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Takoma Park, MD Shakespearean Acting Lessons

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Popular Shakespearean Acting Teachers near Takoma Park, MD

Check out some of our most popular teachers near Takoma Park, MD including Washington, Arlington, Alexandria, Silver Spring and Gaithersburg.

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About Kathryn K.

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Petaluma, CA

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I want you to explore what it's like to experience the unbelievable amount of satisfaction you can have by allowing yourself to study acting and music. I teach from a method base and will work on monologues, scenes and audition materials, collaborating with you on what it is you need to understand how we go about doing this thing called acting. I can work virtually. One thing you must know about me, I am really nice. I won't crush your dreams. I will, however, make sure you attain them. I can come to you or you can meet me where I teach. I am in SF and Los Angeles. I successfully work virtually with many people. If you want to act, we can make it happen.

About Kathryn
Kathryn K
I am happy to be offering private acting classes and vocal classes for all levels including technique for stage, film, on camera, audition technique, audition prep, monologue and scene study, script analysis, singing performance and sessions that educate about working in the business for Take Leasons students at a discounted rate. If you’re a singer and work with me you’re going to end up writing songs and playing an instrument. That’s how it is. I coach in person and online. I want my students to be working actors and performers and they are. Yes, we talk about how to make a living and and be an artist, because many people gotta do it. Work is work. It’s all how it goes.
I am a member of the Screen Actors Guild AFTRA and Actors Equity Association, a Critics Circle Award Winning Actor and I am a working performance artist. I a
m committed to helping artists experience their craft in a supportive, safe and challenging environment. Oh, I am really nice.
I want to see my actors and singers thrive and work and move into what they want to do.
I am most influenced by Stanislavsky and Lee Strasberg.
I am a Method coach. I have also studied at HB Studio in NYC, as well as other studios, and feel an actor will lead me to what works for them.
I also work extensively with many people who are in other industries on key note presentations and communication skills using tools that actors use to communicate. It is extremely effective.
I am here to help you delve into your creativity in a supportive and joyful way.
My students are committed to exploring their craft of acting, singing performance, songwriting and screenwriting. Most are working professionally and are repped by agents.
They have booked many roles, too many to name, but here are a few, Chance, HBO's, Thirteen Reasons Why, WestWorld, Looking, Blue Jasmine, Touching Home, Generations, productions at several Equity theatres throughout the country and countless National commercials. Most have joined SAG-AFTRA and Actors Equity and I encourage this.
When you study acting / singing performance w/ me you'll learn how to navigate the business because you must know how.

Auditions!!
They are definitely the most difficult and nerve wracking part of being an actor or singer, right? Booking work means your audition has to be as good as opening night.
Auditioning is about preparation and preparation takes consistent support. Look, showbiz is not a business about being alone. Artists thrive when working together. We are a collaborative bunch and collaborating to make sure you're ready and organized for your auditions makes sense.
Stop trying to muscle through this necessary step alone. No one who works consistently does that! They ask for help. ASK FOR HELP!!
Solidify your acting choices so you don't have to worry about them the day before your audition. Know your prep so you can internally drop into it when the casting director says, "Whenever you're ready."
Have your music material and performance choices prepared ahead of time.
BE AHEAD OF SCHEDULE.
Work with me when your agent sends you your sides so you show up READY. Know your lines. It's OK if your struggling with memorization.
Let's figure out How YOU memorize.
Let me coach you for online audition submissions.
If we are working virtually I will coach while you are taping yourself to submit your online audition. It works!
Let me collaborate with on script analysis in order for you to you understand your material before you audition.
Take your work seriously so you bring your most intelligent and inspiring work to the audition rooms.
You'll be bringing the agents, casting directors, directors, producers and writers the inspiration they crave regarding their beloved projects. Do that and you're gonna book.
I know you can work and I can't wait to make it happen with you.  
About Kathryn
Kathryn is a member of the Sag-Aftra and Actors Equity and BMI and is a Critics Circle Award Winner.
Kathryn has worked with such legends as Tennessee Ernie Ford, Ben Vereen, Word Baker, who directed the first a one-act version of “The Fantastics” and then the historic two-act show, Sandy Duncan, Loretta Lynn, Flip Wilson. She studied at the University of Cincinnati College-Conservatory of Music (CCM) and HB Studio in New York City.
For Parents of Minor:
I'm available to help you understand this somewhat confusing industry.
Vocal Coaching Available - Vocal Coaching
Music Performance - Technique and Performance- songwriting

