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Mount Clemens, MI Flamenco Guitar Lessons

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Popular Flamenco Guitar Teachers near Mount Clemens, MI

Check out some of our most popular teachers near Mount Clemens, MI including Macomb, Harrison Township, Fraser, Clinton Township and Roseville.

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About Azuri M.

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Los Angeles, CA

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We will study classic flamenco customs and forms from artist such as paco de lucia, etc. Such as bulerias and soleas and well as rumba and bolero

About Azuri
Learning is one of my main pursuits. My name is Azuri and I have studied music for over a decade and have my degree in guitar performance from musicians institute. I've had the gift of studying many artistic crafts and spend my time today trying to further my own study, while sharing what I've learned with my students.

Art is one of the most important tools we have as a culture and contains in it a shared history, tradition and the keys to future ones. Whether it be through the primal qualities of music or the impulses of dance, the records of drawing or descriptions of writing, these are the tools for our expression. I have had the great fortune to study, in many different settings, a small piece of these traditions and sharing them is paramount in respect to receiving them. I love sharing knowledge and I hope to elevate yours as a st
udent.

Teaching Philosophy -

My teaching philosophy is built on well rounded communication, explanation and examples. So, that a student can truly understand and learn a topic, surrounded in a very humorous, light and supportive environment.
Along with being provided good information, a student learns better and feels more motivated to learn when there is a balance of positive support and confidence building accompanied by constructive criticism and examples/information that can help a student assess what ever walls they may be meeting in their musical growth.

I understand that all students/artists have different goals they wish to achieve. So it is very important to me to accommodate each individuals needs and wants to help them grow in the fields they wish too; However, In that I have played music for a long time, I understand there are certain things that a student may not have been exposed to yet; It is important that while focusing on a students artistic goals they respect and are open to the suggestion and guidance of their teacher.

I truly believe music has an amazing influence on the world and has the ability to change peoples way of thinking. Therefore, I try and keep an open awareness to all music, so that I can understand all different musical languages utilized to communicate to people, and I don't believe I will ever know them all. I hold it to attention to influence my students somewhat similarly so that they can shape the landscape of how we communicate musically in the future.

I also try and be very patient with my students. Knowing that when I feel rushed, it makes information more difficult to comprehend, remember and allocate. I love watching the gears run in my students head, so I try and provide information that pushes a student but is within their abilities.

HUMOR is very important. I like to break people out of their shell by telling a joke and hopefully getting one back, so they feel more comfortable and free. One of a Artists worst enemies are nerves. Keeping things light-hearted and maybe even a little small talk can be very helpful to a students development and growth on a topic. After all, Art is meant to be fun and we should enjoy every moment of it, in fact we should enjoy every moment in life period.

I understand music requires focus and discipline and I have certain expectation of a student to understand that and practice. You can't buy chops, you can't buy music theory etc. you can get help but eventually your the one who must understand it and play it.

I am here to help you. Based on what I know and what I have extensively studied, I will do all that I can to help you achieve your musical goals. I am here to answer your questions and help you grow. I love teaching because I love sharing knowledge; As long as your seek it, it is here for you. Otherwise, I'd still love to hear some jokes.

Education -

MUSIC
_Bachelors in Music - 2016 - Guitar Performance (Musicians Institute, CA)
_Associates in Music - 2011 - Guitar Performance (Musicians Institute, CA)
_Major in Music - (Academy for Visual and Performing Arts) - 2008
_Garden of Angels - 2003 - Performance Academy

DANCE
_Krump, Pop-n-Lock - 2012 - (Xtreme)
_Break Dancing - 2011 - (Fun.Krew)
_Traditional Brazilian Dance & Samba - 2014

MARTIAL ARTS
_Capoeira - Current - (Capoeira Batuque with Mestre Amen)
_Wing Tsun - 2013 - (Johnny from the Emin Boztepe School)

ART
_Graffiti - 2011 - (Fun.Krew)
_General Art - 2008 - (AVPA)
_Painting - 2003 - (Garden of Angels)

Much Love,
Azuri Zen M.

*** Lesson Details ***
I'm very disciplined but am also very light hearted. It's important for me to assess things seriously, so that one can understand a topic or piece of information.

I generate my lessons based on the individuals needs and therefore draw from various curriculums, sources and examples, such as : MI curriculum for ear training, Theory, Single string Technique, Reading, Rhythm guitar, Ted Greenes Chord Chemistry, Berklee Guitar Method, as well as The Real Book, other artist books(Eric Clapton, etc.) The Guitar Players Hand Book, Bach pieces and self developed curriculums, relative to the topic at hand and students personal goals, amongst many others.

-Beginning students within three months of consistent lessons should have the ability to solo and playing chords to songs that they are interested in and songs provided in the lesson along with a basic understanding of the major scale and its relationship to all of the diatonic music.

-intermediate students should have an elevated understanding of scale and chord patters along with the theory that explains modal relationships and use of these concepts.

-Advanced students should learn all of diatonic scale shapes and modes assuming they don't already know them in which case their specifically situation will be assessed

-Professional students I expect to have specific questions therefore where they grow should be largely subjective.

Overall, in a short amount of time on a scale of 1 - 10 I expect to in three months at-least elevate a students musical abilities one full point if not more.

