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Valley Park, MO Flute Lessons

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About Frances B.

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Brooklyn, NY

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I offer my flute students of all ages and levels inspiring and interesting lessons based on classical repertoire, exercises and studies from from the Western European traditions of mostly the French school of flute playing, but also borrowing from the English and German traditions.

I work with my students to develop and improve tone quality and pitch control. I guide them through Moyse, De La Sonorite, and Trevor Wye's Practice Book 1 on Tone and note bending exercises. While guiding my students through exercises, etudes and pieces, I strive to sharpen their listening skills by drawing their attention to fuzzy tone, faulty pitch, uneven fingers etc. I use tuners and metronomes in my lessons to encourage these skills and to teach my students how to practice to get great results.

I thoroughly enjoy teaching and playing flute! With over 25 years of experience, I still find teaching to be the most rewarding and fun experience. I always look forward to meeting and working with new ...

About Frances
Originally from Massachusetts, I have been teaching children and adults flute for over 20 years. I teach from the very beginner student to the very advanced and I have additional training in the Suzuki Method which is especially helpful for beginning young children. I am primarily a classical flute teacher with extensive experience playing in various classical music settings.

My approach is friendly and patient. As I get to know my students, I can better guide them to accomplish the goal of learning flute but, in the process, I never lose sight o the person whom I am teaching. It has to be a pleasant experience as well as challenging. I have learned throughout the years when to relax my expectations of perfection and when to intensify them. I am looking for a good attitude in my students. My students come to me trying their best during
the lesson time and also making time in their schedules to practice. Every student is different and has different goals. I consider the differences while I am teaching them. My younger students don't usually know how serious they are about the instrument. For them especially, it has to be fun and interesting. I make every effort to combine my students in small chamber music groups for recitals. Nearly all of my students participate in regular studio recitals with a pianist provided to accompany them.

My private teachers include: Mindy Kaufman of the NYPhil, Stephanie Mortimore of the MET Orchestra, Linda Chesis of the Manhattan School of Music, Bernard Goldberg of the Pittsburgh Symphony and Philip Kaplan and Paul Fried of the Boston Symphony
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Crystal February 14, 2017
· Flute · In studio
Our son attended a neighborhood concert and was struck with the idea that he’d like to learn to play the flute. We knew absolutely nothing about flutes at that time, but we consider ourselves so, so fortunate that Frannie came to us by recommendation.

Frannie is fun and has a great sense of humor. She is endlessly patient and relaxed, but also firm when she needs to be. She always keeps the music interesting for him – for example, after a period of working hard on the pieces in the Suzuki Method repertoire, she encourages him to mix it up and play some things just for fun, like the popular themes to Star Wars and Harry Potter.

Our son, now 9, has been studying with Frannie for almost a year now, and I cannot believe how much he has grown and improved in such a short amount of time. Frannie inspires him to play his very best; he works hard to emulate her gorgeous tone. He absolutely loves his weekly lessons, he looks forward to her student recitals, and he is motivated to practice every day.

It is a beautiful thing to watch your child fall in love with making music, and we credit this to Frannie. She has our highest recommendation.
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Eamon G March 28, 2016
· Flute · In studio
I took lessons with Frannie for more than ten years, starting at age 4 in an introduction to music class at the Brooklyn Music School. Through her I found not just a great love for music but a lens through which I discovered and learned about the world. With Frannie, once a week for nearly my entire childhood, I would learn to practice and work at a piece or phrase, or to interpret and have and opinion on music I played, or to play like I mean every note, and so on endlessly. Those skills were some of the earliest and most important lessons I had about how to live and enjoy my life, and art, and how to work hard, and care about what I do for my own sake and no one else's. And I don't believe just any teacher could have done that for me. Since moving on I have often felt a different excitement and deep understanding of music than many of the peers I met who have spent far more time than me studying music.

I'm still a musician. I graduated recently from Bard College with a degree in music and have since played onstage in a very successful off-broadway musical. I've played in many orchestras including with graduate & conservatory students at Bard, with the New York Youth Symphony Orchestra, and at LaGuardia High School (formerly Music & Art). I have moved on to other instruments, and forms of music, but I credit Frances not just for showing me how much I love music but for teaching me in many ways how to enjoy and get what I want from life. I can't recommend her enough.
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Ben February 1, 2016
· Flute · In studio
My daughter Coco studied with Frances for a number of years. Without question Francis was the best music teacher Coco ever had, and she's had quite a few.
Francis is generous, creative, and inspiring to work with, she has the perfect balance of qualities that a music student needs. She's highly motivating and makes demands of her students which stretch them to achieve their full potential, yet she never pushes past their limits; Coco never felt stressed by her practice but always wanted to fulfill the expectation of excellence which Francis instilled in her. Francis always led by example and was kind, supportive, and a lot of fun to work with. She's also disciplined, reliable, and punctual. I give her the highest recommendation.
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Frances B.

