Kingsville Music Lessons

th a warm up to help you find your true voice, and then we can move forward with repertoire choices. We'll explore music which the students will enjoy singing, from musical theater to oratorio to opera. I own a variety of music books, including musical theater anthologies, beginner Italian aria hits, English and French songs, and oratorio.

*** Studio Equipment ***
Formal Living room w/ studio grand piano, seating for parents

*** Specialties ***
Bel canto method

of all types, from rock and pop to big band to world music to orchestral to small combos and everything in between. In 2007, I embarked on a two and a half year gig with Princess Cruises as a show band drummer, and traveled the world on some of the world's most modern ships while performing on stage over 1000 times. From 2011 to 2013 I was the touring drummer for renowned Celtic/Gypsy/Americana band SCYTHIAN, a band which tours extensively and is known for their energetic live show. Other groups I have recently recorded and toured with include "Yall-ternative" fan favorites Mr. Fuzzy & The Barbarian and modern funk band The Royal Noise. In 2014 I relocated to College Park, MD and I love it!

*** Lesson Details ***
When we work together we will split lessons between the necessary mechanical aspects of the instrument and the more creative and spontaneous elements. At the beginning, I emphasize a relaxed technique and an efficiency of motion. Once this is established, we will explore the instrument through improvisation and other creativity exercises. Although drumming can be very technical, I never lose sight of the importance of groove, expression, and having fun while playing.

*** Studio Equipment ***
My studio is complete with 2 drums sets, practice pads, computers, hand percussion instruments, and other instruments for accompaniment. I am also available for lessons in your home.

*** Specialties ***
I try to split lessons between the technical elements of drumming and the more creative aspects of the instrument. I feel that you can't have one without the other and teachers need to be mindful not to lean too much to one side. I also strive to give the students practical examples in their style of interest and encourage them to apply what they learn to actual musical situations as much as possible. I have had experience in pop/rock, jazz, show music, and many traditional world-music styles.

dridge. So I really specialize in the old rock and roll, classic rock, hard rock and metal from the 50's, 60's, 70's, 80's, all the way up to today's rock, metal and pop music. I believe my years of experience are valuable in relating to each students musical interests ,desires and accomplishments on the drums. After my original band Black Widow decided to go on a long break several years ago I was offered a drumming position in a local classic rock and metal cover band. So besides teaching I have continued to satisfy my love for playing drums and performing with that band. Which gigs out on a regular monthly bases.
*** Lesson Details ***
I make sure that I find out from the get go what each and every new student likes musically and what they want to learn and how far they want to go on the drums. Then I try to tailor all the lessons to each students interests and abilities. Making sure that it's fun for them in the process. This can't be work or a chore or they won't stick with it. But I will say I do believe that every beginning student who has NEVER sat behind a kit before should know and start with the fundamentals ( the building blocks so to speak) of drumming such as holding the sticks, proper stick control and technique, and how to execute some important basic rudiments and keep good time. Also I think learning to read some drum notation is important so you know and understand what you are playing when you play it, but can teach by ear also. I can also teach double bass technique if a student is interested in that.

*** Studio Equipment ***
Works space w/two drum sets, one double-bass and one single. Instruction material (books, CDs, videos). Seating for parents.

*** Travel Equipment ***
If necessary to travel to a students home, they should have a drum kit there or at least a practice pad to get started on. I will bring sticks, a metronome if needed and the necessary instruction books for the lessons. Also willing to travel to a students home if they are just getting started and need help setting up their kit or need help tuning the drums.

*** Specialties ***
Mostly specialize in beginner to intermediate ages 7 and up teaching rock ( which includes old rock and roll from the 50's, blues), classic rock ( 60's and 70's) , hard rock and metal from the 80's all the way up to today's rock, pop and metal music. Believe it or not, it's all tied together. Let me show and teach you how.

and as a teacher, I understand that every student is a little bit different. Every student has different strengths and weaknesses. Every student has a different learning style. Every student has a different way of understanding things, a different way of processing information, and a different personality all together. It will be my job as a teacher to get to know each student individually and use my teaching methods to teach the student how to play the violin and help him or her to reach his or her goals.

