Students are raving about their Music instructors on TakeLessons.
Check out some of these recent reviews.
Review by Mike
Great with my daughter (age 7). She looks forward to her lesson every week, and is learning rapidly. He has great patience and has gotten
to know my daughter and listens to her feedback while at the same time offering encouraging instruction."
Chicago, IL teacher:
Review by Sage
"Family Fun on Ukelele and Strumstick
Don has been wonderful to work with as a Ukelele and Strumstick instructor. I had an idea to get music lessons for m
y husband and 5 year old daughter as a Christmas gift. The thought was to have special Daddy and daughter time; sharing something that my husband loves to do. Don has worked with us to create a whole experience for them around music lessons. Don has succeeded in building an environment for our daughter to enjoy the music lesson experience. The first time she played 'hot crossed buns' brought a tear of joy to my eyes. He has even included me in the group lessons on Strumstick. My husband has expanded his knowledge of musical instruments and enhanced his playing skills with Don's skillful instruction. Don has made the whole experience delightful for our family."
Minneapolis, MN teacher:
Review by Shawna
"Fantastic Since 2011
Jesse has worked with all 3 of my kids. Trumpet, piano and guitar, including voice. Jesse is passionate about music and sharing it.
He loves what he does and his enthusiasm translates to the students. He inspires them to push their limits and really enjoy the experience. He is professional, experienced, interested, and easy going but very reliable--a rare combination."
San Jose, CA teacher:
Review by John
This is it! Michael C. is it! I have taught music for years and I have watched my children take music lessons for years, but I have never been s
o impressed as when I watch Michael C.! My son has been taking lessons with Michael C. for a few months now and without fail he is always so sad whenever Michael's lessons comes to a close. Michael C. has developed his own - (that's right his own work sheets, his own methodology, his own songs) - style of teaching that is so incredibly fun for my son, and as a parent watching I cannot stop wanting to pull out my phone to take video of every moment! My son is learning and building a foundation based on the clear fundamentals of drumming, while at the same time learning how to really control the drum set at a very high level of musicianship. What my son has learned, and how much Michael is able to motivate my son to achieve is simply unbelievable. I have never witnessed a teacher who is this concise and thorough in teaching the core fundamentals and yet so creative and fun in teaching REAL MUSICALITY! Michael C. is a must for your child or students! This guy and his teaching methods are exactly what a parent dreams for their child to experience in a drum teacher."
Los Angeles, CA teacher:
Review by Tom
"Bass Lessons - The RIGHT Way
I have been taking lessons from Bjorn on and off for some time now. I had already been playing bass for years, but Bjorn pus
hed me in the direction of experiencing a whole new skill level. Focusing on technique and muscle memory training, he showed me ways how to tackle any riff or song so I could have complete confidence while playing out. I play in several cover bands and even if I think I have all of my songs down pat, I get a lesson from Bjorn just before a show and he shows me a new world of possibilities. Bjorn's expertise allows him to train almost any bassist, aspiring or seasoned. I always look forward to my upcoming lessons and highly recommend Bjorn to take your playing to the next level."
Los Angeles, CA teacher:
Review by Nicolle
Henri is great!! He is a super experienced and knowledgable drummer (musician) and teacher. He is extremely patient, has taught me my basi
cs, technique, and is very open to teaching what you want to learn, willing to teach you what you are really interested in musically. At the end of every lesson, he reviews what we learned, writes it and lets me video it so I can practice at home. He has been really flexible, patient, laid back and always down to work on whatever you want but great at coming up with lessons that challenge and excite you as well. I could'nt be more pleased with Henri as a teacher. I always look forward to my lessons."
Phoenix, AZ teacher:
Review by Cole
"I Left My First Session SO EXCITED!!!
I didn't realize so much could be accomplished in an hour, but I left our first lesson with an understanding about
where I'm at with my voice, what is special about my voice, and feeling really excited and encouraged with where my voice can go. Vanessa was VERY patient with me, as I'm very much out of practice, but it took her no time at all to pin point my trouble spots and she quickly had other suggestions if certain exercises didn't work for my voice. After our session, I drove away in my car just beaming and I couldn't stop singing. Can't wait for our next session!"
Los Angeles, CA teacher:
Review by Amanda
"We were very happy with the content and style of the first lesson, and Jen is delightful. Looking forward to seeing where this goes!"
Pittsburgh, PA teacher:
Review by Lauren
"I love it!
