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Falmouth, ME Music Theory Lessons

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Popular Music Theory Teachers near Falmouth, ME

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About JingJing W.

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Chicago, IL
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For kids and professional musicians

About JingJing
Hi, I am a multi-international prize winner and a dedicated teacher. A piano performance graduate of Manhattan School of Music and University of Illinois, I have collaborated as soloist with major orchestras in China, USA, Europe and South America for fifteen years.

In the summer of 2006, I made my critically acclaimed European debut at the International Piano Festivals held in Spain and Canary Islands. In 2008, I was selected by famous New York critics David Dubal to perform in his lecture concert series, live broadcast on WQXR. From October of 2008 to July 2009, I won five international competition awards around globe, which led me to several concert tours in the following years. In August of 2009, I participated in the prestigious George Enescu International Music Festival in Bucharest. In May of 2010, I participated in the Gilmor
e Keyboard Festival Masterclass in Kalamazoo. That year also marked my recital and concerto debut in Panama and Colombia as well as in Krannert Center of Performing Arts in Illinois. In 2012, I made my solo recital debut at Dame Myra Hess Memorial Concert Series in Chicago. Besides my frequent solo appearances,I have been an active collaborative chamber musician.I have performed a number of chamber music concerts with many instrumentalists around the world, highlighting a tour with a string quartet around the Netherlands in August, 2007, after having received two-week-long coaching with Menahem Pressler and Shumel Ashkenasi.

Along with my performing career, I have been teaching young piano students since I was eighteen. I have experience teaching all age-group in masterclasses and private lessons.

*** Lesson Details ***
I love teaching all age-group piano students! I find teaching is rewarding when a student is making progress, learning effectively and having fun with music. My teaching style and lesson focus will be unique for each individual person, and I'm very flexible in adapting to each student's needs and personality. My specialty is to discover and make each student find their own technique and sound on piano.

I am a friendly, easy-going and patient teacher, but I do have expectations. My ultimate goal is to help each student cultivate spiritual and physical well-being, along with the ability to recognize and develop personal and musical strengths, and to recognize and address respective weaknesses.

*** Studio Equipment ***
A 5'7 Steinway Piano in Studio.

*** Travel Equipment ***
In-home lessons available too.
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Reviews
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Eric L. May 14, 2014
· ·
Magic piano teacher

I have known Jingjing personally through his performances for five years and recently my 6-year old son started having lessons with him. At first, my son wasn't really be able to sit tight for 10 minutes but after a few lessons, he could concentrate for 25-30 minutes. Jingjing's lessons are magical! And my son enjoys the lessons now. He already played a few folk songs and was encouraged to compose his own music at the piano. I really appreciate Jingjing's effort!
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Simon M. April 15, 2014
· Piano ·
Great mentor!

I've worked with JINGJING WANG for 3 years and he's been always reliable, patient and creative. He taught me many different ways to practice and it was such an incredible experience. Now I am a piano teacher myself and I will keep learning from him.
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BeatriceW March 6, 2014
· ·
Satisifaction!

I am constantly satisfied with my daughter's performance after each lesson. Jingjing is all of the wonderful things everyone had said in their reviews. I couldn't be more happy and grateful with my choice. He is such a good teacher!
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JingJing W.

JingJing W.

Online
(12)
starting at
$40 / 30-min

About Alexandra P.

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San Mateo, CA

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I have been teaching music theory for ten years in my private studios and in classrooms.

I focus on beginning theory from note reading and rhythm recognition through to the ABRSM theory exams.

I also teach and tutor theory from the Laitz and Kastka Payne theory textbooks.

My desire is to help people understand music theory in an easy and fun way.

