I have been teaching opera, oratorio and classical music for 10 years. My teaching goal is to help you develop your technique and musicianship as a singer. My philosophy of teaching classical singing to make you become a self-efficient singer with a solid technique and interpretation.
I started my musical training as a pianist at YAMAHA institute at age 4 in Japan. I was selected to enter perfect pitch class. It was designated for students who have perfect pitch and potentials to be professional musicians.
I enjoyed playing piano and electric piano and won the 1st prize at Kitakantou Electric Piano Competition hosted by YAMAHA institute. Because of the intensive training, I have been accompanying my students' recitals and performance exams.
As much as I enjoyed playing piano, I discovered that I also love singing, so I started to take singing lessons and majored in vocal performance during my college days.
Since I have graduated, I have been performing opera professionally. My career highlights include roles as Cio-cio san(Madame Butterfly) with Snob Opera, Montreal, Quebec, Canada, Fairy(Falstaff) with Sir B
ryn Terfel with the Royal Liverpool Philharmonic, Liverpool, England, Dorinda(Orlando) with Cantanti Project, Pamina (Die Zauberflöte) with Opera Manhattan Studio, Frasquita (Carmen) with One World Symphony, Zerlina (Don Giovanni) and Clorinda (La Cenerentola) with Capitol Heights Opera, Alice (Le comte Ory) with West Side Opera Society, Adele (Die Fledermaus), Susanna (Le Nozze di Figaro), and Myrrhine (Lysistrata) with Opera Avanti, Gilda (Rigoletto) with Académie Internationale d'Eté de Nice, and The First Spirit (Die Zauberflöte) with the Opera Company of Brooklyn.
My international credits include performances under the direction of Conductor Laurent Pillot at the Royal Liverpool Philharmonic, Liverpool, England;the Académie Internationale d'Eté de Nice, France; the Daniel Ferro Vocal Program in Chianti,Italy; the International Vocal Arts Institute in Tel Aviv, Israel where I was selected to sing for the Japanese Ambassador.
I made appearances as a soloist at Carnegie Hall, Lincoln Center, Symphony Space, Town Hall, and MOMA museum in New York City and the Royal Liverpool Philharmonic Hall. As a versatile singer, I was presented as an aspiring opera singer on the website of Maybelline New York. Her voice was featured in short films for the Japanese technology company NEC. I appeared as a soprano soloist for the opera, Jazz and theater collaboration of "TAKE ABITE" by David Antonio Cruz. I also sings Broadway songs and continues her musical theater studies. She is an active recitalist and also performs Oratorio works.
I was also a finalist at the Opera Idol Competition at Lincoln Center in New York City, The Hariclea Darclée Voice Competition in Romania and the Mario Lanza and Elaine Malbin Vocal Competition in New York City. Ms. Uchida was selected as a vocal scholarship recipient at Savannah music festival.
Her upcoming engagements in 2019 include performing concerts with Philharmonie Teplice, Neubrandenburg, Germany, the title role of Lucia di Lammermoore and a lieder recital with Opera After Hours, New York. Ms. Uchida gave a recital hosted by Russian Cultural Center in Kiev 2019. Asuka is invited to give a recital at Festival dell’arte in Wojanow, Poland in August 2019.
Besides being an opera singer, I have been teaching piano and voice for 11 years. I would like to share my skills and experience with you. Since I perform often, I can coach you how to perform on stage in addition to building solid technique and languages. Also, I have taught various kinds of music, such as Rock, Broadway musicals, Pop music, so we can work on all kind of music.
I look forward to teaching you soon!
*** Lesson Details *** My students can expect to improve their skills and start to enjoy music more as we work together. I believe that learning music is fun and enjoyable. However you also need to be serious and focused. I can demonstrate various and specific techniques, phrasing, and interpretation and will always coach on how to develop your skills. However, I feel it is important for students to think critically on their own and take the first try at solving a problem themselves. I cannot emphasize enough that primarily it is you who find the ways to improve. Leaning music is a collaboration between teachers and students. I hope that through my lessons, students will become more self-sufficient and confident as musicians. Let me help you become a better musician.
