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Weymouth, MA Flamenco Guitar Lessons

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About Azuri M.

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Los Angeles, CA
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We will study classic flamenco customs and forms from artist such as paco de lucia, etc. Such as bulerias and soleas and well as rumba and bolero

About Azuri
Learning is one of my main pursuits. My name is Azuri and I have studied music for over a decade and have my degree in guitar performance from musicians institute. I've had the gift of studying many artistic crafts and spend my time today trying to further my own study, while sharing what I've learned with my students.

Art is one of the most important tools we have as a culture and contains in it a shared history, tradition and the keys to future ones. Whether it be through the primal qualities of music or the impulses of dance, the records of drawing or descriptions of writing, these are the tools for our expression. I have had the great fortune to study, in many different settings, a small piece of these traditions and sharing them is paramount in respect to receiving them. I love sharing knowledge and I hope to elevate yours as a st
udent.

Teaching Philosophy -

My teaching philosophy is built on well rounded communication, explanation and examples. So, that a student can truly understand and learn a topic, surrounded in a very humorous, light and supportive environment.
Along with being provided good information, a student learns better and feels more motivated to learn when there is a balance of positive support and confidence building accompanied by constructive criticism and examples/information that can help a student assess what ever walls they may be meeting in their musical growth.

I understand that all students/artists have different goals they wish to achieve. So it is very important to me to accommodate each individuals needs and wants to help them grow in the fields they wish too; However, In that I have played music for a long time, I understand there are certain things that a student may not have been exposed to yet; It is important that while focusing on a students artistic goals they respect and are open to the suggestion and guidance of their teacher.

I truly believe music has an amazing influence on the world and has the ability to change peoples way of thinking. Therefore, I try and keep an open awareness to all music, so that I can understand all different musical languages utilized to communicate to people, and I don't believe I will ever know them all. I hold it to attention to influence my students somewhat similarly so that they can shape the landscape of how we communicate musically in the future.

I also try and be very patient with my students. Knowing that when I feel rushed, it makes information more difficult to comprehend, remember and allocate. I love watching the gears run in my students head, so I try and provide information that pushes a student but is within their abilities.

HUMOR is very important. I like to break people out of their shell by telling a joke and hopefully getting one back, so they feel more comfortable and free. One of a Artists worst enemies are nerves. Keeping things light-hearted and maybe even a little small talk can be very helpful to a students development and growth on a topic. After all, Art is meant to be fun and we should enjoy every moment of it, in fact we should enjoy every moment in life period.

I understand music requires focus and discipline and I have certain expectation of a student to understand that and practice. You can't buy chops, you can't buy music theory etc. you can get help but eventually your the one who must understand it and play it.

I am here to help you. Based on what I know and what I have extensively studied, I will do all that I can to help you achieve your musical goals. I am here to answer your questions and help you grow. I love teaching because I love sharing knowledge; As long as your seek it, it is here for you. Otherwise, I'd still love to hear some jokes.

Education -

MUSIC
_Bachelors in Music - 2016 - Guitar Performance (Musicians Institute, CA)
_Associates in Music - 2011 - Guitar Performance (Musicians Institute, CA)
_Major in Music - (Academy for Visual and Performing Arts) - 2008
_Garden of Angels - 2003 - Performance Academy

DANCE
_Krump, Pop-n-Lock - 2012 - (Xtreme)
_Break Dancing - 2011 - (Fun.Krew)
_Traditional Brazilian Dance & Samba - 2014

MARTIAL ARTS
_Capoeira - Current - (Capoeira Batuque with Mestre Amen)
_Wing Tsun - 2013 - (Johnny from the Emin Boztepe School)

ART
_Graffiti - 2011 - (Fun.Krew)
_General Art - 2008 - (AVPA)
_Painting - 2003 - (Garden of Angels)

Much Love,
Azuri Zen M.

*** Lesson Details ***
I'm very disciplined but am also very light hearted. It's important for me to assess things seriously, so that one can understand a topic or piece of information.

I generate my lessons based on the individuals needs and therefore draw from various curriculums, sources and examples, such as : MI curriculum for ear training, Theory, Single string Technique, Reading, Rhythm guitar, Ted Greenes Chord Chemistry, Berklee Guitar Method, as well as The Real Book, other artist books(Eric Clapton, etc.) The Guitar Players Hand Book, Bach pieces and self developed curriculums, relative to the topic at hand and students personal goals, amongst many others.

-Beginning students within three months of consistent lessons should have the ability to solo and playing chords to songs that they are interested in and songs provided in the lesson along with a basic understanding of the major scale and its relationship to all of the diatonic music.

-intermediate students should have an elevated understanding of scale and chord patters along with the theory that explains modal relationships and use of these concepts.

-Advanced students should learn all of diatonic scale shapes and modes assuming they don't already know them in which case their specifically situation will be assessed

-Professional students I expect to have specific questions therefore where they grow should be largely subjective.

Overall, in a short amount of time on a scale of 1 - 10 I expect to in three months at-least elevate a students musical abilities one full point if not more.

*** Studio Equipment ***
Studio in home in private room with guitars, amps, piano, and seating.
Em's studio is family owned cafe with studio in finished basement with an office, recording equipment, and teaching space for acting and guitar.

*** Specialties ***
As a Musician I try and play as many styles and be proficient in as many as possible and therefore can play most. However, in the fields of blues, jazz, funk, flamenco and Latin I excel.
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Reviews
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Dylan September 19, 2017
· Graffiti · Online
Very patient and gave a nice introduction to the basics for my 9 year old.
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Juan G. April 4, 2016
· Singing · In home
Azuri is great, l recommend it to anybody. THANK YOU!!!
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Juan G. April 4, 2016
· Singing · In home
You not will be disappointment. He is very professional. My first lesson and l like the way he teach.thank you azuri.
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Azuri M.

Azuri M.

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About Diego A.

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Chicago, IL

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Diego is one of Chicago's most sought-after nylon-string guitar coaches and instructors. He has taught over 4000 private lessons and has given lectures and workshops in over 300 universities, elementary schools, and music schools, both nationally and internationally.

He graduated with highest honors in flamenco guitar performance from the Fundacion Cristina Heeren de Arte Flamenco (Seville, Spain). He also holds a Bachelor of Science in Research Psychology and focuses on studying the psychology of learning, skill acquisition, and expertise related to learning an instrument. With this knowledge, Diego is able to teach and coach guitar with utmost precision and effectiveness.

WHAT SHOULD YOU EXPECT FROM PRIVATE LESSONS?

The very first things we'll learn to do in our private lesson will be to RELAX, BE PATIENT, and HAVE FUN. Yes, mastering (or even just getting decent at) the guitar takes time and dedicated work, but it should always be enjoyable, relaxing, and should ...

About Diego
Diego is one of Chicago's most sought-after Spanish, Flamenco, & Classical guitar instructors and coaches. He has taught over 5000 private lessons and has given lectures and workshops in over 300 universities, elementary schools, and music schools, both nationally and internationally.

He graduated with highest honors in flamenco guitar performance from the Fundacion Cristina Heeren de Arte Flamenco (Seville, Spain). While living in Spain for 3 years Diego Alonso performed flamenco guitar 2-4 nights a week and toured with some of flamenco's top performed. His extensive training and experience in flamenco guitar make him a highly qualified teacher in the field.

He also holds a Bachelor of Science in Research Psychology and focuses on applying the psychology of learning, skill acquisition, and expertise to learning guitar. With this
knowledge, Diego is able to help students achieve their goals quickly with utmost precision and effectiveness.

Lessons are based on time-tested methods in guitar pedagogy as well as on up-to-date scientific research in the neurological and psychological processes of skill acquisition and expertise. Key concepts you will learn to incorporate into your practice are "deliberate practice," "spaced practice," "interleaved practice," "performance practice," "mental practice," "conceptual practice," and more. My goal, as a teacher, is to help students learn to practice effectively and efficiently in order to develop the neurological pathways necessary to form, improve, and maintain high-level, musical skills.

