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Haslett, MI Music Theory Lessons

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Popular Music Theory Teachers near Haslett, MI

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About Matt B.

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Los Angeles, CA
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Ever wonder how it all works?

About Matt
I have been teaching guitar to students on the East and West Coasts of the United States for over 20 years. I was always interested in music and made my first “recording” at the age of 2 and a half. I got serious about playing the guitar when I was 10 years old after hearing the legendary Randy Rhoads for the first time.
I begged my parents for a guitar, which I received at Christmas, along with a parental demand that I take classical guitar lessons, and a warning that if I did not practice, my parents would sell the guitar. Six months later, I still had the guitar, and a brand new electric guitar. I never stopped practicing, and spent summers at the National Guitar Summer Workshop, where I even built a guitar at age 15.
By the time I was in high school, I was regularly playing in bands, recording in professional studios, and studying M
usic Theory. I credit my early development to my teachers, Ron Bluen, and Steve Famiglietti. I aspire to offer my students the same positive influence I received during my formative years.
After high school, I attended the Musicians Institute in Hollywood, California, where I honed my chops. From there, I played with various bands, including Hollywood Rose (the precursor to Guns N’ Roses) and with Bruce Bouillet (Racer X, The Scream, Epidemic) and Tommy Chong.
In 2006, I released my solo record, Contributions For An Atom Bomb. The Album has garnered a cult following and the respect of some of my all-time heroes.
Today, I continue to play live shows, teach, study, write, record and jam. Nothing makes me prouder than jamming with my students and watching them grow as musicians.

*** Lesson Details ***
I like to focus on three things every lesson.
1. Technical Exercises- to get your fingers moving and build strength and coordination
2. Music Theory - the fingerboard and the way music works seem complicated, but I have a great methodical and simple way to break it down so it all makes sense.
3. Tunes - I like to work with the music you like. We take songs and break them down to understand the techniques and theory behind them. You won't just play the song like the recording, you'll understand the chords and scales and why your favorite artist chose them.

*** Studio Equipment ***
I have guitars, a bass, pedals, cables, metronome, practice amps, etc. All you need to bring is your guitar.

*** Travel Equipment ***
I provide my own equipment and materials, students must provide their own guitar, amp, etc.

*** Specialties ***
I teach students to understand theory and the fingerboard. All styles and genres are acceptable but I specialize in rock.
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Reviews
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Marilyn F. March 6, 2014
· ·
Great teacher!

Matt has been friendly and encouraging, has considerable knowledge of his instrument, and has even inspired us to practice every day! He's a great teacher for younger children, has a passion for music, and is a source of inspiration.
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Peter S. March 26, 2013
· Guitar ·
An excellent teacher

I started taking lessons with Matt when I was 16 and when we started up again this year (I'm now 31) we were able to pick right back up where we left off. That should tell you all you need to know about how much he cares about his students.

He's an especially excellent teacher because he's so passionate about music and his instrument. You'll never run out of new things to learn because he's always learning new things himself.

Nobody will teach you to love the guitar like this dude!
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Tyler M. March 13, 2013
· Guitar ·
Incredible Guitar Teacher

The most inspiring, challenging, caring and charismatic guitar teacher you will ever have. He will take your playing to the next level and beyond. Matt's playing ceases to amaze and he is constantly producing pearls of guitar wisdom, along with some killer licks.
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Matt B.

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About Kareem K.

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Tacoma, WA

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About Kareem
A native of the Pacific Northwest, saxophonist Kareem K is a performer, composer, and educator, who is in high demand for his talents both on and off the stage.

Growing up in the northwest with its vibrant music scene allowed Kareem the opportunity to study with, listen to and perform with world class jazz artists residing in the area. Artists such as Tracy Knoop, Jay Thomas, Don Lanphere, Bill Ramsay, Hadley Caliman, Julian Priester and many others had a large impact on Kareem early in his musical education. This direction and guidance continues to inspire and lead Kareem as he continues his lifelong passion undertaking a career as a professional musician.