*** Studio Equipment ***
Studio in home in private room with guitars, amps, piano, and seating.
Em's studio is family owned cafe with studio in finished basement with an office, recording equipment, and teaching space for acting and guitar.

*** Specialties ***
As a Musician I try and play as many styles and be proficient in as many as possible and therefore can play most. However, in the fields of blues, jazz, funk, flamenco and Latin I excel.
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Reviews
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Dylan September 19, 2017
· Graffiti · Online
Very patient and gave a nice introduction to the basics for my 9 year old.
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Juan G. April 4, 2016
· Singing · In home
Azuri is great, l recommend it to anybody. THANK YOU!!!
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Juan G. April 4, 2016
· Singing · In home
You not will be disappointment. He is very professional. My first lesson and l like the way he teach.thank you azuri.
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Azuri M.

Azuri M.

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$35 / 30-min

About Bill G.

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I can say that Flamenco guitar is one of my personal favorites as a style to play and to teach.
Much rooted in classical guitar techniques; but also very individual in approach and nuances; as well as rhythmically much more firey and eastern rooted.

About Bill
Guitarist/Songwriter Bill G. is a versatile and experienced instructor, who's been playing and teaching guitar for over 20 years, and is fluent in everything from finger style Classical/Flamenco and Folk guitar, to Jazz, all Rock(from classic to modern Alternative/Indie), and various World music styles.
From first lesson beginners to highly advanced students; and from simple songs to elaborate music theory, improvisation, and songwriting development; all are welcome to sign up with this patient, and highly recommended teacher.
Starting guitar lessons at a very young age; Bill went on to win many regional, national, and international awards through out his formative years as a student. Writing and recording in several different styles over the years; and also being a vocalist and songwriter; he founded Indie Fusion trio The Static Dia
l in 2010 as it's leader. The band has worked with several national and international touring bands, has been featured on indie and major radio from their hometown in Detroit to the UK, and has released an EP, two singled, and a full length album.
Feel free to message with any questions about potential lessons; we'd love to hear from you!.

*** Lesson Details ***
As an instructor, I start students with the basics (open chords, major/minor and blues scales, general rhythm/timing, and beginner technique), and like to get at least a basic ability to sight read (music notation).

For younger students, I get them started on a beginner book for sight reading music and simple/basic songs to start with and build up their ability.

If a student is a little more capable, we start on a more modern/popular song they like. For my more advanced students, we get into music theory (cycle of fifths, harmony, chord language, etc.) and with some students we study specific genres.

My approach is one of building up a student's self confidence, and ultimately making learning fun. I take teaching seriously and value my student's time; so I work to get the most out of them, and to make their lessons worth while. All ages and levels are welcome!

*** Studio Equipment ***
Studio space in Helen's of Troy. Office is furnished with seating, music stand, and amplifier.
Student must have their own instrument and pick.

*** Specialties ***
I'm a singer/songwriter as well as a guitar player/instructor, so the construction and arranging of a song; from the music to the lyrics; are very much within my experience and teaching.
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Reviews
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Eric July 13, 2017
· Guitar · In studio
Bill is a great teacher. We have covered rock lead, rock rhythm, finger picking, strumming patterns all while learning new songs and expanding my playing base. I had tried to self teach back in the 1990s so had some bad habits, Bill has worked with my to fix these so I can play more fluidly. Bill is very accommodating to what I want to learn while pushing the expansion of my ability. It's been a very enjoyable experience.
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Shamili T. January 10, 2017
· Guitar · In studio
Bill is a wonderful Instructor and truly talented! He is very patient, specially when you have zero experience in Guitar before, that is what you expect from your instructor. He is motivating and always comes up with tips and tricks to make my lesson easy. He is very flexible with the timings. Also, I really enjoy my classes.
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Kenneth October 11, 2016
· Bass Guitar · In studio
I bought a bass guitar about two years ago, and now that I'm taking lessons, I can finally put it to use! Bill has been an wonderful instructor so far, and each lesson we work on what I want to improve on or learn about. He's very knowledgeable, talented, and all round fun to work with. I'd recommend him to anyone interested in playing bass!
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Bill G.

Bill G.

Troy, MI 48083
(29)
starting at
$23 / 30-min

About Rick P.

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San Antonio, TX

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Students learn all flamenco guitar techniques as well as how to produce an authentic Spanish flamenco sound together with the correct rhythm and phrasing for each piece.
Learn Main Flamenco toques styles including:Soleares,Farruca,Malaguena,SevillanasRumbas Alegrias and Bulerias.
Focusing on developing all the right hand techniques required for playing flamenco guitar.

About Rick
I been playing the guitar professionally for over 20 years. In that time I had the good fortune to perform and record with some really good musicians. I've played in various bands ranging from rock to jazz and flamenco. I received my bachelor's degree in recording engineer and record producer from LBCC.

I'm currently a Guitar Teacher for different music schools and have a number of private students as well.