CAN ANYONE LEARN GUITAR?
Absolutely! I accept students at any experience level. Whether you've never touched a guitar before our first lesson, have been playing for a few years, or have your Master's degree in guitar performance, I can and will help you achieve your goals (so long as you do your homework).

WHAT KIND OF GUITAR DO YOU NEED?
For flamenco or classical lessons, you will need a nylon-string guitar (e.g., classical or flamenco), NOT a steel string guitar. If you don't own a nylon-string guitar, you can certainly rent one, but it must be available to you for home practice AT LEAST 6 days/week.

CAN YOU GUARANTEE RESULTS?
YES! If you follow my instruction and practice plan, I can certainly guarantee results!

Consistent and correct practice are the keys to success. The more consistent you are and the more correctly you practice, the sooner you'll reach your goals. This requires you to commit to practicing 6 days/week for an absolute minimum of 20 minutes/day up to a maximum of 3.5 hours/day; NO EXCEPTIONS! Again, you also MUST be practicing CORRECTLY. I'll show you how, but if you aren't practicing this way and are not consistent with your practice plan, I cannot guarantee results.
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Reviews
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Aaron C. September 23, 2017
· Classical Guitar · Online
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Sandy C. July 18, 2017
· Guitar · Online
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Dan S. June 17, 2017
· Flamenco Guitar · Online
Greatly appreciated the pointers on how to clean up the picado technique first in order to progress later on to some falsetas. Excellent session! Thanks Diego.
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Diego A.

Diego A.

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About Jason M.

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San Diego, CA

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Everything from progressions to rhythm to barre chords and beyond.

Flaminco Guitar is often thought of as advanced and complicated.

I can break down the style so that you can not only understand it, but also play the style so that you sound like a pro.

About Jason
TakeLessons.com Instructor since 2005, Jason M. is now available for online lessons worldwide featuring multiple-camera angles and a share screen experience leaving no stone un-turned!

Jason has been playing guitar for over 15 years and teaching music since 1996. Although trained in standard teaching methods, he has developed his own method of teaching to positively enhance the student€™s strength, dexterity, ear-training, memorization and techniques. His goal as a teacher is specifically designed to help you achieve your goals as an artist and a musician.

This year Jason was also the Music Director at the National Guitar Workshop Day Jams Rock Music Day Camp where students ages 7-15 came out to form bands, record original material and master their craft. He also taught beginning to advanced guitar/ vocals/ performance and songwri
ting as hosted a recording clinic at the end of each day.

Jason has host student showcases/charity benefits where his students were able to get on stage and show off their new talent and perform with other musicians. It wasn't mandatory though, if you were just looking to come out and support there was no pressure other than to come out and have fun.

Jason has been transcribing for guitar and bass since the age of 18 and since then has become a master of the craft including both 5 line staff and tablature, hand-crafted exercises and deconstructions to better enhance the students learning. Artists and genres that Jason has experience with range from Classic Rock, Metallica, Slayer, Megadeth, Guns N' Roses, Santana, Jimi Hendrix, Eric Clapton, Led Zeppelin, Robert Johnson, Pierce the Veil, Paramore, All Time Low, Demi Lava to, Iron Maiden, Motorhead, Pantera, Avenged Sevenfold, The White Stripes, Green Day, Old Crow Medicine Show, Taylor Swift, Mumford and Sons, Bruno Mars, Rob Zombie, John 5, Audioslave, Rage Against the Machine, Van Morrison, the Beatles, AC/DC, ZZ-Top, Bullet For My Valentine, All That Remains, Ozzy, Black Label Society, Sublime, Aerosmith, At the Drive In, Type O Negative, the Black Keys, the Pixies, the Toadies, Black Sabbath, Jason Mraz, Lady GaGa, John Mayer and Journey.

Jason attended the University of Alaska, Anchorage where his degree is in Music and Business. He is constantly continuing his education with music theory courses as well as private guitar instruction. He attends guitar workshops and seminars by artists such as John5 and Kerry King who are known as some of the worlds finest guitar players. He reviews every day from a wide range of over 1000 sources working to become a better musician and instructor.

Another nice feature that you might enjoy from one on one sessions with Jason is learning the ability to craft and record your own songs using state of the art technology that caters to your own unique personality. There are no limits!

Jason teaches all experience levels from beginner to intermediate and advanced as well as artists that are signed to labels.

Local news outlet Fox 5 did a segment with one of his students who overcame issues with ADD and depression as a result of taking guitar lessons.

His students advance quickly, some have released albums, been in Guitar World Magazine as well as its online companion and won awards for their music websites.

*** Lesson Details ***
Lessons are scheduled to best fit to the student'€™s schedule when possible.
Students receive complimentary audio lessons and transcriptions of songs upon their first or second session. Jason is a very patient instructor and understands that students learn at a different pace, after all everyone is an individual.

*** Studio Equipment ***
ESP KH2 "skully" Kirk Hammett signature model Electric
Epiphone Zakk Wylde signature model Electric
Schecter SLS Blackjack Special Edition Avenger with ©Sustainiac
Schecter Blackjack ATX 7-string
Jackson Randy Rhodes V
Fender '51 Pawn Shop Series
Epiphone Banjo
Mahalo Ukulele
Savannah Ukulele
M. Acoustic
G&L S-500 custom Electric
ESP LTD AX-50 "banjo" Electric
ESP LTD AX-50 "guitar"
Fender Squire John 5 signature model
Epiphone 12-string
Nylon Classical
Yamaha Acoustic (left and right handed)
Voyage-Air Guitar Acoustic
Fender Squire Bass
Dean Vendetta Electric
Dean Dime Razorback
B.C. Rich Warlock
Yamaha Keyboard
ProTools LE
Guitar Pro 6
Tascam CD-GT2
KRK Rokits speakers
Line 6 AXSYS212 Amp
Scott Ian Randall Amp
Cry Baby Wah
Digitech Whammy/Bad Monkey/Death Metal/Grunge pedals
Ibanez Chorus/Flanger Delay/Echo
Line 6 Backtrack
Drum sticks and practice pad
Multi-angle cameras for online students

*** Travel Equipment ***
Voyage-Air Guitar (Acoustic)
Laptop with ProTools/Backtrack or Guitar Pro 6
Scott Ian Randall Amp
Various guitars depending on project or mood.

*** Specialties ***
piano, guitar, music theory, music, bass guitar, banjo, songwriting, electric guitar, acoustic guitar,
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Reviews
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Lucas October 26, 2017
· Drawing · Online
we had a blast at our first lesson with Jason
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Bryce K. October 24, 2017
· Banjo · Online
Great teacher, goes at a great pace and really knows how to help you be your best.
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Matt H. October 20, 2017
· Guitar · Online
Jason is great! Will definitively be continue lessons!
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Jason M.

Jason M.

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About Rick P.

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San Antonio, TX

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Students learn all flamenco guitar techniques as well as how to produce an authentic Spanish flamenco sound together with the correct rhythm and phrasing for each piece.
Learn Main Flamenco toques styles including:Soleares,Farruca,Malaguena,SevillanasRumbas Alegrias and Bulerias.
Focusing on developing all the right hand techniques required for playing flamenco guitar.

About Rick
I been playing the guitar professionally for over 20 years. In that time I had the good fortune to perform and record with some really good musicians. I've played in various bands ranging from rock to jazz and flamenco. I received my bachelor's degree in recording engineer and record producer from LBCC.

I'm currently a Guitar Teacher for different music schools and have a number of private students as well.

