Bridgeton, MO Music Performance Lessons

d how great technique is fundamental to successful development. I find this approach beneficial if you're a beginning student or if you sing professionally. Not to mention, singing songs is fun!!!! I encourage all students to give input on repertoire. Songs are chosen with goals in mind, including working specific parts of the range, preparing for an audition or performance, stamina, strength, and overall vocal development. In 3-6 months you will have a very good understanding of how your voice works and how to apply good technique to a variety of styles of music. My goals for piano students of all ages include a broad understanding of music theory and the ability to sit down and play music! I believe good sight reading skills are paramount for piano enjoyment and functional playing skills. We will sight read at each lesson.

*** Studio Equipment ***
Studio with piano, mic, recoding equipment, and seating for parents.

*** Travel Equipment ***
I have a full size keyboard for travel.

*** Specialties ***
*Teachers classified as a Student Favorite have taught a minimum of 25
lessons and have received the highest feedback rating from students.I'm comfortable with all styles of singing and have coached extensively in most styles, from classical to hip hop to rock. I work with singers with various goals. Some are professional singers, some study for a future career, and some study for personal enrichment. I am very good at teaching solid healthy technique/voice use, with direct application to repertoire, maintaining the singer's authenticity, style, and vocal health.

the voice, and usually within a month it will have improved by at least 4 notes either higher or lower.

It is important to note that learning voice is a highly individualized journey, each person will have their own set of strengths and weaknesses, as a teacher it is my job to asses this in a person and craft a curriculum, and style that will fit those individual needs.

I am also adept at navigating local opportunities for students in the Seattle Theater world. I have had students receive callbacks at 5th avenue, perform for Seattle Childrens Theater. Young Actors Institute, Driftwood Players, win multiple pageants and score high in talent as well as acting opportunities in movies and modeling. I am a performer as well and had to navigate through the college system as well as the Seattle theater system and can provide much guidance to those interested with resume, repertoire and audition coaching.

There is no feeling in the world than the freedom and beauty of singing, it is a joy to hear in my students, and very fulfilling to teach this kind of wonderfully positive experience to people of all ages!

I received my B.A. in vocal performance from San Francisco Conservatory of Music in 2009. I am a classically trained singer, however I enjoy all genre’s of music and firmly believe having a classical base in a singing technique will enrich any style of music you wish to work toward. I am devoted to healthy singing, and unlocking your true timbre and voice with extensive breath, and vowel work. As a graduate from a highly competitive music institution I can help in guiding students along the right path of pursuing this art form at a collegiate level.

Theory/Song Writing techniques:

For some students learning music is just as much a part of the lesson as learning to sing. I love teaching people of all ages how to read music, so that the student can be an independent teacher for themselves and learn music on their own at home, this I think is very important in order to improve skills for singing, the faster the student can learn music, the more time can be spent working on technique and improving the sound of the voice.

I graduated from a prestigious Conservatory and had to take very advanced theory classes in order to receive my degree. I also played flute and oboe in orchestra for 10 years, and taught myself how to play piano. I have assisted some of my students interested in writing their own music on chord progressions, and have offered my musical expertise on their compositions. There is nothing like being involved in the creative process of composing and I love supporting my students that decide to explore this art form.

Speaking Lessons:

I have a studio in Bellevue where I work closely with the transgender community as a vocal coach to feminize my clients voices transitioning from male to female. It is a wonderful process and anyone interested please do contact me!

I also teach language diction classes. I am fluent in IPA (international phonetics alphabet) in English, French, German, Italian, and Spanish. I can help with accent reduction in English or pronunciation in any of the above languages.

