Belford Music Lessons

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About Etan H.

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Montclair, NJ
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About Etan
I have been both a performer and dedicated teacher in the NYC and NJ area for over 14 years. I began playing music at the age of 8 years old, studying classical piano until I was 13. From there, I picked up guitar and started to immerse myself with rock, folk, classical, and jazz music. I eventually attended William Patterson University where I earned a BA in Jazz Performance, and then decided to move to NYC and pursue my career as a performer and educator. Upon moving to the city, I attended the American Institute of Guitar where I studied classical guitar for 5 years with world renowned guitarist Yasha Koffman.

Currently, I am teaching and performing in the greater NJ and NYC areas, and have performed with notable figures such as Steve LaSpina, James Williams, Tyshawn Sorey, and Yasha Koffman.

*** Lesson Details ***
After t
eaching for 14+ years of teaching, I have developed a teaching style that is unique in that I approach each student’s progress on an individual basis. Musically speaking, I am able to identify what is holding the student back and take necessary steps to move forward in a constructive and supportive way that will inspire you to continually grow as a musician.
The first thing I want to accomplish in my lessons is to get the student excited about playing music in general. That means understanding what kind of music the student likes to listen to and incorporate it into the lessons. I find that relating ear training, theory, reading, technique, and rhythmic study to the music that they are interested in is a great way to do that.

CLASSICAL GUITAR INSTRUCTION:
We will focus on a variety of topics including right and left hand technique, proper body position, sound production and tone, reading, repertoire, and finding your own personal musical voice with regards to playing classical music.

JAZZ GUITAR INSTRUCTION:
We will cover jazz theory, chord shapes, scales, repertoire, and transcription. Jazz is an oral tradition and I am a firm believer that the best way to learn it is through listening/transcribing and applying those concepts on your instrument. We will draw inspiration and knowledge from great jazz musicians of the past in addition to finding your own personal voice as an improviser in jazz music.

TEACHING YOUNG CHILDREN:
I have lot of experience teaching young children (as young as 5 years old). For these children, I like to focus on the basic foundations of music (e.g. rhythm, melody, etc.). We will use a variety of tools (rhythm sticks, guitar books for children, singing) to enrich these early foundations in music, in addition to learning to get over the physical demands of learning to play the guitar.

*** Frequency Requirement ***
Students are required to take lessons at least once per week in order to insure consistent progress and ongoing assessment. Lessons given every other week are not offered.

*** Studio Equipment ***
Living room set up. Chairs. Music stands. Guitars. Music. Seating for parents. *** Please note, there is no piano in studio. If you are interested in piano lessons, only in home lessons are available.

*** Travel Equipment ***
I usually provide guitar picks if needed, photocopies of materials (mel bay, chord charts, etc.). I require my students to have the instruments that they will be taking lessons on and a notebook to write in.

*** Specialties ***
Piano lessons are in students' homes only! I cover music theory, application of music theory, technique, ear training, sight reading, and repertoire building.
I teach a variety of styles including classical, jazz, rock, folk and blues.
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Reviews
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Kathy C. May 5, 2013
· Guitar ·
Very happy with Etan

Etan comes to our home which works for 2 kids lesson, one guitar the other piano. He is always on time, and can handle kids who sometimes have difficulty getting going. Nothing stops him. Each of my kids has improved and likes Etan. That is a success story. This has turned out better than expected. Etan rocks!!!
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Tom D. March 19, 2013
· Guitar ·
Great lessons for my son

My son has been taking lessons with Etan for 2 years now, he is a great teacher. He has a passion for music, and a passion for teaching. My son always looks forward to his lessons. I definitely recommend Etan for teaching young kids.
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Steve M. March 3, 2013
· Guitar ·
Excellent teacher!

Etan is a very inspiring teacher, and really pushes me to learn in very constructive way. Highly Recommend!!
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Etan H.

Etan H.

