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Candler, NC Music Theory Lessons

Looking for private in-home or in-studio Music Theory lessons? Our Candler teachers are ready to get you started. Find your teacher today!

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Popular Music Theory Teachers near Candler, NC

Check out some of our most popular teachers near Candler, NC including Asheville, Arden, Enka, Horse Shoe and Leicester.

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About Chris L.

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Placitas, NM

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About Chris
I have studied music for 26 years. Piano was my first instrument and I have taken classical lessons from an early age and studied jazz piano for 14 years. I play guitar at the same level as piano. I play jazz, classical, flamenco and rock guitar; acoustic, electric and 9-string electric. I have studied at University of North Texas, Musicians institute and have a bachelor's of music from UNM. I have a certification in early childhood education and love to teach children, as well as adults of all ages.

*** Lesson Details ***
I am very patient and flexible. I work with the student to design curriculum that is exciting and engaging for their individual level. Students enjoy studying with me because they can progress quickly if they practice and because I am easy to talk to and work with.

*** Studio Equipment ***
The In-Studio
lessons are taught in the music room in the home which includes an 88 key weighted keyboard, 5 guitars, 3 amps

*** Travel Equipment ***
If I go to their house, I expect them to have their own instruments that they practice on during the week, a metronome, a tuner and the music books they are working on.

*** Specialties ***
I specialize in jazz, rock and classical music. I usually allow the students or their parents to choose their method books based on their interests and goals.
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Reviews
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michael M. August 30, 2016
· Guitar · In home
Great lesson.
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Dwayne March 19, 2016
· Classical Guitar · In studio
He has taught me a lot. Lessons are not rushed. He allows me to learn based on my own interests, but also teaches a lot of basics of technique and music theory. The location is convenient to downtown Albuquerque and UNM neighborhood.
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Nic C. September 25, 2014
· Piano · In studio
Chris is easy to learn with, and knowledgeable. Is always patient and never makes you feel rushed, yet, makes sure you are constantly improving. He directs your playing in the style and direction you want to reach while exposing you to new styles along the way. Great teacher.
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Chris L.

Chris L.

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$25 / 30-min

About Alexandra P.

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San Mateo, CA

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I have been teaching music theory for ten years in my private studios and in classrooms.

I focus on beginning theory from note reading and rhythm recognition through to the ABRSM theory exams.

I also teach and tutor theory from the Laitz and Kastka Payne theory textbooks.

My desire is to help people understand music theory in an easy and fun way.

About Alexandra
Alexandra has been teaching harp and piano around the country for eighteen years through her personal harp studio and the Salvi Showroom in Southern California. She has also worked as a sectional coach for the Orange County Youth Symphony, Asia America Youth Symphony, and Palos Verdes Regional Symphony Orchestra. Her students are currently attending Eastman School of Music, Columbia University, Barnard College, Harvard University, Boston College, University of Pennslyvania, Princeton University, Northwestern University, University of Notre Dame, Yale University and Purdue University among others. Her students have also appeared on National television as well as playing for the Grammy Awards.

A strong supporter of the American Harp Society, she is Vice President of the American Harp Society Foundation. Alexandra is also co-chairman of
the distinguished Anne Adams Awards Harp Competition where she has been a main Director for fifteen years. She has served as the President of the Orange County Harp Society Chapter as well as a board member of the Bay Area Harp Society Chapter.

Alexandra received her Bachelor's Degree from DePauw University, majoring in Music and Anthropology. She also completed premedical studies at DePauw after spending her Junior year studying harp at the University of Oregon. She received her Master's Degree from Roosevelt University in Orchestral Studies, and did post graduate work at the University of Southern California in Harp Performance and Anthropology.

Alexandra's harp teachers have included: Sarah Bullen, Sally Maxwell, Edward Druzinsky, JoAnn Turovsky, Harriet Thompson Moore, Kara Bershad, Faye Seeman, Joy Andreasen, and Neva Lydiard. She has also had many mentors who have guided her life and career including: Kathleen Bride, Victor Salvi, Sally Maxwell, Patricia Masri- Fletcher, Robin Gordon- Cartier, Carrie Kourkoumelis, Dr. Craig Pare, and Karen Thielen.