Today, as a performing artist he spends most of his time leading his group for which he composes and arranges most of the music. The band is constantly on the move as a sought af
ter performing group and spends most of its time performing in and around the Pacific Northwest. When not leading his own group Kareem can be seen and heard performing as a sideman with many other top notch musical acts and projects, most notably The Paperboys from Vancouver BC.

As an educator Kareem divides his time teaching jazz improvisation as an artist in residence at The Tacoma School of the Arts, directing the award winning student jazz ensemble at Pierce College, conducting masterclasses and workshops at schools around the Puget Sound area, and maintaining a full load of private students. Along with his teaching duties Kareem is the director or The Tacoma Jazz Association, serves on the Tacoma Arts Commission, and is a D'Addario Woodwinds performing artist.

Kareem holds a Bachelors Degree of Music from Cornish College of the Arts in Seattle Washington which he attended after receiving a full scholarship.

Throughout his years of teaching Kareem has worked with students of all ages and abilities, from beginners just getting started, to advanced players who simply want new ideas and direction.

*** Lesson Details ***
Lessons are relaxed and are focused on what you would like to learn.

I usually begin with assessing where students are in their abilities and then come up with a lesson plan based on what they already know and what they would like to accomplish.
They can be geared towards a 5 year old with no musical training whatsoever, or to an advanced musician who wants to further develop their skills.

Topics that I cover in lessons throughout a typical day of teaching include: Instrument technique, sight reading skills ( note and rhythm recognition ), memorization skills, music theory, ear training, improvising, and composing.

After 3 to 6 months of lessons and regular practice a beginning student should have a good command of their instrument and a strong foundation of sight reading. At this point we normally will also have started some music theory as well. For students wanting to focus on jazz we will have already begun improvising as well.

*** Studio Equipment ***
5x10 room w/ piano and seating for parents

*** Specialties ***
I focus on the basics of learning to read music and basic technique on the instruments that I teach. From there I proceed with theory, ear training, improvising, composition etc. It all depends on what the students want to learn. I am comfortable teaching classical music as well as jazz, rock, composition, and improvisation.
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Aarti M. June 2, 2017
· Piano ·
My daughter absolutely loves Mr. K!! He is very patient and takes his time to always answer ANY questions she has. She loves taking piano due to him being so awesome!! If you are looking for a great teacher for your little one there is no need to look any further!!
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Adam A. January 1, 2015
· Saxophone ·
Kareem has been teaching me since I was in the fourth grade. I am currently in 8th grade, and man what can I say, he's as good as it gets! After two years I was in my middle school jazz band, which is not easy for a person who has only been playing for two years. You, yourself will be able to see extreme progress within just a few lessons! You must know Kareem teaches at Pierce College, a class at the Tacoma School of the Arts (which I hopefully will be attending and taking his class), teaches numerous private students every week, and lastly he performs with a stellar jazz band of his own! He is extremely dedicated to the musical field. If I were anybody reading this review and wanted to start playing any of the variety of instruments he plays, I would call Kareem K.!

-Adam Allegro
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Robin J. December 7, 2014
· Saxophone · In studio
Kareem is a dedicated and diligent musician and teacher. He is able to share his love of music with students of all ages. Not only is he extremely capable of teaching students the technical aspects of music, but his lessons incorporate a wider perspective as well, such as, listening to different genres of music and asking his students to discuss what they hear. He is always positive and encourages students to do their best. He has style and class and it is a privilege that two of my children can study under his tutelage.
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Kareem K.

Kareem K.

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About Nanette J.

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Santa Clarita, CA

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with a degree in music, there is much I can teach you about music theory

About Nanette
I am a motivated Guitarist with extensive knowledge in music education and performance. I have a Bachelors of Arts Degree from Cal State LA where I emphasized in Classical Guitar performance. 10+ years of guitar experience playing both classical and contemporary styles. I regularly perform on Electric, Acoustic and Classical guitars. I am educated in the classical repertoire and modern music as well. My favorites are Indie Rock, Folk, Worship, Rock, Pop, Classical and country. I also can teach Music theory and music history to those students who are interested.

