Picture of acting lessons in Tenafly, NJ

Tenafly, NJ Acting Lessons

Looking for private in-home or in-studio Acting classes? Our Tenafly teachers are ready to get you started. Find your teacher today!

Featured On

Why TakeLessons?

Our teachers have taught

2 , 1 0 0 , 6 8 5

lessons and counting!

Popular Acting Teachers near Tenafly, NJ

Check out some of our most popular teachers near Tenafly, NJ including Bergenfield, Englewood, Cresskill, Demarest and Englewood Cliffs.

Showing 10 of 183 results View More

About Gina B.

Close
282926_x6mg7lnr3n2x7ng5bpyk
New York, NY

View Full Profile

Boleslavsky and Strasburg techniques combined with British Classical School. -as the result of my own training. We begin with training of the body for the ability to be relaxed and ready for anything, working in a chair in the Lee Strasburg system, releasing tensions and assessing the difference and working week by week on the sense memory exercises to build up the strength of imagination and elemental response and creativity. We also work with theatre games as well as analytical techniques.

About Gina
As of May 10th, I am in New York City. I will be accepting new students for the summer months either in NYC or online.

I am studying Music in The Mills College Music Department and Center for Contemporary Music; in pursuit of my second MFA, specializing in Improvisation. My main instrument is Voice; I also study piano. That will add to my BFA in Dance from The Juilliard School, an MFA in Dance and my other fancy pants pedigrees!! I teach Music Improvisation as well as many other aspects of music and the list of subjects below.

I graduated from Juilliard in dance and pursued modern dance and all sorts of theatre, dance/theater, music/theater, experimental, modern and classical theater, post modern and modern dance. I have taught children and grown ups for many years. I have a strong performing career and love the way teaching ke
eps me in a giving and learning place.

*** Lesson Details ***
With beginning students I am very laid back and patient and believe strongly that in the play of games and experiments technique will develop and manifest. As the student becomes more advanced I become more demanding as do the materials. As an acting teacher I have an advanced capacity to take students along all the way to professional and beyond. I am a member of the Actors Studio, the performing unions and studied since childhood at ACT and then all over the world including The National in London.
In Singing and Piano I can be valuable to the beginning level and will want to send them to another teacher as they progress beyond my ability.
In dance I have a wide knowledge and can teach several forms as well as history and materials. In Juilliard I specialized in historical dance of the French Court which is also known as pre-ballet. At present I am studying Tango and other ballroom forms and can teach the beginning levels as well as help choreograph for weddings or events. Of course I can also teach Ballet and many forms of Modern Dance.I adore teaching dance composition. To help a dance student make dances is very very fulfilling to me. I work with other media to inspire, using painting and painters, poetry, sound and dream, ideas and desires. All to contribute in making a dance.
In Visual Arts I can teach Abstract Painting, Installation and Performance Art. I have taught children and adults and have a way of bringing the body's expression into the act of making visual art that I and my students find very successful.

*** Studio Equipment ***
I have supplies and space. Visual Art students need to contribute to materials by finding or purchasing whatever they like and adding to the mix. My students are welcome to use what I have here and I am always adding materials. Many people throw away materials that are perfectly good for art making so keep your eyes open and you'll find all kinds of good things. Visual Art students need to book a 2 hour minimum and I will lower the price if you just let me know you need it.

*** Travel Equipment ***
just a space to work in - we can create a work space out of any space.

*** Specialties ***
In dance I teach classical ballet principles for beginners or those who are returning and want to work carefully and privately. I teach from the tradition of Alfredo Corvino's principles of relationship to organic forms and structures for sound development. I studied with Mr Corvino for years and continue to study with Ernesta Corvino.
For acting I teach a combination of classical acting technique with American sense memory and relaxation skills. I am well versed in the teachings of Lee Strasberg and then spent time in London to 'fill in the cracks' of my training with analytical skills as well as the various european influences that the Royal National embrace.
I teach creative discovery in combination with classical devices so the student can discover their own artistry while learning actual classical devices for accomplishing specific goals.
...
Reviews
Silhouette-80
Cynthia F. July 30, 2017
· Abstract Painting · In home
Great! I look forward to the next class.
Silhouette-80
Anaya P. May 19, 2016
· Acting · In studio
Gina is great! My 14 year old daughter loved her. She helped her work on several techniques and scenes in preparation for an audition. I would definitely recommend her for various levels of experience.
She loves the craft and it shows in her teaching. Shes tough but so loving and enthusiastic.
Thumb_573e0bd4bdeba_review_mitulmocha
Mitul May 19, 2016
· Acting · In studio
I have had the opportunity to learn acting with Gina and it has been great so far. When I signed up for the lessons, I signed up with Gina because of her credentials as I never had an encounter with her. From my first class itself she has taught me a lot about acting specially stage acting and that too with great enthusiasm. I now feel like pursuing it further. She is quite knowledgeable specially in her field and every moment that you are in the class with her, you are learning something new. I would highly recommend her, doesn't matter if you are just getting into the field or trying to set your advanced level stage, her talents will teach you something new that would take you to the next level. I hope you can take advantage of learning from a Great Artist like Gina.
P.S. She is a great Dancer and a great Musician.