*** Studio Equipment *** Piano (Clavinova), music stand, and desk.
*** Travel Equipment *** By Subway, the closest station is 23rd street. You can take C, E train(within one block). 1 train(one block), M, F train (2 blocks).
Asuka, was wonderful. I've been looking forward to learning Japanese for a long time. She is very detailed and patient. Excellent teacher!
June 1, 2019
On behalf of my son who is 15. Before finding Asuka, Lukas had taken voice lessons from several very good teachers (between breaks we would experiment with teachers).
Now with Asuka he feels most comfortable and feels he learns more per lesson with Asuka. More progress with all aspects of voice. She helps prepare for auditions with Broadway vocals and advance on the more serious and challenging Opera selections.
So the actual lessons are great and Asuka is also a charm; engaging and personable. As the parent I very much like she remains a professional singer as her career.
So we are staying with Asuka through the breaks and may even extend into piano lessons as well.
I would recommend Asuka without hesitation.
I've been teaching voice for over 10 years and my students have gone on to develop a deep love of musical theatre and all styles! Within the first few lessons, we will evaluate your indivudal needs and develop a plan that suits YOUR voice! I also specialize in vocal pedagodgy and also have unlimited resources to music and vocal exercises for your lessons. I love working with students of all experience levels I am a certified music teacher passionate about my craft. I also would love to teach basic musicality and notation reading for my future students during lessons as well.
Cheryl is a dedicated and passionate performer who is currently working on numerous projects in NYC. She is the lead singer of The New York Show Band a top wedding and events band in New York City. In her career she has performed on various stages such as Carnegie Hall, Madison Square Garden and has been featured on The Glee Project and The Voice of Ireland! Cheryl has recently recorded at Avatar Studios the role of Emily in a new musical called Once Around the Circle written and composed by Shanan Estreicher! She has performed on cruise lines as well as main stages and loves what she does! She recently graduated with her degree in music education and her other passion is teaching. She has taught in NYC public schools as well as outside teaching private lessons. She attended Fiorello H. LaGuardia performing arts and would love to help
singers of all ages realize their true potential as singers!
Cheryl is excited about her bright future in teaching and the performing arts and is currently auditioning and exploring more opportunities in Theatre, Television, Film and Recording!
Cheryl is a professional performer and a wonderful teacher. She is confident, encouraging and caring. It is fun to have lessons with her. I now feel more confident about myself with singing and can surely reach my goals with the help from Cheryl. I highly recommend her.
September 24, 2015
Cheryl is wonderful performer and a beautiful person. As a former director during her elementary and middle school years, she has taught me many things through her preparation and performances. She is the epitome of hard work, dedication and striving to be the best that she can be. By the way, she also has a beautiful voice and a wonderful way with people.
September 23, 2015
Cheryl's a great teacher! Both encouraging and informative. Aside from possessing a great knowledge of music, she has an amazing voice and can teach through example. She really helped a lot!
Studies will focus on learning the traditions of Bel Canto technique.
We will begin with repertoire from the 24 Italian art songs and vocal songs/exercises from Vaccai.
More advanced students will refer to bel canto arias.
All singing lessons start at age 14
The Exquisite Voice, Inc.
Christine is a professional vocal coach with an exceptional reputation. She is the owner of The Exquisite Voice, Inc. Currently home in Springfield Va.
As a D.C. native, Christine has taught extensively in the DMV area for 10 years and is now taking her business/work to New York.
She is considered an expert in her field for achieving high quality vocal technique that can be implemented in all legitimate singing styles.
Christine is a fearless technician in the vocal arts, willing to put her knowledge and know how against the best in the field.
Achievable, high quality, professional results that captures and highlights a singer’s natural voice is what I am after because it brings the most joy to ourselves and to others.
Straightforward technique that removes uncertainty and doubt.
