Saddle River, NJ Acting Lessons
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Boleslavsky and Strasburg techniques combined with British Classical School. -as the result of my own training. We begin with training of the body for the ability to be relaxed and ready for anything, working in a chair in the Lee Strasburg system, releasing tensions and assessing the difference and working week by week on the sense memory exercises to build up the strength of imagination and elemental response and creativity. We also work with theatre games as well as analytical techniques.
I have two graduate degrees: one in Music and the other in Dance and Theater studies.
My undergraduate degree is from The Juilliard School, in Dance.
I've taught children and grown ups for many years. I have a strong performing career and love the way teaching keeps me in a giving and learning place.
*** Lesson Details ***
With beginning students I am very laid back and patient and believe strongly that in the play of games and experiments technique will develop and manifest. As the student becomes more advanced I become more demanding as do the materials.
As an Acting teacher I have the capacity to take students along all the way to professional and beyond. I'm a member of the Actors Studio, the performing unions and ha
For Dance, I have a wide knowledge and can teach several forms as well as history and materials. I also teach Ballet and many forms of Modern Dance. I adore teaching dance composition. To help a dance student make their own dances is very fulfilling. I also teach choreography or composition.
One of the aspects of dance composition that has recently captivated me is the composing of sound and music for the dance that is also being made. Using software, we can explore electroacoustic as well as language and text collage as sound score for your dance. It is super fun!!!
For the Visual Arts I teach Abstract Painting as well as Installation and Performance Art.
*** Studio Equipment ***
I have supplies and space. Visual Art students need to contribute to materials by finding or purchasing whatever they like and adding to the mix. My students are welcome to use what I have here and I am always adding materials. Many people throw away materials that are perfectly good for art making so keep your eyes open and you'll find all kinds of good things. Visual Art students need to book a 2 hour minimum and I will lower the price if you just let me know you need it.
My fees: I start at a higher fee and after you've been a regular student we can lower the fee for you if you need.
*** Travel Equipment ***
just a space to work in - we can create a work space out of any space.
*** Specialties ***
In dance I teach classical ballet principles for beginners or those who are returning and want to work carefully and privately. I teach from the tradition of Alfredo Corvino's principles of relationship to organic forms and structures for sound development. I studied with Mr Corvino for years and continue to study with Ernesta Corvino.
For acting I teach a combination of classical acting technique with American sense memory and relaxation skills. I am well versed in the teachings of Lee Strasberg and then spent time in London to 'fill in the cracks' of my training with analytical skills as well as the various european influences that the Royal National embrace.
I teach creative discovery in combination with classical devices so the student can discover their own artistry while learning actual classical devices for accomplishing specific goals.
· Dance · In studio
Highly recommend working with her!
· Acting · Online
· Abstract Painting · In home
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My lessons will be a fun, focused exploration of your creative impulses - designed to enhance the range of disciplines related to: stage presence, vocal articulation & projection, character choices & portrayal. In addition; students with more corporate/lifestyle interests will improve their oral presentation skills and confidence, along with gaining useful storytelling techniques that can be applied to their sales and marketing procedures (or to daily communication needs).
· Acting · In studio
· Stage Performance · In studio
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Monologues , Shakespeare . Various Acting schools of study
Preparation for high school and college auditions
Professional studies and technique
· Singing · In studio
· Broadway Singing · Online
· Singing · Online
I empower my students by giving them the tools to be able to do their best work and also have a great time. Having studied at The Juilliard School and The Maggie Flanagan Studio, I have created a fun yet rigorous way to prepare for auditions that are professional or for performing arts schools.
· Acting · In home
· Theater Acting · Online
· Acting · Online
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I am a director and former actor with years of experience coaching and working with actors! I love working with actors of all levels on their acting. Whether we’re working on a monologue, a play, a film script or another project entirely, I will work with you one-on-one to help bring your characters to life!
I love teaching students of all levels, whether at my home in Brooklyn, a nearby café or a location of your choice. À très bientôt j'espère!
· French · In home
· French · Online
· French ·
Currently the title role of the hit Off-Broadway revival of The Fiddler on the Roof, I love helping high school students with their college auditions! A graduate of Boston University's BFA Acting program, I have a deep understanding of various acting techniques that I bring to our classes. I can help you find the right contemporary and classical monologues and songs for your audition, so that you feel comfortable and confident!