*** Lesson Details ***
My number one goal is to make sure music is FUN! I believe in making the learning experience enjoyable. I am a laid back person but I am also extremely organized and always well prepared. After studying with me for 6 months you will be able to wri
te your own songs, play popular chord progressions and lead lines. If you study classical guitar with me you will be able to site read at a intermediate level and perform at least 5 pieces. Anything can be achieved if you put your mind to it and work hard and practice. Its my passion to get you where you want to be as a musician!

*** Studio Equipment ***
Provide: tab paper, blank sheet music, guitar picks for new students, guitar stand, music stand, a great environment to learn.
You need to bring: a guitar, books

*** Travel Equipment ***
provide: tab paper, blank sheet music, guitar pics for new students.
You need to have: a guitar, foot stool for classical guitarists, tuner

*** Specialties ***
Classical Guitar, Folk, fingerpicking, Worship Music, Electric guitar, Acoustic guitar, Rock, Pop, Indie, Punk, Country, Music Theory, Music History
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Lili May 13, 2017
· Ukulele · In studio
My 10-year old daughter and 6-year old son took a few ukulele lessons with Nanette. Per my kids, they did not feel like she was engaging with them. They had hoped that she would make the lessons a fun experience and it was not for them. She would probably be a better fit with older kids and adults. We have decided to seek future ukulele lessons with a new teacher.
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Zayd February 28, 2017
· Ukulele · In studio
My son absolutely loved his first lesson. Thank you so much.
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Jeannine November 21, 2016
· Ukulele · In studio
Nanette is an excellent teacher for young people and for seniors. She is very knowledgeable about the instruments she teaches. She is patient and encouraging. If you are thinking of taking lessons, I would highly recommend Nanette.
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Nanette J.

Nanette J.

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About Paul N.

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Reseda, CA
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Trained by one of the top composers and teachers of music theory in Los Angeles, my music theory teaching skills have long been sought after by classmates, former classmates and tutoring centers on University campuses. Need help analyzing Bach, Beethoven, Brahms or Bartok? Look no further!

About Paul
Graduate of California State University Northridge's illustrious Jazz Studies program, Paul has studied various styles of guitar for many years. He has taught in and around the Los Angeles area while simultaneously remaining active as a performer.
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May A. January 18, 2017
· Guitar · In home
Paul is an excellent teacher ,very professional and know how to deal with youth and let them love music and guitar ,my granddaughter enjoyed his lessons and I ll not hesitate to recommend him to my friends and family .
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Jacob September 21, 2016
· Guitar · In home
My son really loved his lesson with Paul.
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Paul N.

Paul N.

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About Kate G.

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Brooklyn, NY
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Theory and ear training lessons are great for instrumentalists - including voice - as well as those that have never played an instrument (spoiler alert: you'll end up learning a little piano or another instrument in the process!)

Anything that is learned "theoretically" is most useful if you understand it aurally - so that you you become free to improvise or compose with it - so every theory lesson is simultaneously an ear training lesson.

Beginners typically start with simple songs, basic tonality and chord functions/scales, basic rhythm/meter, and advanced students work on things like interval training, singing atonal melodies, hearing chords with 5 or more notes, advanced chord progressions, non-western music theory/aural skills, polyrhythms, analyzing any crazy music they are often interested in, etc. At every level, we connect what we're working on with music we're listening to and explore: what exactly is going on in this music?

About Kate
Originally from Buffalo, drummer/composer/improviser Kate Gentile has played and recorded with a panoply of renowned musicians since moving to NYC in 2011.

Kate has played with Anthony Braxton, Dustin Carlson, Andrew D'Angelo, Kris Davis, Marty Ehrlich, Michael Formanek, Ben Gerstein, Jon Irabagon, Chris Lightcap, Terry McManus, Matt Mitchell, Helado Negro, Ted Reichman, Chris Speed, and the Asphalt Orchestra, and has recorded with Jasmine Lovell-Smith's Towering Poppies and David Aaron's Flip City.