*** Lesson Details ***
Play What You Want!!!!,Learn What You Need!!!
Focus on real-world guitar skills:
Starts on the Low E string;Learn chords from day one,from their root notes;Learn notes in a logical/alphabetical sequence;Perform rhythm and accompaniment parts right away (not just melodies).
What will my students learn: First position chords, rhythm riffs,patterns,blues and rock clichés.Music notation,tableture an
d chord charts.Pick and fingerstyle techniques,Improvisation and playing by ear.
NEW!!!! HOW TO PLAY LIKE!!!!
Break down songs and techniques into easily digestible chunks. Individual segments are played slowly first,then brought to speed.
You'll find you're learning and improving faster than you ever believed possible.
CLASSIC ROCK: From Aerosmith to ZZTOP.
GUITAR HEROES:From Randy Rhoads to Yngwie Malmsteen
TEXAS COUNTRY: From Randy Rogers to Charlie Robinson.
TEXAS BLUES: From Freddie King to Stevie Ray Vaughan.
METAL GUITAR: CLASSIC 70's to Today's Heroes
PROGRESSIVE ROCK-METAL: From Dream Theater to Periphery..
CLASSICAL GUITAR: From Bach to Vivaldi.
And many more Styles, send me a question and ask about your personal music choice.

*** Studio Equipment ***
Located in Specious one room of a three bedroom condo, Marshall amps ,Martin,Taylor Jackson, Dean, ESP,Takamine, Epiphone and Ovation guitars, use a plasma TV, guitar pro software, keyboards, recording softwear.

*** Travel Equipment ***
Guitar and amps. books.
Student: metronome and tuner.

*** Specialties ***
Finger Picking Techniques,MusicTheory and How to get a good sound with your guitar.
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Reviews
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Dylan September 15, 2017
· Guitar · In studio
Rick's lessons have been really enjoyable. He starts off with fundamentals, but keeps it fun by helping you learn songs of your choice. When you get further into the lessons the songs start to make more sense and I was able to understand why they sounded how they did. My lessons with Rick have been great and I feel like I've learned a lot.
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Marcus July 2, 2017
· Flamenco Guitar · In home
Friendly, knowledgeable, great.
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Tony May 24, 2017
· Bass Guitar · In studio
Great instructor, patient, and willing to work at your pace.
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Rick P.

Rick P.

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$30 / 30-min

About Marc M.

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Livonia, MI

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rasgueado is the quick down/up percussive strumming you'll hear in flamboyant guitar music

About Marc
I teach all styles of guitar, as I have been in many different types of music situations: Soloist (Classical) Ensemble (Classical and Jazz) Lead and Rhythm (Various Rock and Roll bands) Songwriting and Recording. I am a people person that learned the guitar from many different sources. Most of my learning came from watching others and communicating with others. I like to learn about the people I am teaching so that I can better understand their needs as a musician. My education came as a practical necessity in order to get better as a teacher and performer, as well as make a living doing it. But, by no means do I preach the need to be "educated" but only to be a working, practical musician. I will surely go over the need to read music once the need becomes evident, enlighten you as to why it may be important to understand certain aspect
s of music as opposed to just "picking and grinning", IE learning only "By Ear." I do specialize in music theory, and have many students taking lessons simply for this excellent foundation for songwriting also.

I am a classically trained guitarist that performs both as a soloist and for ensemble in a wide variety of styles. I graduated in 1996 from Schoolcraft College with an Associates degree in Music performance, and then, studying under the tutelage of Brian Roberts went on to receive my Bachelor's degree in Guitar Performance with a secondary in Jazz from Wayne State University in 2004. While at Wayne State and along the way I've performed and participated in several masterclasses with renowned artists: William Kanengiser, John Holmquest, Philip Candelaria, Jason Vieaux, Scott Tennant, and Antigoni Goni. I have also completed the teacher requirements for books 1-a and 1-b for the Suzuki Guitar Institute.

Many of my classical guitar and electric guitar students have went on to study further at the collegiate level, some achieving scholarships. My most recent students are current Berklee school of music graduates now in a band called "Flight of Fire", recently opened for Bonjovi this past summer and are getting air time on local radio stations... well on their way to living the dream! …the bulk of my students become full time professional musicians.

*** Lesson Details ***
I am an extremely patient person who has been teaching for over 20 years. I am laid back so there will be no pressure. With my electric and steel string guitar students, I host a special "Jam Session" 2 - 3 times a year to which will be one of your goals to participate in. This includes playing with a drummer, bassist, singer and another guitar player (usually me) and having it recorded. This should serve as your motivation to practice. This really eliminates the need for me to pull out a "yardstick" and "smack" your hands over the knuckles when not practicing your scales as many old traditional teachers may have done!

At your first lesson I will talk with you and give you examples of music that is played with a Flat-Pick, or music that uses the Finger-Style technique. This will be an important process as it will dictate which direction you will go in as a musician and especially during our lessons.

For the most part, playing with a Flat-Pick is generally used with the electric guitar and with most mainstream styles of music like "Rock and Roll", "Blues", "Rock-a-Billy" "Funk", and playing with the Finger-Style technique is used in styles like "Classical" and "Folk." After a while, I will introduce you to the other style of playing as well, as most great guitar players use both techniques in their playing...musicians (guitarists) such as: “Jimmy Page“, “Brian Setzer”, “Stevie Ray Vaughan”, “Joe Satriani”, “Lindsey Buckingham”, “Paul McCartney”, “John Mayer”, and many, many more.

To make learning the guitar Fun, I make sure to incorporate your main interest(s) first. Whether it be learning your new favorite song(s), learning how to write a song, or just learning some basics that you can use for when sitting around the campfire. This will be intertwined with which style you choose to start with: Flat-Pick or Finger-Style.