Frances B.

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About Yana H.

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Fairfax, VA
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My teaching experience includes students between the ages of 8 and 70. I believe in the individual approach and decide what music books and methods to use and recommend after the first few lessons with the student. Playing the flute is a great skill that lets you appreciate and express music. It also enhances your focus and the quickness of your mind since you think of a few things simultaneously while playing. For fun you can play your favorite song, compose one or play duets with your teacher.

About Yana
My teaching experience includes students between the ages of 8 and 70. I believe in the individual approach and decide what music books and methods to use and recommend after the first few lessons with the student. Everyone learns differently!
Flute lessons can be fun, educational and helpfull. Playing the flute is a great skill that lets you appreciate and express music. It also enhances your capability to focus and the quickness of your mind since you think of a few different things simultaneously when playing the instrument. And the fun part - well you can play your favorite song, compose something yourself or have fun playing duets with me or fellow flute students.

*** Travel Equipment ***
Stand, sheet music, metronome, tuner

*** Specialties ***
Classical Music
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la September 27, 2016
· Flute · In home
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ram September 27, 2016
· Flute · In home
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Humberto Caballero February 26, 2016
· Flute · In studio
Yana is a superb instructor. She promptly identified my strong points and let me know those areas that needed improvement. She is patient, yet she keeps the student moving along to the next goal. I look forward to my next lesson.
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Yana H.

Yana H.

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About Amanda S.

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Irwin, PA

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The private lesson experience is unique in that it allows for more “customized” instruction that group lessons or rehearsals alone are not able to give. The instructor and student work one on one as a “team” toward the ultimate goal: a better understanding of their instrument, and a higher level of musical development.

In every lesson, we will work to improve technique, tone production, and listening/music reading skills, among other things. I will assign exercises and/or pieces each week that are meant to challenge, not overwhelm! Sometimes I will assign an exercise that is expressly meant for a particular area in which the student may not be the strongest, in an effort to develop that area. Learning an instrument is a skill that takes time to develop, and it is within the journey where most valuable learning takes place!

About Amanda
Amanda is a professional Pittsburgh-area flutist and private teacher. She has served as principal flutist with the Pittsburgh Philharmonic as well as second flute/piccolo with the Undercroft Opera. She has also served as a substitute flutist for the Edgewood, Westmoreland and Johnstown Symphonies. Amanda also performs with the Dolce Appassionato Trio, a chamber ensemble comprised of flute, cello, and piano. She is active as a soloist, performing in a variety of venues throughout the Pittsburgh region.

An ardent advocate of early music and historical performance, Amanda also plays the baroque flute. She has performed in masterclasses for internationally known baroque flutists Kim Pineda, Janet See, and Barthold Kuijken.

Amanda received a Bachelor of Music degree in music education from Seton Hill University, and a Master of Music de
gree in flute performance from Duquesne University, where she studied under Damian Bursill-Hall of the Pittsburgh Symphony Orchestra.
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Danielle W. August 12, 2014
· Flute · In studio
Amanda is a perfect instructor for my child. Friendly, knowledgeable and positive, Amanda has made my daughter's flute lessons and ongoing learning, a pleasant experience.
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Amanda S.

Amanda S.

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About Carl S.

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Broken Arrow, OK

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I am currently Director of Jazz Ensembles and Instructor of Saxophone at South Dakota State University. I've played classical and jazz flute in large and small ensembles for 10 years. For beginners, I recommend Essential Elements for Band, Book 1 for Flute. For all, I teach practice techniques for good fundamentals. For booking, please sign up with TakeLessons today, and then we'll arrange a mutually agreeable meeting time.

About Carl
Dr. Carl S. will be teaching at Oklahoma State University as a Lecturer of Saxophone and Music Theory during Dr. Jeffrey Loeffert's sabbatical beginning August 2017. His duties include graduate saxophone lessons, graduate music theory review, graduate saxophone pedagogy, and saxophone studio class. Carl has an online music studio through TakeLessons, where he teaches several instruments privately and in group settings including saxophone, guitar, oboe, music theory, flute, clarinet, and piano.