Learning to have authori
ty over your instrument to really grow into an individual artist and communicator.
Always honoring the instrument that a person has by guiding them to really learn the fullness of their abilities.
There is nothing more compelling than a voice that is natural and confident in their ability and accessing technique consistently is vital to creating this assurance and peace.
I am able to rapidly diagnosis a full range of vocal issues and begin to work towards strengthening deficient elements in relation and respect to the singer’s entire technique.
This will take time, but I make it clear exactly why this is the focus so we can work efficiently and cooperatively together.
It is important to reveal issues in a highly apparent manner, yet to be supportive and respectful of the student’s voice while motivating change to take place. I try to make it extremely clear through the exercises and rep I personally select to highlight a capability that is lacking by giving a student the right challenges where they can see they are not fully demonstrating a vocal element.
It often times is things they have been told in the past, but aren’t able to identify the problem due to lack of clarity clouded by other elements from past instruction or not provided the right tools to overcome their vocal issues in a realistic way that leads to continue success in their process. Meaning I really isolate and get to the heart of issues.
I have a signature method of highlighting issues and making corrections. I am very particular about explaining the process so that it makes sense to each student and can be accessible for them.
Another strength I have is I am able to identify the student’s learning style and am resourceful in the way I teach.
Together we will learn to develop a practical process and routine that works consistently for you based on your own personal needs as an artist.
The goal is that you will be able to instruct yourself successfully every time by thoroughly learning your instrument’s capabilities through care and guidance provided in our lessons.
I expect this from each student in their time, so that they can become confident in the choices they make to direct themselves. It is important to become independent since you are the one in control of your voice alone, and I intend to get you closer to that goal every lesson by making your voice more relatable to you by providing the proper understanding and resources to achieve this.
This is how world class musicians think, that they will be able to lead themselves in their process and trust their choices without too much worry after because the foundation and thoughtfulness to their decisions have already been made over time to where it is now intuitively inspired while performing. You can only access what you have trained (technical) or allowed (emotional).
Not only trust, but enjoy the freedom to do so. It might be a freighting concept to many, it was for me to think I must take full control, but you must eventually be assured about who you are and that you have more than enough to manage.
Something we will discuss a lot from the emotional standpoint, not allowing our fears or need/expectation to be perfect stand in our way of the bigger picture. We will develop a healthy relationship with our voice.
Every necessary element required for excellent singing will be explained. It is not possible in one or two lessons however.
It is real time and work. I do require you trust the process to a reasonable degree and know that I will always have your best intentions at heart. I have worked with many issues and types of people and have a lot of insight to pull from. Mostly people think their issues are unique, when in reality they are common. Nor do I get easily confused. So rest assure that your voice is always inspiring to me and I love to help people find more meaning in their art.
I can confidently say, almost more than any other instructor you have had we will thoroughly go over every element.
It is necessary that a student knows what is already amazing about their technique so they do not expel or replace it while working on their challenges. I cannot emphasis this enough. I have found this to be the biggest issue with passing on good instruction in the last 40 years from all institutes of voice.
Every voice comes in with something to build upon. There is not one voice, even the most challenging that doesn’t have an element right, it just might not be used appropriately while lacking all the other supportive elements, however it is there and that’s where we will start if that’s the case.
That’s why so many students, particularly very talented ones get lost in their training, because they do not realize that this has happened, so their natural abilities they cannot explain if they become teachers or professionals, which you must be able to explain everything or worst, they lose their natural ability and do not understand why.
This is also another fear of people who have natural ability, but if you have an instructor who understands you and these factors, you will be in good hands to find greater success vocally.
We need to identify our technique simply and readily every time in a way that we can articulate to ourselves.
This is a process and hard work (particularly emotional/reasonable expectation) is required on your end. More importantly developing trust for the process because what you do with your voice is up to you in the end alone and to displace that is neither helpful or honest. It is your voice! Always.
