Cello Lessons

in Buckner.

Amazing Teachers.

ls. I believe talent is not a factor in learning. Mastering an instrument is the result of effective instruction and step by step guidance toward foundations and skills. I love to teach private lessons because I believe in spreading the word to make the great gift of playing music available to many. It is an inherited right and gift to enjoy a lifetime of personal satisfaction from playing a musical instrument. I love to help students build confidence and make progress. I help them problem solve by going through problems with them. I teach "how to think" and how to become a life long learner of the instrument. I love the challenge of finding ways to help students become successful at every step of the way. I am excited and enthused to be apart of student progress. I am influenced by many 20th Century performers including Van Cliburn, Oscar Peterson, George Shearing, Erroll Garner, Yudi Menuhin, Issac Stern, Dave Brubeck, and Horowitz among others. I am passionate in my teaching about providing an effective solution to my student's needs. I am pleased to announce my teaching has awarded a cello student a spot at Del Sol music high school for the 2017-2018 school year. this student of mine passed an audition January of 2017 as a result of my teaching. The student worked very hard and followed my instruction very well. Congratulations!! I am also pleased to announce two of my cello students have both passed auditions to play in the Las Vegas Youth Orchestra starting in September 2017, September 2018, and September 2019. They both auditioned during May 2017, May 2018, and May 2019. Congratulations to both of you!!! There is also a viola student of mine who has passed audition for LVYO in May 2019 for the September 2019 season; Congratulations!! I also had a violin student who passed auditions for LVA (Las Vegas Academy) a couple of years ago. I have no connection to these organizations. These students all worked hard and followed my instruction. I can help you learn as well. Recently with the development of "octave" strings, if you have been split between learning violin, viola, or cello; these strings installed on a violin or viola make the instrument sound like a cello. It is really something. They are tuned an octave below, so they sound very low. A lot of cello music will have to be transcribed for owners of these instruments installed with "octave" strings. Videos can be found on YOU TUBE of these instruments played. They are ordinary violins or violas strung up with thicker strings to sound an octave below.

I am a professional educator who works with both children and adults, and has the patience to help them. I am a performer who has over 30 years of public experience in solo playing as well as ensemble work. I have performed at Nordstrom for nine years, and performed at many private functions. I have performed classical as well as jazz music as part as my performance experience. I have taught private lessons for well over 20 years. I'm sorry, as of Summer 2016 I do not travel to student locations. I teach at my studio as well as online. If you are among the many parents who home-school your children, you should consider music lessons for them. There are many benefits of home-schooling, but unfortunately students miss out on specials. Practicing an instrument can make up for that and also teach critical learning habits and personal skills toward learning in general. Give me a try, in my studio or online; I can help you learn.

*** Lesson Details ***
I believe in personalizing your approach to the strangeness of the instrument. You need to learn much about posture, and proper tone production within the first year. Method books are not "how to" books. You need a teacher to guide you toward becoming familiar with the instrument. You also need to learn how to listen to the sounds you make as you play. To develop "musical independence" you need to become musically literate, develop tone production skills, and internalize a steady beat. Rhythm and tone are basic concepts that must be mastered to maximize pleasure in playing your instrument. Learning how to problem solve is another skill I teach so you can help yourself toward progress.
I believe in using the instrument in daily activities such as playing "Happy Birthday" at family get together. Christmas Songs or Hanukkah Songs can bring much joy during December family parties.
A musician in the house brings much joy during holidays and celebrations; and the families are brought closer together. Memories are created and last forever. Playing an instrument is exciting and expresses what can not be said using words. I believe in teaching students based on their strengths, and building upon them. I am excited to help you learn!!

I only teach in my own studio and online. I do not travel anymore.

You can advance quickly if you are taught to listen to yourself and follow my instruction. I will guide you every step of the way to understand how music making works. Music lessons are fun and enjoyable. I am pleased to guide you through your learning every step of the way. My students in Las Vegas have had much success with my teaching and guidance. I will succeed where others fail. You will reap the benefits of my professional instruction. I bring a wealth of teaching experience, teacher training, and professional playing experience to every lesson. Most music store studio instructors have very little or no teacher training. Playing experience does not make one a helpful teacher. Failure to learn "how to" teach along with not earning any teaching credentials will not make anyone an effective music instructor.
I have experience teaching children and adults with autism within a variety of functioning ranges. They learn in their own unique style which suits them best.
*** Studio Equipment ***
Grand Piano 5'1', Digital Piano 88 Keys, Violin, Viola, Bass Guitars ( 5 String Fretless), electric guitar (Fender), Upright Bass 3/4 Size French/German Bows.