Pending on the level that you are starting at, (beginner, intermediate, advanced) I will include tidbits of music theory that will be used in a consistent manner. These will usually be progressive, pending on your level. For example, the songs you learn will be written out in an easy to understand chart that will have the fundamental aspects of theory (IE, chords, key, and rhythm pattern) that all musicians should understand.

With Children learning with a Flat-Pick, I encourage the use of a basic guitar instruction book.
Level One (beginners) :

"Hal Leonard Guitar Method Book One" by Will Schmid.

I will also use as a substitute for Level One:
"Alfred's Basic Guitar Method" by Alfred's Publishing Co.

More advanced players who can read music already (and graduates from book one) I prefer;
"Hal Leonard Guitar Method Book Two"

With Adults, I will ask if learning to read music interests you. It is a vital part of a practicing musician, but sometimes your needs may require a more one dimensional approach as time may be of essence. Again, I learned by ear and educated myself later...so I understand the person who wants to hold off on reading right away.

Students who want to learn the Classical (Finger-Style) approach will be encouraged to purchase a beginners book that I use written by one of my first instructors/mentor. It is a very intuitive book that covers the technique in great detail yet is very easy to understand (along with my help.) I will provide means of acquiring this book at your first lesson.

Students who want to learn the Folk (Finger-Style) approach will usually start in the above book, unless your an adult who just wants to learn some basics.

At your first lesson I will also provide you with documentation that goes more in depth about the various styles of guitar as the above info is scaled down.

*** Studio Equipment ***
-Amps

-Guitars (Electric, Acoustic, Classical, Bass)

- PA (loud speakers so you can Turn it Up! When playing along)

-Band in a Box (to play along with real prerecorded instruments seamlessly interleaved into a band type setting with almost unlimited genre choices...very impressive technology)

- Pro Tools (recording gear for all needs)

- Guitar Pro and Finale (to transpose music into sheet music)

-Skype (for out of town interactivity. Can do lessons via Skype)

-Basement with plenty of seating for parents, and or observers.

*** Specialties ***
I specialize in Classical Guitar, Electric Guitar, and Acoustic Guitar; Improvisation, Songwriting, Backup Vocals, Fretboard Harmony, Music Theory, Performance, and Recording.
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Reviews
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Annette August 21, 2017
· Classical Guitar · In studio
Marc is a great classical guitar teacher. He makes learning fun and easy. I highly recommend him.
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Matthew G. August 9, 2017
· Guitar · In home
Friendly, motivating, honest and awesome guy.
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Juanyea K. May 21, 2017
· Guitar · In studio
Mark was very patient, professional as well as being knowledgeable about the guitar. I was impressed with the way he presented the information of his learning technique. Marc knows music by notes as well as play by ear. I would recommend him to for anyone of all levels of experience that want to learn or enhance their level of guitar.
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Marc M.

Marc M.

Livonia, MI 48150
(33)
starting at
$22 / 30-min

About Billy N.

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Brooklyn, NY
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I don't consider myself a Flamenco Guitarist but I'm schooled for over 5 years in the techniques and styles. I love the music and as an excellent teacher I have an excellent method from my own guitar master that will get you going on your way. If you stay with Flamenco to a certain level, I'll try to help you find a teacher that would really specialize in advanced playing

About Billy
Billy N. has played Jazz, Brazilian and Classical music in the NYC area for the last 20 years. He has actively taught both finger-style and pick guitar for the last 20 years. He was on staff at the American Institute of Guitar for 11 years. His book on Brazilian Guitar is published by Alfred Music and currently available. He now offers online lessons via Skype as well as in his private studio. Playing credits include many museums and clubs in the NY area including Museum of Modern Art Museum of the City of NY and an extended stay at the Guggenheim museum in the Summer of 2000. Also he has been in the Brooklyn Museum concert series with his group Afinidades Bronx Libraries Brooklyn College and the Jewish Museum in trio and duo setting with great Percussionist Vanderlei Pereira. He has performed in Brazil as well most recently in the South
of Brazil,  receiving TV and radio coverage. He has also done workshops and performed at the Conservatory of the state of Pernambuco. In August 2004 he performed weekly at Rio Scenarium in Rio de Janeiro. His Band Brooklyn Brazil Bop has played at Joe's Pub as well as Central Park Festival. His band the Brazilian Acoustic ensemble performs periodically at 'Barbes' an important performance space in Brooklyn NY. In 2007 he gave a successful jazz workshop and concert in the city of Florianopolis Brazil. Billy has been awarded 3 prestigious composer's residencies 2006 - Yaddo and 2007 - The MacDowell Colony. He was featured on the PBS news hour during his residence at MacDowell. In 2008 he was awarded another MacDowell residency and followed this with a 3 hour appearance presenting his compositions live on WKCR Jazz Radio and another live radio appearance with band in 2010. Billy regularly plays in many venues around NY in Jazz trio settings as well as with Brazilian vocalists and instrumentalists. Most Recently his groups have been performing at the famed Cornelia Street Cafe in New York City. He also specializes in solo guitar and can double on percussion (Pandeiro) and Cavaquinho. Billy has completed two CD's of his original music and an EP of his original Choro music. He has a BFA in Jazz Performance from CCNY.