About Kathryn and Music
KATHRYN K is a soulful singer and prolific songwriter.
You can find more about Kathryn's music and her life story, which has allowed her to be of service to many, in national and local media, including: The Oakland Tribune, the San Francisco Chronicle, the San Jose Mercury News, Broadway World, Reader's Digest, NPR, The Gil Gross Show, The Montel Williams Show, and The Mancow Muller Show, NPR and Woman Magazine, UK.
Kathryn has released a video and CD with Multi - Grammy winning producer and drummer, Narada Michael Walden, Tarpan Records in Marin County, Ca. Walden says, "Kat is bringing the message of hope, light, love and faith to people's lives." Walden says. "I am proud of her and her divine mission."
Gil Gross, Host The Gil Gross Show –Radio, ABC "I have loved Kathryn's music from the day I first heard her sing, but even being a fan of her recordings did not prepare me for seeing her perform live. She is a great live performer holding her audience willing captives to each turn of a melody and the drama of every lyric. She more than sings. She inhabits a song and involves each member of the audience in its drama, joy or sorrow. There are performers for whom a performance is a night out. When Kathryn performs it’s a lifetime shared with us in a single evening. If you want to merely hear some tunes, there are many people who will do. If you want a real experience in music, there is Kathryn.
Kathryn's latest show is being created with director David Ford (Marsh Theatre) and Kevin Gerzevitz and her concerts features a who’s who list of world-renowned musicians: Gerzevitz and Grammy-Nominated Bassist, Michael Manring; Album of the Year Winner, Trumpeter, Jeff Oster; Master Percussionist, Joe Venegoni; Guitar Virtuoso, Tom Lattanand; Critically Acclaimed Pianist, Kelly Park; Celebrated Flutist, Barbara Else; and from the Steve Winwood Band, Brazilian-born Drummer, Celso Alberti.
Kathryn has played a variety of venues, including the renowned Yoshi's Oakland Jazz Club, the Bitter End and Symphony Space in New York City, the Knitting Factory in Los Angeles, the Plush Room and the Fairmont in San Francisco, as well as Mill Valley's premier showcase, the Throckmorton Theatre, Theatre on the Square, the Beacon Theatre, Great American Music Hall,The Mint, The Fairmont, to name a few. She has Cd's at all outlets.
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Reviews
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Morgan K. September 19, 2018
· Film Acting · Online
The sweetest. She makes you feel so comfortable. This was my first time acting and she totally squashed all of my nerves the minute it started!
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dawn R. August 29, 2018
· Acting · In home
Kathryn is great! After just 1lessonI gained the confidence and direction I needed to be a working actor. In fact, I will contact agents this week! Kathryn gave me tools I can use to conquer any monologue or scene. and great intro to method acting. I believe I found a great coach and mentor in Kathryn and look forward to working with her again.
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Danny C. August 20, 2018
· Method Acting · Online
Kathryn was everything I was looking for. Knowledgable, funny, supportive and down to earth. I feel like I’m on the correct path to start getting more and better parts. I’m excited and looking forward to the next lesson!
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Kathryn K.

Kathryn K.

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About Annalise S.

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Pasadena, CA

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One on one lessons focusing on developing breath, stage movement, and classical acting techniques.

About Annalise
As a teacher, I am very positive and patient. I focus 50% of my lessons on physical and vocal warm-ups and 50% on the student's chosen repertoire. I look forward to working with students of all levels and find joy in helping people find their voice.

