lakes Orchestra, Paul Hostetter, Chair of Orchestral Activities for the Schwob School of Music, and Rueben Blundell, current Conductor and Music Director of the Lansdowne Symphony Orchestra, the Hunter Symphony and the Riverside Orchestra.

While Michael does enjoy a busy academic and teaching schedule, he believes that part of the joy of being a working musician is having the ability to share his love of music with others, something he feels both honored and privileged to be able to do.

*** Lesson Details ***
My teaching philosophy is one that tailors to the specific needs, interests and abilities of each individual. Throughout my years of private instruction, I have learned that no two individuals learn and/or think the same way. Thus, for some students I have found the Suzuki method to be highly effective, while for others I have been more comprehensive with my instruction, incorporated scales, etudes, sonatas, concerti and Bach suites for a more well rounded approach. Regardless of the methodology employed, all of my students will attest that I set clear and high expectations for every lesson, yet am very understanding, friendly and approachable right from the start. My goal is to provide every individual with the tools necessary for becoming a well-rounded musician, so that they too can share their love for music with others.

*** Studio Equipment ***
Two music stands and chairs.

*** Specialties ***
While I do specialize in classical instruction, I am able to instruct students in a variety of genres, including Jazz, Pop, and alternative rock. In addition, I tend to tailor my lessons to the needs of my students. If they are more comfortable learning by rote, then this is how I tend to instruct. My lessons are loosely structured by beginning with scales, moving on to etudes, then finishing with Bach suites, a sonata and/or a concerto.
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Ke C. August 28, 2016
· Cello · In home
I had a great class with Michael. He is extremely experienced in teaching and he has a very focused teaching strategy. Definitely take his class if you are interested in cello.
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Yemi A. August 12, 2016
· Cello · In studio
I have been taking lessons with Michael for over a year now. I've taken lessons before with other instructors (though not in cello). Michael is one of the best instructors that I have ever had. He instructs and challenges you to get better, while at the same time being patient with your development. It has been a pleasure being a student of Michael.
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Marlynn W. May 3, 2016
· Cello · In studio
Beginner nerves vanished immediately. Michael is very disarming. Very encouraging. Very happy with him.
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Michael P.

Michael P.

Brooklyn, NY 11209
(8)
starting at
$40 / 30-min

About Pedro V.

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New York, NY
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About Pedro
I am comfortable teaching all types of students: young beginners, general music-lovers, and conservatory-bound students.

I'm assistant principal violist in Brooklyn's main orchestra: The Metro Chamber Orchestra. I also have a variety of freelance projects (like playing my homeland's tango with the Astoria Tango Orchestra).

I've been teaching and conducting at The Washington Heights Community Conservatory of Fine Arts for the part 7 years. I also teach privately out of a studio near Union Square/Gramercy.

*** Lesson Details ***

Kids:
I tend to be emphasize structured practice. I generally like to have students perform in some way (whether it's a real test, mock test, or a school recital) so that they have goals to practice for throughout the semester.

I also think it's crucial for musicians to be critical thinkers as wel
l, so from time to time I will challenge kids with side assignments that may be relevant to opening their mind on the subject.

Most of the time, if at least one of the parents has an active involvement in supporting the lessons then the progress of students is very strong (like emphasizing key points in the week, or just having open dialogue with kids about the process). It is by no means necessary, but it can help a lot.

****
Adults:
Often adult beginners are curious as to what the learning curve is. Generally, by the 3rd or 4th month of study all the basic elements start falling in. But although the beginning requires patience, I find a key to making it work is finding how to enjoy the small things in practice... which will later construct a beautiful sound.

I keep a sense of humor while teaching and performing (always when and if appropriate), but I am also very serious about getting students to their best potential. This means that for every student I adapt the approach to best suit their needs.

I keep organized lesson plans as a general rule, but some students work better without them, so I adjust in those cases.
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Reviews
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Franklin L. January 3, 2017
· Violin · In studio
He is superb!
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Robert October 29, 2016
· Violin · In home
Pedro is an excellent teacher. He's able to blend the technical aspects of playing with the artistry of the instrument. I've already learned a great deal from him in only five lessons.
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CharlesB December 21, 2011
· ·
Versatile Instructor for All Ages

I'm an adult student, but you can feel a comfort and relaxed atmosphere in the immediate presence of Pedro. This is such an important factor in learning an instrument. This feeling would serve to greatly help and child right on through adult learning. Good Job!
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Pedro V.