Prior to working at OSU, Carl was Instructor of Jazz and Saxophone at South Dakota State University from 2014-2017. His responsibilities included directing the annual SDSU/Brookings Optimist Jazz Festival, directing Jazz Ensembles I-II, Jazz Combo, Jazz Improvisation lessons, Jazz Pedagogy, online Jazz Appreciation, private saxophone lessons, sax
ophone quartets, private oboe lessons, and group guitar class.

Carl completed his Doctor of Musical Arts degree in saxophone performance at the University of Kansas in 2014, and his Master of Music Pedagogy and Performance from Oklahoma State University in 2011. He graduated from Harrah High School in 2002, earned his Bachelor of Music Education from Southwestern Oklahoma State University in 2008, and was a 5th-12th grade Head Band Director at Fairview Public schools. He is currently a member of the North American Saxophone Alliance, the Jazz Education Network, Music Teachers National Association, treasurer of the National Association of College Wind and Percussion Instructors, and an Honorary Member of Tau Beta Sigma. He has held previous memberships with Kappa Kappa Psi, Phi Mu Alpha Sinfonia, Kappa Delta Pi, and the Oklahoma Bandmasters Association.

While at KU, Carl was also a graduate teaching assistant for the saxophone studio and jazz studies program. His responsibilities included Assistant Director of the KU Jazz Festival, directing Jazz Ensembles II-III, directing Jazz Combo III-VI, assisting with the KU Jazz Festival, directing Saxophone Quartets II-III, teaching private saxophone lessons, assisting in saxophone studio class, and teaching the music education woodwind methods course. His Lecture Recital Document, A Performer’s Analysis of Selected Jazz Works for Saxophone Quartet, featured an interview with Bob Mintzer. Carl was a member of KU Jazz Ensemble I, KU Saxophone Quartet I, and KU's Helianthus New Music Ensemble. As a member of KU's Jazz Ensemble 1, Carl has performed with Dave Douglas, Kurt Rosenwinkel, Alex Sipiagin, Steve Owen, Gary Foster, Steve Houghton, Clint Ashlock, David von Kampen, Peter Epstein, Jeff Miley, James Miley, Roger Shew, and Brian Hamada, Brandon Draper, Rich Wheeler, Beau Bledsoe, Jeff Harshbarger, and Matt Otto. In July 2014, Carl went on a European tour with KU Jazz Ensemble I featuring Steve Leisring and Deborah Brown. Together, they performed at the Montreux Jazz Festival in Switzerland, the Vienne Jazz Festival in France, and performed in several cities in Germany. Recordings by this band resulted in KU winning the DownBeat Student Award (Graduate College Large Jazz Ensemble Division) in 2015.

While at OSU, Carl was a GTA for the saxophone studio and music theory programs. His responsibilities included Music Theory I-IV tutoring and grading, sight-singing grading, piano labs, classical and jazz saxophone lessons, saxophone quartet coaching, saxophone studio Webmaster, and saxophone studio class. Carl was a member of the OSU Wind Ensemble and Jazz Ensemble 1. He had a regularly performing jazz trio and played in OSU's X2End saxophone quartet. The X2End quartet performed locally at the 2011 Navy Band Saxophone Symposium in Washington D.C., at the 2011 NASA Region IV Conference, and has won the state and division rounds of the 2010-2011 MTNA Chamber Music Competition. The X2End quartet went on to win the 3rd place prize at the national final round of the MTNA Chamber Music Competition. They also were the Division II Chamber Ensemble winners at the 2011 Hubbard Music Competition where they were awarded the 2nd place prize in the overall finals. Carl's final degree paper at OSU was a study of composer/performer collaboration. He traveled to Texas, Michigan, and Ohio to interview saxophonists and composers including David Dees, Peter Fischer, John Sampen,Marilyn Shrude, Joe Lulloff, and Charles Ruggiero. He has presented his lecture at the 2011 Navy Band Saxophone Symposium, the 2011 NASA Region IV Conference, and the 2012 OSU Single Reed Summit. As a member of OSU's Jazz Ensemble 1, he has performed with Bob Sheppard, Conrad Herwig, Wayne Bergeron, and Andy Martin.