Alexandra has performed in many master classes given by such internationally known harpists as Skaila Kanga, Jana Bouskova, Marie Pierre Langlamet, and Bryn Lewis. She has also organized many masterclasses and events featuring: Kathleen Bride, Sarah Bullen, Gwyneth Wentink, Patricia Masri - Fletcher, Louise Vickerman, Sivan Magen, Sasha Boldachev, Ina Zdorovetchi, Angel Padilla Crespo, Elzbieta Szmytt, Susan Allen, Gayle Levant, Stella Castelucci, Robin Gordon Cartier, Emmanuel Ceysson, Yolanda Kondonasis, and Kim Robertson.
 
Alexandra has performed extensively throughout North America and Europe as a soloist, with small ensembles, and as an orchestral harpist. She has appeared in several television shows such as General Hospital. Her playing,"Is filled with care, artistry, and mature interpretation. She is a talented musician, well rounded in her knowledge of music, and has a healthy curiosity in areas beyond music." (Donald Chen, conductor) "Everything I heard was sensitive, artistic, and had beautiful intonation." (Richard Ferrin, violist emeritus, Chicago Symphony Orchestra).

In addition to playing, Alexandra has also served as the Ambassador for Salvi Harps in North America for the past eleven years. She has given numerous masterclasses and workshops in addition to performing at National Harp Conferences and National and Regional music showcases. In her role as National Sales Manager, she helped harpists from all over the world find their dream harps, learn to care for them, and has mentored them along the way.

Apart from harp activities, Alexandra also enjoys teaching middle school, teaching piano, coaching rowing, participation in sports activities, and writing articles for various journals including: The American Harp Journal, Chicago Health Magazine, and Atlanta Health Magazine. She also enjoys being a board member on the DePauw University Alumni Board and she enjoys working on music startup companies.

*** Lesson Details ***

As a HARP teacher, all of my
students play scales, arpeggios, and technical exercises in
their lessons. I believe having a strong technical base is the foundation for
every part of playing and you can't learn without it. I will set the repertoire
for students according to their technical progress and although I may
take into consideration a student's desires to learn a certain piece, there has
to be time and they have to be ready for it. I have both short term and long
term goals for each student that involve theory, technical ability, and
repertoire: fun, orchestral and solo. Adult students still have to learn
technique, it makes things much more fun and easy six months later, I promise! Beginning students will learn how to read notes, understand basic theory, and technique in a short amount of time, so don't be scared if you have never had a music lesson before. 

I require all students make
at least half an hour a day commitment to practice. I teach mostly the Grandjany method of harp technique, however, I also use Salzedo and Renie methods
at times to fit a particular students' build and unique physical attributes as well as what the piece requires. I
have studied all techniques throughout my education and I find them all
beneficial for different reasons. I do, however, believe everyone is built
differently and the technique should help the harpist play and not hinder them
from achieving their goals. Everyone learns at a different speed, but as a
brand new musician, after six months practicing regularly, you should be able
to read music fluently, understand basic theory concepts, be able to play with
both hands and four fingers on each hand, play all of the basic scales and
arpeggios musically and be able to play at least one piece memorized.
Curriculum is based on the student's technical ability and issues and is
individually created – if you learn slower than someone else, don’t worry about
your pace. In the end, lessons are about you personally and not someone else.

As a PIANO teacher, I want students to learn about music and not just the piano. Students will learn basic music theory and basic scales as a part of their lessons. They will also occasionally choose a song of their choosing to work on chords. I do promote note reading and theory, so I am not the right teacher for students who don't want to invest time in learning the basics. These basics are the building blocks of all music and can be used for any instrument the student chooses to learn in the future.

*** Studio Equipment ***
I have harps and a piano at my studio, so you do not need to bring your harp to lessons. If you don't own a harp, you can rent one for around $45/month from several sources. 

*** Specialties ***
HARP - Grandjany Technique with an incorporation of Salzedo and French school depending on the player's body type and technical difficulties. I make use of the ABRSM as well as local, national, and international competitions depending on the student's level of commitment.