Good Luck!
View Details
View Profile
Gina B.

Gina B.

New York, NY 10003
(7)
starting at
$70 / 45-min

About Kristofer K.

Close
Profile_109804_pi_KristoferKauff
New York, NY
View Full Profile

Every actor has their own strengths and weaknesses. It is my goal to pull out strengths, develop, and help achieve a natural and realistic performance. From the audition to the final performance, my actors are ready for anything that is thrown at them.

​Becoming successful depends on your definition of success. It could be professional theatre, film and television, ​community theatre, school plays, or just to gain confidence in yourself. Whatever your path to success is, it’s all about using your strengths to help connect to each and every role you play. This is our focus, your strengths to achieve naturalism and realism.

No matter what your goals are, I am focused on helping you find the best possible path towards your version of success. Every road is different and that’s what makes every actors story so interesting.

About Kristofer
www.kristoferkauff.com

Currently in the NYC area, Kristofer Kauff began his career as an actor working on shows from Off-Broadway, Regional, Community Theater, Film and Television, as well as Walt Disney World and Universal Studios. His true passion, however, lies in directing where he has forged an extensive career over the last 19 years. He believes in a collaborative effort to reach honest and true performances. Kris's resourcefulness, experience, patience, and passion are the cornerstones of each production. He is a proud associate member of SDC.

Kristofer has a passion for developing new plays and the collaborative effort it requires from all involved. Over the last few years he has directed new projects here in NYC, as well as Washington D.C. and Florida. Recent "new work" include Bad Actor (NYC), The Prop Master (NY
C), Witchhazel (NYC), For I am Nothing If Not Critical (Washington, D.C.), Our Struggle to be Illustrious (Washington, D.C.) Paginas Latinas (Orlando, FL) Orlando the Television Show... on stage! (Orlando, FL)

Most recent directing credits include The Prop Master (NYC), Assassins (Fair Lawn, NJ), Witchhazel (NYC), Dinner With Friends (Arlington, VA), Godspell (NYC), FEARS (NYC), Why Torture is Wrong, and the People Who Love Them (Annapolis, MD), The Rocky Horror Show (Alexandria VA), Superior Donuts (Annapolis, MD), The Producers (Gaithersburg, MD), Pippin (Baltimore, MD), Little Shop of Horrors, Seussical The Musical, Inherit the Wind, Comedy of Errors, Orlando the Television Show… On Stage, and The Land of Counterpane. (For a more detailed list, please visit the productions page.)

Throughout his career, Kris has dedicated himself to directing shows with a natural and realistic approach, making productions accessible to new and seasoned audiences. In the rehearsal process he allow actors to search for the reality in their characters and relationships, always staying within the shows overall vision. Kris truly loves working with actors and designers, and believes in leading a collaborative effort.

Kristofer has taken great pride in sharing his passion and knowledge through workshops, classes, and private coaching. In 2000 he headed workshops and directed theatre for younger audiences with MicheLee Puppets in Orlando, FL. Since then he has served as the Theatre Director for Camp Echo Lake in NY (2004-2008) and is currently the Performing Arts Director at Maine Arts Camp (Since 2011).
...
View Details
View Profile
Kristofer K.

Kristofer K.

New York, NY 10013
starting at
$92 / 60-min

About Amy C.

Close
219771_372145_37416
Weehawken, NJ

View Full Profile

I am a professional actress/ singer/ songwriter and directer. I employ my many years of experience as a performing artist, to help my students develop what is unique and compelling with in them. I believe that everyone has something of value to express. The key is finding creative ways to unleash it.

About Amy
I have been a voice, acting, and teacher of creative arts for over 25 years. My background includes ten years of classical training with Maestro Julio Berrocal, as well as vocal training through the Feldekrais approach with Marcy Lindhiemer. In acting I have studied with renowned Stanislavsky scholar Sonia Moore and Master acting teacher of the Strasberg Method, Marcia Haufrecht. I received a B.A. For comparative literature and creative writing at the State University of New York at Purchase and I am currently studying for a masters in social work at Walden University.
I believe, within all of us, Is the ability to express something distinctive and original. I work to help the student discover their individual and unique voice, weather it be through singing, acting or writing. I share with my students tools to gain the ability and con
fidence to achieve their goals. I empathize deeply with the challenges students may face when pursuing a life in the creative and performing arts, having worked professionally in those arena's for most of my adult life. I believe, it is the teachers job to respect each students individual process of learning.
My students have gone on to become recording artists, Broadway performers, movie actors, blues and cabaret artists and published writers.