Testimonials:
From Coda Magazine August 2012: by Seton Hawkins

Through outstanding collaborations like the Brazilian Acoustic Ensemble, guitarist and composer Billy N has emerged as a leading exponent of the music of Brazil. Exploring far beyond the well-trodden bossa nova path. Billy unearths the full range of styles the country offers, including choro, baiào, valsa and samba, and gives American audiences a rich panoramic glimpse into Brazilian art, highlighting its parallels with progressive jazz.

A recipient of composers residencies at Yaddo and MacDowell Colony, he is the curator of a three-day series at the club dedicated to the country's music. Billy will showcase his own group—a sextet with drummer Matt Kane, bassist Leco Reis, saxophonists Michael Attias and Eric Schugren and trumpeter Ben Holmes—in a concert primarily featuring his original works. SH

Reviews of my Book on Alfred Brazil: Guitar Atlas,  I love this series and this is the best of the six titles I have. Billy really knows his stuff; the analysis of time at the beginning is superb: something I now use in my teaching. This is definitely for intermediate and higher guitarists, but the pieces are worth the effort to get right, and the accompanying CD shows you what you are aiming for. This is as good as my other Brazilian guitar book (by Nelson Faria) and much more compact and easier to follow. Highly recommended!

#2

This book is essential homework for students of Brazilian guitar. It is one of the best resources out there, along with Nelson Faria's "The Brazilian Guitar Book." The original etudes are not only instructional, but are nice pieces in their own right. An excellent value.

*** Lesson Details ***
I've taught all levels over 20 years both in NYC and Brazil. I work with the material that the student wants and also through recordings and charts introduce much music that the student might have been unfamiliar with. My lessons are catered to the individual. There is no obstacle anyone has that is too great to work through. My approach to rhythmic training has helped many. I have simple way of breaking down the guitar fingerboard which can used as a guide to learn harmony. I'll get you into the horizontal aspects of guitar, traveling across the neck, making music across one string as well, mastering the guitar in a small fret range - " vertical position playing".

*** Studio Equipment ***
I have guitar for the student, either electric or nylon. Cavaquinho students bring their instrument. First time students must bring their instrument so I can see what they are playing on.

*** Specialties ***
Brazilian Fingerstyle - Choro, Samba, Baiao Solo
Jazz Guitar - Pick or Fingers
Beginning Flamenco
Cavaquinho
Improvisation for any instrument
Harmony and Theory
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Flaminia D. May 12, 2015
· Acoustic Guitar · In home
I have been taking lessons with Billy since January 2015. I am a total beginner and I really think I have made the best choice ever to pick him as my teacher. Billy is an experienced guitar teacher and a professional player that knows great techniques for beginners. He has been teaching me basics of guitar in a smart way, and at each lesson I feel I learn something new and at the same time I can clearly see how much progress I have made since our first lesson. He has also been teaching me how to read music and tabs which proofed to be extremely useful every time I want to learn a new song by myself. Highly recommended!
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Lynn W. December 17, 2014
· Guitar · In studio
I cannot recommend Billy enough. I studied jazz improvisation with Billy for three years, and later returned to study Brazilian guitar and Piedmont-style finger picking with him. I had been playing for more than twenty years when I started studying with him and he not only helped me improve my playing technically and creatively (on electric and nylon stringed guitars) but also expanded my knowledge of theory and helped me develop new approaches to composing and arranging. I am still working with the material he gave me and take lessons from him whenever my schedule allows.
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felicia D. October 17, 2014
· Brazilian Guitar · In home
I took Brazilian guitar lessons from Billy for several years. His method focuses on absorbing the many rhythms of Brazil and translating them from percussion instruments to the guitar. Much of his effort is devoted on achieving the elusive Brazilian swing, which non Brazilians need to learn. Billy is excellent in breaking down the rhythms and explaining them. He even has a book out on his method. He covers various Brazilian genres: choro, bossa nova, samba, baiao and more.
Billy also is an accomplished jazz, classical and flamenco guitarist with a thorough understanding of harmony and improvisation. He is very patient and has years of teaching and performance experience. You will be lucky to study with him!
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Billy N.

Billy N.

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About Thomas C.

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Tallahassee, FL
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As I classically trained guitarist, there is a lot of technical crossover.

About Thomas
I am a classical guitarist who recently graduated from the Peabody Conservatory of Johns Hopkins University in Baltimore, MD as a student of Ray Chester. I began my studies at Peabody with a classical and jazz guitar double major with a computer music composition minor. I have performed in masterclasses with Manuel Barrueco, Sharon Isbin, Andrew York, Lorenzo Micheli, Matteo Mela, Gohar Vardanyan, Adam Holzman, Marcin Dylla, Matt Palmer, Pablo Sainz Villegas, Thibaut Garcia, and others.

In 2014 and 2015, I was selected to perform in the Peabody Conservatory's "Thursday Noon Recital Series", where I performed "Impromptus" by Richard Rodney Bennett, and "Sonata III" by Manuel Ponce. In 2015, I commissioned and presented the world premiere of the guitar duo piece entitled "Sol Negro" by composer Peter Dayton.

For summer 2015, I was
granted a merit scholarship to Le Domaine Forget International Music Festival, where I studied with Bruce Holzman. I was a finalist and top prize winner in the 2015 ASU guitar competition. During my last year of study at Peabody, I also studied privately with Matt Palmer, who authored "The Virtuoso Guitarist: A New Approach to Fast Scales."