I earned my bachelor of music in vocal performance from the University of Redlands and am currently in my final year of graduate school in UCLA’s School of Theatre, Film, and Television, focusing on acting.
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Amanda H. June 17, 2015
· Singing · In studio
Annalise has a very impressive background in music and education, and it really reflects through her lessons with my daughter. She has instilled a lot of confidence in my daughter, to the point that she tried out for, and made, Advanced Choir at her school. I very highly recommend Annalise!
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Ezekiel S. May 31, 2015
· Child Acting · In home
He found the lesson enjoyable and wanted to continue practicing the drills he learned
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Ezekiel S. May 31, 2015
· Child Acting · In home
He found the lesson enjoyable and wanted to continue practicing the drills he learned
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Annalise S.

Annalise S.

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$40 / 30-min

About Gina B.

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New York, NY

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A classical education makes everything so much easier. There are basic classical rhetorical devices that are easy to use once you understand them and make acting so much more fun and simple. It is 'playing' after all and with these techniques that are just ages old and so ingrained in humanity and nature you will be delighted and challenged.

About Gina
As of May 20th, 2018, I am in New York City again and will be accepting new students as well as reconnecting with anyone who wants to return.
I've completed two graduate degrees: one in Music and the other in Dance and Theater studies.
My undergrad degree is from The Juilliard School and it is in Dance.

I've taught children and grown ups for many years. I have a strong performing career and love the way teaching keeps me in a giving and learning place.

*** Lesson Details ***
With beginning students I am very laid back and patient and believe strongly that in the play of games and experiments technique will develop and manifest. As the student becomes more advanced I become more demanding as do the materials.

As an Acting teacher I have the capacity to take students along all the way to professional and beyond. I'm a membe
r of the Actors Studio, the performing unions and have studied since childhood at ACT and then all over the world including The National in London.

For Dance, I have a wide knowledge and can teach several forms as well as history and materials. In Juilliard I specialized in historical dance of the French Court which is also known as pre-ballet. At present I am studying Tango and other ballroom forms and can teach the beginning levels as well as help choreograph for weddings or events. Of course I also teach Ballet and many forms of Modern Dance. I adore teaching dance composition. To help a dance student make their own dances is very fulfilling.
For the Visual Arts I teach Abstract Painting as well as Installation and Performance Art.
*** Studio Equipment ***
I have supplies and space. Visual Art students need to contribute to materials by finding or purchasing whatever they like and adding to the mix. My students are welcome to use what I have here and I am always adding materials. Many people throw away materials that are perfectly good for art making so keep your eyes open and you'll find all kinds of good things. Visual Art students need to book a 2 hour minimum and I will lower the price if you just let me know you need it.

My fees: I start at a higher fee and after you've been a regular student we can lower the fee for you if you need.

*** Travel Equipment ***
just a space to work in - we can create a work space out of any space.

*** Specialties ***
In dance I teach classical ballet principles for beginners or those who are returning and want to work carefully and privately. I teach from the tradition of Alfredo Corvino's principles of relationship to organic forms and structures for sound development. I studied with Mr Corvino for years and continue to study with Ernesta Corvino.
For acting I teach a combination of classical acting technique with American sense memory and relaxation skills. I am well versed in the teachings of Lee Strasberg and then spent time in London to 'fill in the cracks' of my training with analytical skills as well as the various european influences that the Royal National embrace.
I teach creative discovery in combination with classical devices so the student can discover their own artistry while learning actual classical devices for accomplishing specific goals.
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Cynthia F. July 30, 2017
· Abstract Painting · In home
Great! I look forward to the next class.
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Anaya P. May 19, 2016
· Acting · In studio
Gina is great! My 14 year old daughter loved her. She helped her work on several techniques and scenes in preparation for an audition. I would definitely recommend her for various levels of experience.
She loves the craft and it shows in her teaching. Shes tough but so loving and enthusiastic.
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Mitul May 19, 2016
· Acting · In studio
I have had the opportunity to learn acting with Gina and it has been great so far. When I signed up for the lessons, I signed up with Gina because of her credentials as I never had an encounter with her. From my first class itself she has taught me a lot about acting specially stage acting and that too with great enthusiasm. I now feel like pursuing it further. She is quite knowledgeable specially in her field and every moment that you are in the class with her, you are learning something new. I would highly recommend her, doesn't matter if you are just getting into the field or trying to set your advanced level stage, her talents will teach you something new that would take you to the next level. I hope you can take advantage of learning from a Great Artist like Gina.
P.S. She is a great Dancer and a great Musician.