*** Lesson Details ***
Voice
I am an empathetic teacher, sensitive to the students individual process of learning. My singing lessons usually start with breathing and relaxation exercises. Vocal exercise come next, then when the student is fully warmed up, we will begin to work on songs. It is important that the student be part of the process of picking material since the more they personally respond to the material the more apt they are to be engaged in their lessons and the more quickly they will learn. After three to six months they will understand the fundamentals of breathing and relaxation and its importance to proper vocal training. They will have begun the process of extending their range and will understand the principles of performance in song.
Acting
As an acting teacher and coach, I tailor my classes to the needs of each student. I utilize improvisatory and sensory techniques to help unleash spontaneity. I also encourage the students to use their personal experiences as a way to access a full range of emotions. I enjoy working with the student on script analysis, so as to discover the underlying motivations of the character the student is working on.
Creative and Lyric Writing
I use prompts as a way to get the student writing. Often, I will ask the student to write for stretches of time without editing themselves. It is important to unleash imagination before beginning the process of editing. Many times it is the unexpected that is the must compelling.

*** Studio Equipment ***
home- 10 minutes away from Manhattan with piano, seating for parents
-practice studio seating for parents

*** Travel Equipment ***
I provide a piano, cd/mp3 player and an large library of songbooks to work from. The student should bring sheet music of songs they want to work on and a recording device.

*** Specialties ***
I specialize in teaching how to sing rock, pop, musical theater, jazz, and blues without hurting the voice as well as method acting instruction.
...
Reviews
Silhouette-80
Kumiko March 16, 2017
· Jazz Voice · In studio
Amy is amazing singer and great teacher. I can't find anyone else who suggests right direction about singing. Singing from the Source.Now, I live in Japan and still singing. No matter how far from U.S., I always sing with the mind that Amy's saying ”Singing from the Sourse. I love Amy!
Silhouette-80
Emma R. August 13, 2015
· Acting · In home
Great teacher! Amy is very experienced with kids and knows how to interact very well with my five year old. She has control of the lesson and most importantly my daughter loves going to her class.
Thumb_43038_pi_Richard
Richard G. October 7, 2014
· Singing · In studio
I just want to say that you are one of the most distinguished teachers with TAKELESSONS! - I read your bio and I was very impressed. I would recommend you to any musically inclined student! Keep up the good work!
____________________________________________________________________
View Details
View Profile
Amy C.

Amy C.

Weehawken, NJ 07086
(6)
starting at
$40 / 30-min

About Mariana W.

Close
Profile_102860_pi_10630608_10203365059031551_6482594961635043616_o
Astoria, NY

View Full Profile

I emphasize authenticity in acting, particularly acting through song. I have worked with a variety of acting coaches throughout my career, many of whom have taught performers famous for their skill, and I have crafted a unique and child-friendly approach to the abstract art of acting. Acting is not something that is simply taught, but discovered, and I have had great success with my students in the past with my technique.

About Mariana
Hello! After earning my Bachelor of Music degree in Classical Voice from Hunter College in 2011, I have been working successfully as a singer, voice coach, and academic tutor. As a singer, over the past 8 years I have performed at professional theaters across the country, including Off-Broadway and at the world-renown Carnegie Hall. I specialize in musical theatre, but have a thorough classical technique, as well as strong pop/rock/belt training.

My teaching style is highly energetic, and engages the development of the student's self-esteem and enjoyment, but is also focused on a foundational technique and strong work-ethic. I am extraordinarily proud of the accomplishments many of my students have made, from achieving principal parts in their school productions, to even getting cast in Broadway shows. I am determined to help every on
e of my students reach their greatest potentials.

As a tutor, my approach is no different. Trained in the highly specialized and effective Lindamood-Bell programs, I have an intuitive grasp of children's needs and levels. I teach decoding, math, and reading comprehension, and nurture students' self-esteem and independence in their learning.