*** Specialties ***
Suzuki for string instruments. Thompson, Schaum for piano. Blues, Jazz and " Real Book " for jazz piano as well as Frank Mantooth books for chords. I also create materials to suit individual student needs. Classical Piano Volumes.

her countless opportunities to perform, to participate in event planning, and to experiment with new music and arranging. She grew up participating in her mother's studio recitals at home and enjoys an annual family tradition of organizing and performing Christmas programs at church. One of Catherine's projects during her studies at the Manhattan School of Music was the Symposium Concert Series, which has led her to perform in apartment homes around the city and build a community of young artists. She has made countless arrangements for solo viola and viola with various ensembles which she often performs.

Catherine resides in Brooklyn, New York with her husband, Lawrence. She plays on a Raymond J. Melanson viola made in 1987.

*** Lesson Details ***
I'm able to travel to the student's home or teach at my home. Parents are welcome to sit in the lesson.

*** Studio Equipment ***
N/A

*** Specialties ***
Patience

skills that can be beneficial in every aspect of our daily lives. Whether you are new to the cello, picking it back up after some time off, or at a more advanced level, I hope to hear from you! If you have any questions at all, please send me an email. I look forward to hearing from you!

BIO:
Born in Minneapolis, MN, Victor Mooney began playing cello at the age of 7. While in Minneapolis he studied with Tom Austin, former member of the Minnesota Opera. Victor completed a Bachelor of Music Performance degree from Iowa State University, where he studied with George Work. Upon graduation he was awarded the Outstanding Senior in Music award, the highest honor the Music Department at Iowa State gives. While in undergrad he also received a scholarship for excellence in performance. In the fall of 2015, Victor pursued a Master's of Music degree in Cello Performance at The Boston Conservatory, where he studied with Andrew Mark. He has participated in master classes with Anthony Ross, Tanya Remenikova, Narek Hakhnazaryan, Hong Wang, Bruce Uchimura, Wes Baldwin, Theodore Buckholz, and Joshua Koestenbaum. From 2013 to 2015 he played regularly with the Des Moines Symphony Orchestra. While at Iowa State University he had the opportunity to sit Principle Cello in both the Iowa State University Symphony Orchestra and the Iowa State University Chamber Orchestra. Along with teaching privately in his Boston Studio, Victor also teaches for the Brookline Adult and Community Education Center. Outside of music, Victor enjoys reading, cooking, watching hockey and soccer, and visiting with family and friends in Minnesota.

ith private teachers and played with the school orchestra. At home, her dogs were a great audience.

Lisa went on to study history at the University of Pittsburgh, and later earned her law degree from Duquesne. She never forgot her violin, though, and continued to play in her spare time.

Music adds beauty to the world, and finally, after years of keeping the violin to herself, Lisa decided to share her playing with others. Lisa teaches traditional, classical method. The method books she uses include: Essential Elements for Strings, Samuel Applebaum, and All for Strings, among others. She supplements the technical exercises with repertoire from the Suzuki series. Lisa enjoys playing all types of music, in addition to classical, and teaches these songs, as well. Additional music includes pop artists like Taylor Swift, classic rock, electronic music like Lindsey Stirling, celtic, folk, and just about any other type of music you can think of. As a teacher, Lisa strives to be positive and encouraging. She believes that music should be fun, so her main goal is to make sure her students are having a good time!

from Northwestern University's Bienen School of Music. There, I studied with one of the most internationally renowned cello professors in the world who has shaped me into the musician I am today. In addition, I got my Suzuki Certification in all 10 levels of cello books after completing a 2 year year rigorous Suzuki pedagogy program.

In my second year at Northwestern, I won a fellowship, covering my full tuition and acceptance into The Civic Orchestra of Chicago. This is the apprentice orchestra under the Chicago Symphony. We worked with all the conductors that came in to play with the symphony. Yo Yo Ma, the most famous cellist of all time, is the creative consultant for the Civic Orchestra and we got to work with him 4 or 5 times a year.

I have traveled and performed with my string quartet ATLYS representing Lincoln Center in New York City. We have traveled around the world playing crossover music, where we play arrangements of pop, jazz, folk, traditional, rock, indie, alternative, rap, but always return to the forever-beautiful classical quartets, as well.

Because of this, I have learned to play extended techniques on the cello and learned different styles of playing, like Celtic gigs and reels and cool jazzy bass lines. I think this is a fun unique quality that I can add to a student's cello development when studying with me.

I arrange music for string quartet, too. I think it's important for my students to also learn some basic music theory as it can develop a student's understanding of music at a much deeper level. This can make a student appreciate how a piece is created and where a phrase needs tension or where it needs to be released. It's very important for their musicality.