*** Lesson Details ***
Play What You Want!!!!,Learn What You Need!!!
Focus on real-world guitar skills:
Starts on the Low E string;Learn chords from day one,from their root notes;Learn notes in a logical/alphabetical sequence;Perform rhythm and accompaniment parts right away (not just melodies).
What will my students learn: First position chords, rhythm riffs,patterns,blues and rock clichés.Music notation,tableture an
d chord charts.Pick and fingerstyle techniques,Improvisation and playing by ear.
NEW!!!! HOW TO PLAY LIKE!!!!
Break down songs and techniques into easily digestible chunks. Individual segments are played slowly first,then brought to speed.
You'll find you're learning and improving faster than you ever believed possible.
CLASSIC ROCK: From Aerosmith to ZZTOP.
GUITAR HEROES:From Randy Rhoads to Yngwie Malmsteen
TEXAS COUNTRY: From Randy Rogers to Charlie Robinson.
TEXAS BLUES: From Freddie King to Stevie Ray Vaughan.
METAL GUITAR: CLASSIC 70's to Today's Heroes
PROGRESSIVE ROCK-METAL: From Dream Theater to Periphery..
CLASSICAL GUITAR: From Bach to Vivaldi.
And many more Styles, send me a question and ask about your personal music choice.

*** Studio Equipment ***
Located in Specious one room of a three bedroom condo, Marshall amps ,Martin,Taylor Jackson, Dean, ESP,Takamine, Epiphone and Ovation guitars, use a plasma TV, guitar pro software, keyboards, recording softwear.

*** Travel Equipment ***
Guitar and amps. books.
Student: metronome and tuner.

*** Specialties ***
Finger Picking Techniques,MusicTheory and How to get a good sound with your guitar.
...
Reviews
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Beverly H. October 25, 2017
· Guitar · Online
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Dylan September 15, 2017
· Guitar · In studio
Rick's lessons have been really enjoyable. He starts off with fundamentals, but keeps it fun by helping you learn songs of your choice. When you get further into the lessons the songs start to make more sense and I was able to understand why they sounded how they did. My lessons with Rick have been great and I feel like I've learned a lot.
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Marcus July 2, 2017
· Flamenco Guitar · In home
Friendly, knowledgeable, great.
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Rick P.

Rick P.

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$30 / 30-min

About Karen D.

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Somerville, MA
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Flamenco Guitar:
A style of playing that uses a classical guitar which has nylon strings instead of steel strings. The techniques are a bit different, but all the same knowledge of learning a basic guitar are incorporated. The student would learn the basic of tuning, finger techniques/placement, notes, strumming, picking, reading, and playing songs. Advanced students would learn theory and soloing.

About Karen
Anyone Can Learn To Sing or Play Any Instrument With My Method!
No End To How Good You Can Get!
Become Better Than Anyone Out There!
Vocal Therapist-Can Cure ALL Vocal Damage!

Karen D.
-Certified Teacher of the World Famous Dante Pavone Vocal Method
-Honor Graduate of Berklee School of Music!
-Winner of International World Contest for Meridan Records from over
300 Countries
-Runner up in Ticketmaster Contest
-Twenty Original Songs Placed in Movies
-Written and Recorded Hundreds of Original Songs
-Performer, Producer, Actress, Poet, Writer, Dancer, Entrepreneur
-Teaches Song Writing, Ear Training, Theory, Arranging
-Teaches Video Production and Editing
-Teaches Audio Engineering

It is completely untrue that some people are "born to sing or play an instrument" while others are not. Using my method, the most "tone de
af" can learn to sing perfectly in tune, the most nasal or unappealing sound can be transformed into the most beautiful resonant tone, and someone with "no talent" can become better than anyone out there. With this superb method when you finish singing your voice will feel better than when you started! All it takes is desire, patience, perseverance, and above all, practice. I also have a unique and very patient teaching style that can make learning any instrument seem easy. Anyone can learn with my method of teaching.

It all started out in a small town called Chatham, NJ where I spent the first thirteen years of my life. I remember loving music as early as I could walk and talk. I started taking guitar lessons when I was seven years old. Along with the guitar, came a love for singing and writing my own songs. When we moved to Pennsylvania the guitar came with me. Throughout my high school years, I spent hours playing with teachers, fellow students and at parties.

When I was sixteen every week for three years I would drive an hour into Philadelphia, by myself, to study with world famous Artie Singer. His students include such names as Chubby Checker, Frankie Avalon, Al Martino, and Bobby Rydel. Artie co-wrote and produced two massive hit records “At the Hop” and “Rock ‘n Roll is Here to Stay,” both recorded by Danny and the Juniors. Artie was personal friends with Dick Clark and would bring him acts for his show.

While going to a Community College in Philadelphia the music teacher there took notice of me, pulled me aside, and told me about a great music school I should attend. He then sent away for the application and helped me fill it out. The next thing I knew I was in Boston attending Berklee School of Music! I graduated Magna Cum Laude with a degree in Jazz and Rock Composition, Arranging, and Guitar.

I had originally gone to Berklee intending to major in voice, however I had no luck with the vocal department there and ended up with nodules on my vocal cords. The damage was so significant that I had to stop singing during my four years at Berklee and turned to studying Guitar and Composition.

I tried every vocal teacher in town wanting more than anything to be a singer. What I found was no teacher could help me and it seemed obvious that even though they had the “big name” they didn't know what they wt. I was losing hope. The combination of this roadblock and my persistence led me to the greatest thing that ever happened in my life....... I met Dante Pavone!

I kept hearing about a singing teacher named Dante Pavone. Since I had already tried everyone else, I decided to give him a shot. On my first lesson with Dante I noticed a big difference. My throat didn't hurt at all and a real voice was coming out of me. I was cured!

Dante’s studies were extensive and he had doctorates in voice, music history, psychology and many other subjects. He was the most intelligent; insightful person I have ever met in my life and not only taught me about voice but taught me many things about life. He one time told me that he had a more profound knowledge of all the fine singing muscles than anyone else.

Dante was the first; a “pioneer” in popular singing, breaking from the traditional operatic style. He taught, or was contacted by, such singers as John Lennon and Paul McCartney (Beatles), Mick Jagger (Rolling Stones), Aretha Franklin, Grace Slick (Jefferson Airplane), Steve Tyler (Aerosmith), Peter Wolf (JGiles Band), James and Livingston Taylor, Faye Dunaway, Tom Jones, Donna Summers, Jonathan Richman, Julianna Hatfield, Andy Pratt, at their prime and the list goes on and on. Once John Lennon and Paul McCartney showed up unannounced at his door handing him a blank check! Singers from New York City Opera Company used to sneak away from their teachers and come to Boston to study with Dante who would cure their wrecked voices from their famous opera teachers they had in NY. Best Singing Teacher in the World!

I studied with Dante every day for the first couple of years and then two or three times a week after that for fifteen years until his demise in 1998. I never missed a lesson! He gave me over a four-octave range where I started with only a five-note one. Not only did he improve my pitch and tone, but I can now sing and scream all night, if I want to, and never have a single vocal problem. In fact the more I sing the better my voice feels!

One day at my lesson Dante asked if he could pass his method down to me. This has been a great honor to me and although many teachers try to emulate his method I am the only one with a certificate as seen above. Not only was Dante my mentor, but still to this day he is the most important person I ever encountered in my life and was my best friend. We were very close and he would spend hours talking to me at lessons not only about music but about many fascinating subjects and opened my eyes to many incredible things.

Thirteen of my songs were chosen to be in one movie called Getting Personal and other songs in the movies Fillbilly and Dykeotomies. My band has won world contests.

I have also studied piano, guitar, and drums extensively and teach all instruments. I studied for years with late great world renowned Charlie Banacos and John Horrigan. Besides teaching I am a songwriter, dancer, actress, film maker, audio engineer and producer as well. I can help you record your songs!

Since 1982 I have written hundreds of songs and have been performing and recording my own music in major New England and New York venues. I've also won awards for my band "Girl on Top."

Breathing
If a teacher tells you breathing is not important you should be concerned. Let me help you to develop solid breathing and correct singing posture. An instrument only sounds as good as it's built. As we build your instrument your range, strength, resonance and stamina all improve. There is no end to how good you can get.

All Styles
The greatest thing about this method is it does not give you a style. You develop your own style! The student brings in songs they want to work on. Pop, rock, hip-hop, alternative, country, progressive, blues, jazz, swing, broadway, folk, rap, r+b, gospel, hardcore, screaming at the top of your lungs (if you want to).