*** Lesson Details ***
I give lessons in 30, 45, and 60 minute increments. Each lesson will be personalized to the specific needs of the student.
...
Reviews
Thumb_43826_pi_GPS_0118
Cornel D. June 4, 2017
· Music Theory · In home
We practiced the new cadence for example of the deceptive cadence, the plagal cadence, and the phrygian. we learnt the basic root progression. a standard method of connecting triads with roots a fifth apart is to hold the common tone in the same voice and move all the other parts to the closest possible chord number. We learn about mediant triads s well.some ways using cadence that I can expand my harmonization practice is in general, when tempted to part write or analyze a chord in common-practice music as iii (in major), give the context further thought. i imagine with this knowledge it ill help me to compose a better harmonize song.
We practice together the scale degrees that are designated by Arabic numerals (1, 2, 3...), chor ds are similarly designated by Roman numerals (I, II, III). For example, in the key of C major the notes are C,D,E,F,G,A,B and we have designated them as 1,2,3,4,5,6,7. However, when we consider the triad chords in the key of C we have Cmaj, Dm, Em, Fmaj, Gmaj, Am, Bdim. These are designated I,II,III,IV,V,VI,VII. When speaking about these chords, for instance in the key of C major, we would call Gmaj the five chord, Dm the two chord,

Cornel's review of Mariana
Silhouette-80
Cornel May 16, 2017
· Music Theory · In home
The easiest way to find an interval's name is to first, count all the pitch names present, including the notes themselves (ignore sharps and flats at this point). Then, find out (had it been missing a flat or sharp) what type of interval it would be, depending on whether it is perfect (a 1,4,5,8) or major (2,6,7). If there are no sharps or flats, you are done. If there are, figure out if the flat or sharp decreases or increases the distance between the two pitches. If it increases the distance, the interval is augmented. If it decreases the distance, and the interval would otherwise be perfect, it is diminished. If it decreases the distance and the interval would otherwise be major, it is min that is what I learnt
Silhouette-80
Kristina September 10, 2015
· Singing · In studio
Mariana was great! Very professional and able to explain the techniques in a very clear way. When I began, I was very nervous and self-conscious. She was patient and kind and never made me feel embarrassed!

She really knows her stuff and technique. I'd been to a few voice teachers before and they were great singers, but they didn't seem to have to really KNOW the techniques behind singing. Mariana clearly is a wonderful singer and has great training in what she does.
View Details
View Profile
Mariana W.

Mariana W.

Astoria, NY 11105
(3)
starting at
$40 / 30-min

About Rachel M.

Close
Profile_441505_Capture
Montvale, NJ

View Full Profile

Stella Adler, Stanislavsky, Chekhov, and Meisner Acting Technique for Theatre/Camera is taught in private and group classes. All students are exposed to each technique and Rachel sees which technique each student responds to the most. Once the student and Rachel are able to identify the technique, Rachel continues to use the terminology of that technique for the remainder of the time the student is in lessons. Students eventually are able to play roles truthfully and realistically, even if the roles are opposite of the student's own personality.

About Rachel
Rachel fully background checked by three different companies and is also fingerprinted.

Rachel's private studio is where you not only learn healthy technique, but how to become a self-sufficient artist. Professional training and customized programs in singing and acting technique. All learning styles, all ages, and all levels. Private lessons and group classes.

We prepare our students for the real world with up to date training (singing and acting) and both performance opportunities and showcases in front of industry professionals when students are ready.

Students come from all walks of life. All voice types, all ages, all levels, all mediums (TV-film-theatre), all character - ingenue actors, and ALL genres (Rock, Pop, Alternative, Funk, Soul, Musical Theater, R&B, Jazz, Opera) welcome!

Rachel's students have gone on nati
onal tours, released albums, are in bands, have been accepted into performing arts schools (high schools and colleges), have been cast in regional/Off-Off-Broadway/Off-Broadway Theatre, movies (Noah, The Wolf Of Wall Street, Finally Famous), music videos, and on TV (Royal Pains, Smash, 30 Rock, The Good Wife, Law and Order: SVU, & NBC's The Voice competition).

Owner/Teacher: Rachel M.
SAG-AFTRA, VASTA, NATS (certified), NARAS, NAMTA, BMI, MAC, NJMEA, NAfME. NJ Theatre Alliance, & Certified Artist Developer with Conquer Entertainment,
15+ years of teaching to children - teens - adults (Ages 6+ group classes, 8+ private lessons)

RACHEL M.'S BIO:

Rachel is a member of SAG-AFTRA, The National Association of Teachers of Singing (NATS certified), VASTA (Voice And Speech Trainers Association), NARAS (The Grammy Awards), NAMTA, NJMEA (New Jersey Music Educators Association), NAfME (National Association of Music Education), NYSSMA (New York State School Music Association,) MAC (Manhattan Association of Cabarets and Clubs), The NJ Theatre Alliance, NSA (Nashville Songwriting Association International), and BMI (Broadcast Music Inc). She has been teaching Bel Canto singing technique for the modern singer and Stella Adler-Stanislavsky-Chekhov-Meisner acting technique for all mediums for 15+ years to children, teens, and adults.