Montclair, NJ 07042
(3)
starting at
$45 / 30-min

About Nicholas C.

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New York, NY

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About Nicholas
I believe in developing the healthiest, best sound possible for every student. I tailor my approach to each person, starting from strengths to help a student understand their own instrument. My technique can help singers of any genre, from child to adult.

My performance biography:
Nicholas C. is in demand with opera companies around the New York area. He was hailed “one of the highlights of the evening” for his portrayal of the Traveler in Britten’s Curlew River with the Church of the Transfiguration. He has premiered roles with Garden State Opera and American Opera Projects. His favorite roles include Silvio, Papageno, Belcore, and Dandini. A veteran of the Dicapo Opera Theatre’s Resident Artist Program, Nicholas has also sung for the Opera Company of Brooklyn, dell’Arte Opera Ensemble, Opera Manhattan Repertory Theatre, and R
egina Opera. Nick holds an Master of Music from the Manhattan School of Music, and a Bachelor of Music from Rutgers University. He is presently enrolled in an Advanced Certificate in Vocal Pedagogy program at New York University, where he is an adjunct professor.

*** Travel Equipment ***
If you have a piano or a good keyboard, I can teach at your home.
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Nicholas C.

Nicholas C.

New York, NY 10001
starting at
$55 / 30-min

About Penny H.

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Westbury, NY
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About Penny
Born in Cebu City, Philippines in 1990, raised primarily in Phnom Penh, Cambodia and other Southeast Asian countries, and pursuing further education in the United States of America, Hopengrace ("Penny") is a Global Nomad currently situated in the Greater New York City Area.

She started taking music lessons from her mother at the age of four and learned to read music at the same time she started to read storybooks. ​From the age of ten, Hopengrace took violin lessons, during her parents' rare furloughs, from Mr. Frederico Regner, a World War II veteran returned from the United States. While in the Philippines for a combined year of junior and senior level high school, she took violin lessons from Mr. Marc Hamlet Mercado and Mr. Rodelio Flores. Hopengrace has also taken coaching from Ms. Princess Christine Ybañez to prepare for competit
ion in the Solo String (Bowed) category of the 14th National Student Convention in which she won 2nd Place.

In 2007, Hopengrace received a Presidential Scholarship from Tennessee Temple University (TTU). There she studied violin under Mrs. Laura Minor (B.Mus. Vanderbilt University, MA Music NYU). She also took piano from Mrs. Carolyn Kemp​ (BS Mus.Ed. Baptist Bible College, MA Mu. Ed. University of Tennessee at Chattanooga) and voice from Dr. William Knowles and Mr. Michael Mays (BS Mus. Perf. University of Tennessee at Chattanooga, MA Church Music Southwestern Baptist Theological Seminary).

In 2008, as a member of TTU's Weigle Concert Choir, Hopengrace had the privilege to be chosen to sing with a combined choir in Carnegie Hall's Stern Auditorium with the Manhattan Chamber Orchestra under the baton of Dr. David Thye, Principal Conductor-in-Residence of MidAmerica Productions. She became a member of the Chattanooga Symphony and Opera Youth Orchestra (CSOYO) ​in the fall of that year and continued performing with them for three seasons. She also participated in the special orchestra for the annual Chattanooga Boys' Choir "Singing Christmas Tree" concerts at the Tivoli Theatre. In 2010, world-renowned violinist Midori chose CSOYO as one of two youth orchestras for her annual Orchestra Residencies Program, and Hopengrace had the rare opportunity to perform with one of her inspirations in concert.

Hopengrace​ became a registered Suzuki Method Violin Teacher with the Suzuki Association of the Americas on July 2011. She has also trained in Orff-Schulwerk.

During her travels around the world, Hopengrace struggled to keep her art alive. However, she has often been complemented for her distinctive strong, full-bodied tone​ and adaptability. Her range varies from Baroque to Modern. She plays on a John Cheng 1737 "King Joseph" Guarneri model violin with both wood and carbon fiber bows.