Ms. Regina is a very experienced, fun, and encouraging teacher. She explains everything very clearly. Other teachers's lessons are usually bor
ing, Ms. Regina's are so much fun! I am really happy Ms. R is my teacher. Recommend her to anyone."
Hristo is an impressionistic modern jazz guitarist and composer from Sofia, Bulgaria. Now residing in the San Francisco Bay Area, Hristo leads a variety of modern jazz formations, ranging from duets to quintets. Hristo has toured nationally and internationally, appearing at some of the most prestigious jazz clubs and festivals, and has also performed guitar clinics in Europe and Japan. He has written more than 270 original compositions, many articles on jazz improvisation, and a book on chordal theory and construction entitled Between the Voicings: A New Approach to Chord Building for Guitaris
ts. The Hristo Quartet’s 2009 debut album, Song for Messambria (First Orbit Sounds Music) quickly received outstanding reviews by the international jazz community and was selected as one of the six best jazz albums of 2009 by E-JAZZ NEWS. “His sophisticated and adventurous work is imbued with shimmering harmonies and lyrical improvisations.” – JAZZTIMES MAGAZINE “His multihued compositions are like impressionistic sound paintings.” – JAZZIZ “You just won’t find a jazz guitarist (on the planet) these days who has such essential communication skills through his fingers.” – Improvijazzation Nation Magazine “Hristo may be one of the best kept secrets in jazz today. He is the epitome of sonic gold.” – DIGITAL JAZZ NEWS “Hristo plays as the cultural end result of his life experiences. Simply put, he plays more so from the heart than he does the head.” – Critical Jazz “A richly textured album full of strong melodic and rhythmic ideas and with some superb playing throughout.” – THE JAZZ MANN (England) As jazz critic Edward Blanco describes: “Heis the newest guitarist to enter the national jazz scene and does so with a stunner of a recording in Song for Messambria, one of the finest debut albums I've had the pleasure of appraising this year.” The record presents a unique blend of ECM-style modern jazz, classical, and Brazilian tone textures, and showcases the completely unique and masterful interpretation of the jazz idiom by each one of its members. In late 2009, Hristo released his second studio album featuring Latin Grammy-nominated pianist Weber Iago. The Secrets of an Angel is an impressionistic landscape painted by the delightful and graceful conversation between the two instruments (guitar/piano). As jazz critic Brad Walseth describes: “On the heels of his impressive debut recording, Song for Messambria, guitarist Hristo returns along with pianist Weber Iago for a wonderful guitar/piano duet recording - The Secrets of an Angel...while the gentle title track shimmers like a glistening iceberg on a cold sea. The delightful two-part ‘The Last Pirate” is a highlight - brilliantly showcasing the exciting romantic bend inherent in his music, while the nostalgic lullaby “Leka Nosht (Good Night)” recalls a faraway youth and rounds out this fine release.” In 2010 Hristo wrote a large scale jazz work (The Perperikon Suite) especially to be premiered at the 53rd Monterey Jazz Festival. This 7 movements jazz suite is inspired by the ancient Thracian city of Perperikon (located on the territory of Bulgaria), and combines orchestral, classical, jazz, and fusion elements depicting the history and mystery of this enchanting place. The work marks Hristo third album and one of his most adventurous and sophisticated works up to date. For the recording of this project the Hristo Quartet was joined by virtuoso vibraphonist and multi-instrumentalist Christian Tamburr. As jazz critic Dan Bilawsky describes: “Shimmering harmonies resonate throughout these modern jazz marvels, and the soloists work their way around and through this accessible and exciting music with equal measures of taste, technique and spirit. His pieces are peppered with signpost sonorities and ideas that often reappear throughout a given song, creating a sense of continuity and thematic steadiness that develops around individual soloists. While this group ably establishes its own aural identity, which threads its way through the whole album, each movement of the suite has different strengths and a unique sonic footprint. Brought to life as a tale of two cities, The Perperikon Suite ultimately occupies its own wondrous world within the confines of its jazz borders.” As jazz critic Brent Black describes: “There is an incredible warmth to his playing, a fluidity of movement and direction held firmly in place by a stellar quintet that provides ample support for the lyrical imagery created on this release. Aside from the superior sound which almost smacks of a live in the studio recording, there is a true working band feel that he has been able to obtain. He displays an unparalleled versatility moving from the flash of “The Acropolis” to the more introspective “The Southern City” allowing for a wonderfully paced recording. The drumming of Joe DeRose creates a special dynamic tension on the tune “The Great Hall.” A release that ends far too soon. Wonderfully crafted, well paced and a sonic tapestry that stands up as well as any release for this past year.” As jazz critic Bruce Lindsay describes: “The music, performed by a terrific quintet, is beautiful: it captures images not of a city in ruins but of a city full of life, of vibrant activity. The Perperikon Suite is an impressive creation. Each individual tune is beautifully crafted, but so, too, is the Suite as a whole. His response to the ancient city is remarkable in both its conception and its performance.” As jazz critic Michael Bailey describes: “Many time motifs are used throughout this suite. Tick-tock ascending and descending figures pass as a thread through cloth, to hold this musical garment—a coat of many colors—together. He achieves this effect with no apparent effort or change in guitar tone or approach. Merely by affecting the time signatures, he makes his magic. The Perperikon Suite is soft-spoken and brainy music that exists out of the ordinary.”