All Levels
I teach all ages and presently have students from three years old to students in their seventies.  Beginners to advanced, adults to elderly, children, kids, and pre-school.  Dante taught me that I can improve a person’s life by teaching them music. He’s certainly improved mine. I hope you will let me help to improve yours.

Vocal Therapist
My method is guaranteed to cure any and all vocal problems or damage you may have from singing or talking: nodules, pitch, range, tone, endurance, etc.

Sing with no break
Have a smooth, multi-octave range. Sing any note the way you like: high or low, hard or soft.

No end to how you can improve
As long as you practice using this method, there is no limit as to how you can improve your range, tone, strength, flexibility, vibrato, phrasing, etc. Let me help you transcend fear, anxiety, and stage fright and replace it with technical ability and self-confidence.

Coaching and Stage Presence
We work on songs that the student brings with them to lessons. Using acting techniques, I help them understand the true meaning of the song and how to convey it to an audience.

Guitar Lesson
Learn easily the basics of rhythm, notes and chords.  Start with the basics and move into learning to play songs that you love. Incorporate learning to sing and play guitar on your favorite tunes.  As the student becomes more confident the lessons move into learning advanced voicing, improvisational techniques and chord solos.  All styles, all levels, all ages.

Piano Lessons
Whether you are a beginner or an advanced professional, any age is welcomed. Learning to play the piano can be lots of fun and very rewarding with practice, persistence and the proper instruction. Learn easily the basics of rhythm, notes and chords.  In the first lesson you will be able to play with both hands.  As you continue lessons it will be fun and exciting to learn to play popular piano pieces.  The more advanced student will have fun learning to improvise and play chord solos.

Drum Lessons
Learning to play the drums is really easy and fun with my method!  Start by learning how to hold the sticks and position yourself at a full drum set.  At the end of the first lesson you will be able to play beats.  With each lesson new beats, styles and exercises will be added.  As you get more advanced the student can bring in songs they want to learn.  This method is perfect and easy for any beginner or more advanced student.

Bass Lessons
The bass is what holds the rhythm of the band together and provides the foundation and bottom for the chord structure.  The student is taken in a step by step method that is easy to understand starting with learning basic notes, rhythms and finger exercises.  As the student becomes more advanced they can bring in songs that they would like to learn.  All styles, ages and levels.

Ear Training
Developing your ear is essential for any serious musician.  We start by learning to sing simple melodies and rhythms and as the student progresses move to more challenging ones.  Also incorporated will be learning notation and chord and pitch recognition.
Song Writing
Learn to write songs like the pros.  Karen D. has written over two hundred and fifty song.  Let her expertise help you learn the secrets fast.  We will work on song structure, theory and lyric writing.

Theory and Arranging
Karen D. is an honorary graduate of Berklee School of Music in Boston.  There she acquired a degree in Jazz Composition and Arranging.  She will teach you about notes, intervals, scales, chord structures and how chords work together.  Also, you will learn how to arrange a song by adding drums, bass, guitar, horns, strings and whatever your heart desires.

Instruments-All Styles

Voice
Vocal Therapy
Nodules
Polyps
Breathing
Strength
Range
Coaching
Stage Presence

Extras
Theory/Arranging
Song Writing
Ear Training
Apple Computer Skills
Final Cut
Logic

Stringed Instruments
Acoustic Guitar
Autoharp
Banjo
Bass Guitar
Dobro
Dulcimer
Electric Guitar
Gottuvadhyam
Guitar
Harp
Lap Steel Guitar
Lute
Mandolin
Pedal Steel Guitar
Sitar
Ukulele
Veena
Zither

Keyboard Instruments
Acoustic Piano
Clarinet
Electric Keyboards
Harpsichord
Keyboards
Organ
Piano
Synthesizer

Percussion Instruments
Bongos
cajon
Castanets
Celesta
Chimes
Congas
Cymbals
Double Bass / Kick
Drums
Drum Set
Glockenspiel
Marimba
Snare Drum
Tambourine
Timpani
Tom Toms
Triangle
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Xylophone

Bowed Stringed
Cello
Double Bass (Acoustic, Upright, Stand-up)
Fiddle
Viola
Violin

Woodwinds
Accordion
Bass Clarinet
Bassoon
Clarinet
Contrabassoon
Double Reed
English Flute
English Horn
Flute
Flutes
Harmonica
Melodica
Oboe
Piccolo
Pitch Pipes
Recorder
Saxophone
Single Reed

Brasswinds
French Horn
Pan Flute
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Saxophone
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Trumpet
Tuba

Testimonials

Karen D is the numero uno female singer in Boston.

Karen made the lesson fun and highly personalized. Karen wanted to know about my current skills and what I wanted to achieve. She then based our lesson play on this information. Excellent!

I don't know how much you remember of me, but you were my favorite voice teacher! I adore/d you and hope all the best for you! I used to walk across Copley Square to your studio for my classes. I remember vividly and I also remember my homework. I will always recommend you highly. Next to my band director you were always my best teacher. Know what? Love you Karen! You are the best! I wish every great thing for you.

Karen is an amazing teacher. She's patient, hard-working and dedicated. She has a lot of musical background experience and knowledge. She's also a cool person!

In American Idol, Haley did great on her solo, clearly the best. I was really impressed I hope you are doing well…we will see you at the next lesson.

Karen is a great teacher. She is extremely patient and encouraging. She also has a great method in building up strong muscles for singing. When I first met her, I could barely match the notes. She encourages me all the time and guides me through the tough period. Now I can match up to High C. She is also very great at Guitar, and has a very good way teaching. I really love her.

Thank you so much for the encouragement. I didn't get much of it when I was growing up that's probably why I never put any effort in pursuing my dream of becoming a musician. I am going to use your time for deeper understanding. I wasted a lot of time in the past I could of been much more educated by now if only i would of had focused and pushed myself. Our time together made me realize many things about myself what i should have done in the past and that I'm very impatient that's probably the main cause of why i never bothered learning anything worth learning... I admire people like yourself who encourage artists to do what they love. Thanks again.

Karen is an awesome teacher with patience and excellent methods to help people sing. She taught me the singing techniques and mostly importantly gave me confidence to face my weakness and sing once more. Patient, nice, and remarkable capability.

Thank you for being such a great teacher and friend!

Thanks for all your help. It has been a revelation.

I finally took your advice and have been doing my practicing every day. As a result, my choir director, Wendy, came up to me after the service and said, "you might become the lead soprano singer if you keep working with that singing teacher of yours, Karen.

Back from a week in New England...great trip...both reunion shows went very well...the audiences loved them. Thanks for your help in getting my voice  ready.  We had five hour rehearsals last Monday and Tuesday, and then shows on Wednesday and Thursday.  My voice was stronger Thursday night than any of the three previous nights.  That's a tribute to you and Dante, and I am grateful. Take care, and let's stay in touch...

Thank you for all you’ve taught me. I know your way is the real way. I hope to have the opportunity to learn more from you in the future. You’re the best!

Hey Karen! How are you?  I'm over that horrible sickness.  I went to rehearsal tonight and what's coming out of me keeps getting better.  Just the look on everyone's face was awesome.  More importantly I can finally express everything inside me.  Thank you so much!  The only problem I have is when my back get's tired.  After an hour it get's tough.  There's so much I want to go over with you.  I'm your biggest fan!  Thanks is not enough.

I know with the voice and lessons it can be like anything else one needs to improve, two steps forward one step back.  However, I have to tell you, I have really made a breakthrough in the last week, starting last Thursday.  For some reason "all of a sudden" my voice is stronger, clearer, I don't get hoarse as quickly, I can sing longer and "harder"/higher, my voice isn't so raspy the next morning, on and on.  Yeah -- the lessons are really working, as I believed they would.  Bless you and the spirit of Dante.