Good Luck!
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Gina B.

Gina B.

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$100 / 60-min

About Kyle .

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West Palm Beach, FL

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While acting is a magnificent art, it is also a labyrinth of techniques and ideologies. Throughout time there have been many disagreements about the best way to approach the teaching of acting, but I believe that no matter which way you enter the maze, we are all moving towards the same goal; that is to live truthfully in imaginary circumstances. The craft of acting can falter into a personal nature, however there are common terms and tools that can be learned to aid in achieving the universal goal that is set in front of us. I therefore am bound to teach and specify the rudimentary tools that I have come to consider profoundly vital to the integrity of any serious actor, many of which are drastically overlooked by most.

In An Actor Prepares Stanislavski writes, “… A nagging critic can drive an actor mad and reduce him to a state of helplessness. Search for falseness only so far as it helps you to find truth. Don’t forget that the carping critic can create more falsehood on ...

About Kyle
Kyle is currently a Professor of Theatre, with a specialty in Acting (Musical and Non-Musical Theatre) and Playing Shakespeare at Palm Beach Atlantic University in West Palm Beach, FL. Prior to his current appointment, Kyle spent three years as the Director of Theatre at a private high school in Memphis, TN, where he also served on the board of the Tennessee Theatre Association. Kyle is a professional actor, a member of the Actor's Equity Association, has been a member of several professional and semi professional Shakespeare companies, has been represented by stage, tv and film agents based out of New York City, as well as regional markets, is an award winning teacher and stage director and continues to book work in all of those fields.

*** Lesson Details ***
Whether you are just starting out in acting, or are a seasoned profession
al - it is valuable to remember that talent is common. I strive to help my students cultivate what talent they have into become an excellent and truthful artist. My students will never be less then good, but will develop a hunger for excellence which we will work to make consistent in their auditions and performances.

*** Studio Equipment ***
Journal, Pencil(s), Headshot/Resume, Recording device

*** Specialties ***
Shakespeare, Acting for Stage and Screen, Acting in Musical Theatre, Reel/ Headshot/ Resume Production, Directing, Building an Acting Career, Auditions
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sydney June 22, 2018
· Acting · In studio
love him alreadya after one lesson. doesnt just care about the physicality and statistics of acting, but the emotion and history of it
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Kendall April 11, 2018
· Shakespearean Acting · In studio
Kyle truly cares about helping his students achieve their personal best and strive for excellence. He is knowledgable in his field and gives practical applications that help make concepts more clear to the actor. Working with him helped me to gain confidence in my acting as well as push me to work towards bettering my craft.
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Aszkara April 11, 2018
· Acting · In studio
Professor Schnack is extremely knowledgable about theatre, and his passion for it is infectious. He values hard work, and he will push you to be excellent. He cares about you and wants you to be great. As long as you are willing to work, he will use his knowledge and skill to make you successful.
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Kyle .

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About Erin C.

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North Hollywood, CA
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Shakespeare wrote some of the best roles for actors, and his work is just packed with tools you can use to get the juiciest possible performances. I can help you find and use those tools, whether you’re highly experienced or you’ve never acted before.

I learned the basics of acting through doing Shakespeare, and I’ve introduced many young performers to acting the same way. (FYI it’s totally normal if you hated reading it in school!)

About Erin
I am an actor, speech & dialect coach, and acting teacher. I had steady freelance teaching and coaching jobs for 3 years in NYC, as well as steady acting work in NYC and Chicago theatre for 5 years total.

I moved to LA from Cambridge, MA, where I earned my Master's in Acting from the American Repertory Theater Institute at Harvard. I am certified in unarmed stage combat as well.

