College Park Music Lessons

atural talent and level of experience, but also progression and devotion. Whether the student is an adult looking to start a new and fun hobby, or a child with major aspirations to be come one of the greats, I can make sure either one gets the necessary instruction at a comfortable pace. Se Habla Español!

For beginning drummers, I like to start with fundamentals and light theory, and certain physical exercises (which help make the limbs independent of each other). I also like to get the student to familiarize themselves with the instrument. I start of with easy rhythms on a drum pad (usually from a beginners percussion book), and slowly work up to working with a high-hat, snare, bass drum configuration. Once you're ready for the fun stuff, we can start incorporating easy songs you've always wanted to play, and then start moving the difficulty level up and up. All in all I try to combine the fun that comes with playing along to the songs you love, with a strong foundation of fundamentals and theory which will help you progress faster but with ease. For students that have already had some experience either percussive or behind the kit, we can assess your level of experience and move from there.

For beginning guitarist, I begin by familiarizing the student with the instrument, and some very basic theory and tuning. We then move on to simple patterns to get those calluses on those finger tips. Then we start with chord charts and strumming rhythms. Followed by the fun stuff, which is actually playing a song. I am very open to my student's tastes and encourage them to bring in songs they would like to learn, because I when someone is familiar with a particular song, it can be almost as if your fingers naturally know what to do. I can teach both electric, classical acoustic, and steel acoustic guitars. For students who are further along, I like to assess their particular level first, and go on from there.

*** Studio Equipment ***
Drums: I provide a full kit, with necessary extras to for accompaniment. A stereo for playback, some recording equipment if needed. Books and necessary copies, although I encourage students to purchase their own instruction books. practice pad and extra sticks, music stand
Guitar: Amps, pics, stereo for playback, recording equipment, mics for non electric/acoustics, music stand.

*** Specialties ***
modern rock, classic rock, blues, metal, punk, alternative

Will provide sheet music and exercises. My students should have a working instrument as well as any method book or sheet music we are working on.

*** Specialties ***
I teach all styles and genres

wed by my teaching methods:

My teaching methods fall into these four categories: (D.A.D.E.)
• Discovery- Gathering relevant and resourceful information of voice functionality.
• Application- Putting technical skills to use and knowledge of when to use them.
• Development- Process learning- Changes cause/effects and as a result, progress, production, and promise. “Trust the process.”
• Execute- To bring forth, carry out, and perform!

Process teaching and learning is a specific teaching style that not only empowers the students to feel confident about their craft, it also gives the students useful skills that can be applied to REAL "time-life" scenarios. This reinforcement confirms that the students have indeed learned what they've hired me for and more.

By signing up for voice lessons with Jackson, you will become a V.I.P. member. What is a VIP member? V.I.P. members have the inside opportunities to learn “singer secrets!” (Vowels, Interpretations and Pept-talk).
• Vowels- Two different approaches: Spoken and Sung
• Interpretation- A stylistic approach that best explains or makes sense of. Your explanation for your creativeness.
• P.E.P.T.-Talk (Details in your lesson)

Note:
1. The most important thing for singers/musicians/language students is that they train their ears. Why? Because 90% of what you'll learn is by what you recall from hearing/listening.
2. ENVIRONMENT- is key to your learning. It's important for you to surround yourself around the very things that you're learning.

Once you sign up, you’ll receive a questionnaire. The information you provide is vital because it shapes and designs your learning curriculum.

Bio: From Oklahoma City, Oklahoma (Born October 15th, 1974) is an American singer, songwriter, arranger, and producer. Notable instruments are the piano and percussion. Jackson is one of Washington, DC’s prominent male vocalists. His voice is recognized as; beautiful light lyrical-pure tone, fine diction, long phrasing and an extended high range. He is also known for his work within the concert/recital repertoires around the Washington, DC Metropolitan areas and performances with the Symphonic Orchestra of Northern Virginia, Jeff Dokken, conductor.

