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Severn, MD Piano Lessons

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Popular Piano Teachers near Severn, MD

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About Melody S.

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Washington, DC

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At Melody Sons Music Studio, your child will receive a warm and fun environment to learn music.

​All lessons contains three main elements in music - Note Reading, Written Work, Music Games/Ear Training. These main elements are integrated to ensure that the lesson time is always fun and engaging.

Melody is delighted to help children embark on their musical adventure, with a teaching method that caters to their individual needs.

About Melody
Every student is unique and individuals rely on different learning styles. The teaching method of Melody is adjusted to fit the needs and desires of the student, characterizing a plan based around their individual strengths, weaknesses, and music goals. While the focus is founded on teaching the basic fundamentals and developing good technique, the lesson is equally invested in helping students discover and reveal their special and unique musicality. Students recital is held for family and friends, when students can share the musical skills and achievements they have developed.

Melody offers a range of experience, genuine enthusiasm for music, and adaptive teaching method to help you develop towards your individual musical goals. She is here to guide you through your musical journey and infuse the wonders of music into your world.
Visit her website at http://melodysons.musicteachershelper.com
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Reviews
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Sheryl August 14, 2018
· Piano · In studio
Melody is a wonderful piano teacher. She taught my daughter for 2 months before she moved. My daughter learned several pieces of music which she performed at the recital. It was her first recital and she was nervous but Melody encouraged her and gave her the confidence to perform!
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Mary J. August 13, 2018
· Piano · In studio
I highly recommend Miss Melody as a piano and voice teacher for young children. She is very well respected. Her passion in teaching music is shown through her enthusiasm and patient approach. She has developed a program and teaching techniques that are always age and skill level appropriate. She encourages her students throughout the lesson, providing just the right amount of urging to keep trying and not give up. Her goal is to let the student enjoy and appreciate the art of playing and singing. My daughter has taken both the piano and voice lessons for 2 years and our family has joined 3 music recitals, all professionally done and very well prepared. As she moves to DC, it is my great pleasure to recommend Miss Melody and I am so happy to tell you what a wonderful, caring and talented teacher she is that you won't be disappointed. Your children will look forward to their time with her. You sure will be learning from one of the best!
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Linda M. July 23, 2018
· Singing · In studio
I enrolled my 8 year old grand daughter and 10 year old grandson for piano and singing during their family visit with us, which lasted two weeks. Each of them had eight lessons in total and for that span of time they have learned how to read notes and count patiently. They also learned to play other instruments such as maracas, chimes, etc. It was so nice of Ms Melody to be able to conduct a studio mini recital just for the two of them. It is really amazing how my grandkids has learned so much from her. When I found out she is moving, I knew it will be hard to find somebody like her who is not just a very good teacher, but you can tell that she loves the kids and teaching comes very easy for her. Thank you Ms Melody for your good heart. As other reviewer said she will be missed, surely she will. I remember my grand daughter’s exact words when we left after their last lesson, ”Ms Melody is really very nice grandma. I like her so much!”
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Melody S.

Melody S.

Washington, DC 20032
(24)
starting at
$35 / 30-min

About Timothy H.

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Washington, DC

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We concentrate on developing proper technique including posture and fingering, scales and strengthening exercises, beginning to intermediate theory, musicality and knowledge of repertoire in various genres

About Timothy
I hold a Bachelors of Fine Arts from The University of the Arts in Philadelphia, PA. With over 15 years of experience, in both piano and voice, I've had to opportunity to perform, both domestically and internationally, with such great acts as Peter Nero and The Philly Pops, The Philadelphia Symphony Orchestra, and many others. I served as lead singer, pianist, and co-songwriter for a number of independent bands covering numerous genres including, but not limited to, Jazz, Pop, Rock, Acoustic, and A Capella.

Since moving to Washington DC, I've immersed myself within the local music community playing a handful of group and solo acts. I currently maintain a home music studio well equipped with musical instruments and music technology. I'm constantly practicing, writing, and recording to improve myself as an artist.

My teaching style
is unique and individualized to each student. I set personalized goals to make every lesson a success, and I push my students to get the most out of themselves just like I do myself. I'm always enthusiastic and humor driven to create a personable learning environment for students of any age. Music is my life, and I'm so thrilled to have the opportunity to share my greatest passion with the hope that my students, too, will fall in love with music!

*** Lesson Details ***
My lesson environment is laid back and stress-free. I like my students to feel inspired and encouraged as they begin or continue their music education. I introduce fun and innovative ways to build students' musicianship and creativity while retaining classical methods to develop strong technique and proper performance and practice habits.