We will be doing honest work, look forward to it:D 💗💗💗
I am extremely generous as a teacher, you will come to find this is true. I promise to do my end of the deal and give you everything I have got in terms of my knowledge and insight, you just have to give yourself the opportunity to really commit to trying full heartedly. The lesson is for you. If I do not know something I say it.
I am a dramatic soprano and I have continued my vocal studies vigorously with Mrs. Fabian Bravo, a long term principal singer at The Met, who was taught formerly by Mr. Luciano Pavarotti.
I am very confident in the Italian Bel Canto technique and extensively in all popular genres, including jazz, ballads, R&B, Broadway, traditional, etc.
Technique I cover is creating legitimate support via fully integrating the body, while from the body’s relative support, applying highly efficient/directed air that is responsible for the quality of the voice’s capabilities and range of elements. Everything is created from these two fundamental elements.
We will also cover muscle release (throat, spine, tongue, facial, soft palate and accessing resonators directly, releasing the larynx and closing the vocal folds genuinely and appropriate air and relative use to the other elements, accessing legitimate chest and head voice, mixing/centering the voice appropriately with highly disciplined air and body support) legitimate dynamics with muscles released/throat open, accessing internal naturally covered space that can thoroughly release the voice through the skull and centered in which the air pressure/direction determines the dynamics, while not improperly closing the muscles or inappropriately moving the larynx/overly directing and dropping into one register, proper articulation that enhances/does not interrupt or cut off breath support/the body inappropriately/use of compressed air and direction that directly effects head voice, chest, middle mix access that most professionals do not have disciplined and create through other secondary means. This is more all equates to flexibility, strength and freedom to be endlessly expressive. Everything in balance and relation to become competent and proficient. The best part is really being able to enjoy your singing in the moment.
I have been singing opera for 7 years now, and Christine had the most thorough teaching process by far! I found my real voice underneath all the conformity I had been taught through choir and am now moving through singing more powerful and with my "real voice." She is open to workshopping repertoire that you are interested in, and suggests things that will help you grow your voice while not pushing an agenda, so you feel as though you have lots of artistic freedom.
Also just a super warm and authentic person. Overall a great experience!
May 12, 2019
Christine is extremely talented and provided me with positive yet technical feedback each practice.
February 17, 2019
Christine is a Godsend! Prior to working with her, I studied classical voice and opera with several instructors. Christine is by far the best teacher and wish I had met her sooner!
As an accomplished singer herself, she is able to identify challenging areas and help improve technique. I’m now attempting pieces with confidence that I never would have attempted previously. And, I find the sessions very relaxing and enjoyable. She inspired me to push myself further and feel like I’m getting great results! Well worth the investment.
I have over ten years of professional experience and have graduated from one of the top conservatories on a full ride scholarship
Are you interested in exploring Voice? I believe that each student is a unique individual who needs a secure, caring, and stimulating atmosphere in which to grow. It is my desire as a educator to help students meet their fullest potential by providing an environment that is safe, supports risk-taking, and invites a sharing of ideas. Together we will set long-term and short-term goals while enjoying all that music can bring. I hold an Artist Diploma and Masters of Music from The University of Michigan on full scholarship and a Bachelor of Science in Vocal Performance from Roberts Wesleyan College. Having performed both state-side and internationally I have the artistic depth and knowledge to help you achieve your goals.
I currently teach at my private studio in NYC Monday through Thursday. Professional
Tenor Steven T is distinguishing himself as a versatile leading man singing roles from Rodolfo in Puccini’s La Bohème to Argento’s The Man With A Paint Box in Postcard from Morocco. Known for his clear ringing top, OperaNews described his voice as possessing an “All-American sweetness… that blossomed heroically in the role’s highest phrases.”The Naples (Florida) Sun Times describes his voice as “fused with power and passion.”The Ann Arbor News simply calls his voice “outstanding.”