Jackson credits himself as a Pop Inspirational singer. “Music to touch, move, and inspire.”- Jackson C.
Jackson has experience working with youth and adults in churches, and privately. He has taught music and accompanied the production "KIDS" at the Kelsie Collie Children's Musical Experience.
His music education studies hail from; University of the District of Columbia,- Washington, DC, Oberlin Conservatory under Richard Miller,- Oberlin, OH, and Shenandoah University Conservatory under Dr. Kathryn Green,- Winchester, VA with an emphasis in Voice Pedagogy (CCM) Contemporary Commercial Music. His professional music career began (Spring 2009) in the Washington, DC Metropolitan area. Jackson is fortunate to have had a career built on “word of mouth” via his fans and supporters. Often, he is called upon to sing for; weddings, funerals, private parties, churches, recitals etc. Words and phrases that best describe Jackson's vocal performances are: (G.R.I.P.) Graceful, Refreshing, Inspiring, and Powerful.

*** Specialties ***
Pop, Inspirational, Gospel, Rhythm & Blues (R&B), Classical, Contemporary Jazz, some musical theater.

"Trust the process! Everything in life began and ends with a process."- B. Jackson Caesar

Languages: (English & Spanish)
My interest in the Hispanic language, its apparatus, style/approach, and culture as it pertains to the ever growing population and bilingualism around the Americas. My desire is to engage the students in the discovery and appreciation of the lingual- romantic tongues.

Spanish:
Countries visited; Mexico and Peru.
I can guarantee that within a few months you'll feel confident and sure that you're conversation- ready to Speak Spanish. Therefore, if you're preparing a trip to a Spanish speaking country, you’ll find Peruvian Castellano pronunciation straightforward and as good as any other, with few of the dropped letters or peculiarities found in some other countries.

English (As a second language)
I enjoy helping others learn the complexities of the English language. English is indeed a hard tongue to grasp however; it’s not difficult once you understand its secrets. (Phonetic learning)

Acting Coach: I advocate a dynamic variety of approaches to your learning styles and trends. My interest is in the study of voice production; functionality, style/approach, health, and stage presence and thus, my students are empowered with useful tools to reach their goals, confront and overcome common oppositions.

Public Speaking: Like that of the other subjects, my primary focus is to give you fundamental skills of interpretation. There are seven interpretation techniques that are used to empower and influence not only the speaker, but even your audience. The seven interpretative techniques can be applied to these six types of speeches: Narrative, Descriptive, Expository, Persuasive, Informative, and Social groups. You will also learn stage presence, and effective leadership skills. By the end of this course, you’ll not only have the confidence, you’ll have the command and compassion to lead.

peak to them while also working on developing their techniques through shorter exercises. My goal is to help my students achieve their goals and surprise themselves going way beyond, because I truly believe there is no limit. With practice, determination, and inspiring lessons my students can reach heights they would never have imagined before.

Teaching Methods:
For beginners I usually work with the Rubank methods book as well as songs that students love to play. I often use flashcards to facilitate with site-reading and slowly introduce all the musical symbols. I adapt different techniques to meet the needs of each student. For intermediate and advanced students I prefer using scales, etudes (exercises), sonatas, concertos and solo pieces of their preference. I especially enjoy playing duets with my students, one of their favorite ways of practicing, as it combines our talents in order to create something beautiful. Through regular practice and mentorship I teach my students to become independent and confident performers as they perform solo, as part of a band, or in competitions. There is no greater joy than being able to teach my students and help them better perform and understand the music they are sharing with others. My goal has always been to be a facilitator of my students' journeys to success and to see them fall in love with the flute just like I did at a very young age.

Tools:
During my lessons I often use a tuner and metronome to help students play on tune and keep the tempo if needed. Additionally, I occasionally use a recording device so students can become more aware of their sound and can learn to self-correct. It is also a great way to hear improvement over time.

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My approach to Scottish traditional music is holistic; I feel it's important to experience how song feeds into instrumental music, and how the instrumental traditions interact with one another, and impart that broader view to my students. My focus is mostly on the folk traditions, though for bagpipe students, I teach the current and formal pipe band technique and repertoire as a foundation.

I have twice qualified for the US National Scottish Fiddling Championship, and was 4th place overall in Grade 4 Senior out of almost 850 pipers in 2006, and have been taking an extended hiatus from competition.

mphony in D.C., where we perform concert pieces for wind ensemble. I also teach at the Levine School of Music, which is very exciting since I studied there as a teenager! Thanks for your interest and I look forward to working with you!