For beginners, we'll be exploring the basics of either piano, or voice, while focusing on proper technique, basic theory, and a solid skill set. Within 3-6 months, my students are able to read music and understand the language of it.

For intermediate-advanced, we'll focus on building musicianship and skill sets by furthering studies in music theory, varying styles of repertoire, proper techniques that will greatly improve your piano and/or voice abilities, songwriting, improvisation, and live performance skills.

I ask that my students come prepared to every lesson with the motivation and commitment to learn something new each week! Lessons are a fun and creative way to discover yourself as an artist and a person, so let's get started!!

*** Studio Equipment ***
Kawai CN25 Upright Electric Piano, 13" MacBook Pro and iPad mini (Apple), A-Audio Elite HD Headsphones, BeatsStudio Studio Headphones (beats by dr. dre) and G900DX Studio Headphones (Gear One).
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Reviews
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Dirk M. October 15, 2018
· Singing · In studio
Very educational for a complete beginner. Made me feel at ease.
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Patrick C. February 21, 2018
· Piano · Online
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Veronique April 21, 2017
· Singing · In home
Tim is a very knowledgeable, skilled, and professional instructor. You can really tell he loves teaching. He will challenge you so you can improve. Yet, he makes the lessons extremely fun! I am excited to have found such an awesome teacher!
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Timothy H.

Timothy H.

Washington, DC 20001
(27)
starting at
$45 / 30-min

About Nathan R.

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Hanover, MD
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I mainly focus on classical technique, can I can also include rock/pop and jazz if the student is interested

About Nathan
I have been teaching private lessons for close to 10 years and have been an active performer for even longer, playing in all different types of groups, from rock bands and jazz groups to orchestras and brass bands. I studied music at Frostburg State University (Bachelors) and the Peabody Conservatory (Masters). I can teach just about any age and skill level and cover anything you are interested in learning; whether its a certain style, genre, technique or song.

*** Lesson Details ***
My lessons are laid back, with a focus on perfecting the basics. Most students work out of a method book appropriate to their skill level. Aside from that we'll also spend time learning songs and pieces of the students choice. With the right amount of effort, you'll know your way around your instrument in no time at all

*** Travel Equipment ***
Will provide sheet music and exercises. My students should have a working instrument as well as any method book or sheet music we are working on.

*** Specialties ***
I teach all styles and genres
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Reviews
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Adriel B. December 9, 2018
· Piano · In home
Nathan is very good with Adriel, explaining new notes and steps patiently. He is very encouraging and they are progressing at a brisk pace. Adriel loves his lessons and all he is learning.
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Amelia W. August 9, 2018
· Ukulele · In home
My daughter really enjoyed her lesson with Nate. He shared some tricks with her that she was showing me in the car on the way home. She never does that. She left very excited to learn more!
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Malik B. April 15, 2018
· Drum · In home
Great teaching skills
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Nathan R.

Nathan R.

Hanover, MD 21076
(20)
starting at
$35 / 30-min

About Chelsea B.

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Baltimore, MD

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When teaching beginning piano I often focus on building a good foundation. Lessons are centered on rudiments, basic music theory, and technique. A wide variety of repertoire will be available to each student and will cover many styles and genres.

About Chelsea
Let's make some music!!!

“Music can change the world because it can change people.”
―Bono

“Where words fail, music speaks.” ―Hans Christian Andersen

Here's the why and how:
As an educator, I've had experience teaching both young children and adults in many settings, whether it be in a classroom, small group lesson, or one-on-one. I pride myself on providing lessons that are uniquely individual and foster a students strengths while also building on their weaknesses. The best part about being a music educator is that I get to share my love of music with all of my students. With that said, whether you are a beginner who's interest has been sparked, or you have aspirations of becoming a professional musician I can help you there!

Lessons are catered to each student and are conducted in a supportive environment where students ar
e encouraged to take risks, try new things, make mistakes, and most importantly be themselves.

I value the time I have with my students and expect each student to come prepared to each lesson with an open mind and willingness to work. With music, the best results come to those who put in 100% both during lessons and during individual practice time. This is key in any musical pursuit. Overall, I want lessons to be enjoyable while still maintaining a sense of progress for the student.

Here's a little more about me:
In 2005 I made my operatic debut in Italy with Operafestival di Roma in their main stage production of Mozart's Le nozze di Figaro. While in Rome, I was also featured in Pergolesi's Stabat Mater. Over the years I've been featured as a soloist in other concert and oratorio works such as Villa-Lobos's Bachianas Brasileiras No. 5, Rutter's Requiem, and Mozart's Requiem.

