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My first priority is to inspire and motive. Find out the students wants and needs, then tackle them head on. Exploring proper voice techniques and how to use the voice. Proper breathing technique. Learn music theory fundamentals and understanding the language of music so it can be applied to the voice. Phrasing, intonation and song building.
With my extensive solo performance and teaching experience, I believe all singers can find their unique sound through solid technique and creativity.
After several sessions (at least 10), students should have a basic understanding and awareness of the following characteristics with their voices:
*healthy breath control (understanding the differences between under and over supporting)
*healthy vowel shape: a, e, i, o, u
*awareness of their vocal registers and the differences between head, mixed, and chest voice
*an ability to descend from head voice into a healthy mixed register without flipping into chest voice
*3-5 new musical selections (give or take as needed)
*8-10 new technical exercises to use on student's own time
*an outline for personal practice
*developed musical instincts with rhythm, melody, harmony, intonation, and singing with accompaniment
Singing is one of the most challenging and rewarding areas of musical performance. It's so personal and expressive that a lot of us feel uncomfortable approaching the voice at all. I've been singing and performing for over a decade. Using proper breathing technique and customized warm-ups I can help you become the best possible singer you can be! The first step is always the hardest but I am confident that we can do it!
I work with people in regard to singing lessons since 2004 in both academic settings and private face-to-face instructions. The lesson's plans and general direction that it takes during the course of study substantially depends on the student's interests and preferences. Along with main subjects that motivates students most in taking voice lessons ( such as learning new songs from the contemporary popular repertoire, for instance), I will offer my prospective students basic training in general musicianship; this would enable people to sing, read written music, and understand the very basics of music theory. With such advantages at their hands, my students will be able to expand their singing repertoire and to move, probably, to another styles of music for singing and enjoying it for the sake of people's personal aesthetical development.
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