Pedro V.

New York, NY 10003
(6)
starting at
$40 / 30-min

About Penny H.

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Westbury, NY
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About Penny
Born in Cebu City, Philippines in 1990, raised primarily in Phnom Penh, Cambodia and other Southeast Asian countries, and pursuing further education in the United States of America, Hopengrace ("Penny") is a Global Nomad currently situated in the Greater New York City Area.

She started taking music lessons from her mother at the age of four and learned to read music at the same time she started to read storybooks. ​From the age of ten, Hopengrace took violin lessons, during her parents' rare furloughs, from Mr. Frederico Regner, a World War II veteran returned from the United States. While in the Philippines for a combined year of junior and senior level high school, she took violin lessons from Mr. Marc Hamlet Mercado and Mr. Rodelio Flores. Hopengrace has also taken coaching from Ms. Princess Christine Ybañez to prepare for competit
ion in the Solo String (Bowed) category of the 14th National Student Convention in which she won 2nd Place.

In 2007, Hopengrace received a Presidential Scholarship from Tennessee Temple University (TTU). There she studied violin under Mrs. Laura Minor (B.Mus. Vanderbilt University, MA Music NYU). She also took piano from Mrs. Carolyn Kemp​ (BS Mus.Ed. Baptist Bible College, MA Mu. Ed. University of Tennessee at Chattanooga) and voice from Dr. William Knowles and Mr. Michael Mays (BS Mus. Perf. University of Tennessee at Chattanooga, MA Church Music Southwestern Baptist Theological Seminary).

In 2008, as a member of TTU's Weigle Concert Choir, Hopengrace had the privilege to be chosen to sing with a combined choir in Carnegie Hall's Stern Auditorium with the Manhattan Chamber Orchestra under the baton of Dr. David Thye, Principal Conductor-in-Residence of MidAmerica Productions. She became a member of the Chattanooga Symphony and Opera Youth Orchestra (CSOYO) ​in the fall of that year and continued performing with them for three seasons. She also participated in the special orchestra for the annual Chattanooga Boys' Choir "Singing Christmas Tree" concerts at the Tivoli Theatre. In 2010, world-renowned violinist Midori chose CSOYO as one of two youth orchestras for her annual Orchestra Residencies Program, and Hopengrace had the rare opportunity to perform with one of her inspirations in concert.

Hopengrace​ became a registered Suzuki Method Violin Teacher with the Suzuki Association of the Americas on July 2011. She has also trained in Orff-Schulwerk.

During her travels around the world, Hopengrace struggled to keep her art alive. However, she has often been complemented for her distinctive strong, full-bodied tone​ and adaptability. Her range varies from Baroque to Modern. She plays on a John Cheng 1737 "King Joseph" Guarneri model violin with both wood and carbon fiber bows.

​Hopengrace welcomes students and employment while she prepares for entrance in a Master of Music in Performance program. She hopes to start on that new chapter of her life in the fall of 2013. Inspired by the impact of Venezuela's El Sistema program and her own experiences during her travels, Hopengrace hopes to use her talents to enable or build similar programs both while she teaches and in the lands where she was raised. ​

*** Lesson Details ***
TEACHING PHILOSOPHY
“Play with heart. Play with living soul.”
— Dr. Shinichi Suzuki
As a teacher, my goal is to instruct as well as inspire each student to reach for his or her highest potential. I hope to give each student the tools to progress so that one day they can be their own best teacher, and play with a sound and style that is uniquely their own. Most importantly, I hope to instill a desire to learn and a mindset that the art of violin playing is fun and that it is just as we call it--playing. My teaching abilities range from beginning through advanced levels. Students must have a desire to learn and commit to daily (mindful) practice.