Rachel has trained at The Hages Music Studio under a master teacher for 22+ years in the Bel Canto singing technique for all genres, studied at The Stella Adler Studio of Acting in NYC as well as recorded and released her first album called "Just Meant To Be". Other credits include commercials, films, TV shows (One Tree Hill, AMC, Food Network), music videos (including Rachel's singles "Don't Even Try", "You Will Love On"), & numerous stage credits (Off-Broadway/NYC Theatre). Rachel most recently was seen in the reading of a new play "Vanishing Son" by Peter Gil-Sheridan performed in NYC. She is also a songwriter (16+ years), scriptwriter (10+ years), director (14+ years), and an international recording artist (10+ years).

Rachel has been performing for 20+ years, has performed in front of sold out crowds, and has been honored with many standing ovations. Other honors include magazine covers, featured articles, singing to thousands of people, studio recordings/albums, originated the role of "Antigone" in "Oedipus: The Musical", 2002 Helen Hayes Nomination for" Outstanding Vocal Performance in a Musical" ("Miss Adelaide" in "Guys And Dolls"), & 2008 finalist for NYC Singing Idol Competition. Rachel has also been fortunate to have worked & performed with many people in the business including Grammy-Tony-Emmy Award Winners/Nominees.

LESSON DETAILS

Whether you are a parent looking for instruction for your child, or for yourself, Rachel can customize the right program that best suits your needs. Her students come from all walks of life and have different goals, but they all have one thing in common. They love performing and have the desire to be the best at their chosen craft (singing/acting).

Some students want to sing/act for themselves, others want to sing/act for a hobby, and others want to be professional performers. That's where Rachel comes in. No matter what your goals are, she can help. Rachel teaches her students how to become true artists without tearing them down and without taking away the part of them that makes them unique. She teaches healthy technique that is based off of the human anatomy; the science of how the body/mind works and how the body/mind can work as efficiently as possible while singing or acting.

Learning how to sing/act is a process and doesn't happen overnight. Rachel's ultimate goal as a teacher is to not only make her students the best performers and singers they can be, but also give them all of the proper tools they need to have a more productive mind frame and become self-sufficient. Of course this can take years to master. It takes time and dedication.

OTHER LESSON INFORMATION

SINGING: Bel Canto singing technique for the modern singer is taught in private and group classes. No one sounds like old opera singers, even if the student wants to sing opera. Students are allowed to choose most of the material they learn in the lesson. There will be times when Rachel will suggest a song to a student but if the student doesn't enjoy the song, they will work as a team to find a song that does work for the student. Gain a better tone quality, complete control of your voice, bigger range, more flexibility, and confidence. Learn healthy voice technique, how to fully take care of your own voice so you can sing for the rest of your life (even after lessons), and become a self sufficient performer for life.

ACTING: Stella Adler, Stanislavsky, Chekhov, and Meisner Acting Technique for Theatre/Camera is taught in private and group classes. All students are exposed to each technique and Rachel sees which technique each student responds to the most. Once the student and Rachel are able to identify the technique, Rachel continues to use the terminology of that technique for the remainder of the time the student is in lessons. Students eventually are able to play roles truthfully and realistically, even if the roles are opposite of the student's own personality.

BY THE TIME STUDENTS GRADUATE FROM LESSONS:

1. Gain a lifelong, solid, consistent, and healthy technique that they can always count on in practice and performance.

2. Gain specific technical and personal notes in a notebook and/or computer file that is organized and always accessible for review.

3. Gain artistry, performance skills, and a strong voice that will look/sound authentic; Singers will sound appropriate to whatever style of music they are singing. (No fake sound or look.) Actors will just be in the moment and truthful whether they are on stage or in front of the camera.

4. Gain the confidence to always put on a great performance.

5. Gain focus and a more productive mind frame.

6. Become self-sufficient by knowing how to assess a problem and then fix it without creating a new issue.

*** Studio Equipment ***
PRIVATE HOME STUDIO: Keyboard, speakers (smartphone, iPod, iPad), CD player, tape recorder/player, digital recorder, music stand, mirror, laptop, sheet music selections, HD video camera, tripod, video editing software, audio editing software, USB microphone, and high speed WiFi internet. Full PA, two mixers (one mixer with 8 inputs and the other with 4), 8 Lavaliere microphones ("body mics"), multiple hand held microphones, laptop stand, and music stands.

**ASK ABOUT ON LOCATION TRAINING (ON SET, THEATER, PERFORMANCE EVENT, OR RECORDING STUDIO)!

**ONLINE LESSONS ALSO AVAILABLE!

*** Specialties ***
We specialize in Bel Canto voice technique for the modern singer. Each student can sing all genres without sounding too classical, "fake", and without losing their voice while singing for long periods of time.

Other Specialties: Teaching acting technique for theatre-TV-Film (Stella Adler, Stanislavsky, Chekhov, & Meisner), performance skills, songwriting, and creating self-sufficient singers-actors-performers (Artist Development).