PIANO - I teach basic piano for fun through an Intermediate level. Although some students choose to take CM and ABRSM exams, I do not push them. I want students to enjoy piano and music lessons.
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Reviews
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christina March 9, 2016
· Harp · Online
Alexandra was an excellent teacher! She really makes you feel at home even if you are nervous at the beginning… I look forward to taking more lessons from her
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Carol M. September 30, 2015
· Harp · In home
Alexandra was the most patient and caring teacher. She is very interested in going at the student's pace. She excelled my expatiations! Thank you Alexandra!
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Yana T. June 13, 2015
· Harp · In studio
Alexandra Perdew is a one of a kind instructor. She not only pushes her students to excel, but I truly believe that she inspires greatness. She treats her students with the utmost respect and works diligently to provide them with every possible resource needed for learning. She is not a teacher who will let anyone get by with putting in half the effort. She motivates me to work and perform at the highest level possible.
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Alexandra P.

Alexandra P.

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$80 / 60-min

About Billy N.

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Brooklyn, NY
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20 years I've been including music theory in my lessons and many times giving private lessons just on the subject to Singers, Percussionists and instrumentalists outside of guitar. I have some fantastic sight singing books but I start with your memory, the melodies that have touched you. We explore your personal contact with music to find that you actually know the intervals, the building blocks of music. My understanding of chord function and harmonic colour gets clearly categorized and explained for the student so she/he can use for her/his self to develop a better ear and the right tools to analyze how any song works.

About Billy
Billy N. has played Jazz, Brazilian and Classical music in the NYC area for the last 20 years. He has actively taught both finger-style and pick guitar for the last 20 years. He was on staff at the American Institute of Guitar for 11 years. His book on Brazilian Guitar is published by Alfred Music and currently available. He now offers online lessons via Skype as well as in his private studio. Playing credits include many museums and clubs in the NY area including Museum of Modern Art Museum of the City of NY and an extended stay at the Guggenheim museum in the Summer of 2000. Also he has been in the Brooklyn Museum concert series with his group Afinidades Bronx Libraries Brooklyn College and the Jewish Museum in trio and duo setting with great Percussionist Vanderlei Pereira. He has performed in Brazil as well most recently in the South
of Brazil,  receiving TV and radio coverage. He has also done workshops and performed at the Conservatory of the state of Pernambuco. In August 2004 he performed weekly at Rio Scenarium in Rio de Janeiro. His Band Brooklyn Brazil Bop has played at Joe's Pub as well as Central Park Festival. His band the Brazilian Acoustic ensemble performs periodically at 'Barbes' an important performance space in Brooklyn NY. In 2007 he gave a successful jazz workshop and concert in the city of Florianopolis Brazil. Billy has been awarded 3 prestigious composer's residencies 2006 - Yaddo and 2007 - The MacDowell Colony. He was featured on the PBS news hour during his residence at MacDowell. In 2008 he was awarded another MacDowell residency and followed this with a 3 hour appearance presenting his compositions live on WKCR Jazz Radio and another live radio appearance with band in 2010. Billy regularly plays in many venues around NY in Jazz trio settings as well as with Brazilian vocalists and instrumentalists. Most Recently his groups have been performing at the famed Cornelia Street Cafe in New York City. He also specializes in solo guitar and can double on percussion (Pandeiro) and Cavaquinho. Billy has completed two CD's of his original music and an EP of his original Choro music. He has a BFA in Jazz Performance from CCNY.

Testimonials:
From Coda Magazine August 2012: by Seton Hawkins

Through outstanding collaborations like the Brazilian Acoustic Ensemble, guitarist and composer Billy N has emerged as a leading exponent of the music of Brazil. Exploring far beyond the well-trodden bossa nova path. Billy unearths the full range of styles the country offers, including choro, baiào, valsa and samba, and gives American audiences a rich panoramic glimpse into Brazilian art, highlighting its parallels with progressive jazz.

A recipient of composers residencies at Yaddo and MacDowell Colony, he is the curator of a three-day series at the club dedicated to the country's music. Billy will showcase his own group—a sextet with drummer Matt Kane, bassist Leco Reis, saxophonists Michael Attias and Eric Schugren and trumpeter Ben Holmes—in a concert primarily featuring his original works. SH

Reviews of my Book on Alfred Brazil: Guitar Atlas,  I love this series and this is the best of the six titles I have. Billy really knows his stuff; the analysis of time at the beginning is superb: something I now use in my teaching. This is definitely for intermediate and higher guitarists, but the pieces are worth the effort to get right, and the accompanying CD shows you what you are aiming for. This is as good as my other Brazilian guitar book (by Nelson Faria) and much more compact and easier to follow. Highly recommended!