I have coached privately and for theatre productions ranging from world-premieres to revivals of Pinter plays to musicals. I love working with actors of all experience levels!
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Tyler May 14, 2018
· Dialect Coaching · In home
I had to learn an Irish dialect for a big audition I was called in for last minute. My friend suggested Erin to help with dialect coaching and audition coaching, and man, I'm so grateful. With Erin's training and expertise, I was able to learn the Irish dialect in an hour and nailed the audition! She has experience with multiple acting and audition techniques...she's able to speak multiple acting "languages". If you're looking for any audition coaching or dialect coaching, I definitely recommend Erin! She knows what she's doing!
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Laura May 14, 2018
· Acting · In home
I have worked with Erin on several occasions, because she is so wonderful at her job! She has helped me to prepare for numerous auditions, many of which have gone very well as a result. She is an incredible actor herself, and she uses her talent and expertise to help me be the best actor I can be. Finding my super objective in a monologue or scene, the different tactics, focus, awareness, groundedness... these are all things she has helped me to do to strengthen my own work. She is down to earth and open, which makes working with her really easy and comfortable. Performing my work in front of somebody else can be very difficult, because I often question what the viewer will think of me. Not only does Erin help me fight that fear, she helps me find the gratitude and joy in getting to perform. I highly recommend Erin as an acting coach! She’s fantastic!
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Martha May 14, 2018
· ·
Erin has coached me numerous times for auditions. I find her to be highly skilled in helping me find the truth in the work. She has a calm, supportive energy. And she's just a great person to be around!
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Erin C.

Erin C.

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About Alyssa W.

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Hyattsville, MD

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Having both earned Masters Degrees from The Shakespeare Theatre Company's Academy for Classical Acting at George Washington University, Thomas K and Alyssa W combine for more than 25 years of professional theatrical experience. In 2017, they were named as two of "DC's 12 Stage Dynamos."

Alyssa should be familiar to most Washington theatre-goers, having recently appeared in Ford's Theatre's production of the Tony-nominated Broadway hit, Come From Away. That same year, she received the Helen Hayes Award for Best Actress in a Play, for her portrayal of the iconic Maggie the Cat, in Round House Theatre's production of Cat on a Hot Tin Roof. In 2017/18, Alyssa will appear in The Kennedy Center's World Premiere production of Digging Up Dessa, as well as the US Premiere of Botticelli In the Fire, at Woolly Mammoth Theatre Company.

Most widely known for his portrayal of Ensign Baker in AMC's revolutionary war drama, TURN: Washington's Spies (available on Netflix), Thomas has been seen ...

About Alyssa
I have been a professional actor since 2003 and have been working and living in the DC area for the last 6 years. I have been a proud member of Actors Equity Association since 2009. I have coached privately for over a decade and specialize in audition preperation for both undergraduate and graduate submissions, as well as upcoming productions. I am also an accomplished voice over artist and can facilitate the creation of your very own demo reel. Named one of D.C. 12 acting dynamos to watch in 2017 by the Washington Post.
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Amazing B. March 11, 2018
· Acting · In studio
The children had a wonderful experience as a beginner in acting. They were comfortable with her coaching style and looking forward to next week.
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Dorea January 15, 2018
· Acting · In studio
Alyssa is AWESOME! She coached me on an audition piece and her insight was invaluable. I booked the job and I'm sure it was in part because of the work we did together. She has a wonderful energy and a keen eye, and creates a safe, welcoming space to play and try new things. I highly recommend her to anyone looking for a coach- whether you're new to acting or are already established.
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Thomas January 5, 2018
· Acting · In studio
Alyssa has coached me on dozens of professional auditions, helping me refine and specify my work, and raising my preparedness to the highest levels. There is no one I trust more to help me improve, and the positivity she brings to the work room is contagious.
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Alyssa W.

Alyssa W.

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$45 / 30-min

About Gregory W.

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Washington, DC

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Gregory is a graduate of The Juilliard School's Drama Division in New York City and is an Affiliated Artist with the Shakespeare Theatre Company in Washington DC. A member of SAG-AFTRA and Actors’ Equity Association, he has been working as a professional actor for more than twenty years in television, film and theater.