About Alexandra
Alexandra has been teaching harp and piano around the country for eighteen years through her personal harp studio and the Salvi Showroom in Southern California. She has also worked as a sectional coach for the Orange County Youth Symphony, Asia America Youth Symphony, and Palos Verdes Regional Symphony Orchestra. Her students are currently attending Eastman School of Music, Columbia University, Barnard College, Harvard University, Boston College, University of Pennslyvania, Princeton University, Northwestern University, University of Notre Dame, Yale University and Purdue University among others. Her students have also appeared on National television as well as playing for the Grammy Awards.

A strong supporter of the American Harp Society, she is Vice President of the American Harp Society Foundation. Alexandra is also co-chairman of
the distinguished Anne Adams Awards Harp Competition where she has been a main Director for fifteen years. She has served as the President of the Orange County Harp Society Chapter as well as a board member of the Bay Area Harp Society Chapter.

Alexandra received her Bachelor's Degree from DePauw University, majoring in Music and Anthropology. She also completed premedical studies at DePauw after spending her Junior year studying harp at the University of Oregon. She received her Master's Degree from Roosevelt University in Orchestral Studies, and did post graduate work at the University of Southern California in Harp Performance and Anthropology.

Alexandra's harp teachers have included: Sarah Bullen, Sally Maxwell, Edward Druzinsky, JoAnn Turovsky, Harriet Thompson Moore, Kara Bershad, Faye Seeman, Joy Andreasen, and Neva Lydiard. She has also had many mentors who have guided her life and career including: Kathleen Bride, Victor Salvi, Sally Maxwell, Patricia Masri- Fletcher, Robin Gordon- Cartier, Carrie Kourkoumelis, Dr. Craig Pare, and Karen Thielen.

Alexandra has performed in many master classes given by such internationally known harpists as Skaila Kanga, Jana Bouskova, Marie Pierre Langlamet, and Bryn Lewis. She has also organized many masterclasses and events featuring: Kathleen Bride, Sarah Bullen, Gwyneth Wentink, Patricia Masri - Fletcher, Louise Vickerman, Sivan Magen, Sasha Boldachev, Ina Zdorovetchi, Angel Padilla Crespo, Elzbieta Szmytt, Susan Allen, Gayle Levant, Stella Castelucci, Robin Gordon Cartier, Emmanuel Ceysson, Yolanda Kondonasis, and Kim Robertson.
 
Alexandra has performed extensively throughout North America and Europe as a soloist, with small ensembles, and as an orchestral harpist. She has appeared in several television shows such as General Hospital. Her playing,"Is filled with care, artistry, and mature interpretation. She is a talented musician, well rounded in her knowledge of music, and has a healthy curiosity in areas beyond music." (Donald Chen, conductor) "Everything I heard was sensitive, artistic, and had beautiful intonation." (Richard Ferrin, violist emeritus, Chicago Symphony Orchestra).

In addition to playing, Alexandra has also served as the Ambassador for Salvi Harps in North America for the past eleven years. She has given numerous masterclasses and workshops in addition to performing at National Harp Conferences and National and Regional music showcases. In her role as National Sales Manager, she helped harpists from all over the world find their dream harps, learn to care for them, and has mentored them along the way.

Apart from harp activities, Alexandra also enjoys teaching middle school, teaching piano, coaching rowing, participation in sports activities, and writing articles for various journals including: The American Harp Journal, Chicago Health Magazine, and Atlanta Health Magazine. She also enjoys being a board member on the DePauw University Alumni Board and she enjoys working on music startup companies.

*** Lesson Details ***

As a HARP teacher, all of my
students play scales, arpeggios, and technical exercises in
their lessons. I believe having a strong technical base is the foundation for
every part of playing and you can't learn without it. I will set the repertoire
for students according to their technical progress and although I may
take into consideration a student's desires to learn a certain piece, there has
to be time and they have to be ready for it. I have both short term and long
term goals for each student that involve theory, technical ability, and
repertoire: fun, orchestral and solo. Adult students still have to learn
technique, it makes things much more fun and easy six months later, I promise! Beginning students will learn how to read notes, understand basic theory, and technique in a short amount of time, so don't be scared if you have never had a music lesson before. 