STUDIO POLICIES-

CANCELLATION:
24 hour lesson cancellation

MISSED LESSONS/MAKE UPS:
If the student needs to miss a lesson for sickness, they or their parent/ guardian, if the student is under 18, must let Rachel know at least 24 hours before their missed lesson. If they need to miss due to an other activity or vacation, they must contact Rachel at least a week from their next scheduled lesson in advance to prevent from forfeiting the lesson. All make ups will be scheduled within 4 weeks from the missed lesson. If rescheduled lesson or make up lesson is missed, no new make up will be given unless Rachel is not able to teach for some rare reason.

LATENESS:
If a student is going to be late they need to contact Rachel as soon as possible, to let her know they will be late. Lessons will end on time unless she is able to extend the lesson due to a late student or her schedule allows for it though please understand, Rachel would be extending a courtesy and would not be obligated to do so. If on the rare occasion Rachel is running late, she will always make up the time.

SITTING IN: Parents/Guardians are ONLY permitted to stay for the first lesson and are NOT permitted to sit in for any other lesson/class unless invited. This is to promote good/strong teacher-student relationship quickly and easily. Also, many times students feel more comfortable when their parents/guardians leave.

"I try to be as fair as possible to both parties when it comes to cancellations, rescheduling, lateness, and make ups. Have a concern or question? Just talk with me. I'm all about communication!" - Rachel
...
Reviews
Silhouette-80
Glenn March 26, 2017
· Film Acting · In studio
Taking lessons with Rachel has been one the best decisions I've ever made. She not only has helped me with acting but has helped me become a better person. I've grown to understand myself and I've learned and done things I would never have done. And would never have been able to do. Her lessons will not only help you perform, they will help you in your everyday life.
Silhouette-80
Jacquelyn M. March 1, 2017
· Film and TV Acting · In home
Rachel was friendly and very welcoming. She encouraged my daughter to be relaxed and to focus on putting herself in character. My daughter had a great first experience!
View Details
View Profile
Rachel M.

Rachel M.

Montvale, NJ 07645
(2)
starting at
$75 / 60-min
View More
View Previous

About Tiffany H.

Close
Profile_58494_pi_Tiffany
Indianapolis, IN
View Full Profile

Not only will my classes help performers grow their confidence but also focus on the technical aspect of the art we call "ACTING" all the while teaching you how to "LIVE" in roles instead of just pretend.

About Tiffany
Tiffany Jaide H.- Writer, Director, Actress and Producer ( HighSi Films ), Private Acting Coach, and MULTIPLE SCLEROSIS SURVIVOR
Tiffany has been acting for over fifteen years and wrote and directed her first production at age fifteen. While in Indiana she not only performed in community theatres but also at Indiana Repertory theatre at a young age. After training and performing with Asante Children's Theatre, Pike Performing Prevention Troupe, Indiana Repertory theatre, Footlite Theatre Company, and doing many upon many plays and musicals and even films she decided off to New York she would go. Ms Tiffany studied at American Musical and Dramatic Academy where she further trained in Acting, Theatre History, Shakespeare, Television and film and even Stage Combat. Some of her regional stage credits include: Measure for Measure, Romeo and
Juliet, Civil Wrongs, Macbeth, King John, Our Town, Zora Tales.

Film, TV, Theater Actor/ Director
...
Reviews
Silhouette-80
Felecia January 22, 2016
· Acting · In home
Tiffany is very skilled and proficient at her profession. She is also exceptional at being able to translate and communicate those core competencies and techniques to her students in such a manner that there are specific exercises identified to encourage them to learn, practice and refine their developing skills and talent. My nephew's dramatic presentation has grown significantly during his time of being coached and trained by Tiffany. I would recommend Tiffany, without reservation, as an instructor to anyone who is serious about advancing his or her acting skills.
Thumb_56735d04a3478_review_images%20%2811%29
Elizabeth December 17, 2015
· ·
don't know her yet but, i know she is going to be COOL!!!.
View Details
View Profile
Tiffany H.

Tiffany H.

New York, NY 10108
(2)
starting at
$40 / 45-min

About Elena D.