I am a Suzuki Violin teacher. This means that I am trained to work with even the youngest of musicians in a nurturing , fun and challenging way. Dr. Suzuki believed that it was important to develop a noble character in all children through the mastery of a musical instrument. He also believed that all children were capable of this mastery if the environment is saturated with music and love. My students enjoy playing the violin because they are given the tools they need to play beautifully and to make progress on their instrument. Each lesson will focus on proper set up and posture, technical work and musical direction/ideas that will inspire them to carry on their work throughout the week. I demonstrate quite a bit in the lessons, as I find it is the most effective way to communicate in music. However, I am only with the student once a week, therefore much of the lesson is geared towards helping the parent and child understand what his/her home tasks are, and how to carry them out successfully. 10 minutes of mindful practice is worth an hour of careless work.
“There is no born genius. Education is the way to develop ability.”
— Dr. Shinichi Suzuki
​Parental support and involvement is key to any child’s progress, especially at the beginning stages. Parents of young beginners are encouraged to take a few lessons before starting their child on the instrument. Parents serve as a practice coach/partner during daily home practice sessions and are required to attend and participate in their child’s lessons. Listening to recordings and attending live concerts are strongly recommended to increase musical awareness and enthusiasm in the student.

In spite of my rigorous Suzuki training, my unorthodox learning experience has taught me the value of being flexible and using methods that work best for a specific individual. I am not averse to seeking and applying a new method (eg. traditional, Masterclass, O'Connor, etc.) if the situation calls for it.

What should be expected from a Teacher/Student relationship?

I think a student should expect their teacher to give them honest, thoughtful feedback. Just enough that they can manage the information at that time. The teacher should give detailed instruction on ways the student can improve, without destroying the students sense of self worth or spirit. On the contrary, the teacher must always find a way to see the student as having great potential. This way, no matter how limited the current level of ability may be, there is hope for growth. Even without saying it, the student will feel the teachers' attitude towards him and may become that person (for better or for worse). The student should expect to be challenged, encouraged and inspired by their teacher. The teacher should expect that the student and the parents commit to daily practice, and have a desire to improve. The student must apply his/her teacher's feedback while always searching within himself for ways to develop. Mutual respect is key.

*** Studio Equipment ***
living room, baby grand piano, couch, two chairs, residential area, street parking

*** Travel Equipment ***
My own violin, music stand, and teaching books. I expect my students to provide their own instruments, music stand, and student books.

*** Specialties ***
Suzuki, Orff-Schulwerk, classical, film, fiddle, world music, new age, popular, contemporary classical
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Penny H.

Penny H.

Westbury, NY 11590
starting at
$40 / 30-min

About Benjamin H.

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Caldwell, NJ
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Hi, I'm Benjamin! Thank you for viewing my profile page. I am a professional violinist and violist with a Bachelor's and Master's Degree in performance from the Manhattan School of Music. I am Suzuki Registered and State Certified in both New Jersey and New York to teach in public schools grades K- 12. I have over 20 years of experience in the music industry. Whether you're a beginner looking to explore something new or an advanced player looking to prepare for an audition, I am happy to help!

About Benjamin
An active teacher, as well as performer, Mr. Hellman has been teaching violin and viola since 2004. He has taught students of all ages and experience levels. He currently teaches violin at the Lindeblad School of Music in Pine Brook, New Jersey.
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Robert C. May 25, 2017
· Violin · In studio
Ben is such a nice guy patient with my son (15) he comes home proud of what he learned after each lesson!!
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Tommy N. November 30, 2016
· Violin · In studio
Benjamin is very good teacher, he has a lot of patience
teaching 71 years old person
and Yes Very nice person
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Benjamin H.

Benjamin H.

Caldwell, NJ 07006
(2)
starting at
$50 / 30-min
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About Monica B.

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New York, NY

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An organized, clear approach applicable to all levels. Develop a strong technical foundation, learn how to avoid injuries and tension while playing, create a beautiful sound and express yourself through music. Teaching tailored to your level and needs - learn repertoire and a variety of styles.

About Monica
Monica B., hailed as an “excellent violinist” by the Washington Post, performs extensively in chamber music, orchestral and solo settings. Monica has studied and worked both in the United States and Europe. A graduate of the Eastman School of Music and the Conservatoire de Geneve, she has held positions with L'Orchestre de la Suisse Romande in Geneva, Switzerland, and the Esbjerg Ensemble-the national chamber ensemble in Denmark. She is presently coaching and performing at Siena Summer Music in Siena, Italy, and has performed as soloist with orchestras in Scandinavia, Central Europe, and the New York region. Her recordings are under the Philips and Albany labels.
Monica is the founder of the Manhattan chamber music series “Concerts in the Heights”. This series brings together world-class musicians for performances and educational proje
cts. She is also a founder and Artistic Director of the conductor-less String Orchestra of New York City- SONYC.
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Monica B.