While at SWOSU, Carl performed as a member of the marching band, wind ensemble, Jazz Ensemble A, saxophone quartet, and his own jazz combo named Five-Seven. As a member of SWOSU's Jazz Ensemble A, he has performed with Dan Haerle, Bob Bowman, Jack Mouse, Fred Forney, Janice Borla, Eddie Daniels, Pamela York, Lynn Seaton, Carl Allen, Dr. Michael Cox, Tom Williams, Dr. Robert Chambers, Dave Hanson, Drori Mondlak, Delores Williams, Byron Stripling, Frank Wess, Kenny Drew Jr.,Dennis Mackrel, Bill Watrous, Rich Eames, Jennifer Leitham, and Randy Drake.

Carl's primary saxophone instructors have been Vince Gnojek, Dr. Jeffrey Loeffert, Dr. Ann Bradfield, Dr. Keith Talley, and William Rodney Hull. He has had additional instruction in lessons and masterclasses from Gary Foster, Dr. Joseph Murphy, Dr. Michael Cox, Bob Sheppard, Johnny Salinas, Dr. Kimberly Goddard Loeffert, Dr. Geoffrey Deibel, Dr. Jonathan Nichol, Dr. Griffin Campbell, Dr. James Laughlin, and Dr. David Dees. Carl's jazz directors have included Dan Gailey, Bob McCurdy, Dr. Jonathan Martin, Dr. Keith Talley, and Dr. Terry Segress.

​Carl lives in Brookings, South Dakota. He enjoys recording several instruments in his home studio and composing new music. His compositions that have been performed include his big band arrangement of Cat Battles by Joshua Redman,September in the Refrain (alto saxophone and electronics), Funk-o-matic (jazz combo), Smooth (jazz combo), and The Deadline Arrives at Dawn (alto saxophone and electronics). As an advocate of new music involving the saxophone, he has participated in a commissioning consortium for Alone Together by composer David MacDonald through Kick Starter. In 2013, Carl performed the premier of Cuento #3 by Nelson Ramirez Diaz. During summer of 2014, he recorded selections from Dr. John Walker's "The Alto Saxophone in the Attic," published by Carl Fischer. At the 10th Annual SDSU/Brookings Optimist Jazz Festival in 2015, Carl directed SDSU Jazz Ensemble I's premier of Dog, Tired by David von Kampen.

​Dr. Carl is a Conn-Selmer Endorsing Artist. He hosted the North American Saxophone Alliance Region 3 (ND, SD, NE, MN, IA) Conference at South Dakota State University on March 17-18, 2017. On Saturday, April 8, 2017, Carl performed Dreams in the Dusk by David Biedenbender with South Dakota State University's Wind Symphony, directed by Dr. Jacob Wallace. On Monday, February 6, 2017, Carl will be performed the premiere of Lhotse for alto saxophone and percussion by Steve Danyew with Dr. Aaron Ragsdale.
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Dallas E. September 18, 2017
· Saxophone · Online
Carl is the real Mc Coy! An outstanding teacher whos intuition and knowledge permeates through his lessons! He truly makes a difference! One of Carl's great asset is that he molds his teachings to your understanding and competence yet he makes your goals ascertainable! Very impressed! A+++++
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Laura August 28, 2017
· Oboe · Online
Carl is a great teacher for our 12 year old daughter. He's engaging, encouraging and relatable, and has a great musical talent. We've been very happy with the lesson plans and how much progress our daughter has made over the last few months. We definitely recommend Carl to anyone looking for an instructor- he's excellent.
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Minna August 17, 2017
· Oboe · Online
Great teacher, very knowledgeable. Learnt quite a lot of stuff even after being rather experienced in music.
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Carl S.

Carl S.

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About Kelsey L.

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Saint Louis, MO

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I structure lessons so that students learn what they want to learn, while also covering notes, scales, improvisation, and reading music. I use the appropriate level Robert Cavally Melodious and Progressive Studies books, Rubank Methods for flute, and any other material the student is interested in learning.

About Kelsey
Hello there! My name is Kelsey, can't wait to meet you! I am fairly new to teaching private lessons, I started this January 2017. I love teaching, and I am very passionate about the flute! I'm excited to share my knowledge of this instrument with students, and to help them to achieve their best sound. I achieved my minor in flute performance at Southern Illinois University Edwardsville, and graduated with my Bachelor's in 2012. I have personally been playing the flute for 20 years, and am able to teach students both to read music, and to improv. I perform in a duo several times a month around St. Louis and surrounding cities, specializing in flute improv and flute solos. I am a very patient, and enthusiastic person, and my teaching style is flexible and fun, focusing on attainable goals so the students can experience success.
I look forward to helping you reach your musical goals!
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Linda August 8, 2017
· Flute · In studio
I was referred to Kelsey by a co-worker when I decided to start my seven year old on my old flute. We weren't sure if flute would be the right instrument, but since I already had one, it was the first logical step.