"...[G.'s] inventive drumming...eads the listener into a gentle place." -Step Tempest

"[G.'s] drum work on this [Fortune Songs] is exquisite." -“Bird Is The Worm

In addition to being a frequently used sideman and collaborator, Kate also leads bands exploring her own music, which often tend towards dense, long-form compositions with
unconventional rhythms and harmony. Her music has been described as "...hyper-detailed...designed to spur multi-faceted improvisation". Her most recently formed trio with pianist Matt Mitchell deals with a new book of compositions containing varied forms and harmonic and rhythmic structures that demand a spectrum of improvisational creativity.

Kate holds a dual degree in Jazz Performance and Music Education from the Eastman School of Music. Kate has also studied independently with a host of great drummers, improvisers, and composers, including Dan Weiss, Tim Berne, Tony Malaby, Marc Ducret, Miles Okazaki, and John Riley.

Kate has enjoyed teaching drum lessons independently for 10 years and has taught at the NYSMF summer jazz program and several schools.
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Martin June 1, 2016
· Drum · In home
Terrific lesson. Kate is sensitive, talented and knows how to teach. A real pleasure to work with her.
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Maya October 12, 2015
· Drum · In studio
Kate Gentile was my drum instructor at a summer jazz program. She was a fantastic teacher with loads of helpful tips all geared towards improving my skills on the drum set. I would definitely recommend her to anyone look for a knowledgable and enthusiastic teacher!
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Tom August 25, 2015
· Drum · In home
Kate is an energetic and passionate educator and forward thinking musician. I greatly enjoyed the time I spent studying with her because it was obvious she cared about sharing her love for music and helping me on my personal path as an improviser. The drive and dedication she brings to her teaching is inspiring.
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Kate G.

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About Jamie C.

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Abington, PA
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As a composer and film scorer, I have an extensive background in classical music theory, contrapuntal composition, and arranging for many different ensembles.

I teach basic fundamentals all the way through the 4 species of counterpoint.

About Jamie
I am a classically trained cellist with 20 Years experience. I studied under Charles Forbes and Roberto Pace at the Settlement Music School, and Eugene Friesen at Berklee College of Music. As a bass guitarist, I have 15 years of experience playing fingerstyle and recording/performing a wide range of styles and genres, from rock and blues, to R&B and Hip-Hop, to acoustic folk and indie music.

I have 15 years of experience using recording software such as GarageBand, Logic Pro, Pro Tools, Ableton Live, Digital Performer and Reason. I use the latest versions of all of these.
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Luke N. January 13, 2017
· Cello · In studio
Great teacher.
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Mary Beth Y. December 22, 2016
· Cello · In studio
I am continuing to study cello with Jamie and I am much further along than I anticipated. I also study piano, so I am not a traditional beginner cello student. Jaime is able to fine tune my lessons to take this into account and build on it. He is very knowledgeable about proper technique as well as music theory. I would recommend him without reservation for all abilities and ages.
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Maureen January 30, 2016
· Cello · In studio
Jamie worked with me when I was trying to pick up cello after not playing since high school. He is extremely knowledgeable and encouraging. He's very good at identifying problems with technique and suggesting approaches to fix them, and fun to work with.
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Jamie C.

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About Mauricio G.

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Woodland Hills, CA

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Do you feel stuck in your musical knowledge? Do you feel like there are songs that want to come out, but you have no idea where to start? I can help you! I have studied Music Theory for over 8 years, and have studied with some of the best musicians in Los Angeles including, Dr. Timothy Howard, and John Belzaguy.

I have been teaching music theory to students for about 3 years now.

About Mauricio
Hey there! My name is Mauricio G. Jr. I've been teaching for almost 6 years, and have been playing professionally all over LA for longer than that.

I've played with legendary musicians like, Otmaro Ruiz, Abraham Laboriel Sr., Gregg Bisonette, Tim Pierce, and many more
I play every weekend at the 10,000 member mega church Sepherd of the Hills: Westside, and have played all around LA for events and shows, including the Special Olympics in 2015

I'm a fun loving, engaging teacher that takes pride in seeing my students understand musical concepts, and grow as musicians and people.