#2

This book is essential homework for students of Brazilian guitar. It is one of the best resources out there, along with Nelson Faria's "The Brazilian Guitar Book." The original etudes are not only instructional, but are nice pieces in their own right. An excellent value.

*** Lesson Details ***
I've taught all levels over 20 years both in NYC and Brazil. I work with the material that the student wants and also through recordings and charts introduce much music that the student might have been unfamiliar with. My lessons are catered to the individual. There is no obstacle anyone has that is too great to work through. My approach to rhythmic training has helped many. I have simple way of breaking down the guitar fingerboard which can used as a guide to learn harmony. I'll get you into the horizontal aspects of guitar, traveling across the neck, making music across one string as well, mastering the guitar in a small fret range - " vertical position playing".

*** Studio Equipment ***
I have guitar for the student, either electric or nylon. Cavaquinho students bring their instrument. First time students must bring their instrument so I can see what they are playing on.

*** Specialties ***
Brazilian Fingerstyle - Choro, Samba, Baiao Solo
Jazz Guitar - Pick or Fingers
Beginning Flamenco
Cavaquinho
Improvisation for any instrument
Harmony and Theory
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Reviews
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Flaminia D. May 12, 2015
· Acoustic Guitar · In home
I have been taking lessons with Billy since January 2015. I am a total beginner and I really think I have made the best choice ever to pick him as my teacher. Billy is an experienced guitar teacher and a professional player that knows great techniques for beginners. He has been teaching me basics of guitar in a smart way, and at each lesson I feel I learn something new and at the same time I can clearly see how much progress I have made since our first lesson. He has also been teaching me how to read music and tabs which proofed to be extremely useful every time I want to learn a new song by myself. Highly recommended!
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Lynn W. December 17, 2014
· Guitar · In studio
I cannot recommend Billy enough. I studied jazz improvisation with Billy for three years, and later returned to study Brazilian guitar and Piedmont-style finger picking with him. I had been playing for more than twenty years when I started studying with him and he not only helped me improve my playing technically and creatively (on electric and nylon stringed guitars) but also expanded my knowledge of theory and helped me develop new approaches to composing and arranging. I am still working with the material he gave me and take lessons from him whenever my schedule allows.
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felicia D. October 17, 2014
· Brazilian Guitar · In home
I took Brazilian guitar lessons from Billy for several years. His method focuses on absorbing the many rhythms of Brazil and translating them from percussion instruments to the guitar. Much of his effort is devoted on achieving the elusive Brazilian swing, which non Brazilians need to learn. Billy is excellent in breaking down the rhythms and explaining them. He even has a book out on his method. He covers various Brazilian genres: choro, bossa nova, samba, baiao and more.
Billy also is an accomplished jazz, classical and flamenco guitarist with a thorough understanding of harmony and improvisation. He is very patient and has years of teaching and performance experience. You will be lucky to study with him!
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Billy N.

Billy N.

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$65 / 45-min

About Stephanie Q.

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Asheville, NC

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Being a composer, and arranger, I have taught theory to students of a wide range of age and ability level. If you're interested in writing songs, I have a wonderful method and approach to help you!

About Stephanie
I am a career musician, and conservatory trained violin, piano and vocal instructor with over 25 years teaching experience, and a resume spanning many pages. I also am a well endorsed composer. Furthermore, I LOVE teaching! I am a competition judge, member of National Music Teachers Association, and Suzuki Association of the Americas. I have proven results, as documented on my students YouTube channel. With my instruction, you will learn quickly and most importantly, correctly, saving you time and resources as you reach your musical goals. Fact: One of the only activities that activates, stimulates, and uses the entire brain is music, so let's get started!

Some people have difficulty reaching a teachers' studio. For this reason, I have perfected my ability to teach via Skype or FaceTime. It is an advantage for my students to b
e instructed by a quality teacher. It's worth a try, isn't it?

Please note: I only accept weekly lesson students. Also, due to my performances, I'm not always able to this calendar up to date....so when you request a lesson time, allow me to communicate with you, if we need to adjust it a bit. It almost always works out if you don't mind doing that.

*** Lesson Details ***
All the students on my Student YouTube channel who have studied under three years, are practicing 2 hours a week, and you will have a similar result. That's 20 minutes a day, 6 days a week. Students under 5 practice about 10-15 minutes a day.