In 2016, I was granted a scholarship to study at the Aspen Music Festival under Sharon Isbin. I am now pursuing my masters degree under full scholarship at the Florida State University College of Music, where I am also a graduate teaching assistant to Bruce Holzman.

I play and teach classical, jazz, rock, acoustic, and have extensive knowledge of theory, ear training, and guitar technique/pedagogy/fretboard harmony.

Here is an article of mine!

http://takelessons.com/blog/learning-classical-guitar-right-hand-technique
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Reviews
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Michael January 27, 2017
· Music Performance · In studio
Tom is a great teacher. I have been studying with him at FSU for a for a few months, and he has greatly improved my strength of sound. He has also helped me work on my musical expression.
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Josh January 26, 2017
· Classical Guitar · In studio
Tom is a very good instructor. He is very patient and will work with you on whatever you need. He will find the weak spots in your playing and bring them to your attention. He also never hesitates to compliment you if you deserve it. Tom is also very good at helping you achieve a high level of musical expression. Overall Tom is a great teacher.
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Cole January 18, 2017
· Classical Guitar · In studio
Definitely knows what he is doing in terms of playing and instructing. He gives constructive criticism and tips necessary to improve your playing each lesson.
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Thomas C.

Thomas C.

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About Ellie E.

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Utica, MI
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I have studied with Tomas de Utrera (Chicago) , Peter Baine (Milwaukee) and Ruben Diaz (Malaga).

About Ellie
I have 17+ years of experience teaching guitar in both private and ensemble settings and 20+ years of professional performance experience.I have a degree in Music Performance. My average student has taken 91 lessons. I encourage students to inquire about their potential teachers professional training, performance experience and the teachers student retention rate as these are the criteria by which teachers should be evaluated. My motto is the success of the teacher is determined by the success of the student.
I also specialize in Bollywood Music. Below is a list of transcriptions that I have done for my students.

Hindi, Malayalam,Tamil and Telugu Cinema, Pop and Traditional Music Transcriptions
(with a few other genres thrown in)

1. Aaj Saanu O Mileya (Punjab)...................................from the film “Zubaan”

2. Aaj Unse Milna Hai..................................................from the film “Prem Ratan”

3. Aapke Pyaar Mein Hum...........................................from the film “Raaz”

4. All Izz Well...............................................................from the 2009 film “3 Idiots”

5. Ammadu Let's Do Kummudo (Telugu)....................from the 2017 film “Khaidi No 150”

6. Apurupamainadamma Aadajanman (Telugu)...........from the 1996 film “Pavitra Bandham”

7. Arikil Pathiye (Malayalam)......................................from the film “Oru Murai Vanthu
Paarthaya”

8. Aum Namah Shivaya................................................Mantra

9. Aayiram Kannumay (Malayalam)............................from the 1984 film “Nokketha Doorathu
Kannum Nattu”

10. Azhagiye (Tamil)....................................................from the 2017 film “Kaatru Veliyidai”

11. Bandish in Raag Bahaar..........................................Kaliyana Sanga Karataa Ranga-Raliyaa

12. Bandish in Raag Bhimpalasi..................................Jaa, Jaa Re Apane Mandiravaa

13. Bandish in Raag Bhupali.......................................Jaau Tore Sharana Kamal Para Vaara

14. Bandish in Raag Kedar..........................................Bola Bola Mose, Nanda Kuvaravaa

15. Bandish in Raag Yaman........................................Piyaa Ki Najariyaa Jaadu Bhari

16. Bandish ki Thurmi in Raag Kafi...........................Chaado Chaado Chelaa, Mori Biayaa

17. Banno Humari......................................................from the 2016 album “Banna Geet”

18. Bekhudi.................................................................from the film “Tera Surroor”

19. Bhaador Aashin Maashey (Bengali)

20. Bhador Ashwin Mase (Bengali) Bhoomi

21. Blockbuster (Telugu).............................................from the 2016 film “Sarrainodu”

22. Blue Eyes

23. Bolna........................................................................from the film “Kapoor and Sons”

24. Carnatic Saralivarisai Notes

25. Chaiyya Chaiyya.......................................................from the film “Dil Se”

*26. Chal Pyar Karegi....................................................from the film “Jab Pyaar Kisise Hota Hai”

27. Chammak Challo......................................................from the film “Ra. One”

28. Chandrashekhara Astakam (Telugu).........................from the Album “Shiva Strothra Mala”

29. Channa Mereya........................................................from the 2016 film “Ae Dil Hai Mushkil”

30. Chehra Hai Ya Chaand Khila Hai.............................from the film “Saagar”

31. Chura Liya Hai..........................................................from the film “Yaadon Ki Baaraat”

32. Cinema Choopistha Mama Song (Telugu)................from the film “Race Gurram”

33. Crazy Feeling (Telugu).............................................from the film “Nenu Sailaja”

34. Dheere Dheere Se Meri Zindagi (older version)......from the film “Aashiqui”

35. Dheere Se Meri Zindagi (new version)

*36. Dilli Wali Girlfriend................................................from the film “Yeh Jawaani Hai
Deewaani”

37. D.J. Waley Babu

38. Don' u Don' u Don' u (Tamil)...................................from the film “Maari”

*39. Eena Meena Teeka (Tamil)....................................from the film “Theri”

40. Ek Do Teen..............................................................from the 1988 film “Tezaab”

41. Ek Sanam Chahiye Aashiqui Ke Liye.....................from the 1990 film “Aashiqui”

*42. Fevicol Se............................................................ from the film “Dabanng”