Along with my classical training, I've taken on several roles in musicals such as, The King and I, Guys and Dolls, Oklahoma, and The Boyfriend. I am an honored NATS (National Association for the Teachers of Singing) competitor, Peabody Scholarship recipient, and Bland Music Scholarship recipient. Recently, I had the opportunity to work with the Richmond Philharmonic Orchestra on their spring and summer concert series and was asked to perform the National Anthem and God Bless America at Game 2 of the ALDS during one of the MLB's 2014 postseason games (Baltimore Orioles vs. Detroit Tigers). When I'm not singing, you may find me enjoying a run through the neighborhood, or enjoying some time with my cat CJ.

I earned both my undergraduate and graduate degrees form the Peabody Conservatory of Music of the Johns Hopkins University.

*** Studio Equipment ***
Family Room: seating for parents
Studio space with piano, recording equipment, and parent seating available.
**PLEASE NOTE I have a cat in the home**
*** Specialties ***
Voice and Piano Lessons
Classical, Musical Theater, Pop, Jazz, Soul, and Country.
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Reviews
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Alycia November 28, 2018
· Classical Voice · Online
My daughter really enjoyed her session with Chelsea! She is very knowledgeable and very thorough! Best vocal instructor our daughter has worked with!
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Mark October 10, 2018
· Singing · In studio
Chelsea made me feel super comfortable and safe, she's got me excited about singing and practicing and I can't wait for my next lesson
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Shannon B. March 8, 2018
· Singing · In home
I have had the pleasure of working with Chelsea for the last six years at a summer music camp that is sponsored by my church in Peachtree City Georgia. Chelsea is one of our Artists-in-Residence and leads vocal workshops, coaches vocalists, performs with the praise team, and also performs solo material in her presentations. This past year she served as worship leader where she directed over 100 children (ages 5-11), teen and adult volunteers in vocal worship. Her enthusiasm for music is infectious and she brings a fresh approach to the music that is presented at each encounter. She is able to establish a rapport with students of all ages making them comfortable and engaged in the music.
During our week-long camp, Chelsea and other professional musicians present a beautiful concert for the public where classical works are performed. Chelsea treats the audience to sacred and spiritual works and has developed a devoted following of patrons who return annually to hear her perform.

Shannon Bryan Director of Music, All Saints Anglican Church
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Chelsea B.

Chelsea B.

Baltimore, MD 21201
(14)
starting at
$35 / 30-min

About Christine P.

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Alexandria, VA
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I am now teaching piano EXCLUSIVELY to vocalist as well as adult non-vocal students only.

For example, if you are interested in advancing as a classical singer and have not yet learned how to read music, this is for you.

It is essential to be able to properly read music as a vocalist in order to get the most out of your learning experience.

I always joke that classical singers end up as pianist because you will need to learn your way around a piano to realistically help yourself at home.

This is dear to my heart because I learned how to read music as an adult in music school and understand it can be a problem if continued to be neglected.

I have also recognized from my teaching experience that this is a very much overlooked problem in most vocalist education. It is as valuable as learning Latin languages for opera.

I am very experienced and confident with my work with adult piano students and know how to get them started for success.

I specialize in reading skills and ...

About Christine
The Exquisite Voice, Inc.

Christine is a professional vocal coach with an exceptional reputation. She is the owner of The Exquisite Voice, Inc. and resides in The Historic Parkfairfax community of Alexandria.

As a D.C. native, Christine has taught in the DMV area for over eight years. In that time she has taught hundreds of students and given thousands of lessons (including the full spectrum of learning needs).

She is considered an expert in her field for achieving high quality vocal technique that can be implemented in all legitimate singing styles in addition she maintains a very active studio.

Christine's unique and highly effective approach to voice has allowed her to continue to help beginning to professional level students advance their technique with incredible results.

Christine is a master of vocal technique. She co
ncisely and properly diagnoses vocal issues from the very start.

She has a phenomenal ear, extensive experience in many styles and performance practices as well as a full working understanding of the mechanics of the voice.

She is not confused by the wide range and variety of various voice types, including highly unique instruments, or use of various technical approaches, style and artistic taste that can be misleading to many coaches. She can navigate easily and successfully through any of these challenges.

This type of insight is extremely valuable. Extracting and verifying what the voice is precisely doing allows for a real opportunity to work towards finding a more authentic and thus higher quality of singing that is based exclusively on the individual as a vocalist.