I threw Dante's name into the search engine and found you. My sister, Tina Sanderson, quit high school in 1967 and moved from long island to Boston and found Dante.  I was at Berklee at the time for flute. I was amazed what he did to her already fabulous voice! When Grace Slick (Jefferson Airplane/Starship) went to prison, they asked Tina to fill in, but decided not to do anything until Grace was out.  Unfortunately, two days before recording for Irwin Levine (tie a yellow ribbon....) she died in a car accident.
Anyway, I am very happy to see that Dante's message is not lost with the Master.  i will keep you in mind for anyone wanting the best techniques.

Hello Karen, I found your site through a google search of Dante. I was thinking about him and thought I’d see what I could find. Yours was the first site that turned up and I was very happy to have found it. Even back in 1981 and 1982, when I was with him, Dante was looking for a successor. I’m very glad to have found you. I am also a bit envious that you were wise enough to stay with him until the end. It was my every intention to do that, however, as a teen at the time on my own living in Boston, I let certain emotional issues cloud my judgment and left Dante in 1982 and came back to New Jersey. I must say that I was filled with sadness to find that Dante passed in 1997 and that I made no effort to contact him or study further before that time. What an opportunity it was ever to have met the man! I was with him for a year and applied his method for many years after. I’ve recently gotten back more into singing, I am a guitarist as well, and probably would want to start lessons with you. I was a voice major at Rowan University for a year and half, but actually would rather study by Dante method. Dante was very dear to me. I loved him very much. The year with him was one of the best times of my life with some of the fondest memories.

Hi Karen glad you had a great gig. Nothing was touching the pain, but when I sing it is so intense it doesn't matter. I didn't sleep at all last night, and I felt like crying! I went to my second project today and I think there is an ungodly potential there. I did a little recording last night (just me) so you could hear what you never hear in lessons. I am the singer I always wanted to be thanks to you and I know it's only going to get better! Oh well for now it's ice hot bath and rest.

Karen, even though it was sort lived, coming to you for lessons was one of the best things I've done. It's really gotten me back on track. Dante's scales are so balanced. I was getting into really bad habits especially with the e vowel. With those exercises I'm now placing the e vowel where it should be. I can sing all night again and feel nothing in my throat. When I went to university, the vocal scales weren't balanced. Dante's balances the e's with the ah's and when you got that, you've got it all. This is how I remember it as it used to be. As I said before, I'll be back.

Thank you so much for your wonderful lesson with great encouragement. You are the best music teacher I could ever imagine. How I wish I had met you earlier. 

Karen is a wonderful, sensitive, teacher, who will work with you no matter what style of singing you prefer. For over 6 years I have taken voice from her and my range and confidence increased by leaps and bounds!

Karen is a committed, dedicated and extremely talented teacher.  The unique techniques I  learned in studying with her have greatly improved my singing,  the quality of my voice, and my range is far greater.  I am able to sing notes I would not have thought possible.  Karen loves what she does and every lesson has been an extremely enjoyable learning experience.

Dear Karen, I wanted to thank you for teaching me.  I'm very happy that I decided to take lessons with you and I was able to achieve my goal.  Before I came to you I was not happy with my singing when I hit Bb above middle C and up, but I feel more comfortable with those notes after the lessons with you, and of course, doing the exercises and scales does wonders.  You even got me to vocalize an octave above that Bb and beyond in less than six weeks. What I learned was so precious because it's not something you can learn by reading, but it's something I could only learn by actually having someone coach me in physical coordination.  It was a very interesting experience and a hard work.  I sing almost everyday, so I do notice the difference in my voice from day to day.  Thank you so much.

Karen has been an amazing teacher. I have taken piano, guitar and voice lessons from her for over the past year. I had no prior musical knowledge (or native ability) but yet within 4 months she coached me through preparation for a show singing and accompanying on guitar. While I have much to learn I feel that Karen, with her dedication to her students and wonderful teaching ability, has truly helped me to succeed beyond my wildest expectations.

Dear Karen, So happy to see you're still doing great..I could never in words express my gratitude towards you for teaching me about music, life, and piano..(as well as the wonderful course for drums and everything else) Thank you.

HI Karen, Thank you so much for being such a great mentor and friend of mine:) Thanks for inspiring and encouraging me all the time. Love you.

Thank you so much for your wonderful lessons with great encouragement. You are the best music teacher I could ever imagine. How I wish I had met you earlier. 

Hey, "Coach" -- hope this finds you well.  We played two shows in Vermont two weekends ago, and my voice was excellent.  I've been diligently doing my scales, my stretching exercises, and singing rock songs about 45 minutes a day since the book launch party last August, and it really paid off.  I sang lead on two songs I couldn't even reach last summer.  And I sang our "signature" song, "All Along The Watchtower" probably better than I ever sang it back in the 60s and 70s.  My voice held up through two rehearsals, two sound checks, and two shows, and was stronger at the end than at the start.  In fact, we had a jam session after the second gig and I sang "Superstition" by Stevie Wonder and I have never been able to do that one. So, thanks to you and our dear, departed Dante.

Just wanted you to know that I have continued to work on what you taught me with excellent results.  This past August, at the book launch party, I sang lead on a song which I could not do in 2010 (and I could hardly have done any of my leads in 2010 without your help).  In the six months since the book launch party I have done all my breathing exercises every day, except one single day, without fail.  The result has been that as I sing along with records (which I do about 4-5 days a week) I can now do about a dozen leads on songs I sing with regularly, which I couldn't do six months ago in August.  All this stuff re the voice is only to say a HUGE THANK YOU for your help and your teaching.  Clearly, the Dante method works for geezers, also.  I am amazed at what I can sing that I couldn't get to a year ago, or even 6 months ago.  Plus, a couple of weeks ago I sang 11 days in a row (45 to 60 minutes each day) with no problems at all.  It's so much fun to be able to really sing again...:-)

I'm not sure if you remember me but I took web lessons with you about a year an half ago. Life, however got in the way, and I had to stop. My schedule is now much freer, and I happen to once again be on the same time zone that you are on. I was hoping to begin taking vocal lessons with you again. You are by far the best vocal teacher I have ever had, and my voice really misses your training.

i am happy to tell you about my experience and opinion of Karen. i have been taking voice with her since 1996. I starting to sing in a choir as a soprano at my old church. i struggled to hit the notes and in doing so was straining my vocal chords. i went online to read about strained vocal chords and got scared when i read that they sometimes get nodules a need surgery. i decided i wanted to learn proper technique and searched for a vocal teacher. i read Karen’s bio and discovered that she too had suffered strained vocal chords and got relief through Dante Pavone’s method of teaching, and now she is certified to teach the same method. Since i started with her i have no problem in my throat and i sing way better. Even my body looks better because the exercises that the student does strengthen the lower back so that it can support the ribs properly and has given me a better figure.  i still sing in a choir at my new church and i have gotten many compliments on my voice from many people. At this point i will tell you that i do not practice all of the breathing and scales as often as i am supposed to due to my being a wife and mother of two teenagers, which keeps me very busy and running. That said, i still have made great progress with Karen.
Another more personal note is that a person would be hard-pressed to find another human being as loving as Karen. She’s very caring beyond just voice lessons. My husband has been taking drum lessons from her for three years now and he feels the same way about her, and he doesn’t usually trust people easily. Karen is very well educated and very intelligent. She is a tough but kind teacher. She watches her student like a hawk and doesn’t miss a trick. She corrects gently and never makes you feel badly about yourself. She’s very encouraging. i try never to miss a lesson, because i always leave there in a better mood than when i arrive.
i hope this helps you to decide. You may think...whats with all of this breathing and posture? Trust the technique. it really works without pain or strain of the vocal chords, which means you can sing for the rest of her life and not just a couple years and have to quit due to nodules.