As jazz critic Brad Walseth describes: “The new songs are the strongest he has written yet, and the addition of Tamburr serves to take the music to an even higher level. Hristo, meanwhile, continues to impress the listener with his addictive blend of jazz with touches of classical, Brazilian and Eastern European influences in both his playing and songwriting. In lieu of visiting the legendary site yourself, listeners are urged to take a musical journey to the ancient location as seen through the senses of Hristo and shared with you through his highly satisfying musical presentation.” As jazz critic Ed Blanco describes: “Hristo and his inspirational quintet provide an all-new experience on The Perperikon Suite, a concept album that is accessible, creative and a pleasure to spin often.” In 2012 Hristo embarked on yet another musical chapter of his life. Heartmony is the long awaited and highly anticipated follow up to the first duet recording by the guitarist and pianist Weber Iago (The Secrets of an Angel). As the title of the record will suggest, Heartmony explores a truly intimate, honest, and emotional conversation between the two instruments. The music, which transports you from impressionistic landscapes to folkloric tales and from melancholic memories to meditative trances, is simply the purest harmonious sounds he has put on tape up to date. Straight from the heart, healing energy that will embrace you long after you listen to it. “An absolutely wonderful recording.” – JAZZTIMES “If ever there were a marriage between classical music and jazz then this Heartmony is it. Hristo and Weber Iago have created a very special experience.” – Grady Harp (Amazon.com) “Both on and off the bandstand, he is an artist who wears his emotions on his sleeve. His new “Heartmony,” a duo session with his frequent collaborator, Brazilian pianist Weber Iago, provides a master class in the way a chord or harmonic progression can evoke a flood of sensations.” – Andrew Gilbert (San Jose Mercury News) “Guitarist Hristo and longtime collaborator, pianist Weber Iago, have created a work of sublime musicality with Heartmony. Exquisitely lyrical, although a bit too sweet, this opus brings together multiple musical influences into a coherent and cohesive, multilayered narrative, the momentum of which does not slack from the first few notes to the very last. He and Iago interweave long musical threads into a shimmering soundscape of serene beauty.” – Hrayr Attarian (All About Jazz) As jazz critic Brent Black describes: “Heartmony is a sonic mosaic pieced together from heartfelt feelings and emotions carried through time and communicated in an incredibly heartwarming and emotional presentation that exemplifies the zen concept of less is more perhaps as well as any recording of the last decade. The musical sound of one hand clapping. His and Weber's music transcends the more traditional jazz idiom in much the same fashion that their recorded work here is that of a more cohesive unified voice with subtle shadings, lyrical swells and the textured nuances that creates music that is to be experienced. An incredibly beautiful artistic statement of personal experience.” “Guitarist Hristo and pianist Weber Iago sounds like a perfect match in a musical heaven, if such things exist. What I’m saying here is that this is a duet album that sounds perfect, music made from the heart and soul. There’s warmth, there’s care, and there’s a human quality to this that no machine can replicate, and it is that Heartmony that makes this a powerful album worth listening to repeatedly.” – John Books As jazz critic Dan Bilawsky describes: “The eleven originals are all musical offerings from the heart and soul, but this isn't a one-dimensional recital. Some songs are full of life and positive energy, while others have a sense of regret and nostalgia sewn into their being, but they're all painted in sharp, vivid colors, thanks to the skills of both artistic practitioners at play.” “This set of guitar-piano duets is quietly emotional, always intriguing and quite original. His clear toned guitar blends in perfectly with Iago’s powerful piano and the two musicians often seem to think as one. Heartmony is quite thought provoking and well worthy of many close listens. Highly recommended.” – Scott Yanow “Hristo and