Please have an assignment book that lies flat, and keep it next to your music books as you practice between lessons. My instructions are very detailed to insure your best progress.

*** Studio Equipment ***
For on-line lessons, you will need a quiet place, and please test your sound and video prior to beginning of lesson. For students under 13 or so, do have a parent or caregiver taking notes while we work together.

*** Specialties ***
I have much experience with various learning styles, and in fact, am featured in a documentary made of one of my autistic students.
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Reviews
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Natasha May 31, 2017
· Violin · Online
Very pleased with my first lesson! I'm an adult beginner and I appreciated her frankness and encouragement!
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Jennifer B. February 13, 2017
· Fiddle · Online
Excellent teacher..Stephanie is so patience. .looking forward to more lessons with her.
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Nancy Lease January 4, 2017
· Organ · Online
I began taking on line Organ lessons with Stephanie in July of 2016. She is an excellent instructor. She makes you want to learn and do your best. She is very patient and explains things very well. She asks that you practice 20 minutes a day. Since she inspires you to improve and do your best, it is easy to practice longer than requested. She has brought joy back into my life through music. I am very grateful.
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Stephanie Q.

Stephanie Q.

Asheville, NC 28804
(17)
starting at
$30 / 30-min

About Robert M.

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Asheville, NC
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About Robert
Professional musician in the Asheville, NC. area offering private guitar, banjo, ukulele, mandolin, and bass lessons. I am also available for studio recording and live performance.

With over 28 years experience, I have been teaching all ages, styles, and levels. This is not a hobby or part-time job. Performing and teaching is what I do.
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Terry January 12, 2018
· Banjo · Online
I am a beginner, and was very comfortable with Robert, made it very easy, and enjoy the lesson.
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Susan H. August 30, 2017
· Ukulele · In home
Robert was prepared, informative and exhibited good teaching skills.
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Kathryn Cartledge December 2, 2016
· Ukulele · In studio
I am seventy years old and have absolutely no natural ability! Robert is patience and respectful, he always find something good about what I have learned. Very encouraging. My third lesson was the best as we both seemed more relaxed and get more comfortable. I like Robert.
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Robert M.

Robert M.

Asheville, NC 28806
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About Gary R.

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San Diego, CA

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Music Theory includes learning to read music, interval studies, ear training, sight reading, methods that composers use to achieve their sound, and more-

About Gary
Hello, my name is Gary R. and I am ready to get you started on a musical journey that should last a lifetime. Whether you are just beginning, or have been making music since you were a kid, I can help you. Beginners come in all ages, so don't think you are too old to play or sing. I enjoy teaching students of every age.
I received my Bachelors and Masters degrees from the University of North Texas, a University well known for their music school and famous graduates.
My primary expertise is teaching Trumpet and brass instruments,
Vocal jazz, and beginner piano for kids or adults.
Learning to play takes practice, guidance, determination, and a desire to have fun !
Read my reviews, ask me questions, come hear me perform around San Diego, and lets get started !! Enjoy a relaxed lesson atmosphere and let me help you
become the musician you want to be.
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Zach December 13, 2017
· Trumpet · In studio
Gary can support varying level of capabilities and has a similar story to mine. Stopped for a little while then started back up. He understands the fundamentals as well as as the advanced knowledge.
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Joel V. September 13, 2017
· Singing · In studio
Gary is an absolutely amazing teacher, he makes me feel extremely comfortable when singing and playing. He's helping me improve my overall music knowledge and focusing on what I personally would like to learn. I'd recommend anyone who might be a little shy to Gary because he's really helping me with mine.
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Emily and Kitty S. July 15, 2017
· Singing · In studio
gary was very funny and we felt comfortable with him :)
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Gary R.

Gary R.

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$33 / 30-min

About Kelley B.