 
Forty years ago I was a lead singer in a New England rock band and I was tearing my throat up.  I was hoarse after every gig and regularly lost my voice entirely after two or three nights.  Then I became a pupil of Dante Pavone in Boston and a remarkable transformation occurred.  Dante’s method was hard work, and it depended on following his advice precisely.  But working with Dante I was able to correct my bad habits, improve the clarity, quality and range of my voice. I could go seven nights in a row and not lose my voice.   Forty years later my band is getting back together for several reunion shows, but I have not sung professionally since 1971.  Fortunately, I found Karen, a protégé of Dante’s, and took webcam internet lessons (she is in Boston, I in Virginia).  All the benefits of the Pavone method re-appeared.  I gained back three octaves on my range and my clarity, strength and pitch all greatly improved.  The Dante Pavone method is still as great as ever and Karen is the ideal voice coach to teach it – a perfect blend of encouragement and pushing. 

Saturday, for the first time after studying with you for over three years and not practicing, i forced myself to do what you have been telling me all along: to practice. The next day my husband came to the early church service with me and told me that when the choir sang the "anthem", which  is our main piece in the service, that he could really hear me and that i sounded really good. Then i had another small rehearsal afterwards with the choir for a new piece for future. After that i was walking down the hall to leave and my choir director caught up to me and said, "You are sounding really good!" i said, “Really?” She affirmed, so i told her it was because my singing teacher is telling me i had better start doing my breathing exercise so i finally listened. She said it was paying off. Today i plan to do all 30 of each again. As much as i don’t understand why it makes so much of a difference, i now know it works and i know also that you are a very smart and driven person and that you would never steer me wrong. so thanks.

I called my brother (he used to back up Taj Mahal) to ask about when Grace Slick studied with Dante.  When my sister was studying his method I met Dante once or twice.  At the time I was making costumes for the New York City Opera Company and was one of Beverly Sill's dressers. Dante kept saying that Beverly was going to blow out her voice.  I remember that several opera singers used to sneak away from their appointed vocal coaches in NYC to catch some time with Dante.  Dante would have to cure all the vocal problems that their so called “famous” NY coaches were giving them.

I was thinking about Dante recently. I just got a gig in Switzerland coming up in April and even though I'm a sax player (Berklee alumnus) I will be singing a concert there. I pulled out all of my old hand written Dante notes and oddly I realized the system and its ease after twenty years. What I'm saying is "voila" now it all came back to me and I’m singing with a fair amount of ease up into my head, stretching my range and feeling really great. Anyway, I googled his name and your name came up associated with Dante's, and rightfully so. I was always amazed by him, but now I'm amazed at what he was always trying to tell me even though he saw me as a great student.  I know that one website that came up under someone's name (associated with him) mentioned that he had passed away. I think he was 76 when he taught me. I remember he mentioned your name to me many times in the 80's. I moved to LA after Berklee and I talked about him with the highest respect and felt very lucky to have studied for a long time with a genius and true master of the human anatomy. Keep up the good work! I just wanted to say hello and let you know that I'm glad you're carrying on his legend.

Thanks for your help in getting my voice ready.  We had five hour rehearsals last Monday and Tuesday, and then shows on Wednesday and Thursday.  My voice was stronger Thursday night than any of the three previous nights.  That's a tribute to you and Dante. I am grateful.

Karen I have to tell you I have really made a breakthrough since I started studying with you. My voice is stronger, clearer, I don't get hoarse as quickly, I can sing longer and "harder"/higher, my voice isn't so raspy the next morning, on and on.  Yeah -- the lessons are really working, as I believed they would.  Bless you and the spirit of Dante.

Every day, since studying with you, after I sing my voice is clearer and stronger when I am finished. You’re a great teacher!

Thank you for all you’ve taught me. I know your way is the real way. I hope to have the opportunity to learn more from you in the future. You’re the best!

I studied with one of the supposed most famous vocal teachers in America. After a year of studying this particular method I couldn’t even get through one rehearsal or four songs at a gig with out vocal blow out. When I came to Karen I had severe vocal damage from studying with this supposed other “famous” teacher”. On the first lesson with Karen my voice was cured and after four lessons I played a gig and my voice felt better than before I started singing and the next day I was not hoarse at all. This is the best vocal method I have ever studied in my life as I have studied with many other teachers before Karen that also damaged my voice. If it weren’t for Karen and the Dante Pavone method I surely would not ever be able to sing.

My daughter did great on her solo, clearly the best.! I was really impressed. I hope you are doing well…we will see you at the next lesson.

Had a great lesson with Karen today. I expected the usual tongue and lip rolls and of course the long lectures on what to avoid to keep a good voice, but i got something much better. :)

I went to rehearsal tonight and what's coming out of me keeps getting better and better.  Just the look on everyone's face when I sang was awesome.  More importantly I can finally express everything inside me.  Thank you so much!  I'm your biggest fan!  Thanks is not enough.   

I just wanted to let you know that my gig on Saturday went GREAT!!! My voice felt really good and I didn't feel strained at all. I'm so glad I took the breathing exercises that you showed very seriously. I don't know where I'd be without you.

Once again you have my deepest thanks for what you've opened to me vocally. I still can't believe it. Every time I open my mouth to sing I get better and better! Also, thank you very much for the great encouragement.

I just wanted to say again how happy I am that I met you. My progress is more than I dreamed of and I know I'm not all the way yet. I also have come to regard you as a friend. I truly wish you all the success you dream of.

Before studying with you I always felt like crying because I could never get my voice to work properly. You have showed me the potential there. I did a little recording last night so I could really hear the huge difference and in just a few lessons. I am becoming the singer I always wanted to be thanks to you. I know it's only going to get better!

My voice keeps getting better and better every day.  I would say that you have 100% given me all the ability and more than I could have dreamed of.  You definitely delivered the goods.  I've grown from skeptic to true believer. The last two weeks, but especially the last couple of days, I have transformed into an altogether more dynamic singer with a pitch increase of at least an octave.  Every note becoming as soft or as loud as I want it to without strain or effort!  God bless you. I know that it's going to only get better from here!  Did you ever see the matrix we're the guy says why oh why didn't I swallow the blue pill.  That's how i feel about my choice some twenty years ago or more, when I saw your add.  Also the changes in my physique are truly unbelievable too.  Anyway thanks so much and I look forward to seeing you next week.

Hello Karen, Life is stranger than fiction!! I played an outdoor gig today! I sang for hours and had no problems. Afterward everybody was all over me. Makes all the sacrifice worth it. I learned a lot today. I sure hope it will continue. I live for this. Don't mean to sound like a broken record, but thanks so much for all you've given me the ability to do. I'm everything and more that I always wanted to be.

I so much value everything I've learned from you and I always looked forward to my lesson.  You are a very gifted teacher and your technique has really made a difference in my voice.  I never thought I could hit high C so effortlessly. Thank you, Karen.

It was great getting the first lesson from you. Saw how you rock from Dante's point of view.

Karen, You are wonderful. I love your personality and your lessons. I talked about you and your method to all my friends and co-workers and will always recommend you to anyone who’s interested in lessons.

Hi Karen, we're moving to New Hampshire tomorrow :-)  We're going to miss you a lot! You have played a very positive role in Brendan's life and for that I will always be grateful. I wish you nothing but happiness. Warm Regards, Rob

You have been such a blessing. I believe people don't just come into your life by accident.

Karen, coming to you for lessons was one of the best things I've ever done. It's really gotten me back on track. Dante's scales are so balanced. I was getting into really bad habits. With those exercises I can sing all night again and feel nothing in my throat. When I went to university, the vocal scales weren't balanced and I had vocal issues. Dante's balances the e's with the ah's and when you got that, you've got it all. This is how I remember it as it used to be when I studied with Dante.

I enjoy the music instruction and guidance which shows progress in a short amount of time. I have explored rhythm, melody, and harmony with various instruments for resemblance. Her personal studio at home is great for this.

Awesome!
...
Reviews
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Jo B. December 1, 2017
· Percussion · In home
Very patient with this beginner. Clear lesson plan.
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Cameron B. October 26, 2017
· Ukulele · In home
Karen is the best!
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Carl W. July 18, 2017
· Bagpipes · In home
Karen fixed my problem in five minutes after I had two years of getting no where. I play clarinet and was curling my fingers like on a clarinet. On a bagpipe, you must lay the fingers flat. Suddenly all the pressure problems with the reed went away.
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Karen D.