​Hopengrace welcomes students and employment while she prepares for entrance in a Master of Music in Performance program. She hopes to start on that new chapter of her life in the fall of 2013. Inspired by the impact of Venezuela's El Sistema program and her own experiences during her travels, Hopengrace hopes to use her talents to enable or build similar programs both while she teaches and in the lands where she was raised. ​

*** Lesson Details ***
TEACHING PHILOSOPHY
“Play with heart. Play with living soul.”
— Dr. Shinichi Suzuki
As a teacher, my goal is to instruct as well as inspire each student to reach for his or her highest potential. I hope to give each student the tools to progress so that one day they can be their own best teacher, and play with a sound and style that is uniquely their own. Most importantly, I hope to instill a desire to learn and a mindset that the art of violin playing is fun and that it is just as we call it--playing. My teaching abilities range from beginning through advanced levels. Students must have a desire to learn and commit to daily (mindful) practice.

I am a Suzuki Violin teacher. This means that I am trained to work with even the youngest of musicians in a nurturing , fun and challenging way. Dr. Suzuki believed that it was important to develop a noble character in all children through the mastery of a musical instrument. He also believed that all children were capable of this mastery if the environment is saturated with music and love. My students enjoy playing the violin because they are given the tools they need to play beautifully and to make progress on their instrument. Each lesson will focus on proper set up and posture, technical work and musical direction/ideas that will inspire them to carry on their work throughout the week. I demonstrate quite a bit in the lessons, as I find it is the most effective way to communicate in music. However, I am only with the student once a week, therefore much of the lesson is geared towards helping the parent and child understand what his/her home tasks are, and how to carry them out successfully. 10 minutes of mindful practice is worth an hour of careless work.
“There is no born genius. Education is the way to develop ability.”
— Dr. Shinichi Suzuki
​Parental support and involvement is key to any child’s progress, especially at the beginning stages. Parents of young beginners are encouraged to take a few lessons before starting their child on the instrument. Parents serve as a practice coach/partner during daily home practice sessions and are required to attend and participate in their child’s lessons. Listening to recordings and attending live concerts are strongly recommended to increase musical awareness and enthusiasm in the student.

In spite of my rigorous Suzuki training, my unorthodox learning experience has taught me the value of being flexible and using methods that work best for a specific individual. I am not averse to seeking and applying a new method (eg. traditional, Masterclass, O'Connor, etc.) if the situation calls for it.

What should be expected from a Teacher/Student relationship?

I think a student should expect their teacher to give them honest, thoughtful feedback. Just enough that they can manage the information at that time. The teacher should give detailed instruction on ways the student can improve, without destroying the students sense of self worth or spirit. On the contrary, the teacher must always find a way to see the student as having great potential. This way, no matter how limited the current level of ability may be, there is hope for growth. Even without saying it, the student will feel the teachers' attitude towards him and may become that person (for better or for worse). The student should expect to be challenged, encouraged and inspired by their teacher. The teacher should expect that the student and the parents commit to daily practice, and have a desire to improve. The student must apply his/her teacher's feedback while always searching within himself for ways to develop. Mutual respect is key.

*** Studio Equipment ***
living room, baby grand piano, couch, two chairs, residential area, street parking

*** Travel Equipment ***
My own violin, music stand, and teaching books. I expect my students to provide their own instruments, music stand, and student books.

*** Specialties ***
Suzuki, Orff-Schulwerk, classical, film, fiddle, world music, new age, popular, contemporary classical
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Penny H.

Penny H.

Westbury, NY 11590
starting at
$40 / 30-min

About Jill B.

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New York, NY
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About Jill
Hello!

Happy Summer from NYC and thanks to all who seem to have been curious about me on this platform!

I have updated my calendar but as summer, not much to change .Yes, I am teaching !

Please try the message me feature and thanks for asking me questions. I will get back to you as soon as possible when you so ask . So, let's get to having fun and learning .