I can't wait to work with you!
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Jacob August 25, 2015
· Guitar · In studio
Mauricio is patient and works at your pace. Makes learning easier and enjoyable. Great at what he does
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Miranda August 25, 2015
· Guitar · In home
He is excellent!!
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Angelica August 25, 2015
· Guitar · In studio
He is a great teacher! I will keep on taking more lessons with him. I highly recommend him.
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Mauricio G.

Mauricio G.

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About Andrew R.

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Houston, TX

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I earned my Bachelor's in Music from Berklee College of Music where I focused on performance, education and ear training. When you have a properly trained ear and enough understanding of music theory, the doors are open to any and all styles.

I've taught general music at a school in the Galapagos Islands, coached student ensembles, tutored college level music theory and worked with students with moderate-severe handicaps.

I have a deep fondness for music from all over the world, and some of my favorites are Classical Indian Music, Pakistani Qawwali, Balkan Music and Kirtan. This means we can work on any style you like!

About Andrew
I earned my music degree from Berklee College of Music in Boston, MA where I focused on performance, education and ear training. My principal instrument is drum set, but I also enjoy playing guitar and ukulele. I started teaching private drum lessons when I was in high school, taught music for two years at a small school in the Galapagos Islands and spent some time working at a school for students with severe disabilities where I also taught music. Most of my schooling was in contemporary styles like Jazz, Latin, Blues and Rock, but I very much enjoy music from around the world. Lately some of my favorites are: Qawwali, Kirtan, Balkan and Moroccan music.

I believe firmly in the teaching principle of "Rote Before Note." Reading sheet music is certainly a great skill, but having ears that are tuned in is the greatest asset for a music
ian. I start by teaching without sheet music so that students start focusing on listening, start developing musical memory and because it's great fun! Because I studied music education in college and have worked in schools, I know how to develop an appropriate curriculum for each student.

For students that stick with me or are already established on their instrument, we will work on incorporating deeper concepts into their music, such as, "How can you make your playing fluid like water?" "How would you demonstrate Yin Yang harmony in your playing?"

I look forward to exploring music and having a fun time with you!
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Martín Cruz October 10, 2017
· Ear Training · In studio
Andrew has a lot of patience with beginners and that is something really important beacause he knows exactly how to provide the tools they need to learn and practice the subject.
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Andrew R.

Andrew R.

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About Altin S.

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Lansing, MI

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Versed from tonal music, counterpoint, 20th century music, and jazz theory. Can teach new methods of music analysis from the Koska Payne, Edward Pearsall, Jeff Hellmer & Rick Lawn method books of music analyzation

About Altin
Altin Sencalar a Temple, Texas native started his musical education at the age of 9 originally playing the cello. At age 11, he picked up the euphonium, then the trombone and has had the fortune to have studied with some of the finest musicians today. The list includes Michael Dease, Mike Roylance, Andre Hayward, Martin McCain, Freddie Mendoza, Pete Rodriguez, Paul Deemer, Jeff Hellmer, John Mills, and John Fremgan. Along with excellent instructors, Altin has had the pleasure of sharing the stage with performers such as Bobby Shew, Chris Vadala, Marcus Printup, Andre Hayward, Doug Webb, Wycliffe Gordon, Michael Dease, Cyrus Chestnut, Jeff "Tain" Watts, and many others.

On the competition platform, Altin has received prizes and honors for both national and international competitions such as, The American Trombone Workshop, the Internation
al Trombone Association, Texas State Trombone Symposium Michael Rath Jazz Trombone Competition, Downbeat Student Music Awards, and being a Yamaha Young Performing Artist for the Low Brass Division. Along with national and international recognition, Altin remains as one of the most active musicians in Austin, TX and surrounding areas. Recently named one of the top 10 horn players in the 2016/2017 Austin Chronicles, "Austin Music Awards" Altin, had the pleasure of being apart of many original groups in Austin which include Latin Grammy nominated bands, Austin Chronicle Award winning bands, Recording Label artist, and nationally acclaimed groups such as Los Jazz Vatos, Riders against the Storm, Sergio y La Orkesta, La Mona Loca, Memphis Train Revue, The Pictures, Tortilla Factory, Rubeun Ramos and The Mexican Revolution, Big Band Tejano, Tiburon, Vintage 15, JazzBonez, NOW Jazz Orchestra, Tonic Big Band, Kris Kimura's Grande Wasabi Big Band, and many others.