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New York, NY

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I have studies Music Theory for many years, and through our lessons together I will teach you to look at pieces of music through many different lenses, analyze the structures and harmonies, and apply it to your musical life

About Kelley
New York based flutist, Kelley, has performed in notable New York venues including 54 Below, Joe's Pub, and Birdland. She has also performed throughout the United States as well as in Italy and Southeast Asia. Ms. B. received her second Masters Degree in Contemporary Performance at Manhattan School of Music studying with Dr. Tara O’Connor. She received her Bachelors and first Masters from Lynn University Conservatory of Music and studied with Jeffery Khaner and Renee Siebert. Kelley has performed with notable New York based ensembles such Tactus, STARK RAVING, Shouthouse ensemble, and the New York Symphonietta. She cofounded the Lynn University New Music Ensemble, participated in Cortona Sessions for New Music, and the 2012 Vanguard Contemporary Music Festival. In addition Ms. B. has performed with the Palm Beach Symphony, Symphony of the
Americas, and the Bozeman Symphony Orchestra.
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Herb B. March 20, 2017
· Flute · In home
Kelly is knowledgeable and patient with me and that is just the way I need to be taught. She is very helpful and has shown me things no other instructor has. I like her method and plan to continue with her.
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Qixiao M. March 7, 2017
· Flute · In home
Kelly is a very patient and very helpful teacher, feeling so happy to learn with her: )
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Truman G. February 7, 2017
· Flute · In home
Kelley's great! Patient and thorough with our eleven-year-old son. I'd recommend her without reservation.
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Kelley B.

Kelley B.

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starting at
$30 / 30-min

About Evan C.

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Warwick, RI

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Professional Bassist trained by the New England Conservatory of Music. I work with you to meet and expand upon your goals as a musician. Experience in common tonal practice, atonal music theory, set notation, and Lydian Chromatic Concept

About Evan
I am a professional upright and electric bass player located in Southern New England. I have years of experience as an educator, recording artist, and performer. I am currently pursuing my degree in Jazz Performance from the New England Conservatory of Music in Boston, MA.

I can be found playing with a variety of bands and musicians across all genres. Carley is a member of the Boston based Wedding Band “Speechless,” the modern jazz group “Puppet Club”, and various freelance work. Some of his notable collaborator include Francisco Pais, Jhony Keys, Clay Nordhill, Mark Texiera, Daniella Schatcher, and many others.

I am interested in all styles of music and working with people of all ages and backgrounds! I want to help teach you how to teach yourself, how to practice, and how to grow as a musician. I can help you with everything from jaz
z, to rock, to classical music and beyond.
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Marianne November 2, 2017
· Ukulele · In studio
Evan is a patient and talented teacher! I highly recommend taking classes with him!
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John September 19, 2017
· Bass Guitar · In studio
I have been studying bass with Evan for 3 months now and he has been unbelievably helpful in my studies. He has tons of information and experience to share and always gives practice materials to address my weaknesses!
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Evan C.

Evan C.

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$30 / 30-min

About Todd H.

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Hendersonville, NC

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Theory. Sounds dull, doesn't it?!

With a proper understanding, however, it will be the most important 'tool' in your musical toolbox. It is more than nuts and bolts. It is the very 'reason' music sounds good or bad!

I teach how piano theory can be your friend and ally as we introduce intervals, analyze chord progressions, identify and integrate the I IV V, the ii V I, and other amazing fundamental progressions.

Then more advanced students learn jazz theory fundamentals, altered chords, tri-tone substitutions and other intimidating sounding but easy to learn musical devices. Together, we will tame the beast and make it submit not only to our understanding but to our musical advantage for comping, transposing, substitution and many useful purposes.

Theory will be your friend!

About Todd
What do Star Wars, Billy Joel and Dallas Holm all have in common?

All three inspired me to attempt to play music.

Music has played a very significant role in my life since high school, where 'study hall' was my chance to first play by ear on a grand piano. I LOVED playing music and singing!

Evidently it 'took.' I sooned gained admission through audition to the University of Tennessee where I studied classical, jazz and vocal music with Dr. Bill Dorn, Dean of Piano, and acclaimed jazz master and author Dr. Jerry Coker.

From the World's Fair to the Biltmore House, I have enjoyed performing at these and many other venues. Yet, teaching is my first love musically.

Over the years I have found teaching not only sight-reading based methods but chordal and ear training to be essential elements of enhancing my students and student
performers.

You see, reading sheet music is only a piece of the pie. When you add ear-training, active listening, performance training, multi-genre analysis, accompaniment and collaboration to the educational mix, students begin to understand and LOVE music.

Once students love music, there is no stopping them! Students practice and PLAY more, and they get better because of their enhanced practicing. It becomes less work and more PLAY!