Therefore it is best to work with a professional who understands these fine differences.

Learning how one’s voice works optimally and fully allows for even greater flexibility in all singing ventures.

She has connected what are the absolute fundamentals to all types of singing and is not distracted by any and all variables that are expected to arise. This gives clarification to what exactly makes a voice authentic or not.

Therefore she works immediately to address the core of vocal issues by adding what is necessary for the technique and what needs to be removed.

This can be challenging work, that requires working honestly, but it brings extremely rewarding and higher quality results.

Personal note to all students:

I hope that you are feeling more inspired and inclined to work together after reading briefly a few of the things I can offer as a coach.

With that said, please consider that regardless of how great a coach is, it is important for the student to acknowledge that they must take command, initiative and responsibility for their instrument, including committing to the process and guidance given fully and to the best of their abilities.

You are absolutely in control and must not wait or avoid to be self-directed and take ownership of your voice in this discipline. It is important that you feel empowered to make your own decisions as a student.

***Advice that should be heeded before considering lessons with me or any serious professional who values their work***

It is important that I address attitude, emotion and state of mind:

Please know that I am extremely generous and kind. I assure you that I am highly confident in my abilities and work. Integrity and value are a part of who I am as an artist, coach and person and you will come to find this. If I don’t know something, I say it.

I offer all my insight and expertise to my students. That is why I think it is important to understand and possibly workout and finally accept what I am asking to build a successful working relationship.

I absolutely understand and appreciate that we are all coming from somewhere and with that said please keep in mind:

Learn to not judge yourself while you are sorting out your technique. Be completely open to reworking every aspect if necessary without feeling defeated. Reserve judgment and do not assume something is not for you regarding technique if you have not fully mastered it yet in application and comprehension.

That type of opinion is reserved for professionals who have both mastered and understand the technique only. Until then it is important to accept that you need to keep working and stay humble and positive.

***Your emotional state of mind and attitude absolutely matters. Do not underestimate the influence of your mind on your body. We are not aiming for perfectionism, we are aiming for personal excellence!***
Part of that is being willing to try the way I am asking because and trusting it is only for your benefit. You don’t have to come here perfect by any means, please don’t think this. You just have to be in reasonable enough shape to work productively.

Perfectionism leads to disappointment and limited thinking that undermines progress. You must be open, resourceful, adventurous and experimental in your singing. Perfectionism will fail you in this regard. I am a recovering perfectionist so I know:)

You cannot offer your most excellent work if you are resistant, fearful or emotionally (exhausted) nor prepared for working honestly due to past discouragement or carrying unrealistic expectations that typically stem from not being willing to invest the time, effort, or financial means in yourself. No one can help you if these factors are put between us and things always surface if they haven’t yet. Be prepared. Know that we are all facing the same issues more or less in this journey.

That is why I suggest making amends with any and all of these factors before working with me because they will influence the outcome of our work.

Some I am sure will immediately disagree with what I am say and decide that this is not what they need or in actuality really want to give (themselves truly), and find another coach who agrees with what they are willing to do, even if that severely limits their growth.

This is absolutely my professional opinion and I believe it is true for everyone. I know what I am saying can sound overwhelming, but it is not. Remove the ego from the equation. It is actually realistic and practical. I am telling you that you are absolutely in control of your outcome.

My hope is that students will come to terms with the reality of what is necessary to finding success in their singing first and worry about whatever is next last and not attempt to displace their end of the deal.

Start with very small, manageable steps and say yes to what you are saying no to or battling in your mind. That is actually more exhausting than the work itself and needs to be left at the door when we work.

Other professionals might agree with you or say differently about what I have expressed to save your business. Finding others who agree doesn’t make it true. Confronting things honestly is a choice that the teacher must make as well as the student.

I say this because it is the truth and it is a disservice to you as a singer and the necessary foundation to the relationship to go into it any other way.
It is already difficult enough to find direction when we are being lead without honesty and it must begin with us.

This is exactly what every student needs to realize because this is a tremendous part of what is holding them back. If you have understood what I am saying, it is actually a very empowering message.

It might even be all that you needed to hear to find a real path to success. :)

If you acknowledge what I stated above and are willing to commit to the work, I can assure you that I promise to do my part and help you move toward success in your lessons.

If you fully follow my guidance in your mind and heart, you will eventually find your way. I am open to what a student says they initially need, but that said I tend to show my students the light eventually on whether something is truly helping or hurting. I have good instincts on exactly what a person is ready to take on, but it’s typically a bit more than what they might want to do. That is because the mind is often behind the body. I have to be several steps ahead to keep the work progressive.