I require all students make
at least half an hour a day commitment to practice. I teach mostly the Grandjany method of harp technique, however, I also use Salzedo and Renie methods
at times to fit a particular students' build and unique physical attributes as well as what the piece requires. I
have studied all techniques throughout my education and I find them all
beneficial for different reasons. I do, however, believe everyone is built
differently and the technique should help the harpist play and not hinder them
from achieving their goals. Everyone learns at a different speed, but as a
brand new musician, after six months practicing regularly, you should be able
to read music fluently, understand basic theory concepts, be able to play with
both hands and four fingers on each hand, play all of the basic scales and
arpeggios musically and be able to play at least one piece memorized.
Curriculum is based on the student's technical ability and issues and is
individually created – if you learn slower than someone else, don’t worry about
your pace. In the end, lessons are about you personally and not someone else.

As a PIANO teacher, I want students to learn about music and not just the piano. Students will learn basic music theory and basic scales as a part of their lessons. They will also occasionally choose a song of their choosing to work on chords. I do promote note reading and theory, so I am not the right teacher for students who don't want to invest time in learning the basics. These basics are the building blocks of all music and can be used for any instrument the student chooses to learn in the future.

*** Studio Equipment ***
I have harps and a piano at my studio, so you do not need to bring your harp to lessons. If you don't own a harp, you can rent one for around $45/month from several sources. 

*** Specialties ***
HARP - Grandjany Technique with an incorporation of Salzedo and French school depending on the player's body type and technical difficulties. I make use of the ABRSM as well as local, national, and international competitions depending on the student's level of commitment.

PIANO - I teach basic piano for fun through an Intermediate level. Although some students choose to take CM and ABRSM exams, I do not push them. I want students to enjoy piano and music lessons.
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Reviews
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christina March 9, 2016
· Harp · Online
Alexandra was an excellent teacher! She really makes you feel at home even if you are nervous at the beginning… I look forward to taking more lessons from her
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Carol M. September 30, 2015
· Harp · In home
Alexandra was the most patient and caring teacher. She is very interested in going at the student's pace. She excelled my expatiations! Thank you Alexandra!
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Yana T. June 13, 2015
· Harp · In studio
Alexandra Perdew is a one of a kind instructor. She not only pushes her students to excel, but I truly believe that she inspires greatness. She treats her students with the utmost respect and works diligently to provide them with every possible resource needed for learning. She is not a teacher who will let anyone get by with putting in half the effort. She motivates me to work and perform at the highest level possible.
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Alexandra P.

Alexandra P.

Online
(12)
starting at
$80 / 60-min

About Brian C.

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Portland, ME
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Music theory by itself, or using an instrument of your choice. Ex. guitar, piano, etc.

About Brian
I have been playing guitar for 30 years. I am a state certified K-12 music teacher with over 7 years experience teaching guitar privately and in the classroom. I teach not only children but also adults of any level - beginner, intermediate, or advanced. Students can learn acoustic or electric guitar, and fingerstyle or pick playing. Styles taught include classical, rock and pop, blues, jazz, folk and country. Sight-reading, music theory, and learning by ear are skills all students will develop.

"I like Mr. C. because he always cheers me up if I do something wrong on guitar. He helps you through step by step." -- Aaron, age 9

"I would emphasize your patience with me and your ability to simplify coursework." -- Fedja, age 37

"Excellent teacher with lots of patience. Kick-started me into the musical world and inspired me to learn gu
itar and start singing." -- Angelina, age 16

*** Lesson Details ***
Each lesson will begin with tuning the guitar and warm-ups. Then we'll move on to either our practice books or a song or piece you have chosen to learn and study not found in the books.

If you are beginner, we'll start with how you handle the guitar and any technique issues. Then we'll work on note and chord recognition, the ability to sight-read and play from memory.