As a teacher and acting coach, Gregory is dedicated to facilitating the marriage of technique, imagination and confidence in order for each student to reach his or her goals as an actor, performer or public speaker.

Audition Preparation for:
Classical and Contemporary Theatre, Television, Film, Training Programs.

Continued Studies in:
Monologue and Scene Work, Text Analysis, Audition Technique, Voice and Speech Training, Public Speaking.

About Gregory
Teacher/Coach:
Affiliated Teaching Artist with the Shakespeare Theatre Company (Approaching Shakespeare, Introduction to Acting, Shakespeare Scene Study, Acting for Adults, Investigating Romeo and Juliet, Investigating Twelfth Night, Investigating Hamlet, Investigating A Midsummer Night’s Dream, etc); Head of Acting for the Overtures Program at Signature Theatre; Guest Lecturer for the High School Theatre Department with Summer Arts Institute at Frank Sinatra School of the Arts in NYC (In partnership with Theatre for a New Audience), Acting Intensive at Bendheim Performing Arts Center, Panel Lecturer at National Student Leadership Conference in New York; Acting Instructor for City Hearts and Much Ado About Shakespeare in Los Angeles; Private Acting Coach for more than twenty years in New York, California and Washington DC.
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Harrison July 14, 2018
· Child Acting · In studio
Gregory is a fantastic acting coach and all around awesome person. Our son (age 11) has been working with him and has learned such great techniques that he can take with him to every audition. Greg doesn't stick to one teaching method, he adapts to what our son needs and uses language that is helpful for him. We have seen significant improvement in our son's abilities in just a few lessons with Greg. Highly recommend!!
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Leslie May 4, 2018
· Shakespearean Acting · In studio
Took my first performance class with Gregory (after decades away), a Hamlet Scene Study. Class was a nice size (14 people), diverse in age and previous experience, several of them were returning to Gregory's class for a second time, and it was just fantastic. Several of the folks had done some professional work, some were plotting an escape from a current non-theatre career into acting, quite a few were active participants in community theatre here in DC, and some were just passionate about The Bard, reading and analyzing the text,and deepening their understanding of the work. I marveled at how well he addressed all his students, meeting them at their level, whatever that was. He created a very welcoming environment, lots of humor, lots of physicality, open-mindedness, and it was just fascinating to see each scene study pairing, no matter what their level, improve their performance of the scene after some direction and creative input from Gregory, as well as the other students. Highly recommend. I plan to take his class again as soon as convenient, and maybe other classes as well.
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Connie April 24, 2018
· Theater Acting · In studio
Gregory Wooddell is a phenomenal acting teacher and coach. I have taken many classes with him, and I have also had private lessons from him. He works with everyone at whatever level they are at, and he makes excellent, insightful, and understandable suggestions to improve the acting. And there is always a very noticeable improvement. Gregory is fair, patient, and always encouraging. He creates a safe and fun environment for students.
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Gregory W.

Gregory W.

Washington, DC 20003
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$84 / 60-min

About Karolina B.

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Reston, VA
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I recently graduated with a BFA in acting from Elon university and have a lot of experience with different acting techniques. I am able to coach using Meisner, Stanislavski, Chekhov, practical aesthetics as well as being able to coach Shakespeare. I am especially knowledgeable and helpful for seniors in high school planning on going through college auditions, and can help with finding perfect material, pre screens, and how to avoid common pitfalls. I can help you land a spot at the college of your dreams!

About Karolina
I am a professional actor with a love for teaching!
I just graduated from Elon University with a BFA in acting in May of 2018.
I have been acting since I was five years old and have a great love for the art of theatre and film!
I am especially knowledgeable and skilled in the world of college auditions. After going through the process myself, taking a great deal of audition classes, and assisting with auditions at Elon, I have developed unmatchable skills in the college audition process.
Working with me I will find you the perfect material, help develope your type, go through typical college audition pitfalls, coach your monologues, practice interviewing and teach you skills from different acting techniques ( such as Stanislavski, Meisner, Chekhov, and practical aesthetics)
I would love to work with you and help you get into the colleg
e of your dreams!
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Karolina B.