Thanks for reading!

Musically,
Jill

-------------------------------------

Have fun, work hard.. that is my motto and NEVER QUIT!!!!

*** Lesson Details ***
I offer fun, creative, serious ways of learning how to be a complete musician, I am able to teach you how to play piano at a beginning to intermediate level, guitar, mostly beginning level, voice any level but not expert yet in all of this and so that is why I take
lessons myself in NYC to always get better. I am trained in the classical methods, but happy to experiment with others. I believe a solid technique in any level is the foundation and then, if you need more expertise, I am happy to refer you to others I know who teach in that style.

Each lesson , depending on your age, will have some kind of technical work, such as drills, work on whatever level you are at in music theory, sight reading, musicality and all components that would make you a complete musician, as I have been trained You will also have some FUN because it just would get boring and then practicing would be a pain instead of inspiring you. Games, little fun tests spelling musical words and the like,.

*** Studio Equipment ***
So, yes, great equipment at various studios that I can teach at all over the NYC metro area. If curious, for piano lessons, can use a portable keyboard as well as a "regular " one :)

*** Specialties ***
Mostly classical, but have at times worked with some Broadway singers, got them to sing technically correct, then referred them to a more appropriate teacher.
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Jill B.

Jill B.

New York, NY 10023
starting at
$35 / 30-min

About Jessica T.

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New York, NY

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About Jessica
With more than 26 years of performance experience, I offer my students a fun, science-backed technique that is perfect for all ages and levels. I trained at Juilliard, Pepperdine University, and hold a degree from The New School. Here is my full professional bio:

"In recent seasons, she has sung Santuzza in North Shore Music Festival’s production of Cavalleria Rusticana; the Mother in Amahl and the Night Visitors for the inaugural production of the Modern Opera Repertory Company, and also for the Passionist Hatian Missionary Charities in New York City; Brünnhilde in excerpts of Wagner’s Ring as part of an experimental theater piece entitled “A Yiddishe Wagner” for the 14th Street Y’s LABA Live project; as the soprano soloist in Beethoven’s 9th Symphony with the Garden State Philharmonic; and she has performed in recital with the Ca
ntanti Project NYC.
She joined DiCapo Opera Theater covering the role of Abigail Williams and performing the role of Sarah Good in Robert Ward’s The Crucible and repeated her performance for the award-winning European Premiere of the work in Szeged, Hungary in November, 2008. Other engagements have included Rosina in Il Barbiere di Siviglia with Metro Lyric Opera New Jersey, and 2nd Lady in The Magic Flute with the Harrisburg Opera Association.

Active on the concert stage as well as in opera, Ms. Schneiderman has been a regular soloist with her home orchestras, the Burbank Philharmonic and the New West Symphony, performing works by Mahler, Stravinsky, Orff and Mozart. She has also performed at Carnegie Hall as soprano soloist in the world premiere of Ed Lojeski’s Missa Americana. Later, she premiered the soprano solos of Mike Garson’s Symphonic Suite for Healing at the new Segerstrom Hall in Costa Mesa, CA.
Ms. Schneiderman made her operatic debut with Festival Opera Walnut Creek as Cherubino in Le Nozze di Figaro to much critical acclaim and went on with the company to perform Rosina in Il Barbiere di Siviglia and Sophie in Werther. Ms. Schneiderman attended the San Francisco Opera Merola Program, and immediately followed this with a year as a Resident Young Artist with Seattle Opera, where she specialized in the music of Mozart and Rossini. She is is also a recipient of many awards and recognitions, including 3rd place in the Metropolitan Opera National Council Auditions - Southwest Region, 5th Place in the Loren L. Zachary Society competition, Gari Foundation Encouragement Award winner, and Violetta DuPont Competition finalist.
In addition to her passion for classical music, Ms. Schneiderman has performed extensively in crossover music, having performed regularly with pop legend, David Foster, at various events. During this time, she shared the stage with Michael Crawford and spent several years as duet partner to Josh Groban.
Her first full-length album, Unlimited; is available for purchase on iTunes and CDBaby.com."