Iago play together with the assurance born of long and fruitful collaboration. They know each other well, and it shows in the skillful way they complement each other. They take a beautiful melody and run with it. They wring every bit of emotion out of it. There are passages in a composition like “Memories in Black and White,” nocturnal moments in “The Last Leaves which Fell in Fall,” that sound like they could have been written by a nineteenth century Polish Romantic. Then there are moments in the same songs where there are glints of French Impressionists.” – Jack Goodstein (blogcritics.com) “Hristo is a gifted composer and master guitarist whose stylish approach to the music makes him a hidden wonder of the jazz world. Heartmony is an intelligent musical statement and gentle follow up to his previous works, a relaxing soulful musical experience sure to touch a piece of your heart.” – Ed Blanco (E-JAZZ NEWS) In January 2013, Hristo released “Familiar Fields” – his 5th record as a leader (and his 2nd quartet recording). The music presented in this session clearly displays the multidimensional tonal evolution of the band and each one of its individual members. The addition of drummer extraordinaire Mike Shannon to the quartet establishes a portal to new sonic landscapes and emotions to be explored in this collection of 9 original pieces by the guitarist. The music, which takes the listener through the realms of impressionistic, classical, jazz, experimental, and new age, always retains the unique sonic footprint that has brought critical acclaim to the quartet all over the world. “He paints a vivid pastoral landscape with epic sweep, often recalling the big-sky sound of Pat Metheny. Obviously, these musicians are more than comfortable with one another, as one delicate solo seamlessly segues into another.” – JAZZIZ
“Once again he has produced an immaculately crafted, often supremely beautiful album.” – The Jazz Mann (England)
“If Pat Metheny and Larry Carlton are considered the kings of impressionistic jazz guitar, then certainly Hristo is a crown prince and ready to lead a palace coup. In fact, “Familiar Fields” easily stands equal to even their greatest albums. Part of the reason for that has to be credited to Hristo’s choice of musicians in the quartet. The musical affinity and effortless grace shines forth on this album like few recordings I have ever heard. They share a single heart and mind that bursts forth in illumination on every track. There is no weak moment or weak player on this album.” – Travis Rogers (JAZZTIMES) “Over the past few years, Bulgarian-born, Bay Area-based guitarist and composer Hristo has consistently crafted music of great lyrical beauty. With his self-named quartet or quintet, or in duet with pianist and frequent collaborator Weber Iago, he has advanced a sound that manages to sound intimate and epic at the same time. He does so again on Familiar Fields (First Orbit Sounds), his latest recording with his quartet, which welcomes new member Mike Shannon on drums. As he has on previous recordings, He makes use of classical imagery and narratives in song titles such as “The Prophet’s Daughter,” “The Mask of Agamemnon” and “Wounded by a Poisoned Arrow,” the last of which is our selection. His instrumental voice bears echoes of the tonal warmth and big-sky sweep of Pat Metheny, as he and Iago, his beyond-simpatico musical compatriot, switch off on leads, riding the rolling hillocks of rhythm provided by Shannon and acoustic bassist Dan Robbins. Shannon proves an exceptional addition to the group, responding to and driving his companions in equal measure.” – JAZZIZ As jazz critic Hrayr Attarian describes: “Bulgaria-born and San Francisco-based Hristo has established himself as a modern day troubadour. His enchanting and fantastical tunes have the feel of medieval ballads abundantly peppered with futuristic sounds. His sixth release, Familiar Fields, presents nine impressionistic originals that showcase his maturing compositional skills as well as the superlative, improvisational talents of his working quartet. With each album he oeuvre ripens and becomes more sophisticated without losing its delightfully spirited edge. Familiar Fields not only stands on its own merit as sublime music but also whets the appetite for what is yet to come.”
