Louisville, NE Music Performance Lessons

Details ***
All lessons are tailored to the students needs and goals. I like for all students to have serious music/etudes to work on as well as something fun that you enjoy playing. I teach everything from classical to pop music, beginner to advanced, age 4 to 99. Whatever your goals are, I can help you achieve them!

*** Studio Equipment ***
Music stand and chair

*** Travel Equipment ***
I provide nothing, students must have instrument, books and music stand.

*** Specialties ***
Contemporary flute techniques and performance.
Early childhood music and movement for young children.

signed around the needs of each student. The first lessons is always spent testing range, knowledge and abilities already known by the student. Then the student weighs in on what kind of music they would like to learn and what they hope to gain from the lessons. Theory and ear training are incorporated into the lessons. We work on breathing, technique and style. Generally we start with English or Italian. We work on vocal performance from a classical standpoint but Jazz and Broadway can also be taught if desired by the student. Scales and exercises are given each week to be worked on until the next lesson. A recording device is encouraged if the student cannot play the piano. Also, a voice note book to take notes during the lesson to be used during practice during the week.

*** Specialties ***
classical voice and jazz voice.

solo - as she held the booklet in front of me. Enthusiastically, I rendered the complete song correctly, only pretending to read from the page as she held it, but actually 'playing by ear'. Upon getting to the end of the tune, I suddenly broke out in a jazzed-up, improvised version of 'Twinkle, Twinkle Little Star', arousing the whole class to spontaneously tap their feet in rhythm and clap with delight . . . my first solo performance!”

David eventually took up guitar in his teens, becoming involved with playing for musicals such as "Godspell" and "Jesus Christ Superstar". During high school, he also played in the Bluegrass band 'Odell & Zeke', and in the Rock band 'Ring Wraith', performing for local dances and proms.

Extremely versatile within classical and popular guitar styles, David played in the Top-40-Hit music video, Shine Shine, by The Bee Gees' Barry Gibb – alongside pop-star legend - Michael Jackson. David is also mentioned in Just Jazz Guitar Magazine for his jazz endeavors; and he has years of experience as a church music director.

As a Classical concert guitarist, David has performed throughout the USA and Europe. His live performances have been broadcast on television and radio: NPR’s Performance Today (USA); CBC’s Arts National (Canada); RAI Television’s In Concerto (Italy), and the Hungarian National Television. Successful in competitions, David won First Prize in the 20th International Guitar Competition in Milan, Italy and First Prize in the National Wurlitzer Artist Competition, USA. He has received other awards and grants as well, including a Solo Recitalist Grant from the National Endowment for the Arts, and the Governor's Award from Department of State, Florida. Moreover, he was chosen for the rosters of both the California State Touring Program and the North Carolina Visiting Artists Program.

David’s 35 years of teaching and performing experience, coupled with intensive years of formal studies with many of the world's greatest guitarists, including Andres Segovia, Eliot Fisk, David Russell, Christopher Parkening, Holzman, Ghiglia, Morgen, Tomas, Isbin - have afforded him a rich and in-depth understanding of music and the guitar. He shares all of this with his students in an insightful and uniquely original manner.

Education:

Florida State University - Master of Music - Guitar Performance

Florida State University - Bachelor of Music - Guitar Performance

Certificates of Professional Study:
- L'Accademia Musicale Chigiana in Italy
- Aspen Music Festival

*** Lesson Details ***
Wouldn't you love to play the music that you enjoy listening to the most?
Ever listen to your very favorite songs on your iPod or on the radio and really wish you could just play along? Well, here's your opportunity! Even if you are just beginning, I can help get you up and strumming in no time! You can choose your favorite songs to play - and I will show you how! Imagine playing along with Taylor Swift, Maroon 5, Fun, Ke$Ha, Demi Lovato, Flo Rida, Alex Clare, Ne-Yo, and more!
And for you adults: imagine playing your favorite songs from the 60's, 70's, and 80's. What a wonderful way to re-kindle all the fun, memories and meaningful songs of your youth!

I am committed to helping you really enjoy and excel in playing the music you love! You will find our lessons fun, interesting, and always inspiring. What better way to be motivated to learn and play, than having fun . . . and enjoying it along the way?!

*** Studio Equipment ***
Separate, professional studio in a nice setting. Lots of windows, art, books make it inviting and cozy. Special separate adjacent room for parents and siblings, allowing parents to watch lessons through glass doors without "intruding".