I always tell my students that I will only teach you what you need, not what you want, expect to learn or already know. You should be interested in this too. Please allow me to do this. I focus on fixing the weakness that we prefer to avoid and incorporating our strengths.

I understand that what I am saying is challenging for most students because it is so often the glaringly obvious aspects of our technique that we have been avoiding and battling before we walked through the door.

Know that I have faith in you and I want you to find faith in yourself because that is more empowering and valuable than millions of people believing in you. You don’t need that, you need belief in self only.

Believing in yourself with the mindset as worthy to go forward is what will help you get through the difficulties and challenges with confidence and assurance. Problems that will arise and cannot be avoided.

You will see that you will start to be led in a much different direction just by changing your thinking.

If anything I said makes you feel nervous, overwhelmed or uncomfortable because it does not align with what you were expecting, regardless of being a beginner or a professional then I say just confront it, own it for what it is and accept it because you are now ready to work at an elevated capacity.

I placed this deliberately in between my profile to make sure people will read it.

Continuation of Christine’s profile:

Christine’s extensive experience and knowledge as a professional adult contemporary vocal artist includes a highly in-depth working understanding of a range of various styles and specialties in vocal intonation that is truly hard to match by other professionals in the field.

This along with her continuous education (over twenty years) and dedication to the authentic Italian traditions of bel canto has allowed for her to develop an approach that can extended into all legitimate styles of singing. Her personal approach to the voice is beyond comparison, and can only be described as world class.

She has a phenomenal ear and can make rapid and highly accurate assessments of technical issues in a very brief sitting. Christine is exceptional at explaining vocal pedagogy and directing students on how to make corrections for themselves.

Christine is a dramatic coloratura soprano and is very confident and experienced with large instruments (that are more difficult to train for various reasons and require more specialized training). Having an extremely rare and large voice herself has given her invaluable insight toward fully understanding all other voice types and the discipline necessary to achieve efficient technique.

Many teachers can be limited in their view and teach "their technique" as opposed to helping the student develop their own technique and what works best for them. Christine has a great talent for figuring out what a students needs to do in their approach in order to achieve the results and keep the lessons progressive.

Developing proficient technique in a complete and effective way leads toward discovering the full capacity and beauty of our instrument without compromise. We need to find our voice to find ourselves as artist.

Her methods in vocal intonation translate directly and indirectly into all styles of legitimate singing, which she coaches many varying styles and will direct student toward appropriate repertoire. Students will learn the full potential of their instrument under her guidance. It is her belief that technique should always lead toward one sounding natural, no matter the style and that one fully learns their instrument’s capability to access endless artistic choices as a performer.

Christine offers very traditional based vocal lessons with a focus on improving technique through practical exercises and song repertoire designed for each student's unique vocal needs. She will offer necessary guidance and adjustments to ensure the student's continuous development.

Her goal is for her vocal students to discover their authentic voice and to find freedom in their technique and most importantly their expression as artists.

What you can expect to learn:

Vocal pedagogy and how the voice functions properly; how to effectively think about your voice to get the body to cooperate (aurally, physically, mentally, emotionally, etc.);

Integrating the body to fully support the voice Rebounding the body to continue to move the air efficiently. These are the basics of support, but often times very apparently neglected because most trained singers/teachers from even the highest institutions do not understand how it works or do it effectively themselves. It is sadly becoming a lost art. This is the most advanced concept of singing and yet is absolutely necessary to master in order to access genuine support. Christine clearly demonstrates and explains how this concept functions and her refinement of it is by far not common knowledge.

Other concepts include sustaining an open throat, creating a natural lifted and open internal space for better mix using the head voice and easier support, legitimate dynamics directed from the body and compressed air, anchoring the body to maintain the larynx low;

Various placement techniques, air that can rebound using breath direction and not from using the larynx inappropriately, centering the voice/cut internally by aligning the horizontal (mask) and vertical planes (chest, back of head, top of head and spine) support and placement that function together, developing a mixed middle sound that passes easily into low and high registers and broadens range; articulation free from the jaw and using tongue and other articulators as well as using breath direction to assist, posture that is conducive for support and keeps the body open and functional;

Various artistic and performance techniques, musical interpretation appropriate to context, time period and style, aligning the voice and body/acting to come across accurately in our portrayals and the process behind this, memorization techniques, execution of timing for expressive reasons and ways to think about timing that doesn’t conflict with the natural structure of a song, but allows for flexibility in phrasing, phrasal development and song development.