Close
Profile_94983_pi_nani%20pic2
Bayside, NY
View Full Profile

Monologues , Shakespeare . Various Acting schools of study
Alexander technique

About Elena
BIO: Elena started her musical studies at age 4, singing with the "New York City Opera Children Chorus". She studied at Manhattan School of Music. She studied in Hunter College and Queens College of the City University of New York and the Bejar Conservatory in Salamanca, Spain. She has performed in Carnegie Hall, Avery Fisher Hall and throughout Europe as a soloist. She has participated in the Master Classes of Alfredo Kraus and Monserrat Caballé and David Jones. She is currently under the vocal direction of David Jones who is the foremost voice teacher pedagogue.
...
Reviews
Silhouette-80
Mason June 11, 2017
· Singing · In studio
My son enjoyed very much the singing lesson! He is already looking forward for the next lesson.
Thumb_97939_pi__storage_emulated_0_DCIM_Camera_20160220_180744
Maria T. December 4, 2016
· Acting · In home
Elena was patience with my daughter and willing to work with her to accommodate Her needs acting and musical inner theater talents
Silhouette-80
Anne Marie E. July 22, 2016
· Singing · In studio
Elena is a very warm and inviting teacher, she has the depth of knowledge in an array of different styles of music. Her own voice is remarkably powerful and beautiful.
View Details
View Profile
Elena D.

Elena D.

Bayside, NY 11360
(18)
starting at
$50 / 30-min

About Dietlinde M.

Close
Profile_99054_pi_DT%20Headshot-1-1
New York, NY

View Full Profile

I teach acting from a sense of freedom, with much emphasis on improvisation and working with Stanislavski, Meisner and Chekhov techniques.
"All it took to break a barrier was an encouraging nature from Dietlinde to grant me the freedom to explore and think without measure. I surprised myself and let go in the process, realizing that all vulnerability is is strength lit with an olympic torch. I am very thankful for the time I had with Dietlinde. Her wisdom and attention to every word that is spoken or sung is inspirationally priceless. I look forward to working with her in the very near future." - Danielle (opera singer)

About Dietlinde
I offer private coachings specializing in:
German Lieder and Arias
German Conversation, Literature and Poetry
English, German, French and Italian diction
Monologue and Scene Studies
Character Development and Interpretation
Script Breakdown and Analysis
Improvisation
Role Preparation
Audition Preparation
Career Guidance

My focus is on creating a new Mind-Body connection to yourself, your character and your voice. Utilizing fundamental acting principles, body language exercises, improvisation and monologue work I concentrate on each performer’s unique potential as a singer-actor while striving to develop the physical, vocal, emotional, and intellectual skills that enable the performer to work freely, joyfully and convincingly, also in a foreign language. I love to perform but my real passion is teaching. Patience is the
key. And curiosity. It’s the process, not the result. We walk across a tight rope together taking risks – knowing there is a safety net.
...
Reviews
Silhouette-80
Linda January 5, 2017
· Acting · Online
Ms. Dietlinde is a thorough, well rounded, competent, creative and artistic voice acting teacher who uses visual helps me to convey various emotional layers of a character in German Lider that she worked on with me. Consequently I was able to sing vividly with those image in mind. Her being a voice acting teacher has contributed something I didn't know before I met her. Additionally her warmth, enthusiasm and passion for life fuels the energy of each lesson which allowed me not only enjoy the technique part of the lesson but her personality as well.
View Details
View Profile
Dietlinde M.

Dietlinde M.

New York, NY 10024
(1)
starting at
$45 / 45-min

About Eric P.

Close
Profile_107618_pi_IMG_2899%20%281%29
New York, NY
View Full Profile

I'm a professional writer, director, and acting coach. For many years, I worked as the assistant to 21-time Tony Award-winning Broadway director/producer Hal Prince. I have expertise in classical and contemporary dramatic literature (and musical theatre) and can help you select the piece of material that will serve you the very best in the classroom, the audition room, or on the stage. You will quickly become totally comfortable onstage and unlock new ways to bring honesty and creativity to your performances.

About Eric
I'm a professional writer for the theatre. I live in NYC and have worked on and off Broadway, in London, and my work has been performed around the world. I have an MFA in Musical Theatre Writing and have also worked as a director, actor, and producer. For six years, I was the assistant to 21-time Tony Award-winning director Hal Prince and worked with him to develop new musicals and plays.

I teach students of all ages in several different disciplines: performing, writing, and literature. If you're interested in preparing for auditions, either for musicals or plays, I can help you select and perfect your audition material. If you want private instruction for Shakespeare, I'm your person. If you want lessons in reading, writing, or both--whether its literature, essays for class or college admissions, or your own creative writing, I'd lov
e to work with you.

So, send me a message and let me know what you have in mind!
...
View Details
View Profile
Eric P.

Eric P.

New York, NY 10018
starting at
$50 / 30-min

About Ian G.

Close
Profile_110503_pi_Gould_Ian_0629_xret
New York, NY

View Full Profile

I've been thinking and working on Shakespeare for most of my life and have extensive experience off-Broadway and in regional theater.

About Ian
I am a professional actor who's made a successful career onstage both off-Broadway and in regional theater. I received my BFA from NYU's Tisch School of the Arts and my MFA from The Shakespeare Theatre Company Academy for Classical Acting, currently among the top programs in the world dedicated to Shakespeare performance.