A little bit about me:

“Playing alongside Drumheller were a number of young performers like Jordan M., who appeared as Cousin Hebe. A past member of Tacoma Opera's Young Artist Program, she is an emerging artist with a beautiful voice and very appealing stage presence who is slated to appear in several shows in the region this year.” whereissandy.com, Sandy McDade Chair of the ArtsFund Board, 2015

Soprano Jordan M. kicked off 2015 with a role debut of Nancy In Albert Herring with Vashon Opera. She was thrilled to make her 5th Avenue Main Stage debut in The Sound of Music, and to sing in Cry To Heaven part of 5th Avenue's New Works Department, which was a collaboration with writer Anne Rice and academy award nominated composer Matthew Wilder (whose credits include the music of Mulan).  She joined Tyrolean Opera this last summer on a full Scholarship in Maurach, Austria on Lake Achen (Achensee), in a role debut of Gretel in Humperdincks Hansel und Gretel. 

In 2014 she was excited to be in the world premiere of Yoshinaka, by Garrett Fisher with the Fisher Ensemble as Tomoe.  It was an adaptation of the traditional Japanese Tales of Ise, which made it’s world premiere at Seattle’s ACT Theater “Central Heating Lab Series”.  It was a noteworthy collaboration with Munenori Takeda, and The Takeda Noh troupe which consists of members who are Living National Treasures in Japan for their Noh artistry, this collaboration was featured on the front page of The Arts section of the Seattle Times.  

Other notable credits from 2014 include 2nd Lady in The Magic Flute,  Rosina, in Il Barbiere di Siviglia with Tacoma Opera and a recording for Kakitsubata, with The Garrett Fisher Ensemble for Jack Straw Production Studios.  In spring of 2014 Ms. McClellan sang Papagena and 2nd Lady with Skagit Opera, and  N.O.I.S.E. (Northwest opera in schools) for their Washington tour, as well as various Rossini arias with Bremerton Symphony, and two solo recitals with Second-City Chamber Series, and Music Northwest.  She also continues to be involved in recording sessions for Hollywood’s top video game soundtracks, including Starcraft and World of Warcraft.

Jordan is equally at home singing song repertoire as well as early music. She was chosen to participate in Lieder Alive! Singers Studio with Håkan Hagegård in San Francisco, CA where she delved deeper into lieder classics, culminating in a public masterclass.  Ms. McClellan has since been invited to sing several recitals with, Second City Chamber Series, in Lakewood, WA, Music Northwest, in Seattle, Wa, Hearthstone Chapel Recital Series, in Seattle, WA, Skagit Opera, at Lairmont Manor, as well as with Tacoma Opera.  Her recital repertoire varies from Italian Art Song, to Fauré Chanson, Lieder, American Songbook Classics, as well as Irish Folk Songs.  She has particpiated in Accademia D’amore, a summer program lead by Grammy Award winner Stephen Stubbs who is  devoted to educating singers about early music, baroque dance and rhetoric.  Most recently she participated in Bach Meisterkurs, in Leipzig Germany (Bach’s hometown) to learn the art of stylistically singing Bach’s passions.  

Past credits include a 3 month tour with Portland opera singing Hansel in Hansel and Gretel, Phylo in the West Coast premier of Pénélope by Fauré with Vespertine Opera, and her Italian concert debut in Urbania, Italy at the Teatro Bramante.  

Her upcoming engagements include, starring in a local independent film as an opera singer, a role debut of Adalgisa in Skagit Opera’s Norma, singing a solo recital with Music Northwest, a performance with the Fisher Ensemble at Folklife Festival, as well as a performer at the Sankt Goar International Music Festival in Germany.

*** Studio Equipment ***
I have a recording device, a piano and keyboard, a music stand, lots of music of all genres, a copier/printer, as well as access to making recordings of pieces so that the student can take it home (whether that is CD's or Mp3's).

*** Travel Equipment ***
I provide a recording device, piano, keyboard, piano accompaniment (usually a recording), as well as copies of music.

If I travel to a lesson they would have to have a piano or keyboard.

*** Specialties ***
I specialize in unlocking an individuals true singing voice,

I do have a 48 hour cancellation policy, I will allow one missed lesson to be reschedule but after that I will have to charge you if you continually miss lessons without letting me know.

ptionally good lesson.