I received my BFA in Acting from Boston University's school of theater. As a classically trained singer, violinist and flautist, I've been able to incorporate my musical talents with my career as an actress. I play a range of professional gigs, from churches to rock concerts to pit orchestras. I had the chance to travel around the US, performing in theaters around the country for the Broadway national tour of the tony-award winning actor/musician musical, Once! My range of experience h
I have been teaching music and theater for over 5 years, and two years ago I began teaching ESL to elementary students in Turkey. I fell in love with teaching English, and feel my training in theater and music helps me use different, exciting teaching techniques in our lessons. I am conversational in both Turkish and Spanish as well!
No matter if we're working on music, acting, or English, I'm incredibly committed to my students and want each lesson to be fun and motivational. I'm a patient, supportive teacher, and know that each student is unique and moves at his/her own pace! Please reach out to me, and I will be happy to answer your questions!
· Violin · In home
· Violin ·
· Violin · In studio
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I trained at the same school as Jesse Tyler Ferguson (Modern Family), Ray Fischer (Justice League), Tyne Daly (look her up, you won't be sorry) and Jason Derulo. I am well versed in dialects, American Standard, stage combat (armed and unarmed), film acting, acting for stage, classical, acting and more! Even if you just want to work on a monologue. Im happy to help! I've been a working actor both on stage and screen for almost three years now, but let's be real. We all need a side hustle. I can even help you with learning how to self-produce/promote on a budget.
Now if you are a parent, let me direct you to the babysitting agency Pinch Sitters, on whose website you can see that I work with kids and have been background checked through the company.
· Acting · In home
A working actor graduated from Stella Adler Studio of Acting. I worked both on stage and on camera, in English and Mandarin, with award-winning directors and actors from China and Europe.
· Mandarin Chinese · In home
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I teach from the beginning foundations of acting all the way to advanced help on auditions, monologues, scenes, script analysis, etc. I individualize each session based on my student's needs and goals. We work together to achieve your goals, whether it's nailing an audition, scene work, going back to the basics, anything and everything that you're struggling with as an actor. I help with performance nerves, cultivating a sense of freedom and play in my students that makes acting exciting and fun, not scary. I passionately believe that acting is a joyous and transformative artform, as well as a craft requiring practical technique. I create a safe space for my students to learn, discover, and play.
I graduated from the Maggie Flanigan Studio, a conservatory specializing in the Meisner technique in NYC, the Michael Chekhov Acting Studio, a conservatory specializing in the Michael Chekhov technique in NYC, as well as the Academy for Classical Acting at George Washington University in Washington, DC, where I received my MFA.
I believe that teaching, like acting, is an art and a disc
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I am a professionally-trained actor specializing in teaching the Meisner Technique to students of all ages and ability levels. I am passionate about this work and seeing my students grow both personally and professionally. I have extensive physical theater experience in movement, mask, and clown which has shaped me into a well-rounded actor that is prepared to meet the demands of any project -- from Shakespeare to one-act shows.
I have been fortunate enough to have trained with some of today's most influential and highly sought after acting instructors and am eager to share what I have learned with my students. I don't believe that there is one "right" way of approaching acting. There are several ways in to this craft and as an instructor, it is my responsibility to customize the instruction for each individual student.
What distinguishes me from other instructors is my unique background. Not only am I an actor but I'm also a trial lawyer. Not surprisingly, I also teach public ...
I get to know my students on a personal level so that I can custom-tailor a training program that will help maximize their potential and their growth as artists.
My teaching philosophy consists of two parts:
First: Your life is inspiring. Your experiences are unique. And your perspective is unlike anyone else's on this planet. As actors, we tend to get audition material and generalize it immediately and create an idea of what our character should be. And then we advance a general idea of that prototy
Second: Your emotions must be real, but you’re not allowed to show them in a way that is artificial or pretentious. Most actors make the same mistake when they get a scene. They get too excited. “This scene is great! So much good emotion! It’s been so long since I’ve really sunk my teeth into good material. I can’t wait to kill it!” And believe me, I get it. As an actor, sometimes the bait is too attempting not to take. But be weary of falling into this trap. If you show the audience your cards the entire time, they will know exactly where you’re heading.
And if they know where you're heading, they won't remain interested for long. The other thing to recognize is that in real life, which we as actors are always trying to re-create, we tend to cover up our emotions and play it cool.
All of this to say that the craft of the scene lies in what you cover up and what you decide to show.
I teach it as a two-part process. In the first part, you over-act. You blow it out of the water. You yell, you cry, you laugh, you improvise, you go nuts and do all the things you know you can’t do in front of a casting director. This is done not to teach you "bad habits" but instead, so you can get a sense of what you wish you could do but can't.
In the second part, you cover it up by not showing anything. And from there, we see what needs to come out. As the great Sanford Meisner once said, "Don't do anything until something happens to make you do it." This requires enormous self-restraint and patience. But ironically, something always does happen.
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