“Familiar Fields is a highly intelligent, thought-provoking Impressionistic escapade.” – Nicholas Mondello (All About Jazz)
“This release is a clear statement from an artist comfortable with who he is and where he is going. There are no absolute truths in music but instead there are shades of gray which he and his quartet fill in with the precision of a surgeon and the soul of a true artist. Never caught up in the academics of his works, he instead conducts a sonic exploration with the end result being a release that gives up something new with each subsequent spin. An ebb and flow unmatched, or perhaps unlike him, an ebb and flow that other artists simply can not match. As close to perfect as it gets!” – Brent Black (CriticalJazz.com)
“The Hristo Quartet, ladies and gentlemen, is in peak form. They have no competition: no other music in the jazz idiom is quite as satisfying.” – Grady Harp (Amazon.com) “The musical bond between guitarist Hristo and pianist Weber Iago is as strong as that of Chick Corea and Gary Burton, with proof being their two sublime duet recordings, The Secrets of an Angel and Heartmony, as well as three small group sessions under his name. For the Familiar Fields quartet date with regular bassist Dan Robbins and new drummer Mike Shannon, chose nine gems to play from his vault of more than 270 original compositions. As usual, as one listens to his music, the words lyrical, impressionistic, spiritual, and passionate come to mind, and also his term "heartmony," which he defines as the simultaneous combination of feelings and emotions, especially when produced by experiences, memories, and stimulations pleasing to the heart, body, and soul." – Scott Albin (JAZZTIMES) “The emotional essence of any Hristo recording can be seen before it’s heard via the distinctive oil paintings the guitarist creates for his CD jackets. his artwork for Familiar Fields is impressionistic, haunting and autumnal, the same qualities that characterize his latest collection of tunes. The foursome’s interplay is highly intricate, resulting in emotive tunes that wax and wane in intensity. Whether you call it post-bop or post-fusion, his brand of jazz is passionate and ethereal. He has developed into a formidable guitarist and intelligent composer, and since he’s only 32 years old, his best work may be yet to come.” – Ed Kopp (Jazziz) “Within his tone and technique, it’s not difficult to hear the influences of Wes Montgomery, Pat Metheny and Lee Ritenour. He is adept at the full range of extended techniques but is most often described - justifiably - as an impressionist.” – Karl Ackermann (All About Jazz) “Of the many attributes that Bulgarian (San Francisco based) guitarist Hristo possesses - refined technical abilities, warm tonality, and expressive soulfulness - his gift to convey beautiful stories through intricate composition is always at the heart of his appeal.” – Mark F. Turner
In October 2013, Hristo released his 6th album as a leader. "Rhodopa" is a beautifully crafted sonic pairing of the extremely emotional and lyrical Bulgarian folklore and the multidimensional and deeply textured world of modern jazz harmony. On his new music journey, the guitarist is joined by virtuoso Bulgarian clarinetist Liubomir Krastev. As jazz critic Dan Bilawsky describes: “Hristo and Liubomir Krastev cover everything from the mystical to the mournful and the grim to the gleeful on this absorbing duo date.”
“Hristo takes improvisational music to a third dimension of texture you can feel. Rhodopa is my selection for album of the year for 2013. Critically acclaimed guitar virtuoso Hristo started the year with the release of the highly regarded Familiar Fields. With Rhodopa, has now assumed his rightful place as a global virtuoso of unrivaled talent and ability. As artistically gifted as he is technically proficient, Hristo moves to the head of the pack with this stellar outing.” – Brent Black (CriticalJazz.com)
“Hristo boldly departs from the group setting and gives the audience even more of what they crave - soulful arrangements and virtuosity with heart. There is a beauty and an elegance that comes through on each and every one of Hristo's recordings. The music he composes, the arrangements he crafts, the musicians that he assembles together and the dignity and reverence of his musicianship speak of the heart of the man and his love of life.” – Travis Rogers (JAZZTIMES)
As jazz critic Hrayr Attarian describes: “The warm, poetic tunes are like fairy tales in verse. They are imbued with nostalgia, and shimmer with a variety of muted colors and sentiments. Krastev's softly undulating tones waver against his vibrating strings in a spiritual celebration of abstract beauty. This thematically unified work is a genre bending, elegant and satisfying opus and a new high for he who continues to excel himself on each fresh release.”
“Modern jazz guitarist, pianist and composer Hristo always refreshes the ear and the soul with his inordinately sensitive, mesmerizing, and beautiful approach to music. He is unique - and artist who explores every avenue of approach to both folk music and jazz and the result is an experience that simply no one else can match.” – Grady Harp (Amazon.com)
“With Rhodopa, guitarist/composer Hristo and clarinetist Liubomir Krastev meld musical minds, dive exuberantly into an array of earthy Bulgarian folk material and come up with four hands of beauty. The result is a panoply of aural color, emotion, and technical artistry.” – Nicholas Mondello (All About Jazz)
As jazz critic Ed Blanco describes: "Rhodopa is an instrumental serenade of Bulgarian folklore music interpreted by a world-class guitarist and clarinetist. Hristo and Liubomir Krastev deliver an enchanting and relaxing escape from reality with a fifty-three minute encounter of soul-reaching music."