Making music is a skill which can bring lifelong joy to the musician as well as everyone around them. While I can easily ensure that my students enjoy music-making while they are taking lessons, my ultimate goal is that students continue to want to make music throughout their entire life, even after they stop taking lessons. I firmly believe that my job as a teacher is to train my students to be independent and self-sufficient musicians. Many teachers teach by rote, playing a passage to a student and then having the student play it back. Though this method is helpful in some situations, students who are taught in this manner often find that they are only able to play the songs taught to them in lessons, and that to learn a new song they must have a teacher by their side showing them how the song goes. In my lessons, however, students are taught to learn their own music through sight-reading, ear-training, music theory, and listening to and critiquing their own playing. Over time, this allows the student more and more freedom to make music without a teacher.

from Latin, classical, blues, all the way to heavy metal. I have a lot of on stage experience that has served me well, and my mission is to give back the inspiration that has been my love for music.

*** Lesson Details ***
The most important thing with any instrument is that you're enjoying what your doing. If you're not having fun with guitar, then you're probably not going to stick with it. I teach beginning to advanced guitar and my students really enjoy the lesson plans. My lessons vary from student to student depending on what they want to accomplish, and what they need to succeed. After the student reaches a certain level I get them to play with other musicians. Sometimes I'll bring in my drummer and hop on the bass so the student can get the feel of playing with a full band! I expect a lot from students and they seem to have no problem delivering,

*** Studio Equipment ***
Home studio- includes amps, guitars and recording equipment. Custom built computer designed for studio use. Pre-sonus Firepods. Focusrite Sapphire pro 26. Ton's of pedals. Pro Tools 10 Professional

*** Travel Equipment ***
I have backup amps and guitars just in case. I bring all the materials for the lesson plans to the student's home.

*** Specialties ***
classical, rumba, metal, classic rock, hard rock, shred, Brazilian, fusion, blues, and most Latin styles.

ter performing group and spends most of its time performing in and around the Pacific Northwest. When not leading his own group Kareem can be seen and heard performing as a sideman with many other top notch musical acts and projects, most notably The Paperboys from Vancouver BC.

As an educator Kareem divides his time teaching jazz improvisation as an artist in residence at The Tacoma School of the Arts, directing the award winning student jazz ensemble at Pierce College, conducting masterclasses and workshops at schools around the Puget Sound area, and maintaining a full load of private students. Along with his teaching duties Kareem is the director or The Tacoma Jazz Association, serves on the Tacoma Arts Commission, and is a D'Addario Woodwinds performing artist.

Kareem holds a Bachelors Degree of Music from Cornish College of the Arts in Seattle Washington which he attended after receiving a full scholarship.

Throughout his years of teaching Kareem has worked with students of all ages and abilities, from beginners just getting started, to advanced players who simply want new ideas and direction.

*** Lesson Details ***
Lessons are relaxed and are focused on what you would like to learn.

I usually begin with assessing where students are in their abilities and then come up with a lesson plan based on what they already know and what they would like to accomplish.
They can be geared towards a 5 year old with no musical training whatsoever, or to an advanced musician who wants to further develop their skills.

Topics that I cover in lessons throughout a typical day of teaching include: Instrument technique, sight reading skills ( note and rhythm recognition ), memorization skills, music theory, ear training, improvising, and composing.

After 3 to 6 months of lessons and regular practice a beginning student should have a good command of their instrument and a strong foundation of sight reading. At this point we normally will also have started some music theory as well. For students wanting to focus on jazz we will have already begun improvising as well.

*** Studio Equipment ***
5x10 room w/ piano and seating for parents

*** Specialties ***
I focus on the basics of learning to read music and basic technique on the instruments that I teach. From there I proceed with theory, ear training, improvising, composition etc. It all depends on what the students want to learn. I am comfortable teaching classical music as well as jazz, rock, composition, and improvisation.

ls ***
My students can expect professional, expert advise from a working performance artist. One of my main philosophies is a focus on fun. If music is fun, then students will practice more - which leads to accelerating returns. My students can expect lessons tailored to their specific goals. First I will discuss with the student musical influences and genre preferences, then I will assess the student's current abilities and we will begin designing a weekly regimen of practice and study. As a product of the Internet generation, I recommend using all the tools available to my students including the Internet to further their goals. My students will also learn to perform with other musicians, so we will typically have a segment of each lesson dedicated to jam time. Whether my students aspire to be professional performance artists, impress their love interests, or just rock out in their bedrooms, I work with my students so that they can do exactly that.

