Gillette Music Lessons
Looking for private in-home or in-studio lessons? Our Gillette teachers are ready to get you started. Find your teacher today!
Search for a teacher
Compare hundreds of teachers based on the criteria that matter to you, including background checks, age and experience.
Schedule your lessons
When you've found the perfect match, schedule your lessons online using the teacher's real-time availability.
Connect with your teacher
Your teacher will welcome you with a personalized curriculum to meet your specific goals and you'll be able to manage your entire schedule through our free online account.
Zero travel time is great for a busy schedule.
Typically priced lower than local lessons.
Online students stick with lessons as long as local students.
Bill is a great teacher. Teaching an adult to learn an instrument for the first time is not an easy task. Bill has tons of patience e
I started singing when I first entered college, and I fell in love with it. My only problem was that I didn't h
Kevin took me under his wing and right away my voice began to improve. I had a richer, deeper resonance and I started to be able to find control over my voice, my flexibility and range increased, and I started to find the carefree, easy singing voice that people strive towards.
Lessons with Kevin were always enjoyable. He is one of the most supportive people I know, and he has a way of making you feel good about yourself even if your voice is cracking or being uncooperative. I remember one time, I went to sing an F above the staff and my voice just broke completely and some really terrible sound came out. All Kevin said was, "There's that frog!" and we laughed it off and continued with the lesson.
One of the best aspects of Kevin's teaching is his ability to explain concepts clearly. He provides many different viewpoints for addressing issues with the voice and can clearly articulate solutions to your specific vocal needs.
In addition to being able to teach well, Kevin is also a very talented singer. He uses a lot of vocal models in his lessons (which only enhanced his ability to communicate concepts clearly), and I was always blown a way with how rich and resonant his voice was. I envied his ability to transition smoothly throughout all the ranges of the voice.
I know that I was not Kevin's easiest student to teach, but thanks to him I now have the confidence and the skill to get up in front of people and sing my heart out, and actually sound good! Last summer I landed the role of Rolf in our community theatre production of The Sound of Music. This would not have been possible without Kevin."
And they're not alone!
Our teachers have taught
lessons and counting!
When you have a love of teaching, you have a seemingly endless resource of patience. This is because what the student sees as "patient" is really just a small step in the educational process. It is a fraction of time just before a correction. When you have something new to teach, whether it is a new technique, or a correction of something being done improperly, and you know exactly how to break it down so it is understandable and accomplishable, you know it is always a short matter of time before the student gets it. And by short, I mean a matter
I respect others and what they feel and have to say. I treat others as I would want to be treated and lessons are always a pleasure to my students, because it is a pleasure for me to teach them.
I have been playing for over 26 years. I have played with a multitude of local orchestras and bands and have done countless studio recording sessions and live shows. All of this experience comes through in my teaching either directly (when it comes time for you to perform) or incrementally.
When you are learning, there is a vast sea of information. Not all of that knowledge is equal in importance. It is incredibly important to be able to distinguish what is important and what is not very important. All of my real-life experience, and continuing experience reveals itself in the form of ensuring my students know what is truly important.
Lest you get the idea that I am a wishy-washy, undemanding teacher, I can assure you this is not the case. Lessons are fun, but that is because they are productive. You will walk away being able to do something, and that requires hard work, and practice.
WHAT I EXPECT FROM MY STUDENTS
And a winning attitude.
I can even work with you if you don't have a winning attitude, but it makes it more fun when you do!
HOW FAST CAN I EXPECT RESULTS?
Some students who were musicians previously leave the first lesson being able to play their first song. Most students however, who have never played an instrument before, can expect to be comfortable bowing (a huge part of the process - half the sound!) within the first few weeks, and will then move on to learning songs. We will be learning sheet music as well, on a very, very easy gradient. After the first couple months, I expect you to tell me which song it is you might like to learn most so that we can start working on it.
I rent out violins of all sizes.
I sell the book that I teach out of (or you can obtain it online or from Sam Ash).
If you have any questions, I am happy to answer them. You can use the contact button on this website and I will gladly answer you in return.
· Violin · In home
· Fiddle · In studio
· Violin · In studio
There is no previous experience in music or guitar necessary to begin lessons. Most of my students began with only a guitar and a bit of enthusiasm, and that's all anyone ne
*** Home Studio Equipment ***
Home Studio: guitar amp, bass amp, cables
*** Travel Equipment ***
I will come with my guitar, a metronome, and a cable if my student is studying electric guitar. My student should have a guitar, paper, a pencil, a metronome, and an amplifier (for electric guitarists & bassists.)