Piano that is geared exclusively toward vocalists and adult students only:

Teaching piano to vocalist is something I hold dear to my heart because I understand the difficulties and disadvantage as a vocal student to not be able to play and learn your rep on your own. I did not learn how to read music until I was in music school as a young adult. I believe reading music properly is just as important as learning Latin based foreign languages for success in opera. It has been my professional experience that it is often grossly overlooked.

I also offer working with adults students who are only interested in piano starting at age 20.

Christine is also a highly sought out piano instructor for her ability to establish an exceptional foundation in beginning piano students and those who wish to continue their studies and build upon the fundamentals. She specializes in reading skills and excellent technique.

She teaches Russian technique, which allows for flexibility, strength and tonal beauty of musical lines. This technique can be applied to all styles of playing piano such as pop, jazz and is not limited to just the classical repertoire.

Her goal is for all of her music students to become increasingly independent as musicians to where they feel confident to teach themselves and others and to ultimately find enjoyment in the process of learning music.

Her approach helps students advance their technique, reading proficiency, including music theory and expand their artistic capabilities.

Education and continuation of voice:

She received her music education in classical vocal performance from George Mason University and has vigiourously continued her studies in opera with Mrs. Fabiana Bravo, who studied with Luciano Pavarotti and Renata Scotto and has had a fabulous career singing at the Met. She has learned the Italian bel canto traditions as well as the Russian approach to the style. Christine specializes in Italian for classical rep.

General styles I coach:
Opera (bel canto and verismo) classical, sacred, hymnal, traditional, jazz, r&b, folk, and other variations of these popular styles.

Christine also has an international recording career as an adult contemporary artist.

Voice lessons begin at age 14-55 and piano at age 14 for vocalist interested in piano and 20 plus for adults interested in piano only.

Please no inquires about exceptions on age or travel, I will not respond. I teach from my home only, regardless of distance. I am worth waiting for and traveling to:)

What do I expect from students who are seriously applying:

Those who are very hard working and prepared to work on what they NEED, not what they want. Those that are motivated, passionate, dedicated, responsible, considerate, humble and serious about lessons and greatly improving as musicians should apply only regardless of aspirations as a hobby or professionally.

The most important thing necessary to finding real progress I have found is if a student is fully prepared to work HONESTLY. We must always strive to work honestly with our technique. Issues cannot be corrected when we chose to continue to avoid them.

I strongly believe that music is a discipline and this is the manner in which it will be approached during lessons. This is a teacher-STUDENT effort. Taking responsibility for your part is a must. This includes trying to the best of your abilities to put my advice and guidance into practice away from lessons is necessary to your improvement.

I am looking for potential long-term students who are willing and ready to work hard in a practical and realistic manner, regardless of experience, learning needs or proficiency. It will not work long term if a student is not making the time or effort commitment to apply the work from our lessons at home.

Singing is a long-term sustained process to develop that can absolutely not be rushed and I want students who understand this. I have very limited availability and I am only seeking serious students who have a positive, professional attitude and will value me as a teacher. You need not know anything about voice, just have a good work ethic and attitude :)

Thank you and looking forward to working together!

Warmly,
Christine Padua
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Reviews
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Erin January 12, 2019
· Opera Voice · In studio
I had an exciting, fun, very educational first lesson with Christine. I can’t wait for the next one!
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Lauren July 11, 2018
· Singing · In studio
Christine was very thorough and patient! She gave me great direction and reassurance!
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Brittany March 12, 2018
· Classical Voice · In studio
I have some musical experience as a hobby (piano, violin, choral arts), so I can be somewhat critical when I meet musicians. I have to say, though, that Christine is an extremely talented vocalist and instructor - I daresay a vocal genius :) The way she describes and encourages understanding of abstract concepts about air direction and body support is very unique. While it remains technical, it also makes you think differently about your body in terms of physical and emotional space. If, like me, you're a technical-minded person in the more general sense, this kind of approach is helpful because you have to engage both sides of your brain. I'm always challenged at Christine's lessons, and there has been great improvement in my voice from 7 months of lessons with her. I'm also having fun in this process, which is why I continue to come back!

I highly recommend Christine. Give it a shot; you won't regret it.
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Christine P.

Christine P.

Alexandria, VA 22302
(17)
starting at
$55 / 45-min
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About Rachel S.

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Hanover, MD

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I've been teaching piano for over 8 years. Within the first few lessons, you'll be able to read music and play simple songs and as time goes on you'll be able to play songs in any genre and style that you so choose. I specialize in classical piano and accompanying (especially musical theatre), typically using the Piano Adventures books, but depending on the age and level the repertoire will be adjusted! I love working with students of all ages and experience levels and I can't wait to meet you!