*** Travel Equipment ***
I carry my own iPad, computer, cd player.
Students should have instrument, capo, music. Ability for student to take video recording/audio recording is helpful. Often, we will use parent's iPhone at end of lesson to record important concepts/techniques/etc.

*** Specialties ***
I am versatile within classical and popular guitar styles: folk, country, rock, new age, praise, bluegrass. My in-depth understanding of music theory, guitar technique, and performance affords me a wealth of practical and artistic experience from which I lead students on their musical journey.

ays on Broadway, writing your own songs, and developing show-biz career strategy, (headshots, meeting agents/managers, etc) I help TIYA members every day achieve their artistic dreams.

MORE INFO:
I have been singing since I was 3, anything and everything from Michael Jackson to Elvis Presley to Luciano Pavarotti. Originally from Colorado, I studied music/theatre, as well as vocal pedagogy at The University of Colorado at Boulder, where I graduated with highest honors. I made my Broadway debut in "The Phantom of the Opera" at age 24. I also performed in "Chess in concert" as a featured rock tenor soloist at the New Amsterdam Theatre on Broadway with Josh Groban. I have understudied and performed lead roles in the first AEA National Tour of Andrew Lloyd Webber’s "Whistle Down the Wind." Regionally, I have played many lead roles all over the United States in productions including "Les Miserables," "Miss Saigon," "The Wild Party," and "She Loves Me."

As an ASCAP recording artist, currently I am working in the studio with a full production team on my first pop/rock album. I also often sing on demos for producers and write songs for other artists in many different genres.

As a TV/Film actor, most recently I was on set with Marvel's "Luke Cage" on Netflix, and I played the lead role of (Abraham) Lincoln in the digital series pilot, "These Honored Dead." I also have played lead roles in 4 SAG-AFTRA short films, as well as the comedic lead in a SAG-AFTRA Web-series pilot, "Bodega Nights." I was called back for producers as a Series Regular for "The Knick," an episodic series produced and directed by Steven Soderbergh on Cinemax. Check out: stephenhorst.com.

My audition prep will help you master your sides for any playing space; Broadway plays/musicals and especially on camera.

TIYA clients include (aspiring) Broadway performers, Film and TV actors, singer-songwriters, voice-over artists, news anchors, dancers, comedians, CEO's all over the world, as well as karaoke enthusiasts, and songwriting hobbyists.

My TIYA members have performed on television in Smash, Glee, and venues around NYC ranging from The Underground, Le Poisson Rouge, Drom, Cornelia Street Cafe, Arlene’s Grocery, to the Broadway productions of Ghost, Sister Act, Evita, Wicked, West Side Story, South Pacific, The Phantom of the Opera, and Rent to name a few.

*** Lesson Details ***
We will always work on whatever you want.

For Singing, as a vocal technician/trainer I am like going to the gym for your voice. My exercises are safe, simple, and most importantly, I teach you how to practice correctly.

For ACTing, we can explore both the foundation itself with monologues and scenes, as well as the tricks of the trade mastering the camera frame and how to create memorable auditions for TV/Film.

For Songwriting, we can explore the fundamentals of both lyrics and music, as well as catchy hooks, production, and song structure.

You may use my time however you wish (Voice, Acting, Songwriting, or Artistic/Career guidance).

Most vocal sessions will usually be a combination of strengthening/ conditioning exercises, and then exploring/performing a song.

Most ACTing sessions will be theatre monologues, TV/Film sides and/or On camera auditioning craft.

Career consultations usually include how to get an agent, headshots, branding, and marketing to align your artistic dreams with a strategy for success.

*** Studio Equipment ***
Yamaha PSR 950 61-key arranger keyboard
Sony Handycam DCR-SR 100
Fovitec Studio PRO - 5' x 6.5' Gray/Blue screen
MacBook Pro 13-inch: 2.4GHz
with Retina display
Yamaha FG700S Acoustic Guitar
Bose Wave Music System
iPhone 6S plus

*** Specialties ***
SINGING, ACTING, SONGWRITING, CONSULTING

The TIYA vocal training method is uniquely my own as it combines both Bel Canto and Speech Level Singing. Emphasis is on developing a relaxed, released, authentic vocal timbre to sing in any style. Concepts explored include: Coordination, Registration, and Intonation. Chest, Head, Edge, and Pharyngel registration, 2 instruments in 1, posture, breath management, vocal cord adduction, trigger phrases, ring, consistency, and more. 

to EVERY endeavor whether it's music or math or soccer. I require practice on the student's part. You will be able to play recognizable songs within your first month. You tell me what you or your child wants out of music lessons, and I will tell you exactly how to get it.