Mr T has performed extensively through out the United States and Europe singing the title roles of Faust, Fritz in L’amico Fritz, and Albert in Albert Herring. Other lead roles include Alfredo in La Traviata, Pinkerton in Madama Butterfly, Jeník in Prodana Nevesta, Tamino in Die Zauberflöte, Macduff in Macbeth, Don Ottavio in Don Giovanni, and Don José in Peter Brook’s adaptation of Bizet’s Carmen. Noted venues include Carnegie Hall, Opera Santa Barbara, Fresno Grand Opera, Caramoor, Mercury Opera, Amore Opera, The Eastman Kodak Theater, The Sheen Center, WQXR The Green Space, Trealto Bramante, Opera in the Ozarks, The Connelly Theater, Teatro Caio Melisso, and The Garden State Opera.
Oratorio and Concert works include Handel’s Messiah, Beethoveen’s 9th Symphony, Bach’s St John’s Passion and Cantata No.4, and both Schütz and Dubois’s The Seven Last Words Of Christ with The International Symphony Orchestra, The Life Science Orchestra, and the Michigan Sinfonietta among others
Mr. T received his Masters of Music and Artist Diploma from the University of Michigan of full merit scholarship and his Bachelors of Science in Vocal Performance from Roberts Wesleyan College. As well as performing Mr. T maintains an active teaching studio in NYC, Long Island, and Berlin. Students with whom he has worked with have booked leads in Musical Theater and Opera both professionally and regionally as well as going on to conservatory
Steven is an amazing teacher, can’t wait for the next lesson !
March 18, 2019
Stephen was awesome! He created a light fun atmosphere that made me feel really comfortable being a beginner. and also is very truthful about my vocal potential which I really appreciated. I really enjoyed the space it was very peaceful. I would highly recommend Stephen to anyone who's interested in taking vocal lessons for the first time or someone who has tons of experienced. Steven is very attentive he really breaks down every detail about your voiceso you can recognize if there is a problem and correct it I really appreciated that.
February 26, 2018
Steven has everything possible going for him. He is amazingly talented in voice!
He is honest & sincere. He cannot create a talent in us that is not there. He tested me with chords, etc. , however we do not know if I have the talent to continue. Only my first lesson. He does not believe to continue if we both feel the inert talent is not there. He is ethical & moral.
Steven is patient & calm but has this inert enthusiasm that supports you, so you feel uninhibited & give it your best when you are with him in his quiet studio.. He is totally with you every second. I couldn’t ask for a better teacher. 5 STARS!!!!!
Breathing, Italian Swedish school of singing , Alexander tecnique
BIO: Elena started her musical studies at age 4, singing with the "New York City Opera Children Chorus". She studied at Manhattan School of Music. She studied in Hunter College and Queens College of the City University of New York and the Bejar Conservatory in Salamanca, Spain. She has performed in Carnegie Hall, Avery Fisher Hall and throughout Europe as a soloist. She had sung Mimi in La Boheme, High Priestess in Aida, Ines in Il Trovatore, in addition to singing other operas including Othello, Carmen, Mephistopheles, The Magic Flute, L'Italiana in Algeri, Le Nozze di Figaro. She has participated in the Master Classes of Alfredo Kraus and Monserrat Caballé and David Jones. She is currently under the vocal direction of David Jones who is the foremost voice teacher pedagogue. Ms. Diaz- Acosta has also directed summer performing arts pro
grams and high school and college preparation workshops throughout the New York and New Jersey areas.
I have been literally to 4 youtube teachers and though I have nothing bad to say about any of them, i know that I need a long term teacher that I can see myself growing with as a singer. Our personalities just meshed. She knows how to make one feel comfortable. She is very encouraging to students with zero self confidence like me. I think I have found the teacher I’ve been looking for in Elena! i’m excited to see what she can do to transform my voice. Her resume as well as her reviews( students spoke highly of her character) are what stood out for me out of thousands of teachers online! It is also important that I love to listen to my teacher’s voice and i love her voice😊
April 5, 2018
Elena was great! She helped me start new ways to sing. I have sung for years, but these news ideas had immediate results!😊
I have been studying Broadway singers for years. I have been a Musical Theatre performer for years and I am still studying singing, acting and dancing. I am still young and know what it feels to want to better yourself everyday, so I can relate to most learning students. I put a lot of importance to vocal training, technique and warm-ups.