After the first lesson, my daughter had a good handle on identifying the notes in the treble clef. Half the battle is getting Chloe to pay attention. A stuffy, boring instructor would never keep her interest.

Kelsey is friendly, and reliable, and keeps lessons fun.
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Bethany August 8, 2017
· Flute · In home
We switched to Kelsey for lessons in January, and the difference in my 9-year-old beginner flute player was very noticeable. Brittany has been more motivated to practice, and has moved forward two seat-ranks in school band since starting lessons with Kelsey. Brittany loves her. They relate in a unique way, "woman to woman," so to speak. Kelsey is very dedicated, and knowledgeable about the instrument. Brittany is in good hands.
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Kelsey L.

Kelsey L.

Saint Louis, MO 63118
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About William P.

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Waterbury, CT

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Learn to play one of the most recognizable instruments in the orchestra. The flute plays beautiful melodies and embellishments to add to the mood of many pieces. I can teach you how to have a good tone, how to keep your embuchure strong, and how to keep your hands from cramping up. I will use scales, breathing drills, and support training to allow you to reach your goals. I can take you as far as playing in a mid grade orchestra, and intermediate solo pieces.

About William
Hello everyone. I have a bachelor's degree in Vocal Performance from Valley Forge Christian College and I have been performing since I was three years old. I play several instruments and have learned the key skills needed to be a successful musician in any genre. With five years teaching experience and a willingness to learn, I have discovered new ways to help my students become better musicians. I can show you the ways to hone your skills through different drills and practice strategies. Also, I can teach you ways to keep your instrument working at top shape by keeping your physical health in good condition. I want to teach you what you want to know with a little push to expand your abilities. I can also give you great tips ln running, and help you with your biblical studies. I hope to hear from you soon.
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Rhian September 6, 2017
· Singing · In home
I’ve been working with Will for around two years. In this time Will has pushed me to be the best I can be. Not only is Will a great teacher but he is also a great person. Thanks to Will I have reached new heights in my singing. I couldn’t have done it without him. I would 100% recomend Will to anyone who is looking for an amazing voice teacher.
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Maura September 2, 2017
· Singing · Online
My daughter loved the lesson. I am sure it will jump to 5 stars as we go along.
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Shirley August 17, 2017
· Piano · In home
William is very patient and very knowledgeable. He not only answers your questions but explins why it is. Bravo!
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William P.

William P.

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About Kevin M.

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Miami Beach, FL

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Ready to put together some effective practice skills and learn how to get around the horn? Maybe you're getting ready for that All-State audition or to take that first chair spot or learn to play some fun tunes. I'm willing to help if you're able to practice. Texts vary depending on level, genre, and what you're interested in achieving. Topics to be covered include but aren't limited to: How to practice to make the most of our lessons and your time, good fundamentals and technique, sight reading,theory, improvisation, suggested listening and repertoire, audition prep...

About Kevin
School is important, but MUSIC is importanter. Learning to practice and love it is one of the most useful skills anybody can ask for in any field. I wholeheartedly believe that anyone that puts in honest practice and exploration will find a way around an instrument. For the last 20 years I have been teaching privately, in the public, private and charter schools, and have been writing and playing professionally. Some of my best students have pursued music as a career and some are engineers or housewives or something else, but playing music is something they all hold close to their hearts.
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Kevin June 4, 2016
· Music Theory · In studio
I had the pleasure of being Mr. Muncy's student during my high school years. I started as a beginner in my sophomore year having never taken a music lesson. I took this course simply to fulfill an arts requirement, but his infectious passion for music and teaching inspired in me a deeper interest in the subject. His patience, unique teaching style, and ability to communicate complicated musical concepts equipped me with the capability to pursue music more seriously. After graduating from his music program, I joined the symphony band at my university, held various steady professional gigs and formed my own groups for performing at charity events. Three years of lessons with Mr. Muncy, and some dedication on my end, allowed me to surpass my own expectations in music. I continue to play while pursuing a career as a Physician Assistant and feel privileged to have Mr. Muncy as a mentor. His lessons not only allowed me to pursue my passion for music, but have taught me life skills that have also molded me as a clinician. If you are looking to take music lessons, I highly recommend Mr. Kevin Muncy.
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Al May 31, 2016
· Music Theory · In studio
Kevin was an excellent teacher when I had him many moons ago - I can only imagine that he has improved since then. I was a beginner, learning the bass. That isn't Kevin's primary instrument, but he was knowledgeable enough to help me lay much of the foundation for the all that I know in bass playing today. He helped inform my music history knowledge, appreciation and pointed me to some great artists, books (esp. Free Play), and people to learn from. Perhaps more importantly, he really helped stimulate my growth and development within music and within life itself. I credit a good part of who I am and my success today to the tutelage and teaching of Kevin.
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Kevin May 22, 2016
· Music Theory · In studio
Best instructor I've ever had. He makes learning easy and inspires you to practice and try your best. If you like playing music, he will make you love it!
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Kevin M.

