Glen Arm, MD Opera Voice Lessons

od posture, and breathing techniques. One rule that I have is that I don't move you on to another song until you have successfully learned all you can from the first one you try. There is no point in learning another song when you have only learned the first one at a mediocre level.
If you are serious about becoming a better singer/musician you will enjoy our lessons.
I encourage my students to strive for excellence and will do all I can to draw that out of you.

*** Travel Equipment ***
I provide the tools to learn theory, songs to choose from and I do have my own portable keyboard. Students would need to have a tape or digital recorder to record their lessons and a positive attitude.

*** Specialties ***
I specialize in classical voice, and vocal training, (learning how to use your voice properly).

's important for a singer to not only know how to sing, but to also understand the music he or she is singing. I will incorporate music theory into the lessons, starting with basics such as learning how to read notes.

I believe in making sure the singer is comfortable and confident.  The environment you will be learning in is open and non-threatening because a singer needs a place to explore his or her voice.  I encourage my students to make mistakes and to keep the lines of communication as open as possible.  Singers are perfectionists, and we're constantly telling ourselves what we do wrong- we don't need someone else enforcing that negativity.

I concentrate on a classical vocal technique, with proper posture, efficient breathing, lack of facial and body tension, and healthy vocal production. I believe that it is important to have a strong foundation of healthy technique no matter what style of singing. My teaching style and lesson focus will be different for each individual person, and I'm very flexible in adapting to each singer's needs and personality.

I am a very understanding teacher, and very patient, but I will push you to work to your potential! What you put into these lessons and your practicing is what you will get out of it. I am not strict, but I do expect dedication, passion, and respect. I am a very enthusiastic and energetic teacher, and lessons with me will be fun, productive, and encouraging.

If I sound like the right teacher for you, please arrange a trial lesson to see how well we work together!

*** Studio Equipment ***
Living room, piano, full-length mirror, comfortable seating for parents

*** Specialties ***
*Teachers classified as a Student Favorite have taught a minimum of 25 lessons and have received the highest feedback rating from students. I specialize in classical singing- applicable to any style of singing!

we find to explore! As of February 2013, I am also available through TakeLessons' online instruction program! Please find more information below and I hope to hear from you soon!

Thanks!

Zachary B.

A native of Charlotte, NC, Zachary began his musical career as a tuba player and jazz bass guitarist. While attending The University of North Carolina at Chapel Hill, Zachary began singing in various vocal groups on campus and developed his love for the singing voice. With encouragement from the music faculty, Zachary began training as an operatic baritone while at UNC. While attending UNC, Zachary was awarded both the Fischer Scholarship in Voice and the Tony McDowell Voice Scholarship. His singing brought him to Boston in the summer of 2010 to begin study at The Boston Conservatory. While performing various opera roles and attending summer programs, Zachary also opened his private studio and taught at a local music academy.

Baritone Zachary B. is quickly establishing himself as an active operatic performer. Equally at home on the recital stage, his versatile lyric baritone voice fits a wide range of repertoire and styles. A graduate of The Boston Conservatory, Zachary has performed roles like the titular role in Don Giovanni, Ramiro in L'Heure Espagnole, L'horloge comtoise in L'Enfant et les sortileges, Pooh-Bah in The Mikado, and Bob in The Old Maid and the Thief.

Starting in February 2013, Zachary will also be available through TakeLessons for online instruction. Lessons will still focus on energy, breath, and solid technique, so please contact him if you think this venue of instruction will be a good fit!

*** Lesson Details ***
Regardless of your background, I believe in making lessons fun, encouraging, and accessible. This means that my work with you will, by nature, be incredibly personal and always formulated for your specific musical goals. I will constantly strive to make sure you are comfortable in our work together as we explore singing, speaking, and music theory.

I believe every singing or speaking voice can benefit from a foundation in classical vocal technique. Whether you prefer to learn through singing songs or through various exercises, I can customize our lesson plan to fit your needs. Therefore, I provide a fun and engaging lesson atmosphere, but you need to bring your best as well! We will both be happier with the process if we are equally invested in your growth. We will start with something you already know (an aria, vocal exercise, or excerpt from a song) and work toward singing in your preferred vocal style. For example, classical singers will build their knowledge of English, German, Italian, and French diction and song styles. Additionally, I will always respect and include my student's musical interests.

Along the way, I am happy to address basic music theory ideas. If you prefer, we can also spend additional time reviewing and learning those principles to enrich your musical experience. I will always provide different exercises and ideas to keep your brain active in the singing process.

I believe in whole body, whole spirit singing. As a performer, I employ a variety of holistic exercises and theories to develop my own voice, such as basic Alexander Technique principles, voice therapy techniques, a variety of pedagogical palates, and energy work. If these sorts of things interest you, I am more than happy to incorporate them into our lessons. My personal results with those practices have been incredible, so I am always eager to share.

My personality is outgoing and energetic, so I bring that sort of atmosphere to a lesson. I expect preparedness and readiness on your part to maximize our work together. My greatest desire in teaching is to see you grow! So, if a challenging, yet comforting, work environment sounds like something you would like to try, consider scheduling a trial lesson with me. I am always happy to hear from new students!

*** Studio Equipment ***
Open area between the living room and the dining room, seating available, piano to accompany the voice lesson, garage/driveway/street parking.

*** Travel Equipment ***
I prefer for my students to have a keyboard or piano, and if possible, a music stand. We can always make a situation work if the student does not have access to these tools. I provide music, pencils, etc.

*** Specialties ***
I am an opera singer, and specialize in classical singing. However, I apply similar vocal technique to all genres of music, and focus on breathing technique, body and energy awareness, and discuss a holistic approach to singing with all students.

ria), Pepperdine University and in Minnetonka.

Jazz theory
-Stage Presence

and that is just the beginning. No matter the age, you will succeed with me because my focus is on helping you grow.

timore and Municipal Opera company production of “She Never Lost a Passenger,” an original opera about the life of Harriet Tubman. Hewlett performed with Darin Atwater & the Soulful Symphony Orchestra during their inaugural season in 2005. Since 2004 he has served as music editor and copyist for local composers. In 2003, he was awarded a grand piano, gift of the Governing Members of the Baltimore Symphony Orchestra. In 2001, the Education Department of the Baltimore Symphony Orchestra awarded him the Charles A. Buerger Scholarship. In the same year, Hewlett served as a music instructor for the Baltimore Symphony Orchestra’s Camp Allegro, a musical enrichment experience for underprivileged students. He won first place, Classical Vocal at the Omega Psi Phi Talent Hunt Competition in 2000, 2002, and 2003 under the tutelage of Mrs. Delores Jones.

For 18 years, Mr. Hewlett has served as music director, organist, and guest conductor at churches of various denominations throughout the Baltimore-Washington Metropolitan Area. His church appointments include serving concurrently as Director of Music/Organist On October 31st, 2015, he was privileged to serve as Director of Music for the Vigil Eucharist for the Installation of the Most Reverend Michael B. Curry, 27th Presiding Bishop of the Episcopal Church in America. During the preceding summer, he was honored to serve as Director of Music for the 47th National Conference of the Union of Black Episcopalians.