About Rachel
Hi! My name is Rachel, and I have been teaching lessons professionally for over 10 years now. My primary instruments are voice and piano, and I also teach music theory/ear training/musicianship skills. I earned my degree in vocal performance from James Madison University, where I taught lessons to non-music majors as well as tutored general music for the student population. I also hold a masters degree in voice performance and pedagogy from the Peabody Conservatory. I would describe my teaching style as fun and relaxed, with a strong emphasis on healthy technique. I believe that all students should have a strong technical foundation, and that begins on day one. Genres I teach include classical, musical theatre, pop, and accompanying skills for pianists. I can also help with audition prep on both instruments. I look forward to meeting with
you!
...
Reviews
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Tony January 7, 2019
· Piano · In home
Rachael’s a very friendly person w/ a genuine personality. She made my granddaughter feel very comfortable and at ease. Charley wasn’t shy at all around Rachael , which made me very happy. Awesome 1st lesson.
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Gretchen November 6, 2018
· Piano · In studio
Rachel was able to excite my girls to faithfully practice and look forward to lessons. You wouldn’t be disappointed.
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Loreal November 6, 2018
· Singing · In studio
I have been taking lessons with Rachel for almost a year and I love working with her. I have noticed a marked improvement in my singing abilities and my confidence has increased dramatically because of it. Rachel starts with a great basic foundation and works with you to bring out your own talent and style. She also has a great balance of teaching you not only the how but the why, which helps to deepen the understanding. I highly recommend.
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Rachel S.

Rachel S.

Hanover, MD 21076
(50)
starting at
$40 / 30-min

About Emily O.

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Millersville, MD
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I have been teaching piano since 2014 after graduation from college with a Bachelor's in Management and Piano Minor. I have been a church pianist for over 10 years and specialize in Hymnplaying Improvisation. The age range is 4 and up and I use a variety of methods depending on the student. Music for Little Mozarts, Thompson, Bastien and my own supplemental materials are some of the methods and techniques I use to develop good piano skills and a love for music!

About Emily
Hi, there! My name is Emily and I can't wait to meet you! I've been teaching private lessons since 2013 and have loved helping my students learn musical theory, ear training, and memorization. My speciality is hymn playing improvisation, but also teach classical, gospel, and pop. I went to Pensacola Christian College and earned a degree in Business Management and Piano in 2013. My teaching style is fun, interactive, and paced to the student. I look forward to helping you reach your goals and begin your musical adventure!
...
Reviews
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Carol November 20, 2018
· Piano · In studio
Emily is a very kind and patient piano teacher. She is knowledgeable about music and piano, and coveys the information to my daughter in ways she can understand. We've been very pleased with Emily so far and my daughter looks forward to lessons each week. We're happy we found her!
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mona July 2, 2018
· Piano · In studio
Ms Emily is terrific...
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Emily O.

Emily O.

Millersville, MD 21108
(2)
starting at
$30 / 30-min

About Allison K.

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Washington, DC
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Want to learn piano but don't know where to start? Interested in giving those piano lessons from when you were a kid another shot? I'm your gal! With 12+ years of piano training under my belt, I can provide you with a fun and simple crash-course that allows you to adopt a jack-of-all-trades mentality, which ranges from following what's on the page to "faking it."

About Allison
Thanks for stopping by! My name is Allison, and I'm a student with a passion for music!

I am a classically trained vocalist, pianist, and composer who has been studying music for 16 years. My abilities in ear-training and sight-reading have given me the perfect springboard to experiment with different musical techniques, and I have spent my time as a music student developing my own jack-of-all-trades style.

Piano students can expect to learn beginner tools such as basic sight-reading techniques and proper finger coordination to finding exciting ways to "fake" your way through a piece. I aim to give students an adaptable tool box that allows them to feel confident in multiple facets of piano-playing.

Vocal students can expect to approach their singing with a musician's ear, and gain the confidence to nail their next big audition
or voice recital. I aim to provide a leg up in sight-reading and ear training to give the student an advantage over their peers.
...
Reviews
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Lindsay Rinaldi, Executive Director of The Nashua Community Music School August 23, 2018
· Vocal Training ·
Allison is an enormously talented and multi-faceted musician who demonstrates a unique understanding of voice, piano, and overall musicianship. Allison is perfect for singers looking for a compassionate vocal coach that will improve style, grace, and musical and dramatic interpretation. With perfect pitch in her toolbelt, Allison is an excellent choice for anyone looking to practice singing with live piano accompaniment while receiving top quality musical feedback.
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Allison K.