*** Lesson Details ***
I teach musical fundamentals and basic technique to all of beginner students, as well as discuss practice methodology, listening practice, and musical style. We will be delving into rudiments quite a bit, but using riffs, melodies, and applicable chord progressions to learn. Learning to read musical notation is not necessary for many musical goals, but we can pursue that route if desired, and it is highly encouraged for a comprehensive musical understanding.
For intermediate students will likely want or need to work on specific things, ie technique, learning specific songs, music theory, learning the ins and outs of specific genres, composition, improvisation. My specialties include pop, rock, metal, funk, jazz, and classical guitar.
I am very open to regular communication with my students to answer questions, share recommended listening or reading, and of course, be on top of scheduling and logistics. I try my best to make our time together a rewarding and fun experience, and to pass forward the great fortune of learning music.
· Guitar · In home
· Guitar · In studio
· Guitar · In studio
In the fall of 1991, with a full scholarship, he attended Berklee College of Music, Boston, MA. He studied jazz drums mainly with Joe Hunt and Jon Hazilla, and orchestral percussion with Dean Anderson. Also, he took many classes in jazz composition and arranging with Gregg Hopkins and Jeff Friedman. He was the recipient of "The Cuccinello Percussion Award" and the "Berklee Percussion Department Achievemen
In the spring of 1995 he earned a Professional Diploma in Performance and Jazz Composition from Berklee College.
His ambition to learn and play music made him move to New York City. He continued his studies at The City College of New York, CUNY, NY, and earned a Masters degree in jazz performance in the spring of 2000. There, he studied jazz and contemporary drums with Charli Persip, Kim Plainfield, and Mark Walker. Also, he studied jazz ensemble, and arranging with Grammy award winning bassist Ron Carter.
Currently, as a full-time freelance drummer, he appears at various live music venues in New York City, and around the tri-state area as well. His own jazz band has performed at Arthur's Tavern in Greenwich Village every Tuesday since September 2001, and he has also appeared at the Blue Note Jazz Club in New York in 2003, 2004 and 2005. He has also been touring in Tokyo and Kyushu, Japan.
As a sideman, he has performed at the Birdland Jazz Club in New York with the Morris Brothers Band in 2000, and also at the April Jazz Festival in Finland with the Jay Sweeney R&B Experience in 1999. With his wide-ranged interest in music, he plays not only jazz, but also rock, R&B, funk, blues, country, Brazilian and afro-Cuban.
John Scofield, Larry Carlton, John Abercrombie, Robben Ford, John Petrucci (Dream Theatre), Percy Heath (MJQ), Ron Carter, Donald Byrd, and Barry Harris are among some of the more notable musicians that Yuichi has performed with.
Yuichi is an excellent and experienced educator. He taught drums at the National Guitar Workshop since 1997 and also at the Roosevelt Island School in 2004. His students range from 9 years old to experienced adults. He has clear objectives and a passion for all lessons, units, projects, and is able to share these objectives with his students very clearly. Also, with his skill to plan instruction programs for music that meets individual needs, interests, and abilities of students, he worked for the Jazz Workshop in Yamaguchi, Japan in 2002, 2003, and 2006. There he played a very important role as a program coordinator as well as a translator. At this workshop, he worked with jazz legends, Barry Harris, Richard Davis, and Lewis Nash.
*** Lesson Details ***
After so many years since I grabbed a pair of drum sticks for the first time, I still get the same joy and excitement when I play music with drums nowadays. The better I have an idea about music, the more fun I get. It seems that my drumming gets better as long as I have specific goals every time I practice playing drums, and that keeps me wanting to play more.
By teaching how to play drums, I like to share this fun with you. In order to do that, I will make an ideal practice plan specifically designed for you.
If you know what songs you like to play, then I will show you what to practice on drums and how you are doing. It might be helpful if you understand the song in terms of what it consists in term of verses and choruses, chord changes, instrumentation, etc. Whenever you like, I can talk about these things as well. You could take it as a kind of music theory, but I keep in my mind that your primary interest is getting better on drums.
If you do not have particular songs in your mind right now but you want to play drums, No problem. I will be happy to introduce you many different kinds of songs/tunes until you find one to play.
Or if you just want to play some hot drum solos, I sure got some great stuff to work on to it.
Either playing a song or playing just solo drums, I will show you many different techniques to work on, and I will keep watching how you are doing on drumming.
I look forward to meeting you and starting work on building your fun with music!
Thank you for visiting my profile site!