Kevin M.

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About Sarah C.

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Elkridge, MD
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I have been teaching flute for ten years, and my students regularly hold principal or first chair in their school ensembles. I also have had students participate in local youth orchestras, as well as All-County. In the first few lessons, we will go over the basics of flute playing, always making sure you are having fun. As we advance, we will have scales, an etude, and a duet to play each week (as well as a solo piece for advanced players).

About Sarah
Sarah comes from a musical family and is from Baltimore, Maryland. Sarah earned her Master’s Degree from Ohio University in 2016 where she was a concerto competition finalist that year. While at OU, Sarah held positions as the Flute graduate assistant and as a band graduate assistant. She also attended James Madison University, where she graduated in 2014 with a Bachelor of Music in Flute Performance.

Sarah has ten years teaching experience, holding an active private studio with students ranging from seven to seventy. Sarah's students regularly hold principal positions in their school ensembles, and her students have been selected to perform as members of the Baltimore Symphony Side by Side Orchestra, All County Band and Orchestra, and Chesapeake Youth Symphony Orchestra. Sarah believes the most important part of playing flute is to
have fun!

Sarah believes it's never too young to start an instrument, and especially enjoys working with beginner adults.
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Krystal February 25, 2017
· Flute · Online
Sarah is wonderful! She is very thoughtful, organized, and caring in her teaching approach. She has a well-rounded background that allows her to structure lesson to cater to each of her students as individuals. As a flutist and performer, she leads by a wonderful example for her students in all aspects of music including tone, rhythm, and style.
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Claire February 21, 2017
· Music Theory ·
Throughout the last seven years I've known Sarah, I've continued to be impressed with her dedication to music and her unwavering effort in improving her skills and knowledge. I don't know anyone who works harder or is more professional than she is. Sarah truly cares about her students and is great at recognizing their strengths while empowering and guiding them to reach their musical goals.
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Sarah C.

Sarah C.

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About Esther D.

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Brooklyn, NY

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I've been playing flute for 25 years, and teaching for almost 10 years to students all ages and levels. I'm specialized in classical repertory and public performance.

About Esther
Educator with 9 years of experience, focused on providing personalized education and incorporating new technology into the teaching process, as well as fostering intellectual and personal growth and serving as a role model who instills a lifelong desire to learn.
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Esther D.

Esther D.

Online
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$40 / 30-min

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As you learn to play the flute, attending regular private lessons are integral to your success. Here, Chicago, IL flute teacher Jillian D. shares her tips for making the most of those lessons...   Growing up, flute lessons were, and still are, an important part of my life. They instilled me with discipline, integrity, and pride, while also allowing me to grow and mature artistically. The moments you spend with your teacher are filled with helpful information and wise insight. The
6 Websites for Finding Free Flute Sheet Music
Looking for some new tunes to practice? Check out these recommendations for finding flute sheet music from Brooklyn, NY teacher Julie P...   If you’re a flute player looking for more music to learn, you’re in luck! There are many places to find free flute sheet music on the web. There’s more music out there than you’ll ever have time to explore, ranging from solos to duets to etudes and scales. You can find music in genres from Classical to Pop/Rock, Folk, and Holiday. Whether you
Learn to Play the Flute: Your Top Challenges, Resolved!
Want to learn to play the flute or improve your existing skills? Check out these helpful tips from New York flute teacher Nadia B... As you learn to play the flute, you may encounter some challenges as you grow, learn, and improve. Read on to discover the most common issues I see my flute students facing, and tips to overcome them so you can play at your best. “I don’t have enough air to play that passage!” While you may feel that you don’t have enough air, you usually have enough, or

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