Whether you are just beginning your training, if you want to sing for fun, or if you're an established professional, I can help by giving you the tools that will have you singing well for years to come.

*** Lesson Details ***
A lesson with me will include a warm-up, where we discuss basic concepts of technique, vocal physiology and sound. You will learn the fundamentals of healthy singing and increase your vocal stamina. Next, we will work on the music of your choice and apply those technical concepts to the piece you're working. I will also advise you on elements of style and performance at this point as well.

*** Studio Equipment ***
I use studio space that always includes a piano.

*** Travel Equipment ***
Student must have piano or keyboard in home if I am traveling.

*** Specialties ***
Voice, Musical Theater, Opera, Jazz, Pop Music, Style, Presentation
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Reviews
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Ruby July 24, 2017
· Broadway Singing · In studio
I'm having the greatest time taking lessons with Jessica. It's definitely the highlight of my week. She's extremely personal, encouraging, and extremely knowledgeable. I love that she doesn't just teach you how to sing properly but explains the science behind the technique.She's great at finding what's unique about your voice and cultivating that. I've definitely improved as a singer and have become more confident through working with her. I look forward to seeing her each week!
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Laura A. December 22, 2016
· Singing ·
Jessica has a lot of helpful practical knowledge of technique and listens well to apply that knowledge to asses personal needs and goals. Her teaching is a really nice combination of warmth, artistry and science. I'm really looking forward to my next lesson with her!
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Valentina Lopez April 5, 2016
· Singing · In studio
So nice and the class was fun!!! Learned a lot at my first lesson.
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Jessica T.

Jessica T.

New York, NY 10019
(9)
starting at
$40 / 30-min
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About Andrea W.

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New York, NY
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About Andrea
With a rich tone and intuitive feel, vocalist and composer Andrea W. is in high demand as both a soloist and sideman in New York City and Washington DC. Andrea is said to have “astonishing vocal range” that is “effective in conveying the emotions of a song” (Jazz Times Magazine).

Andrea completed her Masters of Music at The Manhattan School of Music in 2013. Prior to MSM, Andrea received her Bachelors of Music in Jazz Studies from Michigan State University and attended the prestigious high school at the Duke Ellington School of the Arts in Washington D.C. where she majored in classical voice and piano.

Andrea received her Masters of Music Education from Columbia Teacher's College in 2017.

Andrea released her debut album “Dhyana” in 2011. She also sings for a French Gypsy-Jazz band, a neo-rock band, and a Nigerian
afro-beat band led by former Femi Kuti drummer Tosin Aribisala. She has been featured on several albums including a recent recording with Bizzy Bone of Bone Thugs N’ Harmony.

In addition to performing, Andrea is also a passionate educator. She has run her private voice and piano studio for 10 years and also teaches at The Larchmont Music Academy, Compass Arts, and Victoria Children's Group nursery in New York.

In the fall of 2013, Andrea and her band traveled to Mumbai, India to serve as the inaugural faculty at the True School of Music for four months. Andrea served as Head of the Vocal Department. The faculty taught young adults age 17-21.

*** Lesson Details ***
I believe lessons should be fun and that the most important thing about music education is passing on and encouraging a love for music. Especially with young children, I am flexible and teach a broad range of musical skills to help keep the student interested and engaged.

For both voice and piano study, I believe in finding your own sound and am willing to work with you on whatever musical style you are drawn to, but I am a big advocate of learning proper technique, regardless of the genre.

Lessons will spend time working on both technique and repertoire. Students are encouraged to bring in music that they want to learn. If a student is not sure of what song or style he/she wants to work on, I have plenty of books to choose from. We'll discover what you love together!

I look forward to making music with you!