*** Studio Equipment ***
2011 Apple iMac;
MXL 910 microphone;
Yamaha Nylon-String Electric-Acoustic Guitar;
Yamaha Steel String Guitar;
Gibson Les Paul Special Electric Guitar;
Esteve Spanish Classical Guitar;
Roland Cube 80 electric guitar amplifier;
Ibanez T80 acoustic guitar amplifier

*** Travel Equipment ***
Music Stands;
Foot Rests

*** Specialties ***
Song Transcriptions - Use your ear to learn and notate song melodies and the guitar parts
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Brian C.

Brian C.

Portland, ME 04103
starting at
$40 / 30-min

About Paul B.

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Portland, ME
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This is a great class for any aspiring musician, or any student,looking to gain some basic understanding of music. Hopefully, the student will gain some appreciation of music as well. The concrete foundations of music, rhythm, melody and harmony will all be discussed in detail. I've been teaching this class for about ten years and found it helps musicians with there own performance.

About Paul
I am a musician who has played in many bands. My primary instrument is piano and voice. I also play rhythm guitar. My current group is a "Who" tribute band, performing a complete history of the rock group, The Who. Please check out our website magicbustour.com
I play by ear but also read music. If you are looking for an old school, rigid, teacher who only has students only follow books, then you should look elsewhere. If you want to be able to play or sing with feel and learn music theory with some reading in a comfortable working studio then contact me.

*** Studio Equipment ***
-Petrof upright piano
- Mackie PA system
- Guild F15 acoustic guitar

*** Travel Equipment ***
-Roland Midi 2
- Guild F-15 acoustic guitar

*** Specialties ***
Patient, creative, flexible and fun.
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Reviews
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Annmarie W. October 5, 2017
· Music Theory · In studio
The first lesson was extraordinary the teacher is very good
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Dan R. June 19, 2017
· Piano · In studio
First lesson from Paul was perfect. So much to learn and so little time. I am confident with his great listening skills and musical knowledge and my need for so much improvement, this is a perfect match already.
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Carol B. September 27, 2016
· Piano · In studio
I have already learned so much in just 3 lessons. Paul is a very patient and knowledgeable teacher. I am looking forward to many more lessons and feel confident that I can really learn to play under pauls instruction. Very exciting and rewarding!
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Paul B.

Paul B.

Portland, ME 04102
(13)
starting at
$25 / 30-min

About Shamaya H.

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San Diego, CA
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-Will help you build a solid foundation of music theory, Note Reading, Ear training, sight reading, technique and more.
-Lessons are customized and catered to the needs/goals of each student.

About Shamaya

Playing Music &/or singing is like >>Avatar>Pandora

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Reviews
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Fatina M. November 19, 2017
· Piano · In home
Shamaya was very sweet and knowledgeable, she took her time to explain everything to me and made it so easy to understand.
She was ready and had copies of instructions to leave behind for reference.
Will continue with my lessons
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Matthew M. September 28, 2017
· Piano · Online
The first lesson is great! For our son, Thank you, Shamaya.
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Nadin September 14, 2017
· Piano · Online
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Shamaya H.

Shamaya H.

Online
(5)
starting at
$15 / 30-min
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About Michael S.

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Detroit, MI
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Some people dread music theory. I love to make it fun and personalized. Each lesson is geared toward teaching my students, at their own pace, what is going on musically when we talk theory.