Altin Sencalar proudly endorses Giddings Mouthpieces and EARasers earplugs as an active performing artist.
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Altin S.

Altin S.

Lansing, MI 48910
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About Junewon C.

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Anaheim, CA
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Experienced Jazz guitarist here. I can teach you music theory in general, as well as differences among classic, jazz and pop. We will see a lot of example in music depends on our context from Bach to Duke Ellington to John Coltrane.

About Junewon
Junewon has been performing very actively nationally and internationally. He was a finalist of Wilson Center Guitar Competition in 2016. As a leader of ‘June Trio’, awarded Research Enhancement Funds from Michigan State University, he performed in Bucharest, Romania with an invitation for a semi-finalist of International Bucharest Jazz Competition 2015. In 2014, he also played at National Academy For the Performing Arts in Trinidad and Tobago.
While he was pursuing his Master of Music Degree in Jazz Studies at Michigan State University, he served as a Teaching Assistant, and he was a member of Bebop-Spartan, the Jazz Orchestra I, directed by Rodney Whitaker. He played and recorded worldly renowned jazz musicians, such as Joe Hunt, Christian McBride, Jeff Hamilton, Antonio Hart, Jon Faddis, Mark Turner, Ben Street, and Peter Bernstein to
name a few.
Ever since he started to form his own group to play for the public, trio has been his most favorite ensemble. He played with his trio many times at different venue in Boston, while he was attending Berklee College of Music. Also he was a featured jazz artist at Club Bohemia, in Cambridge, Massachusetts.
As a sideman, he played and recorded many times in Boston, Lansing as well as South Korea. When MSU Spartan Jazz Trombone Group was a winner of ITA, Winding Jazz Trombone Ensemble Competition in 2014 he was the rhythm section.
Junewon is not only fascinated by jazz guitar playing but also jazz harmony, arranging, and composing. “Isn’t It Love”, one of his composition has been released by recording of New York City based jazz guitarist, Peter Bernstein in 2012.
Currently, he plays guitar with Shekinah Worship Band every Sunday at Sa-Rang Comunity Church in Anaheim, CA, while he is working on his debut album by composing, arranging, and rehearsing with his trio.
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Michael S. September 26, 2017
· Korean · Online
I really enjoyed our first lesson. He was clear and had materials for me, and even thought ahead of if I had studied on my own, which I had! I would recommend him to anyone. Loads of fun with great homework to boot!
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Junewon C.

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Recent Music Theory Articles from the Blog

Whether you're just starting out or a seasoned pro, check out the Music Theory articles on our blog.

Subdivision: The Easy Trick for Reading Rhythms Right

Subdivision: The Easy Trick for Reading Rhythms Right

As you're learning to read music, you'll come across complex rhythms at some point. Here, Saint Augustine, FL music teacher Heather L. offers some helpful tips to help you get through the tricky parts...   Have you ever found yourself sitting in a big concert hall, or in your room, listening to a soloist play a practically perfect rhythm? Almost all of us have, and almost all of us have asked ourselves, "How do they do that?" Their secret is subdivision. You might be just begin … Read More

Subdivision: The Easy Trick for Reading Rhythms Right
As you're learning to read music, you'll come across complex rhythms at some point. Here, Saint Augustine, FL music teacher Heather L. offers some helpful tips to help you get through the tricky parts...   Have you ever found yourself sitting in a big concert hall, or in your room, listening to a soloist play a practically perfect rhythm? Almost all of us have, and almost all of us have asked ourselves, "How do they do that?" Their secret is subdivision. You might be just begin
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Why Learning Piano Theory is Important for All Musicians
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