Allison K.

Washington, DC 20016
(1)
starting at
$50 / 30-min

About Christopher H.

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Finksburg, MD

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Enjoyable, positive lessons focus on strengths and suggestions for improvement of technique, listening and performance.

About Christopher
I started playing piano when I was about 10 years old. It has taken practice and discipline to play well. One important truth in music that you should know is that if you don't enjoy it, you won't play well. I'm going to listen to your playing, give you some tips and always suggest what you should practice to improve where you are. The lesson is about you and where you are with your piano playing.
...
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Christopher H.

Christopher H.

Finksburg, MD 21048
starting at
$17 / 30-min

About Sunyi C.

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College Park, MD
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I'm able to make piano lesson fun and enjoyable.
By evaluating each students quality and choosing songs to play.
I teach students not only how to play piano but to feel the music.
I have over 20 years of experience teaching all ages and skills.

About Sunyi
Studied and majored in Classical Piano from New England Conservatory in MA,
Taught students of all ages for the last 17 years in Boston.

As a private studio instructor for I have gained valuable insight into the ways in which music can be taught to enrich the lives of people. I am confident teaching at all skill levels, from beginners to advanced. I try to approach student’s needs individually. I have several sets of music pieces while I offer to the students according to their various skill levels. I also try to help them with their musicianship, so that they can better communicate with their audiences in performance. Above all, I hope to instill in them a lifelong joy in learning and expressing music.

My performance and educational background is strong. I have performed regularly with a repertoire that stretches from Bach to Lis
zt to the music of today.
...
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Sunyi C.

Sunyi C.

College Park, MD 20740
starting at
$54 / 30-min

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Recent Piano Articles from the Blog

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5 New Year's Resolutions Every Pianist Should Make

5 New Year's Resolutions Every Pianist Should Make

Thinking about making some New Year's resolutions? If you're new to the piano, we challenge you to make some specific to your lessons! Here, St. Augustine, FL teacher Heather L. shares a few suggestions...   The beginning of a new year is fast approaching, and the one thing that comes to the minds of most of us this season is that formidable word "resolution." We can choose to think of the word with dread and annoyance, reminded of all the times that we've tried to stick to our resolu … Read More

5 New Year's Resolutions Every Pianist Should Make
Thinking about making some New Year's resolutions? If you're new to the piano, we challenge you to make some specific to your lessons! Here, St. Augustine, FL teacher Heather L. shares a few suggestions...   The beginning of a new year is fast approaching, and the one thing that comes to the minds of most of us this season is that formidable word "resolution." We can choose to think of the word with dread and annoyance, reminded of all the times that we've tried to stick to our resolu
How to Get Ready for Your First Piano Recital [Infographic]
A good piano performance takes plenty of patience, practice, and persistence. And your first piano recital can be nerve-wracking, on top of that! Here, music teacher Liz T. shows you exactly how to prepare...   If you're new to playing piano, your first piano recital is a wonderful opportunity to showcase what you've learned in front of family and friends! However, performing can be nerve-wracking for kids and adults alike. Here is a suggested timeline to help you perform at your
5 Exercises for Faster Fingers When Teaching Yourself Piano
So you've started piano lessons and you're in it for the long haul... but playing the same exercises over and over again is starting to get boring. We understand. No one goes to the gym and does the same routine day in and day out. Why should you have to trudge your way through the same repetitive piano exercises over and over? Teaching yourself piano requires a bit of creativity in this respect. So crack your knuckles, climb down off the top of the piano before you scratch the surface, and giv
How to Set Up a Piano Practice Schedule for Your Child
Is your child's piano practice falling by the wayside? Make sure he or she continues to get the most out of piano lessons with these practice scheduling tips from Saint Augustine, FL piano teacher Heather L...   The concern that I hear the most from my students' parents regarding their children's piano lessons is practicing and schedules. A parent will tell me, "She's just not practicing." The child then replies, "I had so much/many homework/sports games/club meetings that I forgo
4 More Improvisational Tips for Piano Players at Any Level
We've covered how to improvise on a piano before, but there's always more to explore! Learn about four more piano improvisation exercises to try in this guest post by Long Beach, CA piano teacher Lynda A...   Improvisation is the technique of making up music on the spot. Most music students think piano improvisation is only for advanced students and professional players, but everyone has the ability to create music spontaneously. I’ve seen many beginner piano students come alive wit

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