About Michael
Hello, my name is Michael. I began giving private lessons age 17, while still in high school, only offering voice at the time. Within another two years I added piano and music theory to the fold. I started this to help those wanting all the musical knowledge that one could gain, or those just looking to better their skill. My private tutoring and instructing lessons started here in Detroit, and has taken me as far as Las Vegas, NV. I am currently teaching for the Institute of Music and Dance (IMD), affiliated with Marygrove College. My goal remains to provide an excellent musical experience to various students at the most affordable rates and help with the individual goals of my students.
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Reviews
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Ayanna March 19, 2017
· Piano · Online
My daughter is enjoying her piano class with Michael. We look forward to learning more from him in the future!
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Janice December 4, 2016
· Piano · In home
Very professional and has a wonderful voice as well
may do voice training after she has got the piano down well
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Chris December 3, 2016
· Piano · In home
I started taking lessons from Michael about two years ago and I knew hardly anything about playing piano. I knew a few children's songs just by messing around on the instrument, but nothing further. Michael taught me how to apply music theory to piano so that I know what's going on musically, and know how to play what's going on musically. He's great if you ask me. He's very knowledgeable, yet admits that he himself is still learning and growing.
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Michael S.

Michael S.

Online
(3)
starting at
$18 / 30-min

About Andrew M.

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Brooklyn, NY

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From a young age, music theory fascinated me. I guess that's one reason I became a composer! I can help you with theory from the basics to advanced, as well as jazz theory! Whether you're just starting out, or you're looking to branch out into new genres, I can help!

About Andrew
I have a Bachelors of Music Composition from Brooklyn College, and I'm currently finishing a Masters degree. I've been playing music professionally for 27 years, spanning a wide range of styles. My knowledge of different genres gives me a unique perspective for teaching.
I've been entertaining at the piano for 15 years, playing guitar for 25+, and began my musical career primarily as a drummer with a variety of bands. I'm classically trained as a percussionist, and I studied jazz piano at the University of Kentucky before finishing my degree at Brooklyn College.

I can make the piano, drumset, or guitar approachable for traditional and non-traditional students alike. I offer a strong foundation in technique, theory, and musicality, and can teach you popular music styles and improvisation as well. I look forward to working
with you!
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Reviews
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Lucy June 4, 2017
· Classical Piano · In studio
Andy is a gem! I had been away from the piano for, oh, about 30 years. He made me feel comfortable diving back in and taught with patience and humor. I couldn't ask for a better instructor! His love of music is infectious.
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Sobina May 31, 2017
· Piano · In studio
Andy is very kind and friendly, learn a lot from him!
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Andrew M.

Andrew M.

Online
(2)
starting at
$30 / 30-min

About Evan C.

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Warwick, RI

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Professional Bassist trained by the New England Conservatory of Music. I work with you to meet and expand upon your goals as a musician. Experience in common tonal practice, atonal music theory, set notation, and Lydian Chromatic Concept

About Evan
I am a professional upright and electric bass player located in Southern New England. I have years of experience as an educator, recording artist, and performer. I am currently pursuing my degree in Jazz Performance from the New England Conservatory of Music in Boston, MA.

I can be found playing with a variety of bands and musicians across all genres. Carley is a member of the Boston based Wedding Band “Speechless,” the modern jazz group “Puppet Club”, and various freelance work. Some of his notable collaborator include Francisco Pais, Jhony Keys, Clay Nordhill, Mark Texiera, Daniella Schatcher, and many others.

I am interested in all styles of music and working with people of all ages and backgrounds! I want to help teach you how to teach yourself, how to practice, and how to grow as a musician. I can help you with everything from jaz
z, to rock, to classical music and beyond.
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Marianne November 2, 2017
· Ukulele · In studio
Evan is a patient and talented teacher! I highly recommend taking classes with him!
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John September 19, 2017
· Bass Guitar · In studio
I have been studying bass with Evan for 3 months now and he has been unbelievably helpful in my studies. He has tons of information and experience to share and always gives practice materials to address my weaknesses!
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Evan C.

Evan C.

Online
(2)
starting at
$30 / 30-min

About Austin G.

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El Dorado Hills, CA

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Need help with your music theory? With a Music Education and Performance Degree, I can teach a wide range of music theory in a personalized course than can work for all ages. Whatever stage you are at or if there is a particular subject you would like to focus on, I can make it work for you!