Monica B.

New York, NY 10034
starting at
$50 / 30-min

About Melissa F.

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New York, NY
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I've been playing violin for 20 years now, & I've been teaching music to children & adults at schools & privately for 5 years. Everyone has a different learning style, & I pride myself on being able to teach many different personalities & students. More than anything, I believe learning should be fun & bring you joy! So to that end, I work to make sure my students have a great time learning, & walk away with new information & skills every lesson. I'd be happy to help you on your musical journey!

About Melissa
Hello! I'm Melissa Folzenlogen, a New York City musician with 20 years of musical education, training & experience. I've studied at Hunter College, Mannes, Manhattan School of Music, ISO, & Fiorello H. Laguardia High School. Throughout my years in New York, I've been fortunate enough to play Lincoln Center, Carnegie Hall, The Westin, & many other private events and recital halls. I work with students of all ages & musical styles, & have been taught & can teach the Suzuki Method, as well as music theory, ear training, & vocal coaching, all comfortably and at your own pace in a style that works for you! As a vocalist, I've performed my own music at venues all around the city, such as David Geffen Hall and Highline Ballroom, & have lots of experience recording both violin and vocals for projects of all genres.
Whatever you need, I'll do m
y best to accommodate you.

Nice to meet you!
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Jennifer April 21, 2017
· Violin · In home
I enjoy learning from Melissa, she is very patient with a warm personality. She always has great techniques to teach me. I feel like I'm learning and making progress with her instructions.
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Celine N. February 21, 2017
· Violin · In home
From start to end my daughter felt comfortable and that's because the instructor set the stage.
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Giorgos P. January 6, 2017
· Violin · In home
Great teacher, patient, always encouraging in a very positive and friendly way
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Melissa F.

Melissa F.

New York, NY 10036
(5)
starting at
$35 / 30-min

About Xavier R.

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Elmont, NY
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NYS Certified Music Teacher. Public school teacher (Elementary)on Long Island since 2002. Excited to work with new students and students desiring to learn more and do more with their instrument!

About Xavier
Music education is my passion. Currently a certified New York State N-12 music teacher, teaching instrumental music in a school district on Long Island. I have been playing piano since I was 5 years old and performed a pair of recitals at Carnegie Hall and other fine performance halls. In addition to the piano I play multiple instruments and teach several such as the cello, violin, trumpet, clarinet and saxophone. Learning to play an instrument and make music can be challenging but it is wonderful experience! I look forward in teaching you.
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Xavier R.

Xavier R.

Elmont, NY 11003
starting at
$40 / 30-min

About Eunice P.

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Wayne, NJ
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I mentor my students with passion, love, and vigor and accept all students ranging from beginners to advanced students. My only requirement is that the student be hardworking in order to meet my standards. I have been a classical musician for 10 years and will ensure that my students are improving at a quick and steady pace and that they too will be successful.

About Eunice
Born and raised in America, Korean-American violinist Eunice has been a classical musician for 10 years. She has a deep-rooted passion for teaching serious students and teaches with promise, diligence, and love. Although she is currently a high school student, she is also a senior at the Manhattan School of Music Pre-college division, and has studied under several renown professors, including (but are not limited to) Xiao Wang (Queen Elisabeth Competition finalist and Curtis graduate), and Elizabeth Chang (Juilliard pre-college professor).

Eunice is willing to put extra time and effort to ensure her students their quick and steady improvement and nurture her students to the best of her abilities in order to help them succeed. She has created many recordings and won several awards, including the New York International Competition of YW
CA, American Protege Competition, the NJIO Concerto Competition, the NJMTA Young Musician Competition, and a couple community service awards.

Since age 12 she has performed in many different summer festivals, including the Saarburg Music Festival in Germany, Green Mountain Chamber Music Festival, and the Manhattan in the Mountains intensive summer camp, and made her official debut on stages including Merkin Hall and Carnegie Hall. Although Eunice is currently a student, she never fails to teach with vigor and a good heart. "If the student is a hard worker," she explains. "Then I will naturally be twice as hardworking. I'm that crazy teacher that will phone her student at 6am to make sure he or she is practicing." Eunice accepts beginner students through advanced students. Please contact her for further concerns or inquiries.
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Grace August 20, 2017
· ·
Ms. Park is very talented and a great teacher to my kid. Cannot wait for what lies in store. Highly recommend.
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Eunice P.