*** Studio Equipment ***
Lesson will happen in a space next to the family room which is upstairs. Teacher has a collection of instruments, music stands, couches for seating. Park on the street or driveway.

*** Travel Equipment ***
Instrument

*** Specialties ***
I'm flexible. I have taught everything from country western guitar to classical guitar, from Jazz trumpet to orchestral audition music, from barbershop singing to Broadway musical singing. I have even taught ballet. I cater my methods to the student's best learning style.

years. Students who have studied with him come from a wide range of backgrounds with different goals. Those who have continued with musical studies in college have consistently placed out of at least the first two semesters of music theory and achieved advanced placement in their chosen fields of study. Those who chose a different path continue to benefit from the education and training they received from taking music lessons.

*** Lesson Details ***
There is no "standard formula" to lessons. Each student has their own unique background, needs, and goals. Lessons tend to be somewhat casual but are structured in such a way as to meet the unique requirements of the student.

To accomplish your goals, there are a few requirements and basic expectations that the student and parent must meet.
The first is practice. Students are expected to practice daily for at least the length of their lesson time. This, above all else, is essential to progress. It is also expected that a parent will attend lessons for students who are too young to drive themselves here. It's important for a parent to guide the student's practice time (particularly for younger students) to ensure that the most is gained from it. This is why I ask that a parent observe lessons.
Each student or parent should bring to each lesson a notebook, pencils (with erasers). The notebook will be used to record notes about each lesson, homework, practice advice, etc. Pencils (not pens...nobody's perfect!) are used by composers to record their creations and performers to mark their music. Both of these essential practices are subject to changing thought and must be open to change. So no ink, please!

Performers: It is not necessary to know how to read music at the first lesson for beginners. However, learning to read is required for subsequent lessons and will be a large focus for all non-readers. Lessons are not learned "by ear." A certain amount of theory will be a part of every lesson just as technique and repertoire. Concerning repertoire, it will be selected based on the student's learning needs but also with their input. The main emphasis on performance lessons, however, will be technique and reading. Students should come to the first lesson prepared to discuss their background & goals and the plan of their course of study.
Note: Voice students must be at least 16 years of age.

Composers: Just as with performers, it is not necessary to know how to read music at the first lesson. However, learning to read is required for subsequent lessons. Many young composers have great ideas but can only hear them in their heads or play them on an instrument. Lessons will allow you to obtain the skills to write them down with greater speed, accuracy, and clarity. More advance students will also include exploring a wider range of harmonic languages, advanced notation, instrumentation, orchestration, and aural skills. Students should come to the first lesson with examples of their work, either written, notated, or recorded in a digital format. They should be prepared to discuss their background & goals and the plan of their course of study.

IMPORTANT NOTES:
• To reschedule a lesson, more than one day notice is required.

• Make up lessons must be scheduled before the next regular lesson.

• A make up lesson cannot be scheduled in place of a regular lesson.

• If, for any reason, two 30-minute lessons are scheduled one right after the other, they will be charged as two 30-minute lessons, not one 60 minute lesson which is a different rate.

• If, for any reason, two 45-minute lessons are scheduled one right after the other, they will be charged as two 45-minute lessons, not one 90 minute lesson which is a different rate.

• the studio space is also inhabited by two lovely cats. Do consider this when signing up for lessons.

*** Studio Equipment ***
Yamaha DGX-650 weighted 88 keys full sized keyboard
area for parents to sit and observe lessons.

*** Specialties ***
Main area is in classical music and media scoring with secondary focus on musical theatre vocal performance and composing/arranging.

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ith their reasoning process for better practice (not only applied to cello).

I currently have both in-home lessons (+ a travel fee) and studio openings at the Syntonique Studios in SOMA. I offer 45 and 60 minute lessons to students of all ages. I offer scholarships for exceptional students and those that are in need as well.

Before lessons begin, a short interview process is required to take note of the student's musical background and goals / as well as the parents' needs. Please do not hesitate to reach out for any questions! Thank you, I cannot wait to work with you!