About Austin
I’m a fun and energetic teacher who loves a good laugh. I am a professional saxophone player, but can teach a range of woodwinds to advanced levels and brass instruments up to intermediate levels. I harp on the importance of breathing by teaching Breathing Gym techniques to my students for control and relaxation. I learned from the one and only Sam Palafian, the inventor of Breathing Gym while I marched at the Blue Devils Drum and Bugle Corps on the Contra/Tuba line.
...
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Austin G.

Austin G.

Online
starting at
$35 / 30-min

About Sean B.

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South Portland, ME
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Theory is the backbone of exploration, and forms the basis for lessons on all instruments.

About Sean
Hi there! I’ve been performing and recording music for 17 years and music has given me the opportunity to go places and meet people that I never dreamed possible, as well as enriching my life and instilling values in me that carry weight beyond the arts.
Music is a discipline everyone can enjoy, and I can help you get the most out of the time you put in!
...
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Sean B.

Sean B.

South Portland, ME 04106
starting at
$20 / 30-min

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Recent Music Theory Articles from the Blog

Whether you're just starting out or a seasoned pro, check out the Music Theory articles on our blog.

4 Painless Steps to Help You Learn Music Theory

4 Painless Steps to Help You Learn Music Theory

Sure, music theory is complex -- but there's no need to fear it! Here, Jamaica Plain, MA teacher Noaa R. shares four steps to get you started...   Many students tend to avoid studying music theory and harmony. This can stem from a fear of compromising one’s creativity with rules and numbers, a failure to connect concepts with application, or from feeling overwhelmed by the perceived volume of material to be learned. However, when you approach theory as an exploratory process that help … Read More

4 Painless Steps to Help You Learn Music Theory
Sure, music theory is complex -- but there's no need to fear it! Here, Jamaica Plain, MA teacher Noaa R. shares four steps to get you started...   Many students tend to avoid studying music theory and harmony. This can stem from a fear of compromising one’s creativity with rules and numbers, a failure to connect concepts with application, or from feeling overwhelmed by the perceived volume of material to be learned. However, when you approach theory as an exploratory process that help
6 Fun and Unique Ways to Learn Music Theory
Staring at the Circle of Fifths and memorizing key signatures isn't the only way to learn music theory! Here, Brooklyn, NY teacher Liz T. shares some creative ideas to revive your learning...   Music theory is a very important part of your musicianship, whether it be mastering ear training, harmony, or sight reading. No matter what instrument you play or what styles you enjoy, those who learn music theory grow further as musicians. A solid knowledge can help you improve your perform
How to Prepare for Sight Reading at an Audition | 3 Helpful Tips
Nervous about the sight reading portion of an upcoming audition? Find out how to work sight reading practice into your routine in this guest post by Saddle Brook, NJ teacher Christian D...   “Be prepared to sight read.” That dreaded requirement on all auditions that makes us all nervous. But the fact is, you shouldn’t be! Sight reading is a learned skill, just like everything else in music. Think of it as sight reading a passage from a book in front of an audience. With so many
All in Order: Tricks for Identifying Key Signatures
What are the "keys" to identifying different key signatures? Read on for some great tips from Tucson, AZ teacher Lourdes C... In reading music, there are a few things that give musicians the biggest headaches. One major migraine-maker is determining keys from the key signature and then remembering the order of sharps and flats. This chart gives musicians a quick way to help with identifying key signatures. Key Signatures at a Glance Major sharps: the name of the key can be fou
Why Learning Piano Theory is Important for All Musicians
Struggling to understand music theory? Try heading over to the piano -- seeing a visual representation can help a ton! Here, Lowell, IN teacher Blake C. shares how to get started...   Many musicians avoid learning music theory altogether because it can feel much like learning a foreign language; as a result, many musicians enlist in the anti-music theory organization. I will admit it – I was a member of the anti-music theory organization in my early years, declaring that music theory

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