"You just won’t find a jazz guitarist (on the planet) these days who has such essential communication skills through his fingers. With Liubomir’s reeds, they form a cultural jazz experience that can’t be compared with anything else!" – Dick Metcalf (Improvijazzation Nation Magazine)
On top of leading his own quartet, quintet, duo projects, and co-leading the group SEVA, Hristo also co-writes and plays guitar with Joe De Rose and Amici - an energetic jazz/fusion formation lead by drummer Joe De Rose. Hristo has appeared on countless radio shows/programs all around the world.
Hristo has also performed in world-class jazz venues and festivals including Yoshi’s Jazz Club (Oakland, CA), Bach Dancing and Dynamite Society (Half Moon Bay, CA), Kuumbwa Jazz Center (Santa Cruz, CA), Anthology (San Diego, CA), Catalina Jazz Club (Hollywood, CA), The Jazz Corner (Hilton Head Island, SC), Heidi's Jazz Club (Cocoa Beach, FL), Alvas Showroom (San Pedro, CA), The Jazz Station (Eugene, OR), Egan's Ballard Jam House (Seattle, WA), Timucua White House (Orlando, FL), Ivories Jazz Club (Portland, OR), The Herbst Theater (San Francisco, CA), SOhO Jazz Club (Santa Barbara, CA), as well as major jazz festivals including the 53rd Monterey Jazz Festival (Monterey, CA), 2009/2010/2012/2013 AT&T San Jose Jazz Festival (San Jose, CA), 2010 and 2012 Redwood City “Jazz on Main” (Redwood City, CA), Okazaki Jazz Festival (Okazaki, Japan) and many more.
Hristo holds a B.A. in Music (Jazz Studies) from San Jose State University in San Jose, CA. He has also studied in the prestigious Roland Music Academy in Caracas, Venezuela.
Students can benefit from Hristo's completely amazing knowledge on the instrument as well as music/harmony theory. He will work and design unique and specific goals tailored to each student's individual interests. His dedication and passion for teaching are first class!!!
*** Lesson Details *** I design my lessons with the specific student goals in mind.
For Beginner students: we will start by exploring rhythm concepts and understanding how to read music. Learning the physics of the guitar and exploring the notes in the first few positions. Learning open position chords, and simple chords progressions, major and pentatonic scales,etc.
For Intermediate students: we will continue expanding our knowledge of the higher positions of the guitar, as well as develop better sight-reading skills. Bar cords and chord transposition, and music theory. Expanding our scalar vocabulary to modes, and minor scales. Learning arpeggios and classical etudes.
For Advance students: Close interval voicings, jazz improvisation, chord to scale relationships, and harmonic substitutions are some of the concepts we will cover. Learning solo guitar playing (chord melody), incorporating walking bass lines, transcription skill and arranging skills.
*** Studio Equipment *** A specific music room with a few guitars, a keyboard, amps, and recording equipment and music stands
*** Travel Equipment *** I provide my guitar and amp. Students should provide their guitars and amps (if needed)
*** Specialties *** I specialize in Jazz guitar, improvisation, harmonic studies and theory. Chord melodies, building lines, phrasing, voice-leading, chordal improvisation, and re-harmonization/substitution.
Kim L. April 26, 2014
Guitar Verified Student
Hristo is the most inspirational teacher I've every had the pleasure to learn from. He shares his talent in a way that I look forward to every lesson. His patience and positive reinforcement encourages me to keep practicing. He selects the appropriate music for my level and teaches all genres. Thank you for working with me every week. I hope I get to work with him for as long as I can until he becomes too famous to continue teaching us.
AllenH April 4, 2012
I've been taking lessons from Hristo for a couple of months now. He is friendly, affable, and extremely patient. I enjoy our lessons, and have learned quite a bit in the short time we have been working together.
JeanetteY March 7, 2012
wonderful instructor and very accomodating. We are appreciative of his talents!!
Classically trained at prestigious Mussorgsky school of music in St. Petersburg, Russia, with over 20 years of teaching experience. I teach Violin, Viola and Piano Performance, Music Theory, Music History, Sight Reading and Ear Training to children and adults of beginning to advanced level. I utilize several teaching methods to best suit the needs of a student and make lessons enjoyable and productive. I introduce my students to a variety of styles while teaching classical techniques for lifetime skills. When not teaching, I play with Nova Vista Symphony (First Violin) ,Campbell String Chamb
er Orchestra (Concertmeistress), Winchester Symphony Orchestra, and a variety of instrumental Ensembles featuring Klezmer Music, Russian Tangos and Brazilian Choros.
*** Lesson Details *** My lessons are a balance of fun and focus. My students quickly learn the basics and start playing familiar melodies. I teach memorization techniques to develop a performing repertoire. In addition, my students develop abilities in rhythm, melody, harmony, understanding of theory, and improvisation. I also help with school orchestra practice and audition preparation.