Yuichi (pronounce 'you-each-ee')
*** Studio Equipment ***
Drum set, PA, guitar/bass amp., keyboard
*** Travel Equipment ***
Snare drum, acoustic guitar, acoustic bass guitar
*** Specialties ***
Drums, Percussion, Electric Bass (beginning to intermediate level), Music Theory, Guitar and Keyboard (beginning level)
Rock, Pop, Jazz, Blues, R&B, Funk, Latin includes Afro-Cuban, Brazilian
· Drum ·
Yuichi has been a really great teacher for our 7 years old son. He is very patient and really great with kids. He's made a real effort to get our son interested in drumming and music more generally, introducing to different sounds, rhythms and types of music. My son really enjoys his lesson and is making good progress!
Yuichi inspires you to improve, and shows you how. Simple as that.
About Dr Yelena
Hailed for having “established herself as a very fine interpreter…” (NYCR), Yelena is highly regarded for her intellectual depth, keen musical insight, and passionate performances as both a solo lecture-performer and a chamber musician with a strong preference for unusual and innovative thematic p
As a winner of the Artists International Competition (2005), she performed her sold-out New York Debut recital of the Baroque Reflections program at Carnegie’s Weill Hall and was highly acclaimed for her “grand performance in a grand tradition” (NYCR).
She has been a regular guest lecture-recitalist at The Harvard Club, where she has showcased a wide array of thematic programs, such as The Bach Project, The Art of Chaconne, Humor in Music, and Music and Dance. She has given an extensive series of thematic solo and chamber music performances in tribute to birthday anniversaries of Mendelssohn, Schumann, Liszt, Alkan, C.P.E. Bach, Strauss, Tchaikovsky, Busoni, Czerny, and Dvorak with recent guest performances at The Metropolitan Museum’s Balcony Bar with flutist Suzanne Buerkle and New York’s Bohemian National Hall with violinist Emilie-Anne Gendron.
She is an Adjunct Professor at Fordham University, where she instructs music history and piano, and serves as a chamber music coach. She is also on the piano faculty at the Crestwood Music Education Center in Eastchester, New York, and maintains an active private piano studio on the Upper West Side.
She is also a passionate leader and entrepreneur as the founder and the artistic director of a classical salon series – an intimate and enlightening series of Classical home salons on the Upper West Side, having presented renowned pianists such as Jerome Lowenthal, Oxana Yablonskaya, and Madeline Bruser, clarinetist Julian Milkis, Juilliard’s Professor of Music, Michael Musgrave, and NYU’s Professor of Music, Michael Beckerman.
Previously, at Juilliard, she has been a faculty member in the Piano Minor Department and taught the undergraduate course on Piano Topics. She has also coached piano-duo and chamber-music groups in Columbia University’s Music Department and was the organizer of the Barnard-Columbia-Juilliard concert series at Columbia’s Miller Theater.
Born in Moscow, Yelena began her professional piano studies at The Gnessin School of Music for Gifted Children at the age of five. As a student in the joint degree program, she graduated from Barnard College at Columbia University summa cum laude, and as a member of Phi Beta Kappa, with a major in English Literature and a minor in Philosophy. She holds both her M.Mus and DMA degrees in Piano Performance from The Juilliard School, where she studied jointly with Jerome Lowenthal and Oxana Yablonskaya, as well as privately with Richard Goode.
Dr Yelena G.
Dr Yelena G.
As teacher, Stephanie has taught all ages in music. She was a music teacher at a private elementary school in Miami and a professor at Barry University in Miami Shores. Stephanie also specializes in helping in competition training, helping many students place in the top music schools.
As a performer, Stephanie performs in opera and concert performances across the United States. This season, Stephanie debuted with the Klezmer Orchestra singing Hodel in their production of Fiddler on the Roof, was a soloist at Barry University in Rossini’s Stabat Mater, and will be performing
Featured roles in past seasons have included the Miami Summer Music festival, where she participated in the Wagner Institute concert, and as Elizabeth Proctor in the new opera production of The Crucible. The Palm Beach Arts Paper noted that she “sang impressively, handling the music with confidence and flair.” She also sang the title role in Pinocchio at Cedar Rapids Opera, as well as Flora in La Traviata, Carmen in Carmen, Giulietta in Les contes d’Hoffmann, Meg in Mark Adamo’s Little Women, Mrs. Herring in Benjamin Britten’s Albert Herring and the Nurse in Michael Torke’s Strawberry Fields.