Andrea :)

Voice:
Ages 12 and up recommended.
For younger students, we will do a more general music/singing lesson as the vocal chords are simply not fully developed yet.

Piano:
Ages 4 and up.
For younger students (ages 4-10), I recommend 1/2 hour lessons. 45 minute lessons work well for ages 10-12.
Full hour lessons are recommended for students age 12 and up

*For lessons at home lessons (your home), a piano or keyboard (3 octaves at least) is required. I use it to accompany vocal students as well.

*** My Home Studio Equipment ***

upright piano

amplifier and microphone

recording equipment

guitar

bass

percussion instruments: djembe (drum), shakers, guiro.

*** Specialties ***

General vocal technique
Jazz vocals
Musical Theater vocals
R&B/Motown/Gospel vocals
Brazilian vocals (Portuguese and English)
Classical/choral vocals

Classical piano
Jazz piano (learning to read chord changes)
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Reviews
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Imke May 31, 2017
· Singing · In studio
Andrea deserves 6 stars instead of 5!
I followed singing lessons in Belgium, in Italy and had at least 7 teachers before, but only Andrea could explain me in a way I could understand how our voice works. She is patience, very well informed and trained. She looks at you as a person and adapts her teaching to your person.
I followed lessons for almost a year and if I would still live in the US, I would still continue. In that year I made an incredible improvement, for which I am very grateful. Don't miss the chance to have Andrea as a teacher!
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Rob G. September 14, 2014
· Singing · In studio
Andrea is very knowledgeable, professional and makes lessons fun. She has an outstanding background as both a practitioner, professional singer, and a music educator. I highly recommend her for voice lessons!
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Andrea W.

Andrea W.

New York, NY 10033
(2)
starting at
$30 / 30-min

About Ionie B.

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North Hollywood, CA
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About Ionie
Have you always wanted to sing but didn't know where to start? Have a little one with a big voice that needs nurturing? Do you wish to expand your range and your repertoire?

Ionie's Voice Studio can help you find your voice! Your lessons will include the study of vocal technique and health, music theory, acting for the singer, body integration, and more!

With an extensive background in musical theater, pop, jazz, and rock, I have been performing for 20 years. I am also an accomplished songwriter, salsa dancer, and yoga teacher.

I am a kind, patient teacher with high student expectations. I provide a structured class in which students are asked to regularly learn and workshop new songs. I also am very experienced in working with children.

Please feel free to contact me with any questions!
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Reviews
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Rumple Stiltskin September 26, 2015
· Jazz Voice · In studio
An amazing teacher. I really learned so much about stretching, and endurance. Gained so much strength from my one lesson!
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carey C. February 19, 2015
· Singing · In studio
I've so far only taken one lesson with Ionie, but I learned an incredible amount in that short time. She was able to instantly help me find better tone and fluidity with voice. She is very clear with her analogies and descriptions of what she asks you to perform, and overall a very a good communicator.
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Darelo H. February 19, 2015
· Singing · In studio
What's great about Ionie is that she has Classical training and experience in Musical Theater. That really helped me because she could use her classical training to make sure I stopped singing in a way that damaged my voice and understood my goals for singing Pop and Musical Theater style songs. She was prompt, professional, nice, honest, and hardworking.
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Ionie B.

Ionie B.

New York, NY 10009
(4)
starting at
$25 / 30-min

About Lothair E.