*** Studio Equipment *** Dedicated Music Space, desk, piano, recording equipment, music stands, couch for parents to observe and wait or participate.
*** Travel Equipment *** I expect the student to provide their own violin and bow, music stand and a notebook. Students may also need to purchase sheet music/music books. I will provide basic recording equipment (audio and video), and pre-recorded piano or orchestra accompaniment. A live piano accompanist is available for recitals and pre-recital rehearsals.
*** Specialties *** Classical Violin, Viola Fiddle - Klezmer, American, Celtic Piano - beginning and intermediate levels Music Theory, Ear Training, Sight Reading, Improvisation.
Joe A. March 10, 2016
In home Verified Student
I am an adult beginner. Helena is amazingly patient and has clearly mastered teaching the violin. I am very excited that I found her and look forward to having her guide me on my journey to learn such a beautiful musical instrument.
Dawson S. February 25, 2016
In home Verified Student
She is doing a wonderful job sharing the experience of music with our son.
Christina P. September 28, 2015
In studio Verified Student
She has a great teaching style especially with young children. A very patient instructor. Recommend!
I am a Jazz Guitarist / Composer / Arranger / and Band Leader and teacher who has been working in the greater San Francisco Bay area for the past 10 years. Originally from the East Coast and Chicago I arrived in California in 1992. I hold a Master's Degree in music from San Jose State University where I majored in Jazz guitar performance and composition / arranging. I have been passionately teaching guitar for the past 12 years to students of all ages. My goal is to teach you the music YOU want to learn while expanding your musical awareness. I am a patient and understanding teacher who will a
ttempt to inspire students while pushing them to their playing potential. In addition to teaching I lead by example performing regularly in various Jazz ensembles. I have released a CD of original works entitled “Rivers Converge.”
*** Lesson Details *** I have played and studied extensively the styles of Jazz, Rock, Blues, Classical,electric and acoustic guitar. I begin lessons by teaching students the fundamentals of the instrument and after a basic grasp of the guitar is developed I encourage students to learn songs / styles of their choice so that the musical experience is fun for them. In the first few months beginning students will learn the architecture of the guitar: string names & numbers, finger numbers, fret numbers, tablature, chord diagrams, basic time signatures, strum patterns, chord charts. I divide guitar playing into 3 major principles: Lead playing / improvisation, Chord playing / accompaniment, and Melody / note reading. Lessons will reflect the development of these principles. Scales and arpeggios and music theory lead to improvisation. Chord playing, chord progressions, open chords, bar chords, & power chords are used to play rhythm guitar in songs of the student’s choice. Melody playing is developed through learning to read music. For reading studies I utilize the Hal Leonard Guitar method for beginners and William Levitt’s Modern Method for guitar for more advanced students.
*** Studio Equipment *** Converted room in garage w/ seating for parents.
*** Travel Equipment *** students should have guitar, music stand and two armless chairs
*** Specialties *** I specialize in Jazz, Blues, and Rock styles but am equipped to teach beginning classical guitar as well. I try to combine technique and music reading with the learning of songs that interest the student.
Juan M. April 9, 2015
In home Verified Student
Before Neil, my 9-yr old son had taken "group" lessons for a year that were unstructured and did little to expand my son's interest in playing (thankfully these were with friends so he stuck with it).
Having studied music very seriously, I helped him a little but knew that a real guitar teacher is what he needed. Neil is just what I was looking for! He has a very laid back "attitude" but he's laser focused on keeping things moving, keeping things light, and being totally encouraging. He also is very open to teaching rock and jazz and I can tell he just wants to teach a student whatever style/music type that will keep the student engaged. After every class my son has been satisfied and excited with what he's learning (and I stay and listen and get a kick out of it too). We drive quite a ways to get to his place, but it has been totally worth it. Thanks Neil! You RAWK!!
robert V. July 11, 2013
Guitar Verified Student
This course served my purpose
I have had only oneother guitar Teacher, and Neil was the Best of the 2. He is very easy to understand, and he makes it Fun and interesting. He is just a Great Teacher.
Hi. This is Jessica H. Currently I just graduated from San Francisco conservatory of music with Masters degree. I am a very patient person who has huge passion about working with kids.I have been teaching piano over 15 years. Since I have been teaching a quite long time. I have had students who past the highest level of ABRSM exams. I can be more serious and push a student to get ahead, or simply teach to have fun - to appreciate and enjoy music. I have learned, is to expect the best, pay closest attention to the students - to what they are ready for, what they want, what they are struggling
with, and have a good sense of humor. Inspiring and developing students passion into music.
samantha chua October 28, 2016
In home Verified Student
Jessica is a very knowledgeable, patience and dedicated teacher. I look forward to taking more lessons with her.