*** Lesson Details ***
I am a laid-back person. I am easy-going, enthusiastic about violin playing and about teaching and learning music, and I am very patient with my students as well. However, I am also very demanding. I explain and demonstrate objectives in a very precise way, and I demand a lot of detailed work from my students, inside and outside the lesson. I explain specifically what I want the student to do. By the end of every lesson, the student will have specific things to work on for next time. I expect each student to make practicing a habit, and practice regularly what has been discussed in the lesson. I try to make the lessons as pleasant and as laid-back as possible. But I become more firm, serious, and strict when a student either is not making an effort or does not practice enough outside the lesson.
I start students off with the Suzuki method. We work on techniques to hold the violin properly, hold the bow properly, and get a decent sound out of the violin, without too much physical tension. A student begins by learning to play by ear. After he or she is comfortable playing by ear, we associate the notes that the student hears and plays on the violin with written notes on a page.
We also work with the Paul Roland methods so that the student can learn the violin in a basic, rudimentary way. It involves a lot of repetitive patterns, back and forth motions that are slow and round, and avoiding excessive tension. This will give the student the tools that he or she needs to learn how to play the violin in a short period of time.
In three to six months, a student who is a beginner will be able to hold the violin and bow comfortably, create a decent sound on the violin, and play the Twinkle Variations, and maybe a few other songs.
If the student has played violin before, then in three to six months, he or she will have had some rehabilitation to get rid of tension and force, overcome some bad habits he or she may have developed, and review the fundamentals of violin playing. I will improve the student's approach to the violin, and by the end of the three to six months, he or she will have a better idea on how to practice and play the violin.

*** Studio Equipment ***
Piano, seating for parents in the living room,

*** Travel Equipment ***
I will provide a stand.
I will expect the student to have a violin, rosin, and a pencil.

*** Specialties ***
Suzuki Method- a starting point, particularly for kids, but for people of all ages. It is a good way to begin learning the violin by playing by ear, developing a strong, clear tone, and bringing out one's individuality through his/her musical development and his/her ability to be expressive.

In a matter of time, I want the student to get used to reading music, in addition to playing by ear. This can be done through the pieces in the Suzuki method or through other music.

Eventually, I take the student off of the Suzuki method and work with him or her on classical repertoire.

lopment

A typical lesson with me will have us tackling a number of music fundamentals and general technique. My goal is to teach you HOW to learn, as well as what to learn.

*** Studio Equipment ***
My studio consists of a separate fully furnished room with an acoustic upright piano.

*** Specialties ***
The only general method that I use is teaching basic singing to help develop a strong sense of relative pitch. I specialize in teaching Classical and classical hybrid musics including video game scores, and movie scores.

want if your preferences change. As far as music teachers go, I'd like to think of myself as pretty laid back. I understand that most people have lives outside of music, so we'll go at a pace that is most comfortable for you.

*** Lesson Details ***
I combine the styles of music that you prefer with some kind of method book for reading and theory. No purchasing of music is required. Normal lessons start with the previously assigned material, determining what we need to work on, new material, and ending with things to do at home.

*** Studio Equipment ***
Ample guitars, amps, chairs, and music stands

*** Travel Equipment ***
I can provide a music stand, tuner, metronome, and amplifier if necessary

*** Specialties ***
I specialize in classical methods - sight-reading, theory, and performance play an integral role in music.

speak to them while also working on developing their techniques through shorter exercises. My goal is to help my students achieve their goals and surprise themselves going way beyond, because I truly believe there is no limit. With practice, determination, and inspiring lessons my students can reach heights they would never have imagined before.

Teaching Methods:
For beginners I usually work with the Rubank methods book as well as songs that students love to play. I often use flashcards to facilitate with site-reading and slowly introduce all the musical symbols. I adapt different techniques to meet the needs of each student. For intermediate and advanced students I prefer using scales, etudes (exercises), sonatas, concertos and solo pieces of their preference. I especially enjoy playing duets with my students, one of their favorite ways of practicing, as it combines our talents in order to create something beautiful. Through regular practice and mentorship I teach my students to become independent and confident performers as they perform solo, as part of a band, or in competitions. There is no greater joy than being able to teach my students and help them better perform and understand the music they are sharing with others. My goal has always been to be a facilitator of my students' journeys to success and to see them fall in love with the flute just like I did at a very young age.

Tools:
During my lessons I often use a tuner and metronome to help students play on tune and keep the tempo if needed. Additionally, I occasionally use a recording device so students can become more aware of their sound and can learn to self-correct. It is also a great way to hear improvement over time.

in the Washington Metropolitan Area. At the age of 15, I débuted with both the Capital City Symphony and the JMU Symphony Orchestra in performances of Liszt’s Totentanz. I have won numerous awards and competitions in VA, MD, and D.C. In 2010, I placed 2nd in the NSO Young Soloist’s Competition and performed at the Kennedy Center Mainstage. In 2013, I won the Golden the Voices of America Competition and performed at the Weill Recital Hall at Carnegie Hall. This year, I won the Mary Graham Lasley Scholarship Competition in Alexandria, VA and as a result will be performing the Barber Piano Concerto with the Alexandria Symphony Orchestra in their next season. In past years I have also performed at the Kennedy Center Millennium Stage, Atlas Performing Arts Center in D.C., and the Alden Theater in McLean, VA. One of my primary passions is new music, and I have premiered numerous compositions at the New Music at Maryland recital series. In 2013, I was invited to collaborate with the New Street Dance Group in a performance of two new works for chamber ensemble at the FringeArts Festival in Philadelphia. In future years, I hope to frequently premiere new works on an international scale.