Karen D.

Somerville, MA 02145
(18)
starting at
$40 / 30-min
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About Albino M.

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Cambridge, MA
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Solid knowledge from 18 years of playing guitar and I Graduated From Berklee College Of music as one of the first African Scholars.

About Albino
Albino was born in Maputo, the capital of Mozambique, a country in southern Africa known for its rich musical and cultural heritage. Fueled by the resourcefulness and determination that have always characterized Mozambicans, he built his first guitar at 16 from a 5-liter can of oil, scrap wood, and strings made out of electrical cords.

Drawn to the sounds of neighborhood street musicians in Maputo, Albino began to play in a number of local bands. As with his home-made guitar, Albino wanted to combine styles and incorporate diverse elements in his music. For his talents to grow, he knew he needed experience new places, cultures, and sounds.

While studying music education and Performance at Universidade Eduardo Mondlane in Mozambique, he heard about the Berklee School of Music in Boston, USA, where he could expand his musical horizons
. Soon after, he was one of the first students to receive a full scholarship to Berklee through the African Scholars program. In 2009, he settled in Boston, Massachusetts.

At Berklee, he was exposed to a variety of influences, but wanted to go deeper into the roots of jazz and expand his knowledge of music. He auditioned and was selected to participate in the Berklee Global Jazz Institute, which is directed by Danilo Perez and the residency teachers, including Joe Lovano John Patitucci, and Terri Lyne Carrington. The Institute emphasizes an artist's original vision in jazz, and has helped Albino find his own unique voice in the art form.

Albino still felt the absence of his own Mozambican traditions in his music. With the help of his mentors, Richard Bona and Lionel Loueke, two of the most prominent African musicians in the United States of America today, he began to bridge that gap.

Today, Albino's music succeeds in combining many disparate parts into an organic whole. It incorporates his musical experiences from Mozambique, the U.S., and many other places around the world, combining rhythmic patterns and musical concepts to create a unique Moz-Jazz sound. He will always continue to combine and capture the energies of different musical traditions to create a unified and original musical style.

Albino's original composition “Mozambique Dance” was recorded by Jazz Revelation Records, a student-run record label at the Berklee College of Music, for the 8th annual album released in 2011. He also recorded “Awusiwana,” his own composition, for the Berklee 2012 summer album. His debut album, also called Mozambique Dance, is to be released in Spring 2013.

Albino is an active musician, and has performed in several countries including Mozambique, Zimbabwe, South Africa, Italy, the U.S., and Mexico. He has also produced and recorded various projects in Mozambique and in the United States. In 2012, he will graduate from Berklee College with a degree in Music Production & Engineering and Performance, and a minor in Acoustics and Electronics.

*** Lesson Details ***
My teaching method dependent on the type of student. All my students will be treated with care and commitment to help them archive the their goals in the lessons.
We will be using book method as a way to follow a clear direction.
Learn songs, chords, scales, phrase, theory and more material that is needed for better musical foundation.

I am open to what the student wants to achieve over short and long terms.

*** Studio Equipment ***
Desk top and Laptop Mac Computers
Protools, Logic Pro, reason
Focusrite 56 Liquide, Focusrite Dual Mono Mic pre
BBe Maximizer
Bricasti, M7, sterreo reverb

*** Travel Equipment ***
Guitar
Guitar Amp
Mic
Laptop
Mbox

*** Specialties ***
Guitar
Bass Guitar
Voice
Ukelele
Song writing
Production
Audio Recording
Mixing
Mastering
...
Reviews
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Eunhye J. December 3, 2017
· Guitar · In studio
I had my first lesson learning "Romans". He taught me how to approach in learning guitar. He's knowledgeable, kind and enthusiastic. I highly recommend.
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Gina September 7, 2017
· Singing · In studio
Albino is a supportive instructor. He definitely wants to help mold his students into the best performers they can be. Very excited to continue working with him!
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Michael M. August 30, 2017
· Guitar · In home
Very patient and knowledgeable. Great mix of feedback and praise
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Albino M.

Albino M.

Cambridge, MA 02139
(11)
starting at
$30 / 30-min

About Billy N.

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Brooklyn, NY
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I don't consider myself a Flamenco Guitarist but I'm schooled for over 5 years in the techniques and styles. I love the music and as an excellent teacher I have an excellent method from my own guitar master that will get you going on your way. If you stay with Flamenco to a certain level, I'll try to help you find a teacher that would really specialize in advanced playing

About Billy
Billy N. has played Jazz, Brazilian and Classical music in the NYC area for the last 20 years. He has actively taught both finger-style and pick guitar for the last 20 years. He was on staff at the American Institute of Guitar for 11 years. His book on Brazilian Guitar is published by Alfred Music and currently available. He now offers online lessons via Skype as well as in his private studio. Playing credits include many museums and clubs in the NY area including Museum of Modern Art Museum of the City of NY and an extended stay at the Guggenheim museum in the Summer of 2000. Also he has been in the Brooklyn Museum concert series with his group Afinidades Bronx Libraries Brooklyn College and the Jewish Museum in trio and duo setting with great Percussionist Vanderlei Pereira. He has performed in Brazil as well most recently in the South
of Brazil,  receiving TV and radio coverage. He has also done workshops and performed at the Conservatory of the state of Pernambuco. In August 2004 he performed weekly at Rio Scenarium in Rio de Janeiro. His Band Brooklyn Brazil Bop has played at Joe's Pub as well as Central Park Festival. His band the Brazilian Acoustic ensemble performs periodically at 'Barbes' an important performance space in Brooklyn NY. In 2007 he gave a successful jazz workshop and concert in the city of Florianopolis Brazil. Billy has been awarded 3 prestigious composer's residencies 2006 - Yaddo and 2007 - The MacDowell Colony. He was featured on the PBS news hour during his residence at MacDowell. In 2008 he was awarded another MacDowell residency and followed this with a 3 hour appearance presenting his compositions live on WKCR Jazz Radio and another live radio appearance with band in 2010. Billy regularly plays in many venues around NY in Jazz trio settings as well as with Brazilian vocalists and instrumentalists. Most Recently his groups have been performing at the famed Cornelia Street Cafe in New York City. He also specializes in solo guitar and can double on percussion (Pandeiro) and Cavaquinho. Billy has completed two CD's of his original music and an EP of his original Choro music. He has a BFA in Jazz Performance from CCNY.

Testimonials:
From Coda Magazine August 2012: by Seton Hawkins

Through outstanding collaborations like the Brazilian Acoustic Ensemble, guitarist and composer Billy N has emerged as a leading exponent of the music of Brazil. Exploring far beyond the well-trodden bossa nova path. Billy unearths the full range of styles the country offers, including choro, baiào, valsa and samba, and gives American audiences a rich panoramic glimpse into Brazilian art, highlighting its parallels with progressive jazz.

A recipient of composers residencies at Yaddo and MacDowell Colony, he is the curator of a three-day series at the club dedicated to the country's music. Billy will showcase his own group—a sextet with drummer Matt Kane, bassist Leco Reis, saxophonists Michael Attias and Eric Schugren and trumpeter Ben Holmes—in a concert primarily featuring his original works. SH

Reviews of my Book on Alfred Brazil: Guitar Atlas,  I love this series and this is the best of the six titles I have. Billy really knows his stuff; the analysis of time at the beginning is superb: something I now use in my teaching. This is definitely for intermediate and higher guitarists, but the pieces are worth the effort to get right, and the accompanying CD shows you what you are aiming for. This is as good as my other Brazilian guitar book (by Nelson Faria) and much more compact and easier to follow. Highly recommended!

#2

This book is essential homework for students of Brazilian guitar. It is one of the best resources out there, along with Nelson Faria's "The Brazilian Guitar Book." The original etudes are not only instructional, but are nice pieces in their own right. An excellent value.