Stephanie placed 3rd nationally in the New York Lyric Opera Competition, where she made her Carnegie Hall debut. She was the winner of the Miami-Dade artist access grant award, and the Concerto Competition at New World School of the Arts. Stephanie has also placed in the semi-finals of the Florida Grand Opera/Young Patroness of the Arts competition, and the Palm Beach Opera Competition. She has participated in distinguished opera programs such as the Miami Music Festival, International Vocal Arts Institute, Opera Academy of California, and the Manhattan School of Music Summer Festival.
· Classical Voice · Online
Stephanie is patient beyond belief, but also incredibly driven and focused in her teaching technique. My range has expanded, my tone has become warmer, and I'm an all around better musician with her as my teacher. The way she approaches the voice is both confident and very professional, and I would happily recommend anybody to study with her; beginning, intermediate, or advanced. She is a gem!
I recently graduated from New York University's Tisch School of the Arts where I studied theater. I've been lucky enough to combine my love of theater and music by working as a music director and composer on a number of productions.
It has the power to heal, validate, energize, and give meaning to both its giver and receiver. Music is one of the most beautiful forms of creativity that exists!
I'm a songwriter, vocalist and multi-instrumentalist, and have taught private voice sessions for 10+ years.
I've written and recorded 4 studio albums of my own music, and collaborated with a number of other talented musicians, songwriters, DJs and producers in Los Angeles and New York. I've performed live in many venues in NYC and Los Angeles, and almost every state in between.
Our lessons are designed to not only help you improve your singing voice, but to help you become more confident as a performer, and more comfortable expressing yourself in a way that is uniquely YOU!
Whatever level you're at with singin
My music experiences range from the world of film scoring in Los Angeles, to rock and pop studio collaborations, to performing live and touring, to behind-the-scenes work in digital music distribution. I also have a background in working with people who are differently abled, both individually and in groups, with singing, piano, guitar, instrument exploration, rhythm, and movement.
It's my joy to combine my passion and experience with the arts, in order to help others from all walks of life get connected with their own self-expression.
Here are some highlights of what you'll learn in our lessons:
-Learn how to keep your voice from tiring out or weakening
-Become more confident and relaxed with public presentations or performing
-Find versatility in your expression
-Work on enunciation
-Learn microphone techniques for singing or speaking
-Refine pitch and tone
-Increase your volume and dynamic control
-Increase your singing range
-Uncover your personal "vibe" for your voice
-Learn where your voice lies in music arrangement for original songwriting
-Become more free and find the joy within your personal expression
-Learn tips for working with others in a professional environment
-Learn where to place your voice in songwriting for the best musical arrangement
· Public Speaking · In home
· Singing ·
· Singing · In home
My private saxophone students have gone on to study at the college level, have been members of the Florida All-State band, a
In addition to music performance classes, I have experiencing teaching music theory and arranging. If you would like to learn about the magic behind music, I'm your guy!
If you're interested in ensemble lessons, we can negotiate group package discounts. I've found that music is best when shared and learning to perform quality musical literature with other, like-minded musicians is one of the most rewarding experiences in life.
View Full Profile
I started at the age of 6 and then formally at the age of 12 (a little bit late). I studied at the Simon Bolivar Conservatory in Caracas and then I moved to the US.
Here the mix of different cultures and music has created a deep impact on me, so I tend to create interesting programs for my students. Music that goes from J.S. Bach to Samuel Barber, or from Igor Stravinsky to Juan Vicente Lecuna.
I also have attend masterclasses of wonderful teachers such as Simone Dinnerstein, Yoheved Kaplinsky, András Schiff, Jerome Lowenthal and Hung Kuan Chen. Experiences that have been very enriching.
In Venezuela, I also studied venezuelan piano music with the pianist and composer Luisa Elena Paesano, and with pianist Guiomar Narváez. They impulsed me in a way that I
It will be very exciting to share all these experiences with my future students!
· Piano · In home
· Classical Piano · Online
· Classical Piano · In home
Getting excited about your first piano lesson? If you've opted for lessons in your home, there are certain ways you can prepare your space beforehand. Continue reading for the checklist from St. Augustine, FL teacher Heather L... You've found the perfect piano teacher. You've found a great time slot for lessons that works for everybody. Your piano teacher is prepared to come to you. But how do you prepare for piano lessons in your home? Follow these simple steps, and piano lesso … Read More
Take your voice to the next level. Download free video tutorials to start singing like the star you are!
Getting Started with Music Lessons guides you through selecting a teacher & preparing for your first lesson.
Kickstart your guitar playing. Download free video tutorials to learn about chord progressions, strumming, and more!