Kevin L. August 17, 2014
Great teacher with great personality!
She speaks the most standard Mandarin I ever heard .
Very beautiful tone as well !
I enjoyed working with her .
Tina X. August 17, 2014
I knew Jessica would be the best choice after reading her About Me section... She has been my son's piano teacher since last year. We worked very well since then. My son loves play piano . She is very sweet and patient piano teacher I ever seen.
I would like to recommend her to all my friends.
For years, amateurs and professional musicians have asked me to give lessons, but I was always touring or recording as a multi-instrumentalist and vocalist. Since I was a kid, I have travelled the world performing and recording with some of the biggest names in music (Shania Twain, Elton John, Kenny Loggins, BackStreet Boys, Steven Curtis Chapman, Alison Krause & Union Station, Broadway musicals). I have played on some of the biggest stages in the world and performed for millions including celebrities, dignitaries and royalty. At last, I am finally ready to share my knowledge with others.
Jon June 13, 2016
Hardy is an enormously accomplished musician with great people skills and the ability to help any budding musician take their game to a whole new level. Highly recommended!!
Scott June 7, 2016
If you want to take your next step in piano/keyboard playing, then I can’t recommend Hardy enough! Hardy is the real deal - truly a master of the piano himself in any genre you can think of. But more than that, Hardy assessed my abilities, we set realistic goals together, and plotted a course of action to make those goals become a reality. Can’t thank him enough!
Madu June 2, 2016
I absolutely enjoy working with Hardy. I've been playing the piano for years but never had formal lessons. Hardy tailors the lessons so that I learn the fundamentals while playing some pretty cool stuff. I look forward to each session we have.
Piano lessons for kids are an investment -- so how do you know your investment is worthwhile? Here are some tips for checking in and making sure your child is learning piano at the right pace, courtesy of Brooklyn, NY teacher Liz T...
If your child has recently started taking private lessons, there are certain benchmarks you can follow to assess musical progress as he or she is learning piano. Many parents are unaware of how to track and measure their child's musical abilities. …
How to Measure the Success of Your Childs Piano Lessons
Piano lessons for kids are an investment -- so how do you know your investment is worthwhile? Here are some tips for checking in and making sure your child is learning piano at the right pace, courtesy of Brooklyn, NY teacher Liz T...
If your child has recently started taking private lessons, there are certain benchmarks you can follow to assess musical progress as he or she is learning piano. Many parents are unaware of how to track and measure their child's musical abilities.
Easy Violin Music for Beginners and Beyond
Playing some familiar tunes is one of the first things you may pursue when learning a new instrument. You might start the violin thinking it will be years before you can play the music you want, but youll be pleasantly surprised to learn that many familiar favorites are available as easy violin music.
Simplified sheet music makes it easier than ever to move from bland scales and exercises to pieces you actually recognize. Add these pieces to your repertoire early on and youll return to them a
A Brief History of A Cappella
Over the past few years, a cappella has become a popular genre and trend. But what exactly is it? The term a cappella is an Italian term that means "in the manner of the church" or "in the manner of the chapel," referring to the type of music that is sung without the use of musical instruments. History tells us that a cappella music got its beginning in a religious setting, but the genre continues to grow and change as shows like Glee and movies like Pitch Perfect move the style into popular c
5 Contemporary Songs for the Piano, Guitar, and Voice
Practicing any song on the piano can be fun at first, but after a while playing the same songs by yourself can be a bit boring. Why not find some songs for the piano, guitar, and voice? You can perform for others in a talent show or an open mic night, or just for yourselves and have a good jam session!
With any of the songs for the piano, guitar, and voice, your music teacher can help you with some pointers, and might even be able to teach you the chords by listening to the song. Be sure to ask
Play Like a Pro: 7 Cool Rock Guitar Licks from Legendary Players
Playing famous guitar solos and licks can be really fun. Plus, if you're hoping to impress someone, a well-known lick can go a long way. We've picked out a handful of rock guitar licks that sound great and are at an intermediate level of difficulty. All of them were originally played on an electric guitar with a set level of distortion and overdrive, but feel free to add your own twist. Try playing them with a clean sound, or even on an acoustic guitar if you want to try a different sound.