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New York, NY
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About Lothair
Hi,
I'm Lothair E, originally from Chicago. I'm a great lover of all music! I've been singing since I was 5 years old. Got my BFA in Musical Theatre from Carnegie Mellon University, and have been singing and acting all over the world for the last 27 years. I've worked extensively in Europe.. Germany , the UK, and New Zealand. In the States I've done Off Broadway, and regional theatre. Roles I've played are Papa the Old Steam Train in STARLIGHT EXPRESS 2,976 performances, Sister Mary Hubert in the Original Off Broadway production of NUNSENSE A-MEN, The Voice of the Plant in LITTLE SHOP OF HORRORS as well as many others. Its important to enjoy the work you are doing. We can have a good laugh while working, but I can also push a little harder when necessary.
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Reviews
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Sak June 14, 2017
· Singing · In studio
He's my first teacher - I have never learned singing elsewhere before. He says I learn fast, but the truth is that he knows how to give the best exercises and advice to make the student realise one's full potential. Practising while following the advice he pointed out during the lesson, I suddenly found myself near 3-octave range within the first couple of lessons, and now we are working on rounding the tone and make it into a beautiful singing voice. On top of it, he's also very funny and approachable.
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Mohamed E. May 30, 2017
· Audition Prep · In studio
So experienced, helpful, and nice! Definitely recommend Lothair highly!
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Tiffany August 25, 2016
· Singing · In studio
So friendly, fun and encouraging!! Can't wait to take my next lesson :)
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Lothair E.

Lothair E.

New York, NY 10001
(10)
starting at
$40 / 30-min

About Monika J.

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Brooklyn, NY
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About Monika
When music is done right,it transcends language and words. That is one of my favorite quotes. Being able to express yourself through singing is like a religious experience if done right. My passion for music goes beyond the technical aspect, but rather the personal experience, and the personal connection. It is like taking listeners on a journey without visuals but just a melody. That is what I try to instill in my students.

I have a background in opera and gospel singing. I have a degree in music. I also taught children's choir at a public school as well at a church. My goal is to teach students how to maintain and strengthen their voices metaphorically and physically. I have a set lesson plan for students that are offered weekly to students that will help with pitch, rhythm and breathing. Along with the weekly lessons, I teach basi
c music theory as well as some music history to students. Students will learn songs from a set list of songs and will work on their own songs.
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Kristina P. July 11, 2017
· Singing · In studio
Very nice introduction to the course , we took our time and focused on where I need help vocally and Monika even gave me some tips to follow on my spare time :)
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Ria March 20, 2017
· Singing · In studio
Monika is an amazing instructor with patience and knowledge. She is kind and supportive!!!
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Catherine B. July 10, 2016
· Gospel Singing · In studio
Monika immediately began working on building confidence in me. This helped me to remove some of the fears that I brought to the lesson.
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Monika J.

Monika J.

Brooklyn, NY 11221
(8)
starting at
$15 / 30-min

About Michael F.

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Ridgewood, NY

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About Michael
I have been teaching music both in private and group lessons as well as ensembles for over 12 years. I specialize in jazz and contemporary music (pop, rock, r and b, etc), world music, and classical/chamber music. As an active performer I have performed or recorded with Run DMC, Lee Ritenour, Ambrose Akinmusire, Daniel Platzman (imagine dragons), Knower, Esperanza Spalding, Billy Hart, and Ari Hoenig among many others. I earned my Bachelor of Music from U Miami and my masters of music from NYU.

I have been featured on NPR, ESPN, bass player magazine, LA Times, Wall St Journal, Downbeat, Miami Herald, NYTimes, Spinner, and many other publications.

I am a faculty members at several music schools including NJPAC where I have been and artist faculty since 2015.
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Max S. June 19, 2017
· Upright Bass · In home
Michael is patient, warm, and friendly. My son (almost 9) is excited to move forward with lessons.
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Josue Alvarez May 6, 2017
· Upright Bass · In home
Best lesson I've had in a long time. Been searching for a teacher like Michael. Great mentor who knows his stuff with over 15 years of experience. Solid studio space. Cheaper to book 1 hr.
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Daniel Davis May 6, 2017
· Bass Guitar · In home
I just finished my first lesson with Michael on bass! He's a great teacher, he's patient and has ALOT of experience. The in home studio was cool, a great space with every instrument. Good rate. Worth the money.
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Michael F.

Michael F.

Cranford, NJ 07016
(4)
starting at
$50 / 30-min

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