*** Lesson Details ***
I've taught all levels over 20 years both in NYC and Brazil. I work with the material that the student wants and also through recordings and charts introduce much music that the student might have been unfamiliar with. My lessons are catered to the individual. There is no obstacle anyone has that is too great to work through. My approach to rhythmic training has helped many. I have simple way of breaking down the guitar fingerboard which can used as a guide to learn harmony. I'll get you into the horizontal aspects of guitar, traveling across the neck, making music across one string as well, mastering the guitar in a small fret range - " vertical position playing".

*** Studio Equipment ***
I have guitar for the student, either electric or nylon. Cavaquinho students bring their instrument. First time students must bring their instrument so I can see what they are playing on.

*** Specialties ***
Brazilian Fingerstyle - Choro, Samba, Baiao Solo
Jazz Guitar - Pick or Fingers
Beginning Flamenco
Cavaquinho
Improvisation for any instrument
Harmony and Theory
...
Reviews
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Flaminia D. May 12, 2015
· Acoustic Guitar · In home
I have been taking lessons with Billy since January 2015. I am a total beginner and I really think I have made the best choice ever to pick him as my teacher. Billy is an experienced guitar teacher and a professional player that knows great techniques for beginners. He has been teaching me basics of guitar in a smart way, and at each lesson I feel I learn something new and at the same time I can clearly see how much progress I have made since our first lesson. He has also been teaching me how to read music and tabs which proofed to be extremely useful every time I want to learn a new song by myself. Highly recommended!
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Lynn W. December 17, 2014
· Guitar · In studio
I cannot recommend Billy enough. I studied jazz improvisation with Billy for three years, and later returned to study Brazilian guitar and Piedmont-style finger picking with him. I had been playing for more than twenty years when I started studying with him and he not only helped me improve my playing technically and creatively (on electric and nylon stringed guitars) but also expanded my knowledge of theory and helped me develop new approaches to composing and arranging. I am still working with the material he gave me and take lessons from him whenever my schedule allows.
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felicia D. October 17, 2014
· Brazilian Guitar · In home
I took Brazilian guitar lessons from Billy for several years. His method focuses on absorbing the many rhythms of Brazil and translating them from percussion instruments to the guitar. Much of his effort is devoted on achieving the elusive Brazilian swing, which non Brazilians need to learn. Billy is excellent in breaking down the rhythms and explaining them. He even has a book out on his method. He covers various Brazilian genres: choro, bossa nova, samba, baiao and more.
Billy also is an accomplished jazz, classical and flamenco guitarist with a thorough understanding of harmony and improvisation. He is very patient and has years of teaching and performance experience. You will be lucky to study with him!
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Billy N.

Billy N.

Online
(11)
starting at
$60 / 45-min

About Guilherme F.

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Roslindale, MA

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Berklee graduate devoted to helping you make progress, whether it is a song you want to master, a new technique or simply the basics.

About Guilherme
Hello! Let's make music! I am a recent graduate of Berklee, where I earned my degree in both Jazz Composition and Guitar Performance. Whether you've just picked up the guitar or you are looking to explore a new style, I enjoy motivating my students to learn. Growing up in Brazil, I have a strong background in Samba, Bossa nova and other Latin styles such as Flamenco. With the opportunity to study at Berklee, I took full advantage of studying under renown professors of Jazz and Blues. I enjoy transferring this enthusiasm for music to my students, guiding them toward their goals and having fun along the way. I look forward to hearing from you!
I also perform regularly with my duo.
...
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Davi November 24, 2017
· Classical Guitar · In studio
Guilherme's is an excellent teacher. He was very didactic and has a superior knowledge of classical guitar, the best teacher I ever had.
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Stephen T. October 26, 2017
· Flamenco Guitar · In studio
Great experience and learn many new techniques in just a few lessons. Guilherme is a excellent teacher and very kind and patient during our classes.
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stephen October 3, 2017
· Flamenco Guitar · In studio
This was my first lesson ever and it was a great experience. Guilherme is a very kind, fun, and professional teacher and I would recommend him. He helped me with new techniques and was very patient with me.
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Guilherme F.

Guilherme F.

Roslindale, MA 02131
(8)
starting at
$29 / 30-min

About Jordan S.

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Moreno Valley, CA
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I've been playing for 7 years. My style of teaching incorporates all styles. Along with teaching guitar, I also teach you of other instruments because I have found that the best way to learn guitar is to learn music in general. Bring as much as you can to the table so that you can create your own style. I also very much enjoy teaching concepts and technique through song. Usually songs of your choice. All music has something to show you.

About Jordan
I have been in a bands since I was 15. Been on stage loads of times. From rock punk backyard shows to family events and christmas parties. I've played personal events playing classical and jazz music. I've played with the RCC jazz ensemble. I've played guitar for marching. So I'm very familiar with different styles of playing and different enviroments. Also with plenty of musical personalities. My teaching style is based around helping you find your own musical direction and path. Helping you use music to create and express yourself and no one else.
...
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Jordan S.

Jordan S.

Online
starting at
$17 / 30-min

About Kamila C.

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Profile_115650_pi_Photo%20-%20Kamila%20Csengeova
Walpole, MA
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I graduated Berklee College of Music - Professional Diploma in Performance (summa cum laude). During my studies at Berklee College of Music every semester I earned placement at Dean's List and 10 March 2016 I also received John LaPorta Award for outstanding achievement in my major.

After the graduation from high school in Novy Jicin I started to study acoustic guitar in which I pursued classical and latin music at the Jaroslav Jezek Conservatory in Prague, Czech Republic. Then I was admitted to a professional diploma program at the same Conservatory to study electric guitar where I studied jazz. I also invited lessons of rock guitar. Alongside the guitar, I was taking voice lessons and piano lessons.

I have more than 10 years teaching experiences. I was a guitar and music theory teacher in Prague at variety music schools and I also had many private students.

I teach variety music styles and also music theory, sight reading, improvisation and arranging. My teaching style ...

About Kamila
I graduated Berklee College of Music - Professional Diploma in Performance (summa cum laude). During my studies at Berklee College of Music every semester I earned placement at Dean's List and 10 March 2016 I also received John LaPorta Award for outstanding achievement in my major.

After the graduation from high school in Novy Jicin I started to study acoustic guitar in which I pursued classical and latin music at the Jaroslav Jezek Conservatory in Prague, Czech Republic. Then I was admitted to a professional diploma program at the same Conservatory to study electric guitar where I studied jazz. I also invited lessons of rock guitar. Alongside the guitar, I was taking voice lessons and piano lessons.

During my studies at Berklee, the Jaroslav Jezek Conservatory and after graduation I played with a lot of musical groups including du
ets, trios and performed in reputed concert halls and jazz clubs like Berklee Performance Center, Ryles Jazz Club, New England Guitar Festival, Prague Congress Centre, Hall of Bohuslav Martinu, Cultural Centre of Novodvorska, Jazz Dock, etc. I also performed for live TV show Terra Musica in Prague, also for Bohemian TV and recorded musical advertisement for famous magazine Reflex.

I have more than 10 years teaching experiences. I was a guitar and music theory teacher in Prague at variety music schools and I also had many private students.

I teach variety music styles and also music theory, sight reading, improvisation and arranging. My teaching style demonstrates dedication to fostering a positive learning environment to all students and maximizing individual student performance. The accomplishment I'm most proud of in my teaching career is that some of my students were accepted to Music Conservatory.
...
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Andrea November 14, 2017
· Guitar · In home
I had lessons with Kamila many years and she is amazing teacher and guitarist. She is very experienced, professional, friendly and enthusiastic.
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David November 14, 2017
· Guitar · In studio
I took a guitar lessons with Kamila and I learned a lot from her professional experiences. I recommend her to another students.
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Karla November 14, 2017
· Guitar · In home
Kamila is great teacher and guitarist. I learned many good stuff from her!
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Kamila C.

Kamila C.

Walpole, MA 02081
(3)
starting at
$55 / 30-min

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