Eunice P.

Wayne, NJ 07470
(1)
starting at
$67 / 60-min

About Larry M.

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Teaneck, NJ

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Larry teaches students of all ages and skill levels on violin technique, repertoire, and musicality. He is based in Teaneck, NJ and teaches students in his studio in North Jersey or any location via the internet. Larry works hard to foster the creative spirit in his students while simultaneously providing solid technical and classical training on the violin. Students love Larry's positive attitude and his commitment to music as a means of personal growth and self expression. An accomplished educator, chamber musician and violinist, Larry offers a simple and straight-forward perspective on the violin that is sure to inspire. Skilled at adapting the violin to his great love of American Standards and other popular genres, Larry introduces students to the innovative and exciting roles that the violin can play in contemporary music. Larry also strives to bring the world's great music to all through is work as founding member of the Iceni Ensemble.
Whether you have never picked up a ...

About Larry
Having started my study of violin at age eight and continuing on to a bachelor's degree in music education from West Virginia University and a Master's degree in violin from Columbia University, I have spent my career bringing the joy of music and performance to students both young and old. A teacher of violin for 28 years in Teaneck Public Schools, as president of the North Jersey Philharmonic, the Art Center Chamber Music Concerts and now as founding member of the Iceni Ensemble I continue to work at sharing my parent's great love of music that they shared with me with students of a new generation. I strive to pass on the same joy and love of the violin, of friends made, of the wife I met, through music and performance of my instrument.
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Larry M.

Larry M.

Teaneck, NJ 07666
starting at
$40 / 30-min

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Expert Tips: How to Play the Violin with Accompaniment

Playing the violin with accompaniment can be difficult, as it requires different skills. Below, violin teacher Julie P. shares some expert tips on how to play the violin with accompaniment... If you want to play the violin with an accompaniment, you might find that there are a few new skills you need to develop. When you play the violin by yourself there’s no one you need to coordinate with for tempo, dynamics, and rhythm. But as soon as you add someone else to the mix, things can star … Read More

Expert Tips: How to Play the Violin with Accompaniment
Playing the violin with accompaniment can be difficult, as it requires different skills. Below, violin teacher Julie P. shares some expert tips on how to play the violin with accompaniment... If you want to play the violin with an accompaniment, you might find that there are a few new skills you need to develop. When you play the violin by yourself there’s no one you need to coordinate with for tempo, dynamics, and rhythm. But as soon as you add someone else to the mix, things can star
How Long Does It Take To Learn Violin? [Infographic]
If you're interested in violin lessons or you're just starting to play, you're probably wondering how long does it take to learn violin? Brooklyn, NY music instructor Julie P. is here to help you answer that question... A common question for violin students is how long does it take to learn violin? The truth is, everyone learns at a different speed, so there’s no way to tell you exactly how long it will take you to learn how to play the violin. Of course, your learning speed also depends
Guide to Playing the Violin: Where Should I Start?
Playing an instrument is something many people long to be able to do well. Music sooths the soul, and there is just something inspiring about being able to play songs on your own! If you’re ready to get started, then here are some tips for playing the violin:  Getting a Violin First things first: you’ll need an instrument! Think about whether renting or buying a violin is a better option for you, as well as if you’ll need a professional or student violin. If you’re in it for the long haul,
5 Easy Tips for Maintaining a Healthy Violin
Are you taking proper care of your violin? Below, violin teacher Ruth V. shares some tips on how to maintain a healthy violin… Learning how to properly care for your violin is important for many different reasons. First, it ensures you get the best sound when playing the violin. More importantly, it helps protect your investment. Violins are expensive, and the last thing you want to do is carelessly tarnish your instrument by not taking care of it. Below are five tips that will help
Are You Making These 5 Common Violin Mistakes When Practicing?
Do you want to get more out of your violin practice? Below, violin teacher Montserrat P. shares some common violin mistakes students often make when practicing and how to fix them... You don’t think Lindsey Stirling or Jascha Heifetz got to where they are without practicing the violin, right? In order to prefect your violin skills and progress further, you must frequently practice. After all, practice does make perfect. Unfortunately, many students don’t know how to properly practice o

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