Karolina B.

Reston, VA 20191
starting at
$42 / 30-min

About Danny G.

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Baltimore, MD

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Beginner, intermediate, and advanced on-camera and onstage acting lessons from an award-winning, working actor with over 10 years professional stage and screen experience in classics to world premiere plays at Ford's Theatre, La Jolla Playhouse, Woolly Mammoth, Kansas City Rep, SIgnature Theatre, Round House, Center Stage, and Everyman Theatre (Company Member), with awards including Best Actor at the Reel Indpendent Extravaganza in DC for the feature film LAST NIGHT, now streaming on Amazon, Best Supporting actor at NOVA Fest in Virginia for the short film RUMINATION, and the Helen Hayes Best Ensemble for WHO's AFRAID OF VIRGINIA WOOLF? at Ford's Theatre.

My approach is to immediately dive in with an unmemorized text--a monologue, short scene, poem, clipping, citation, phone book--and learn script analysis, memorization, character intention, action, persona, need, with an emphasis on developing a method unique to you, the actor.

Each lesson will be tailored towards your instinctual ...

About Danny
I am an award-winning, working actor with over 10 years professional stage and screen experience in classics to world premiere plays at Ford's Theatre, La Jolla Playhouse, Woolly Mammoth, Kansas City Rep, SIgnature Theatre, Round House, Center Stage, and Everyman Theatre (Company Member), with awards including Best Actor at the Reel Indpendent Extravaganza in DC for the feature film LAST NIGHT, now streaming on Amazon, Best Supporting actor at NOVA Fest in Virginia for the short film RUMINATION, and the Helen Hayes Best Ensemble for WHO's AFRAID OF VIRGINIA WOOLF? at Ford's Theatre.

My approach is to immediately dive in with an unmemorized text--a monologue, short scene, poem, clipping, citation, phone book--and learn script analysis, memorization, character intention, action, persona, need, with an emphasis on developing a method unique
to you, the actor.

Each lesson will be tailored towards your instinctual responses to direction. I believe acting is a very vulnerable art if done right, and creative expression can most often be found in a safe environment for risk through play. Ultimately my classes are to shape you, as the actor, with an insight into why that is important both artistically and psychologically.

Further lessons will also include practical approaches to the business aspects of an actor's career, actor health both physically and mentally, and college audition prep.
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Danny G.

Danny G.

Baltimore, MD 21202
starting at
$67 / 30-min

About Ophelie W.

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New York, NY
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I have studied, worked as an actress and a director and taught in Berlin, London and New York - both in theater and opera. I was the first person to ever be offered the Juilliard Opera directing Fellowship two years in a row (where I worked primarily with Postgraduate students) and have worked with actors and singers across the country as well as in several German A-houses. After studying a variety of acting methods over the years, I have developed my own method of approaching a character or an audition monologue/song, which encompasses the physical, emotional and intellectual in order to create an easily accessible three-dimensional person. I will not only help you apply said method, but also teach you the tools so you may access it on your own at any time. Finally, I have received critical acclaim as a young director, and - as a teacher - I have a track record of helping people get hired from major auditions.

About Ophelie
I am a professional stage director, who has worked in Germany, England and the across United States. I have worked with singers as well as actors, as a teacher, assistant director and director.

I graduated as an Associate of King’s College London with a degree in Philosophy and significant experience acting and directing for independent theater companies in London.

I then went on to work as an assistant director in major German opera houses, where I learned how to apply the same teaching and dierecting methods with singers.

At only 23 I was offered the Juilliard Opera Directing Fellowship - and I was the first person, to whom it was offered two years in a row. At Juilliard, I mostly worked with the few selected Postgraduate students.

I have considered accepting an adjunct teaching position, but chose to go on directing and teaching pr
ivately instead. My students have repeatedly gotten hired for auditions I coached them for (amongst other places at the Metropolitan Opera) and gotten great reviews for jobs I coached them on.
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Ophelie W.

Ophelie W.

Online
starting at
$67 / 30-min

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