43. Follow Follow (Telugu)..........................................from the film “Nannaku Prematho”

44. Geetham 1...............................................................Malahari Ragam

45. Geetham 6...............................................................Mohana Ragam

46. Geetham 11..............................................................Ananda Bhairavi Ragam

47. Gerua.......................................................................from the film “Diwale”

48. Govinda Namalu (Telugu).......................................Telugu Devotional Song

49. Gusa Gusa Lade......................................................from the film “Gentleman”

50. Hamsa Naava (Telugu)...........................................from the 2017 film “Bahubali 2: The Conclusion”

51. Harivaranasanam …...............................................from the Sabarimala Temple

52. How To Name It

53. Hum Aapke Hain Koun..........................................from the 1994 film “Pehla Pehla Pyar”

54. The Humma Song

55. Idhayathai Yedho Ondru (Tamil)...........................from the 2015 film “Yennai Arindhaal”

56. Ilaya Nila Pozhigirathe (Tamil)..............................from the film “Payanangal Mudivathillai”

57. Introduction to Indian Classical for Guitar.............from Jazz Guitar Online

58. Itne Shakti Hamein Dena Data................................from the film “Ankush”

59. Jag Ghoomeya Song -female version......................from the film “Sultan”

60. Jai Ganesh Jai Ganesh Deva

61. Jago Mohan Pyare...................................................from the 1956 film “Jagte Raho”

62. Jaya Jaya Jagannatha ( Bengali Bhajan)

63. Jhalli Patakha..........................................................from the film “Saala Khadoos”

64. Kala Chasma...........................................................from the 2016 film “Baar Baar Dekho”

65. Laila Main Laila......................................................from the 2017 film “Raees”

66. Lambiyaan Si Judaiyaan..........................................from the 2017 film “Raabta”

67. Learn Carnatic Music Lesson Gurukula, Jatiswara

68. Learn Carnatic Music Lesson Pillari Geetha Lambodara

69. Learn Carnatic Music Lesson Saralevarisai

70. Lingashtakam (Telugu)..........................................Telugu Chant

71. Main Hoon Hero Tera............................................from the film “Hero”

72. Main Rahoon Ya Na Rahoon

73. Main Shayar To Nahin...........................................from the 1973 film “Bobby”

74. Malare (Malayalam)..............................................from the 2015 film “Premam”

75. Maruvaathai (Tamil)..............................................from the 2017 film “Enai Noki Paayum
Thota”

76. Maya Nadhi Song (Tamil).....................................from the film “Kabali”

*77. Mehndi Mehndi...................................................from the film “Chori Chori Chupke Chupke”

78. Mella Mella (Tamil)...............................................from the 1984 film “Vaazhkai”

79. Minungum Minnaminuge (Malayalam).................from the 2016 film “Oppam”

80. Mira Mira Meesam (Telugu)..................................from the 2017 film “Katamarayudu”

81. Moodu Pani (Tamil)...............................................from the film “En Iniya Pon Nilavei”

82. Nazar Ke Saamne Jiigar Ke Paas...........................from the film “Aashiqui”

83. Nillayo (Tamil).......................................................from the film “Bairavaa”

84. Ninne Ninne Nammukunnanayya (Telugu)...........Christian Devotional Song

85. Oh! Butterfly (Tamil).............................................from the 1992 film “Meera”

86. Omanathinkal Kidavo (Malayalam)......................Traditional Lullaby

87. Om Jai Jagadish Hare............................................sung by Anuradha Paudwal

88. Om Jai Lakshmi Mata...........................................sung by Priya Mayekar

89. Onnam Raagam Paadi (Malayalam).....................from the 1987 film
“Thoovanathumbikal”

90. Oru Kari Mukilinu (Malayalam)...........................from the film “Charlie”

91. Pacha Bottesi (Telugu)..........................................from the film “Baahubali”

92. Papa Kehte............................................................from the film “Qayamat Se Qayamat Tak”

*93. Patola

*94. Peene Ki Tamanna...............................................from the film “Loveshuda”

95. Poomaram (Malayalam)........................................from the 2017 film “Poomaram”

96.Pudhu Vellai Mazhai (Tamil)..................................from the 1992 film “Roja”

97. Punnagai Mannan Theme Music (Tamil)...............from the film Punnagai Mannan

98. Raga Bhupali...........................................................Tarana in Teentaal

99. Raga Durga..............................................................Sakhi Mori Rum Jhum

100. Raghaputi Raghav Raja Ram.................................sung by Hari Om Sharan

101. Sairat Zaala Ji (Marathi)........................................from the 2016 film “Sairat”

102. Sanam Re...............................................................from the film “Sanam Re”

*103. Saree Ke Fall Sa...................................................from the film “R...Rajkumar”

104. Selfie Pulla (Tamil)................................................from the film “Kaththi”

105. Shiva Sandhya Namam (Malayalam)....................Hindu Devotional Songs Malayalam

106. Shyam Teri Bansi Pukare.......................................from the 1975 film “Geet Gaata Chal”

107. Soch Na Sake..........................................................from the film “Airlift”

108. Sree Gananatha......................................................from the album “Ugadi Special Songs”

109. Sri Kanda Sasti Kavasam (Tamil)..........................Songs of Muruga – Devotional Songs

*110. Subha Hone Na Da...............................................from the film “Desi Boyz”