I'm particularly devoted to Shakespeare, but I take a classically-based approach to performing more contemporary work as well. I work with students to examine the text very thoroughly, to understand its structure and rhetoric, and to use it to discover acting choices that are engaging and uniquely your own.

Humor is a terrific tool, even in dramatic pieces. We'll look at the text and figure out where the funny is, then bring it out. Quirky, unusual laughs a specialty.

I've worked all over the country, including two se
asons on tour with The Acting Company, the Guthrie Theater, New York Classical Theater (where I'm an Associate Artist), Baltimore Center Stage, The Lake Tahoe Shakespeare Festival, and many seasons at Great Lakes Theater and Idaho Shakespeare Festival.
...
View Details
View Profile
Ian G.

Ian G.

New York, NY 10003
starting at
$84 / 60-min

How it Works

From finding the perfect teacher to managing payments, scheduling and tracking your progress, we take care of all the details, so you can focus on learning. Learn More

Search for a teacher

Compare hundreds of teachers based on the criteria that matter to you, including background checks, age and experience.

Schedule your lessons

When you've found the perfect match, schedule your lessons online using the teacher's real-time availability.

Connect with your teacher

Your teacher will welcome you with a personalized curriculum to meet your specific goals and you'll be able to manage your entire schedule through our free online account.

Can't find a teacher in Tenafly, NJ?

No problem. Our online lesson platform connects you with any teacher, anywhere. All you need is a reliable Internet connection, a webcam and a microphone.

Convenient

Zero travel time is great for a busy schedule.

Affordable

Typically priced lower than local lessons.

Effective

Online students stick with lessons as long as local students.

Learn More

Acting Lesson Reviews from Students

Students are raving about their Acting instructors on TakeLessons. Check out some of these recent reviews.

And they're not alone!

Our teachers have taught

2 , 0 9 2 , 2 2 0

lessons and counting!

Recent Acting Articles from the Blog

Whether you're just starting out or a seasoned pro, check out the Acting articles on our blog.

How to Get Into the Top Acting Schools

How to Get Into the Top Acting Schools

Dreaming of attending one of the top acting schools in the US? Check out these tips from online teacher Liz T. to get a head start!    If you are an actor serious about having a career as a performer on the stage or screen, or want to pursue acting from the writing and directing side, it is important that you take the time study your craft and further your education at one of the top acting schools or universities. Getting into an acting conservatory is no easy task; programs a … Read More

How to Get Into the Top Acting Schools
Dreaming of attending one of the top acting schools in the US? Check out these tips from online teacher Liz T. to get a head start!    If you are an actor serious about having a career as a performer on the stage or screen, or want to pursue acting from the writing and directing side, it is important that you take the time study your craft and further your education at one of the top acting schools or universities. Getting into an acting conservatory is no easy task; programs a
How to Audition for a Movie | 6 Tips for Success
What does it take to audition for a movie and make it to the big screen? Here, acting teacher Liz T. shares six important tips for success... Are you an actor interested in learning how to audition for a movie? Now is the time to get started! Many major movies are filmed in major cities such as Los Angeles, New York, and London, and now even smaller cities are starting to boom with filming. Whatever cities you are closest to, research the local film office. Every state also has its own film o
4 Drama Techniques to Always Remember
Stars like Meryl Streep and Al Pacino make it look easy, but if you want to become a professional actor, don't expect to rely on talent alone. Even if you're a natural performer who can cry on command and memorize lines, you'll need to learn the following fundamental drama techniques to really master the art of acting. 1. Vocal Dynamics Your lines are just words until you deliver them, but unless your voice is well-trained, they'll still fall flat or sound forced. In order to accurately port
Tips for Parents: How to Help Your Child Prepare for an Audition
Parents, are your kids heading off to an audition? You play a big role in their success! You've probably offered tons of support along the way, but how else can you help your child learn how to prepare for an audition? Read on for some helpful advice from Nashville & online voice teacher Heather E.:   Whether it’s for their elementary school or for a college scholarship, your kid is going to be nervous. There aren’t many other times in life when we are as totally and completely
10 Things They Don't Tell You in Acting School
You’ve studied Stanislavski, Meisner, Adler, and Suzuki. You’ve learned the Circle of Fifths and mastered your second turns. But are you ready for the real world? Here are a few golden tidbits to help any recent grad transition from the acting school environment into the working world, written by actor and teacher Jasmine B.: 1. Competition is Real (But it doesn't have to bring you down.) Right around showcase time, students at acting colleges and conservatory programs start noticin

Are You a Teacher?

Find out how TakeLessons can help you grow and manage your business

Learn More