And passionate students become PERFORMERS! Whether for audiences of one or hundreds, the satisfaction and sense of fulfillment is amazing, and THAT is why I teach. The rewards and excitement are mutual, for the student, for me and their audiences.

I have been performing and teaching for over 35 years and love to share my amazing musical experiences (and experience). It could change your approach to music, enhance your appreciation and understanding of music, and quite possibly change your musical life.
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Judy August 4, 2017
· Piano · In home
I have been taking lessons for two years and am very happy with my progress. He is very encouraging and highly skilled in all subjects. I would recommend Todd for new beginner and professional level students.
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Carol August 4, 2017
· Jazz Voice · In home
Excellent instructor! Todd is knowledgeable, encouraging & patient while always staying on task. I've worked with him for 3 years now and have gained comfortability and confidence in my playing while staying motivated.
Todd is the 4th piano instructor I've worked with in my 12 years of living in WNC and I find him to be the best of all.
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Ann August 3, 2017
· Piano · In studio
I had 2 years of piano lessons as a child followed by 6 years of flute in High School as an intermediate student. After hearing Todd perform at a special event, my life was changed! His passion for performing and playing inspire, engage and transform a room! Of course I wanted to take lessons! As a teacher he took me beyond the fundamentals into theory, key changes, cordal ear training, musical stylizing and so much more. Todd is very patient and knowledgeable; a wonderful communicator, entertainer, and teacher. I highly recommend him!
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Todd H.

Todd H.

Hendersonville, NC 28792
(4)
starting at
$42 / 30-min

About Timothy M.

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Asheville, NC
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My approach to musical theory is to make it logical and applicable to guitar or banjo. Specifically, I focus on theory related to the style that you're interested in. The way to truly unlock any instrument is to understand that instrument completely, in which theory is a great tool.

About Timothy
Tim has made a career as a professional musician since receiving his M.A. in Appalachian Music: Roots & Influences from Appalachian State University in the spring of 2014. With experience as a Guitar Center instructor since 2015, an AmeriCorps member with the Cincinnati Youth Collaborative, and an Instructor of Record at Appalachian State, Tim is able to pair his deep knowledge of diverse musical styles, techniques, and theory with his adeptness at teaching. This enables students to quickly increase their skill and gain a deep appreciation for the music they are learning. His teaching approach centers on aural training, and encourages a student-driven curriculum.

Professionally, Tim is a Larrivee Guitars sponsored artist, and has performed all across the United States with the acoustic roots band, Redleg Husky. In 2016, the group
performed 223 shows alone.
...
Reviews
Silhouette-80
Michele November 27, 2017
· Banjo · In home
Tim is great!
Silhouette-80
Jacob November 20, 2017
· Banjo · Online
Silhouette-80
Kim September 24, 2017
· Guitar · In home
Tim is an excellent instructor and skilled musician. He is extremely patient, has the ability to explain and teach at the level needed, and is invested in his student's success. Tim’s passion, dedication, and love of music show through in his teaching and his playing. Highly Recommend!
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Timothy M.

Timothy M.

Asheville, NC 28806
(7)
starting at
$25 / 30-min

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Recent Music Theory Articles from the Blog

Whether you're just starting out or a seasoned pro, check out the Music Theory articles on our blog.

How to Prepare for Sight Reading at an Audition | 3 Helpful Tips

How to Prepare for Sight Reading at an Audition | 3 Helpful Tips

Nervous about the sight reading portion of an upcoming audition? Find out how to work sight reading practice into your routine in this guest post by Saddle Brook, NJ teacher Christian D...   “Be prepared to sight read.” That dreaded requirement on all auditions that makes us all nervous. But the fact is, you shouldn’t be! Sight reading is a learned skill, just like everything else in music. Think of it as sight reading a passage from a book in front of an audience. With so many … Read More

How to Prepare for Sight Reading at an Audition | 3 Helpful Tips
Nervous about the sight reading portion of an upcoming audition? Find out how to work sight reading practice into your routine in this guest post by Saddle Brook, NJ teacher Christian D...   “Be prepared to sight read.” That dreaded requirement on all auditions that makes us all nervous. But the fact is, you shouldn’t be! Sight reading is a learned skill, just like everything else in music. Think of it as sight reading a passage from a book in front of an audience. With so many
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