Lehman College, Bachelors of Fine Arts, Graduate! I am a Musical Theatre Performer. I perform all the time and believe that warm-ups are a big importance when it comes to performing. Technique is something I have been studying for a while, and I am consistently learning what new techniques work for myself too. I teach singing, acting and other subjects too, check them out!
Preparing for an audition? Enjoy singing for fun and interested in learning how to improve your vocal technique? No matter what style you enjoy singing - classical/opera to musical theater to pop and beyond - all lessons are focused on helping you reach your singing goals with a healthy vocal technique. Students can expect to work on vocal technique and repertoire during each lesson.
I'm an opera singer with several years of teaching experience and I want to help you reach your musical goals! I have a Master of Music degree in Classical Vocal Performance and a Bachelor of Music degree in Music Education.
I'm passionate about sharing my knowledge and helping students find their own unique voices, no matter what kind of music they'd like to sing. Lessons include vocal technique plus work on repertoire, music theory, and/or sight singing, depending on the individual student's interests and needs.
I’m currently on faculty at The American Musical and Dramatic Academy (AMDA) in NYC. I hold a B.F.A. from New York University's Tisch School of the Arts and have studied for 16 years under renowned vocal pedagogue Dorothy Stone. My performing career has taken me around the US and Europe, performing roles in musicals, operettas, and operas. I'd love to share my knowledge and experience with you! Let's get singing!
"Excellent teacher! Classical voice is just one of the many subjects she excels in. She is well trained, she gets the job done, she is very kind and works
well with others."
"His knowledge, explanation on how to manipulate the body for singing has taken me to another level.
He does analysis on where are you currently with yo
ur vocals and helps yo make the changes to grow as a singer. I am very grateful that Pedro taught for many years. I would recommend him hands down to anyone who wants to learn classical techniques to be applied on any singer."
"I worked with Michelle for a little over 2 years. As an adult student, I was super nervous about singing in front of anyone - it took me this long to just
sign up for lessons! She was patient with me and gave me lots of tools for dealing with my nerves and stage fright. Michelle helped me to choose songs that I not only wanted to sing but that matched my voice and range. I was hesitant about performing in a recital but Michelle pointed out that it was like training for a marathon - doing all the work but not performing just seemed silly. It wasn't perfect but it was definitely something I'm proud to have crossed off my bucket list."
"Michelle is an amazing teacher! I have had 8 lessons and am so happy with my progress. I am 53 years old, and have been singing since high school. But,
I have never taken voice lessons, and therefore, have not been singing correctly all these years. She and her husband Robert are teaching me a whole new way of singing. It is like teaching an old dog new tricks, but they are so good at explaining things and are so supportive, encouraging and fun! It is my one hour of therapy a week. They are helping me find my new voice, and I am loving it. Highly recommend."
"Linda is a vey experienced teacher,
She worked well with my 9 yr old son!"
"Jen was really nice, put me at ease right away!! I'm looking forward to my next lesson!"
"Michael is brilliant at breaking down vocal technique in a way that is both easy to understand and applicable to all vocal ranges/styles. His lessons are
tailored to my interests and needs; I couldn't ask for a better teacher."
"I’ve been working with Carla for several years. Over that time, I’ve had the opportunity to explore several vocal styles - jazz, musical theater, classica
l - and have performed on stage and even won a competition.
She’s patient with my desire to learn different ways of singing. She’s taught me how to control my voice so I can sing straight tone or float my high notes. I am always impressed by how well she can explain techniques to the average person so you can actually translate it into a really cool sound.
I’ve been so impressed, my children now take lessons and are having success at community auditions. I highly recommend Carla for her ability to work with all ages, levels, and styles."
"We have had two classes with Molly and these have been very good!"