111. Tamma Tamma Again.............................................from the 2017 film “Badrinath Ki
Dulhania”

*112. Tera Chehra...........................................................from the film “Sanam Teri Kasam”

113. Thalli Pogathey (Tamil)..........................................from the film “Achcham Yenbathu
Madamaiyada”

114. Thudakkam Magalyam (Malayalam)......................from the 2015 film “Bangalore Days”

115. Tum Hi Ho..............................................................from the film “Aashiqui”

116. Uf Yeh Noor............................................................from the 2017 film “Noor”

117. Varnam

118. Vineem Vithayil (Tamil)..........................................from the film “Thegidi”

119. Violin Song (Telugu)...............................................from the 2013 film “Iddarammayilatho”

120. Why This Kolaveri Di? (Tamil/English)..................from the film “3”

121. Yashomati Maiya Se Bole Nandlala

122. You and Me (Telugu)...............................................from the film “Khaidi No 150”

updated 6/12/2017
...
Reviews
Silhouette-80
Deepthi June 28, 2017
· Acoustic Guitar · In studio
Like Ellie's working style , attention to detail and the he goes above and beyond to keep us interested and focused , I wouldn't find a better instructor!!!!!!
Silhouette-80
Satyapal June 13, 2017
· Acoustic Guitar · In studio
Ellie is the best! He knows what his students want and Focus more on that. He is really good at what he does and he has the ability to understand the students and adjust his lessons to their skill level.
Silhouette-80
ferran April 13, 2017
· Guitar · In studio
Great lesson, focused, good use of time yet relaxed. Ellie is a great teacher and player. Thanks!
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Ellie E.

Ellie E.

Utica, MI 48317
(4)
starting at
$22 / 30-min

About Paul Jared N.

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New York, NY
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As a working flamenco guitarist and experienced teacher, I can reveal the mysteries of flamenco and show you how the music connects to other styles of acoustic guitar.

About Paul Jared
Hi, I am a native New Yorker and a guitar player since age 13. I played in blues/rock bands throughout my teens, getting to play the legendary clubs of my Greenwich Village neighborhood. My discovery of Spanish classical guitar music occurred in college at UC Berkeley, and I graduated with a BA in Music, then spent two years playing in Europe, before returning home and forming the band Not Heaven; we played the club circuit, Danceteria to CBGB.

I also began teaching at the American Institute of Guitar in NYC, and writing guitar instruction books (still in print!). Along the way I did a Master’s in Guitar Performance at Stony Brook, and have continued to publish, perform and teach the music which inspires me.

Classical and Flamenco music are my primary involvement, as a teacher, performer and composer.
...
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Elsie February 28, 2016
· Music Theory · In studio
I learned so much from this guy! Very articulate and funny.
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Paul Jared N.

Paul Jared N.

Online
(1)
starting at
$30 / 30-min

About james C.

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Daytona Beach, FL
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“Jim is a blues-rock guitar master from Florida who can play as well as blues greats like BB King and Stevie Ray Vaughan.”
- Gail Worley
I have been an on-call recording artist and producer for Full Sail University for over 10 years. It is my duty as such, to have quality musicians available for both audio and video recordings, usually on very short notice.
I have also been teaching guitar for 40 years.
James is currently on several radio airplay lists with The Rolling Stones, Pink Floyd, ZZ Top, AC/DC, Joe Satriani, Ozzy, Albert King, Led Zeppelin, and many more.

About james
Central Florida guitar legend James was selected along with 23 additional masters around the world to create a second tribute to the incomparable Jeff Beck entitled The Loner 2- A Tribute To Jeff Beck. The Loner 2 - A Tribute To Jeff Beck on Itunes
James has rightfully drawn comparisons to Jimi Hendrix, BB King and Eric Clapton. MTV.com.
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james C.

james C.

Online
starting at
$34 / 30-min

About Brendon M.

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Tampa, FL

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Are you looking for a great guitar teacher who will push you to be your best self? Students who take lessons with me are given specialized curriculums to suit their personal guitar goals and make sure they get the most out of their money. Lessons with me are slightly different because of my background. I started out playing classical guitar and this has shaped my guitar learning experiences, which in turn changed the way I teach. I come at things from a musical theory standpoint, with precision and a focus on improvement through better technique and a solid foundation in the basics. Send me a message and we can start learning together!

About Brendon
I have been playing guitar for a total of 8 years, and teaching students for 2 years. In that time I have grown so much as a player and realized an innate ability to get across the best techniques for guitar, reading music and the other facets of music theory.

I started teaching at a professional music school based out of Wesley Chapel called Studio 28. After a while I felt that I had more room to grow as a private teacher and began to find private students. what I lack in experience I make up for in dedication and a constant hunger to learn the best tactics for teaching effectively.

if you are looking for a great modern teacher with new age teaching techniques, give me a try and I promise you wont be disappointed!
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Reviews
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Nathaniel July 20, 2017
· Classical Guitar · In studio
I've read and learned about talent and skill and how to teach it. Which having a teacher or mentor helps you correct your mistakes quicker for a faster learning experience. Brendon knows what he is doing!! And I'm able to perform in front of an audience now with more confidence.
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Brendon M.

Brendon M.

Online
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starting at
$50 / 30-min

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