*** Studio Equipment ***
one bedroom apt...hardwood floor...central room for studio...music stands, room parents to sit, chairs...

*** Travel Equipment ***
I bring a music stand, an acoustic guitar, my handout literature, and any other equipment (mic, stand, vocal amp, electric guitar, guitar amp) based on what my students want to learn. I expect my students to own whatever instruments they want to learn.

*** Specialties ***
I specialize in teaching acoustic and electric guitar and stage performance. I teach using handouts that I customize for students and have lessons made up around different concepts such as - learning to identify what key a song is in - how to use 3 chord combinations - learning scales and when to use them - these type of things. I usually teach based on how I learned, which includes - using the Internet to learn songs - how to figure out how a particular song is played - getting into good practice habits - etc. My genres of specialty are Blues, Rock/Classic Rock/Southern Rock, and Acoustic Singer/Songwriter. What I like to do is ask a student what kind of music or songs they would like to learn, then build them up to the level they need to be to play those songs or that style of interest.

quipment ***
I can provide a stand. Student is responsible for purchasing an instrument, and any sheet music. I can definitely advise on an instrument to purchase and will instruct with specific music requests.

deman, he performs with a slew of different ensembles including Bumpus, Greg Duncan’s Latin Ensemble, M13, Joe Clark Big Band, Ryan Adamsons’ Medium Ensemble, Ian Torres Big Band, Nootka Sound, Rich Daniels “City Lights Orchestra”, Billy Wolfe, and The Tommy Dorsey Big Band.
In addition to jazz, Corbin is also active among the funk and rock scene in Chicago.  He travels throughout the U.S. with Chicago funk/soul legend James Johnston and Bumpus.  Through James, Corbin has performed with Syl Johnson, J.C. Brooks and the Uptown Sound, Clip-Art, Terrible Spaceship, Brother Joscephus & the Love Revolution, The Right Now, J-Livi & the Party, Afro-Zep as well as many other studio projects.
Mr. A. is also a very capable doubler on clarinet and flute.  He teaches woodwinds privately from his home studio, as well as at Kagan & Gaines Music.
You can hear him on Corbin A.’s “Accidently On Purpose”, Joe Clark Big Band feat. Jeff Hamilton “LUSH”, Greg Duncan’s “Chicago, Barcelona Connections”, and Ian Torres “January.”  Otherwise, Corbin leads one of the busiest jam sessions in Chicago at Lilly’s every Wednesday night and was recently nominated for the Chicago Music Awards “Jazz Entertainer of the Year.

granted a merit scholarship to Le Domaine Forget International Music Festival, where I studied with Bruce Holzman. I was a finalist and top prize winner in the 2015 ASU guitar competition. During my last year of study at Peabody, I also studied privately with Matt Palmer, who authored "The Virtuoso Guitarist: A New Approach to Fast Scales."

In 2016, I was granted a scholarship to study at the Aspen Music Festival under Sharon Isbin. I am now pursuing my masters degree under full scholarship at the Florida State University College of Music, where I am also a graduate teaching assistant to Bruce Holzman.

I play and teach classical, jazz, rock, acoustic, and have extensive knowledge of theory, ear training, and guitar technique/pedagogy/fretboard harmony.

Here is an article of mine!

http://takelessons.com/blog/learning-classical-guitar-right-hand-technique

ld including many caribbean islands like Aruba, Barbados, Curacao, St. Maarten and St. Kitts.

I offer lessons to people of ALL AGES! I customize my lessons to focus on the things YOU WANT TO LEARN. My favorite thing to teach is how to play by ear! I can teach you the system that all professional musicians use to be able to play songs instantly after hearing it once. It really is possible with a little practice.

I do also teach the classical repertoire if that is what you are more interested in. For most students, I teach a combination of playing by ear and learning music theory, as well as some classical repertoire.